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Bjarke Ingels and Jakob Lange have launched an Indiegogo fundraiser for an 80-foot-diameter ORB to be constructed for the 2018 Burning Man festival at Black Rock City, Nevada. Scaled at 1/500,000th of the earth’s surface, the reflective sphere sits “at the axis of art & utility, capturing the entire Black Rock City in an airborne temporal monument that mirrors the Burning Man experience to the Burners as single beings in the midst of an intentional community."

As well as acting as a wayfinder for navigating The Playa, the ORB sits as a tribute to mother earth and human expression, designed to blend with its surroundings during the night, and leave no trace following its deflation.

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Foster + Partners has published photographs of their recently-opened Apple Store in Macau, intended as a “new oasis of calm” against the city’s buzz and excitement. The store, opened on June 29th, was designed in response to a brief calling for “an inviting, contemplative space, where technology, entertainment, and arts come together to make a positive contribution to the city.”

Apple Cotai Central was designed in a close collaboration between Foster + Partners and Apple’s chief design officer Sir Jonathan Ive, a collaboration which has previously produced Apple stores at Michigan Avenue in Chicago, and Regent Street in London.

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The Naomi Milgrom Foundation has released images of the MPavilion 2018, designed by Barcelona-based architect Carme Pinós of Estudio Carme Pinós, and situated in Melbourne, Australia. The fifth MPavilion in an ongoing series, the Estudio Carme Pinós design seeks to invite interaction at an intersection between people, design, nature, and the city.

The first Spanish architect to design an MPavilion, Carme Pinós follows on from past MPavilion designers such as OMA in 2017, Studio Mumbai in 2016, and AL_A in 2015.

Lithuanian city Panevezys will have a new cultural hub thanks to the winning design of architecture firm, IMPLMNT. The proposed design of the Stasys Eidrigevicius Arts Centre, which will be built in the northern part of the city center, won the competition due to its function, location, architecture, and the social/economic value it will be adding to the city.

The center will take the place of an existing movie theater, a historic landmark in the Lithuanian city. After performing structural analysis on the existing theater, a study of the conditions indicated that it can no longer be preserved or saved. Keeping in mind the importance of the movie theater to the city, the architects at IMPLMNT decided to draw inspiration from the existing building, as well as use its proportions to create the newly-designed structure.

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Oslo-based architecture firm Ekberg Lous Arkitekter have designed Norway’s first World Heritage Visitor Center, after having won the open international architectural competition in 2008. Following the competition, the project was halted for seven years due to a lack of funding, but has been given the green light in 2015 with revised plans and a new site. The center, which will be built on the tip of the northern shore of Vega Island, is expected to be a gathering point for both locals and foreigners. It will provide visitors with knowledge about the natural and cultural values of the Vega Archipelago and world heritage sites in general. The center is set to be open in spring 2019.

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Videos

As part of our 2018 Venice Architecture Biennale coverage, we present the Unfolding Pavilion. Below, curators Daniel Tudor Munteanu, Davide Tommaso Ferrando, Sara Favargiotti describe the exhibition in their own words.

The ‘Unfolding Pavilion’ is an exhibition and editorial project that pops up at major architecture events in previously inaccessible but architecturally significant buildings.

On each occasion the ‘Unfolding Pavilion’ features a different theme inspired by the space it occupies, by means of commissioned original works that react to it and to its wider cultural-historic background. The ‘Unfolding Pavilion’ doesn’t necessarily care about the hosting event’s theme. It lets its occupied space inspire its own theme. Without a good exhibition space (of the finest architectural making), the 'Unfolding Pavilion’ doesn’t have any reason to exist.

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The Chicago Architecture Foundation (CAF) has announced the opening date for their new home, the Chicago Architecture Center (CAC). Set to open August 31 of this year, the CAC will be the "home to everything architecture in Chicago." The 20,000-square-foot structure is located at 111 East Wacker Drive, just above the dock for the River Cruise offered by the CAF.

Lynn Osmond, the CAF's president and CEO, said of the new Center, "We can't wait for people to visit and experience how Chicago architects have influenced the world through their innovation and vision. We've engineered a stimulating and immersive space where visitors can have fun discovering Chicago's groundbreaking architecture and appreciate its profound impact on the world."

Designed by Chicago-based firm Adrian Smith + Gordon Gill Architecture (AS+GG), the CAC will feature custom spaces designed for education, tour orientation, and other public programs, as well as a store and interactive exhibits.

Read on for more about the Chicago Architecture Center and its unique design experience.

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After receiving 98 entries from teams based in 23 different countries, the jury for University College Dublin’s Future Campus project has selected six proposals for their shortlist, putting each selected firm’s design on display to the public on the project’s website. The finalists include the American firms Steven Holl Architects, Studio Libeskind, Diller Scofidio + Renfro and John Ronan Architects, as well as the Dutch firm UNStudio and Irish architects O’Donnell + Tuomey.

The project will include two major changes to UCD’s Belfield campus, located about 5 km from Dublin’s city center: a major update to the campus’ entry precinct along Stillorgan Road, as well as a new 8,000 square meter Centre for Creative Design, which will house UCD’s design studios.

