New renderings of Zaha Hadid Architect‘s 215 meter-high One Thousand Museum Tower in downtown Miami have been released. As the first Zaha Hadid-designed skyscraper to grace the skyline of the Western Hemisphere, the 60-story luxury condominium will mask its program with a prominent concrete exoskeleton. As Hadid described to the Wall Street Journal, the tower is designed with an interest in “how the structure is manifested” so that it may avoid the “generic modernist typology” that is commonly found in Miami.
One Thousand Museum Tower is one of several by high-profile architects that are beginning to take root in Miami, changing the tide of investment from real estate that is solely driven by waterfront locations to architecture that is high-end and luxurious.
Read on for more images and information…
On September 28, 2013, Zaha Hadid Architects will be celebrating the completion of the Serpentine Sackler Gallery. An extension to London’s famous Serpentine Gallery, the new innovative arts venue will be housed in a 208-year-old, Grade II-listed building, formerly known as The Magazine, in Kensington Gardens just north of the main gallery.
This project will be Zaha Hadid’s first permanent structure in central London and second commission from the Gallery, as she designed the inaugural Serpentine Gallery Pavilion in 2000.
Zaha Hadid Architects recently announced they are building the sixth and final Messner Mountain Museum at Plan de Corones, South Tyrol, Italy which is set to be completed in the summer of 2014. In collaboration with Reinhold Messner, one of the world’s most renowned mountaineers, as well as Kronplatz, the largest ski resort in the region, the Messner Mountain Museum (MMM Corones) is embedded within Mount Kronplatz. A composition of fluid, interconnected volumes, the 1000 sq. m. MMM Corones design is carved within the mountain and informed by the geology and topography of its context. More images and architects’ description after the break.
The RIBA has announced three projects—two located in Asia and one in the United States—for the shortlist of the RIBA’s Lubetkin Prize. Named for Berthold Lubetkin, a Georgian-born architect, the prize celebrates the work of RIBA members building outside of the UK. Zaha Hadid’s Galaxy Soho, Grimshaw’s Via Verde and Wilkinson Eyre’s Cooled Conservatories will face off for the honor; the winner of this year’s Lubetkin Prize will be announced (along with the winner of the prestigious Stirling Prize) on September 26th in London.
Angela Brady, RIBA President, said:
“The 2013 RIBA Lubetkin Prize shortlist features three exceptionally innovative projects that meet three very different urban challenges. From the blueprint for New York affordable housing and the creation of an impressive new shopping district in central Beijing to Singapore’s new sustainable gardens, these are all extremely clever solutions. These cutting-edge schemes show the leading role that architects play in delivering visionary new thinking about urban issues, and illustrate why UK creative talent has such recognition around the world.”
More on the shortlisted projects after the break…
Spearheaded by New York developer Related Companies, the “sculpted” glass and steel residential development hopes to lure buyers with its expansive, double-height entrance lobby, communal garden, generous terraces, private courtyards, and, of course, exclusive views of New York’s most beloved attraction: the High Line.
The Design Museum in London has confirmed that Zaha Hadid has purchased their original building, which they’ve called home since 1989, just over a year after placing a bid with a private backer. According to the Architects’ Journal, Hadid will use the building to house her practice’s archive as well as serve as an occasional exhibition space. “The building will give an opportunity to consolidate our archive in a single location,” she said, “and also engage in a collective dialogue by exhibiting the research and innovation of global collaborations in art, architecture and design.”
Zaha Hadid Architects worked together with design offices Kollision, CAVI and Wahlberg to create the interactive installation ‘Parametric Space’ for the exhibition ‘Zaha Hadid – World Architecture‘, which is on view at the Danish Architecture Centre through September 29, 2013. The installation is a fully parametric space that reacts to the visitors’ movements by changing shape and expression. Learn more after the break.
The small teaser above is a glimpse into the Zaha Hadid – World Architecture exhibition, which opens today, June 28, in Copenhagen. Together, the Danish Architecture Centre and Zaha Hadid Architects have created an exhibition experience beyond the ordinary. The viewer will experience a world of towers, floating shells, selected projects and design objects all within a “borderless landscape” that reveals how Hadid’s work arises in an advanced digital and geometric universe.
