Zaha Hadid has been announced as the winner of the 41st Veuve Clicquot Business Woman Award at a ceremony in London on Monday. Now in its 41st year, the Veuve Clicquot Award was set up by the Champagne house to recognize the work of successful businesswomen worldwide, who embody their spirit of Madame Clicquot.
Madame Clicquot was a 19th Century businesswomen who, after being widowed at the age of 27, took the reigns of her husband’s Champagne business and became one of the first women to lead a male-dominated company. The company describes her as a women who was ‘proud and strong-willed’ who demanded “only one quality, the finest.” The award appraises the nominees under the headings of entrepreneurship, financial success, corporate social responsibility and whether or not they are seen as a role model to others.
This week at the 52nd edition of the Salone Internazionale del Mobile in Milan, over 2,500 exhibitors showcased an endless collection of the latest international products and home-furnishing designs. Among them included a variety of elegant and intelligently designed items envisioned by some of our favorite architects. Continue after the break to scroll through a list of the best architect-designed products featured at the Milan Design Week 2013.
Becoming a destination in itself and potential catalyst in the future urban growth of Abu Dhabi, the Zaha Hadid designed Sheikh Zayed Bridge was conceived in a highly mobile society that requires a new route around the Gulf south shore, connecting the three Emirates together. Hufton+Crow shared with us their photos as they capture the many viewpoints of this sinusoidal waveform structure. A complete gallery of images after the break.
Context in architecture has become a subject bloated with discussion and debate over the years. And, as a matter of fact, it has come to matter very little in its formal and typological sense. Take, for instance, the fluid forms that compose Zaha Hadid’s hundreds of projects around the world, or Frank Gehry’s exploding compositions seen from South America to the unmistakable Guggenheim in Bilbao. The form architecture takes in these cases, and countless others, is in itself a deliberate disregard towards context in its literal sense.
But is this disregard for context a mistake? Observers would often say so, though I would like to disagree. It has become frequent that projects like these, largely formal and not politely accommodating their historic surrounding, actually take greater interest in social urban issues that have a direct impact on the city dwellers. Quite simply, successful architecture today is one that serves society culturally and practically, addressing tangible problems of 21st century cities and dealing with context in a solution-oriented manner, going beyond aesthetics (whose value is only temporary) and into future-invested urbanism. Case-in-point? My hometown: Beirut, Lebanon.
Cases from Lebanon on this new approach to context after the break…
Zaha Hadid Architects’ first built tower, the CMA CGM Headquarters in Marseille, France, is most immediately notable for its vertical form.
As the stunning images from Hufton + Crow show, the tower’s disparate volumes (generated from gradual centripetal vectors) gently converge towards each other and then bend apart to create an elegant “metallic curving arc that slowly lifts and accelerates skywards into [...a] dramatic vertical geometry.”
Read More about CMA CGM Headquarters, after the break…
Designed by Zaha Hadid Architects, the ‘Shop in Shop’ concept for Neil Barrett is based on a singular, cohesive project that is divided into sixteen separate pieces. Specific pieces have then been selected and installed into each of the four Neil Barrett Shop in Shop’s in Seoul, and also into the Hong Kong shop; creating a unique display landscape within each store. The pieces have been carved and molded from the original solid as pairs that define each other to create an artificial landscape that unfolds multiple layers for display. More images and architects’ description after the break.
Zaha Hadid Architects (ZHA) have unveiled an ambitious cultural complex, which began to take shape in October after the project broke ground in the heart of Changsha, China. In true Hadid-fashion, the Changsha Meixihu International Culture & Arts Center defines itself by extreme sinuous curves that radiate from each of the three independent structures and links them to a pedestrianized landscape that offers a “strong urban experience”, forming what they hope to be a global destination for theater and art.