"Moriyama-San" - a film by Bêka & Lemoine - has been awarded the 2018 Best Prize at the Arquiteturas Film Festival in Lisbon. Centered around the famous Moriyama House by Pritzker Prize Laureate Ryue Nishizawa, it becomes part of a developing series called “Living Architectures,” in which the filmmakers aim to “put into question the fascination with the picture, which covers up the buildings with preconceived ideas of perfection, virtuosity, and infallibility.” In its unique approach, the film “masterfully combines image, sound, and narrative in a compelling story about a unique character and its relation to his house and music.”

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From a historical perspective, visiting a significant work of architecture only amounts to a fractional part of what it takes to understand its importance. Context is crucial; every project responds to the society around it as much as it does the site that it inhabits, and it represents a synthesis of precedents and a point of inspiration for works that follow. As recently featured in Metropolis Magazine, these dynamics take center stage in a new exhibition staged in Norman Foster’s seminal Sainsbury Centre for Visual Arts, a contemporary landmark built in 1978 on the campus of the University in East Anglia in Norwich, England. Entitled Superstructures: The New Architecture: 1960–1990, the exhibit explores the central trends in post-war 20th-century building design, highlighting the historical context of the Sainsbury Center itself on the occasion of the museum building’s 40th anniversary.

In Dnipro, Ukraine, sits a unique multi-purpose pavilion rich with historical roots and design influence. Stage is a collaborative project between architects from Ukraine, Poland, Denmark and Italy, crowdsourced and crowdfunded by the citizens of Dnipro. The site for the pavilion has been centered around community involvement throughout the complex history of Dnipro, but it has laid unused for over 70 years.

Stage is an emanation of the rich and vibrant culture and was built to accommodate the needs of dozens of artists, poets, painters and musicians, who previously relied on various spaces scattered around the city. Their "collective creative energy" was used to reactivate the lost community space. Stage was recently awarded Special Mention in the 2018 European Prize for Urban Public Space.

Read on for more about Stage and the collaborative effort that made this initiative possible.

With construction underway on their renovation of the Space Needle, Olson Kundig will shift their focus to a different American icon. The Seattle firm has unveiled their proposal as lead architect and exhibit designer for The Bob Dylan Center—a new museum that will also house the Bob Dylan Archive in Tulsa, Oklahoma. Sponsored by the George Kaiser Family Foundation and the University of Tulsa, the center is expected to open in 2021, with groundbreaking planned for 2019 in the Tulsa Arts District.

The Helsinki Central Library Oodi, designed by ALA Architects, is nearing completion in Finland. Due to open its doors on December 3rd 2018, the library is situated in the cultural district of Töölönlahti, where it will sit as a ”powerful and iconic temporary design” among other architectural landmarks.

Situated across from the Finnish Parliament House, the scheme represents an interaction between the state and its citizens, “a new avenue to promote freedom of speech and democracy.”

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Designers Studio Ohk have released details of their architecturally-inspired “Urban Soaps” range, reflecting built fragments of the South Korean capital Seoul. The four designs reference traditional and modern architectural elements in Seoul through their shapes and colors, “curated and blended by the team to highlight the city’s personality.”

The products began with an idea of “delivering regional stories, images, and experiences through an accessible medium” with soap chosen ultimately for its flexibility, and its appeal to multiple senses, such as sight, scent, and touch.

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Videos

It has been confirmed that parts of the Glasgow School of Art’s Mackintosh building are to be dismantled. A statement by Glasgow City Council, reported by the BBC, revealed that substantial movement in the building’s walls had been detected from surveys following the June 15th fire, indicating the sudden partial collapse of the structure was likely.

Work on the dismantling is to begin “as a matter of urgency” focusing on the south façade, which was the most seriously damaged during the fire; the second blaze to devastate the building in four years.

The Museum of Modern Art (MoMA) has opened its exhibition of the Young Architects Program 2018 at its MoMA PS1 location in Long Island City, New York. Now in its 19th edition, the Young Architects Program offers emerging talent in the architectural world the opportunity to “design and present innovative projects, challenging each year’s winners to develop creative designs for a temporary, outdoor installation that provides shade, seating, and water.”

The winning project this year was “Hide & Seek” by Jennifer Newsom and Tom Carruthers of Dream The Combine, working on collaboration with Clayton Binkey of ARUP.

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Last month Harvard University’s School of Public Health re-launched their Center for Climate, Health, and the Global Environment, introducing new partnerships and a new director for the institutional home of Dr. Joseph Allen’s Healthy Buildings initiative. With the stated mission of “improving the lives of all people, in all buildings, everywhere, every day,” the Healthy Buildings Team is leading research on how today’s built environments impact the health, productivity, and well-being of the people who inhabit them; as well as how future buildings can help us live healthier lives.

In the interest of defining their terms and presenting their research in a way that audiences outside academia can understand and incorporate into their work, the Healthy Buildings team have released an exhaustive list that details the simple foundations of making a building healthy.

The 9 foundations for healthy buildings are as follows: