The jury of the London Design Biennale 2021 has announced today June 24 the winning pavilions to the third edition. Responding to artistic director and curator Es Devlin's theme ‘Resonance’, the Biennale brings together over 30 pavilions to showcase how design can provide solutions to the challenges of our times, from sustainability to globalization, to migration to the future of humanity.

“The winners of the 2021 London Design Biennale Medals truly illustrate the importance of design thinking to help bring social change and economic growth across the world," said John Sorrell, President of the London Design Biennale. While Victoria Broackes, Director of the London Design Biennale, stated the winners "clearly demonstrate how brilliant design can be in telling complex stories that communicate directly to hearts and minds."

Responding to artistic director and curator Es Devlin's theme ‘Resonance’, designers from different countries, territories, and cities showcased how they envision new perspectives and solutions to global issues, exploring topics such as sustainability and the environment, globalization, migration, and the future of humanity. The diversity of the contributing curators was not only present in the solutions they presented, but in how they displayed them as well. While some opted for the tactile experience of exploring natural elements, others relied on one of the most prominent themes of the 21st century: digitalization and the virtual world.

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Completed in 2020, amidst the pandemic, ANOHA- The Children’s World designed by Olson Kundig for the Jewish Museum in Berlin is finally opening its doors to the young public. The design reinterprets the myth of Noah’s Ark and furthers the concept and ideas of a similar installation at Skirball Cultural Center in Los Angeles, created by the firm then named Olson Sundberg Kundig Allen. More than a museum experience, the project is a space for community building, a place for imagination and play that enacts a universal story, creating an inclusive environment for children and families of all cultures and backgrounds.

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The European Award for Architectural Heritage Intervention, a biennial award organized by the COAC (Association of Architects of Catalonia) and the AADIPA (Association of Architects for the Defence and Intervention in Architectural Heritage), has announced the winners of its fifth edition.

Architecture firms Topotek 1, Johannes Kappler Architektur und Städtebau, and Super Future Collective have released new images for the Nuremberg Concert Hall. While the project is on hold due to the pandemic, the competition-winning design was made as an addition to the ensemble of the Meistersingerhalle. The project is driven by the 1960s architecture of the existing building, and will address acoustic issues to provide a world-class space for performance.

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Architecture firm NBBJ have unveiled the design of The Net, a next generation office tower in Seattle that fosters wellness and community. The firm's proposal comes as an answer to the problematics that high-rise buildings impose on individuals and urban spaces, such as lack of communal integration and the difficulties of accessing fresh air from the outdoors due to mechanical ventilation systems imposed on the facades.

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Clear structures, restrained colors, and natural grace characterize the innovative residential building concepts that delighted members of the 2021 iF Design Awards jury. The awards were granted to impressive ideas that created a visual symbiosis with nature, among other concepts. These are residential buildings that fit casually into their natural surroundings—as if they themselves had emerged from their environment.

A geographic discovery game based on Google imagery, GeoGuessr requires players to guess various locations worldwide using only the clues provided by a Street view. Created in 2013, the game has taken on new relevance amidst the pandemic, as it provides a virtual travel experience. From desolate roads to famous sites, the game teases deductive reasoning, requiring players to make use of any clue, from signs, language, flags, landscape, to pinpoint their surroundings.

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Snøhetta has proposed Lunar for the International Competition of the Landmark Design of Qianhai's New City Center. Inspired by the city's pioneering past and technology-driven future, the proposal is satellite-like structure that resembles landmarks in the era of data and technology. The proposal ranked second place in the competition alongside Sou Fujimito's floating tower.

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London Design Biennale is currently unfolding at Somerset House, with 38 exhibitions from across six continents showcasing the role of design in addressing global challenges. Curated by Artistic Director Es Devlin, the event centres around the theme ‘Resonance’, inviting designers and artists to consider the ripple effect of “ground-breaking design concepts on the way we live, and the choices we make”. At the third edition of the London Design Biennale, the national pavilions highlight new perspectives on world issues, exploring sustainability and the environment, globalisation and migration, history and daily life.

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Architecture firm Urban Agency has shared new details of their Vancouver Forest development in Canada. Taking inspiration from the forest regions of the area, the project includes timber, bamboo and greenery to form a sustainable block for the city. As a series of stepped terraces, the project was designed as a 'living canopy' with trees and foliage growing along the building envelope.

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Rogers Stirk Harbour + Partners along with AUBE Conception have won the design competition of the Qianhai Financial Holdings Headquarter Tower, a mixed-use commercial building in the center of the Qianhai district in Shenzhen, China. Rising 220m, the metallic bronze-clad tower will include triple-height sky lobbies, a central atrium, and a skyline pagoda, all elevated and supported within four monumental columns.