The architects’s description after the break…
CityLife Milano is an ambitious commercial and residential development on Milan’s historic former trade fair grounds: the Fiera Milano. On the surface, over half of CityLife Milano will be covered with upwards of 168,000 square meters of landscaped parkland dedicated to pedestrians and bicycles. This lush, pedestrianized space will be centered around a grand new piazza - named ‘piazza delle tre torri’ - shaped by a trio of towers and surrounded by a cluster of residences, all designed by three world-renowned architects. As previously mentioned, Arata Isozaki and Andrea Maffei has contributed the Isozaki Tower, which is planned to become the tallest skyscraper in Italy at 202 meters and will be built alongside the curved, 150 meter Libeskind Tower by – you guess it – Daniel Libeskind. To complete the triad, Zaha Hadid has designed a twisting, glazed tower, which will rise 170 meters into the skyline.
More on the Hadid Tower and surrounding development after the break…
The design for the Bratislava Culenova New City Center by Zaha Hadid Architects is based on a dynamic field strategy which aims to organize the city’s new city center program along a gradient of circular and elliptical patterns. In a series of larger tower extrusions, a fluid field emerges from its underlying matrix to activate the ground throughout the whole site and provide public spaces of the highest quality. More images and architects’ description after the break.
As pressure mounts to solve the UK’s aviation crisis, the Mayor of London has appointed Zaha Hadid Architects (ZHA) alongside a world-class team of aviation experts to develop plans for a new major airport in southeast England. The team is expected to resolve the debate on how and where the capital’s next multi-runway airport hub should be constructed, a decision that will play a critical role in the future of the British economy.
Zaha Hadid said: “This work is essential to deliver the most integrated transport solutions for London and the UK. It will enable London to maintain its position as one of the world’s most important economic, commercial and cultural centers; outlining the city’s future growth and development which has always been founded on global connectivity.”
See who made the list after the break…
Marking the “continuance of Belgrade’s signature ‘Modernist’ movement”, which produced a number of iconic buildings throughout the mid-twentieth century, the Serbian capital is proud to unveil Zaha Hadid Architect’s (ZHA) contemporary masterplan for Beko. This all-inclusive, mixed use project embeds itself within the undulating topography of the abandoned Beko textile factory in a style that directly reflects Zaha’s distinct style of Parametricism.
Focused on urban regeneration, the project will join forces with Sou Fujimoto’s proposed ‘Cloud’ on the adjoining Sava waterfront to revitalize Belgrade’s cultural axis.
Learn more after the break.
Eleven Zaha Hadid projects are currently being constructed in China, however one of them has the international architecture mogul seeing double. Unfortunately, Hadid has found herself in a race to finish the Wangjing SOHO office and retail complex in Beijing before pirates complete their doppelgänger version in Chongqing, a megacity near the eastern edge of the Tibetan plateau.
As reported on Spiegel Online, the Dame claimed that the pirates are currently in the lead and building faster than SOHO. The original, which is set for completion in 2014, features three curved towers whose “shimmering”, metallic skin unifies the complex as each volume appears to “dance” around each other.
Hadid is not the first to be mimicked in China. Last year, a small UNESCO-protected village in Austria, Hallstatt, was recreated, brick for brick, in the subtropical district of Guangdong, China. You can find the complete story here.
The Miami Herald has just announced that Zaha Hadid will be designing her first skyscraper in the Western hemisphere in Miami: America’s Next Great Architectural City. The female powerhouse has been commissioned to transform a waterfront property, currently occupied by a BP Station at 1000 Biscayne Boulevard, predominantly into a residential high rise. The skyscraper will rise above the neighboring Museum Park and fill a void in the wall of towering condos, commonly referred to as the “Biscayne Wall”. Details of the design are expected to be released next year.
This news comes shortly after Zaha’s loss to Norman Foster in an intense competition to design New York City’s next high-profile office tower on 425 Park Avenue. You can watch the A-list architects battle it out here as they present their ideas to the jury.
As we reported last year, Zaha was also selected to design a Miami Beach parking garage at Collins Park, which was approved for construction by the Miami Beach Historic Preservation Board last month.