A new shared facility for Indiana University's Eskenazi School of Art, Architecture + Design, materialises a recently rediscovered design by Mies van der Rohe. The 1952 project was intended for a fraternity house on the same IU Bloomington campus where it is currently being built, and the design incorporated the same white steel frame and expansive glass panes aesthetic as the Farnsworth House, created around the same time. After being forgotten for six decades, the design resurfaced in 2013, and the two-storey building will open its doors this fall.

With global population on the rise, natural resources used to produce food are becoming increasingly threatened by climate change, and urban sprawls are continuing to out-compete farmland, with more creative solutions to growing, distributing, and consuming food urgently needed. One crucial group we’ll have to rely on to build a more food-secure future? Architects and urban designers.

Sou Fujimoto Architects have revealed the winning design of the New City Center Landmark, a monumental floating tower on the bay of the Qianhaiwan district in Shenzhen. The proposed tower is 268m high, and consists of 99 individual tower-like elements connected a strong horizontal plane in the upper part, gradually vanishing as they descend. It is both one tower and a collection of towers all at once, symbolizing the future of societies in an age of diversity.

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Paul Clemence has released a new series of images, showcasing the on-going construction works on Manhattan's Central Park Tower. The project is designed by Adrian Smith + Gordon Gill architecture and is set to be the tallest residential building in the world once completed. The building, as seen in the photographs, has neared completion and is set to open later this year.

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OMA's research and publication branch AMO has taken over the fences of the United Nations Headquarters in New York for a public exhibition showcasing a follow-up of the 2020 Countryside, The Future project. Curated by Rem Koolhaas and Samir Bantal, director of AMO, Countryside at the United Nations, invites reflection and public discussion on the topics of agricultural innovation, ecological change and food production in anticipation of the UN Food Systems Summit taking place in September 2021.

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“If you gave me your shoe, I could tell you with about 90% accuracy the city in the world from which you came,” says Christopher Mason, Ph.D., a professor at Weill Cornell Medicine in New York, NY, co-author of the first global atlas of urban microorganisms. The study, carried out by the international Metagenomics and Metadesign of Subways and Urban Biomes (MetaSUB) consortium, creates a map of the microbiome of some of the largest cities in the world.

MVRDV has revealed the design of an exhibition and visitor centre for the Port of Rotterdam, which would tell the story of Europe’s largest port. Scheduled to open in 2024, The Harbour Experience Centre features a stack of five rotated exhibition spaces framing views of the surroundings, and outdoor staircases wrapped around the structure provide visitors with a route up the various terraces and to the rooftop. The project is the successor of FutureLand, a temporary information centre from 2009, whose success prompted the creation of a permanent exhibition.

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The Media Architecture Awards are handed out to the best projects in the integration of displays, interactive installations and other media into architectural structures, such as facades and urban screens. The winners will be announced at the Awards Ceremony on July 2 (15:30-16:30 CEST). The award ceremony will be live-streamed. The coming weeks the three nominations in each of the five categories will be revealed here, on ArchDaily.

Studio Gang and The Community Builders have won the City of Chicago’s C40 Reinventing Cities, a competition that seeks to “transform underutilized sites or buildings into beacons of sustainability and resilience and act as a showcase for future zero-carbon urban developments”. The winning proposal will create 207 residences for the downtown workforce earning as little as minimum wage, revitalize Pritzker Park, and add community spaces and amenities to the Chicago Loop.

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MVRDV has revealed the design of "De Oosterlingen", a series of seven sustainable residential buildings on Amsterdam’s Oostenburg Island. The proposed buildings are distributed in a 'barcode' composition, forming an apparent unified design but with an animated skyline and unique characteristics such as varying roof shapes and façades of wood, glass, recycled brick, and bio-based composite.

In Conflict, the Portuguese Official Representation at the 17th Architecture International Exhibition La Biennale di Venezia, 2021, is co-curated by Carlos Azevedo, João Crisóstomo, and Luís Sobral of depA architects, and Miguel Santos. The exhibition addresses public spaces as arenas of conflict, understood as the action of opposing forces translated as dissension. In Conflict responds directly to the question 'How will we live together?' posed by Hashim Sarkis, curator of the Biennale Architettura, and is based on seven architectural processes involving collective dwellings that were the subjects of broad media coverage and public involvement.

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Safdie Architects have released the images of 'ORCA Toronto', a mixed-use urban development with an integrated park in the heart of downtown Toronto. The project covers 6.5 hectares (65,000 sqm) west of the CN Tower, 4.5 hectares (45,000 sqm) of which are dedicated to the publicly-accessible urban park, while 2 hectares (20,000 sqm) are for residential, commercial, retail, and transit facilities. The proposed project reconnects the downtown area to the city’s waterfront, promising to become a vital hub that animates the underutilized parts of the city.

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