Check out the preliminary renderings of the Collins Park garage, after the break…
As a follow up to our recent post on the recent win by Boltshauser Architekten for their Basel Aquarium design in Switzerland, we wanted to share with you the other entries by Zaha Hadid Architects, David Chipperfield Architects and Caruso St John Architects. Zaha Hadid’s ‘Blue Cave,’ while praised for its excellent quality, was criticised for its thin visitor aisles; the jury felt the “dynamic” styling of the building’s interior would have been in competition with the aquariums, and so the project came in third out of the 15 shortlisted entries. More information and images on the other entries, after the break.
A few months ago we informed you about a competition to re develop the massive “wedding-cake” style building at 425 Park Ave in NY, near Mies’ Seagram Building and SOM’s Lever House. The objective of the developer, L&L Holding, was to turn this project into the next iconic building of the city, and for that they invited a group of eleven renowned practices, including ten Pritzker laureates.
The shortlist was announced in October, and included OMA, Rogers Stirk Harbour + Partners, Zaha Hadid Architects and Foster + Partners, which was later announced as the winner of the competition a few weeks ago.
Over the last days, the presentations of the architects to the clients appeared on YouTube, and now we have the opportunity to see these interesting group of architects doing a fundamental part of their work. In the videos we see each architect using their own presentation style, either a PPT, video or just physical boards, connecting it to the practice’s research and discourse, projecting their passion about certain features of their projects and engaging with the client around their main objective: to turn this into an iconic project.
Four videos that take us further into how we understand projects, showing insights that we often don’t have access to, turning the competition into a particular moment of architecture this year.
Zaha Hadid Architects, OMA and Rogers Stirk Harbour + Partners presentations after the break:
Rio de Janeiro-based writer Robert Landon has shared with us his experience exploring Zaha Hadid’s newly completed Eli and Edythe Broad Museum in Michigan.
As you approach Zaha Hadid’s new Eli and Edythe Broad Museum in East Lansing, Michigan, it is the complex, light-catching carapace that first reels in the eye — a fine shock after the brick, neo-Gothic buildings that define the rest of the Michigan State University campus. Draw closer and its undulating fins, opening and closing in rhythmic asymmetries, begin to seduce the mind. In some places scrunched up into sharp angles and in others allowed to breathe for longer stretches across the low-slung facade, the fins seem to be the expression of some higher, grid-bending equation.
In a half-conscious attempt to solve the math, you begin to circle the building. At certain points, the fins spread wide enough for generous glimpses inside, but as you move keep moving, the inner secrets vanish again behind the metal lattice. In the same way, the relentlessly kinetic carapace tantalizes with, but ultimately eludes, any logical or definitive summing up. What is certain, though, is that, by the time you’ve come full circle, you’ll have grown quite curious to see what is going on inside.
More after the break…
It’s only been a few weeks since she turned 62 but it’s already shaping up to be Zaha Hadid’s year. Yesterday, she was announced winner of the Japan National Stadium Competition earlier this week, her latest US project, the Eli & Edythe Broad Museum opened; and the beginning of the month saw much fanfare and frenzy surrounding her extraordinary work in Beijing: Galaxy Soho .
Check out all the latest images of Zaha Hadid’s Galaxy Soho, after the break…
Beating out 10 other finalists (including Populous, a firm known for their sports architecture, as well as Japanese heavyweights, such as Toyo Ito and SANAA), Zaha Hadid Architects were chosen by Tadao Ando and the Japan Sports Council to design the new Japan National Stadium. As Ando described the decision-process: “Our wish is to see a stadium designed by someone who shares this earth, with wisdom and technology that looks to the future of out planet.”
The new 80,000-seat stadium will replace the existing Kasumigaoka National Stadium in Tokyo. It will host the 2019 Rugby World Cup and potentially be the main sporting venue for the 2020 Olympic Games (if Japan’s bid is selected). It will also be offered to FIFA as a venue for World Cup football matches.
The Stadium is scheduled for completion in 2018.
More images, after the break…