The 8,500 year old Turkish city of Izmir has announced Zaha Hadid as the architect for its World Expo 2020 bid. As home of the Asklepion, one of the world’s oldest hospitals whose history has played a major role in the evolution of healthcare, Izmir hopes claim the title as host of the New Routes to a Better World / Health for All themed fair over its competitors – São Paulo (Brazil), Yekaterinburg (Russia), Ayutthaya (Thailand) and Dubai (UAE).
Zaha Hadid Architects have been selected to work alongside AECOM for the design and construction the Al Wakrah Stadium and Precinct of the 2022 FIFA World Cup Qatar. The 45,000-seat stadium will be nestled within a rich cultural fabric of traditional Islamic architecture, historical buildings, distinctive mosques and archeological sites that belongs to one of the oldest inhabited areas of Qatar, just south of Doha. As noted by the Qatar 2022 Supreme Committee, embracing the identify of this cultural heritage will be a crucial part to the success of the stadium.
Zaha Hadid Architects’ Riverside Museum in Glasgow, Scotland, has won the prestigious European Museum of the Year Award (EMYA) for it’s ability to “demonstrate brilliantly how a specialist transport collection can renew its relevance through active engagement with the wider social and universal issues.”
Out of 40 museums from across 21 European countries, the jury agreed unanimously that ZHA’s Riverside Museum fulfilled the EMYA criteria of ‘public quality’ at the highest level.
Zaha Hadid Architects Selected to Design the King Abdullah Financial District Metro Station in Saudi Arabia
In order to serve its rapidly expanding population of more than five million, the ArRiyadh Development Authority has commissioned Zaha Hadid Architects to construct the new King Abdullah Financial District (KAFD) Metro Station in its capital city of Riyadh, Saudi Arabia.
With six platforms over four public floors and two levels of underground car parking, the KAFD Metro Station will be integrated within the urban context of the financial district, while responding to the functional requirements for a multimodal transport centre and the district’s future vision. The project extends beyond the simple station typology to emphasize the building’s importance as a dynamic, multi-functional public space; not only an intermediate place perceived through quick transitions, but also a dramatic public space for the city.
Madrid-based architect Angel Borrego Cubero of Office for Strategic Spaces (OSS) has directed and produced the first documentary focused on the tense process that often characterizes an architectural competition. Appropriately titled The Competition, the film captures a fascinating account on how five world renowned architects – Jean Nouvel, Frank Gehry, Dominique Perrault, Zaha Hadid and Norman Foster – “toil, struggle and strategize to beat the competition.” The premise is based on a nearly forgotten, 2008 competition for a new National Museum of Art of Andorra, a small Pyrenees country nestled between Spain and France, which has yet to be realized.
Zaha Hadid has been announced as the winner of the 41st Veuve Clicquot Business Woman Award at a ceremony in London on Monday. Now in its 41st year, the Veuve Clicquot Award was set up by the Champagne house to recognize the work of successful businesswomen worldwide, who embody their spirit of Madame Clicquot.
Madame Clicquot was a 19th Century businesswomen who, after being widowed at the age of 27, took the reigns of her husband’s Champagne business and became one of the first women to lead a male-dominated company. The company describes her as a women who was ‘proud and strong-willed’ who demanded “only one quality, the finest.” The award appraises the nominees under the headings of entrepreneurship, financial success, corporate social responsibility and whether or not they are seen as a role model to others.
This week at the 52nd edition of the Salone Internazionale del Mobile in Milan, over 2,500 exhibitors showcased an endless collection of the latest international products and home-furnishing designs. Among them included a variety of elegant and intelligently designed items envisioned by some of our favorite architects. Continue after the break to scroll through a list of the best architect-designed products featured at the Milan Design Week 2013.
Becoming a destination in itself and potential catalyst in the future urban growth of Abu Dhabi, the Zaha Hadid designed Sheikh Zayed Bridge was conceived in a highly mobile society that requires a new route around the Gulf south shore, connecting the three Emirates together. Hufton+Crow shared with us their photos as they capture the many viewpoints of this sinusoidal waveform structure. A complete gallery of images after the break.
Context in architecture has become a subject bloated with discussion and debate over the years. And, as a matter of fact, it has come to matter very little in its formal and typological sense. Take, for instance, the fluid forms that compose Zaha Hadid’s hundreds of projects around the world, or Frank Gehry’s exploding compositions seen from South America to the unmistakable Guggenheim in Bilbao. The form architecture takes in these cases, and countless others, is in itself a deliberate disregard towards context in its literal sense.
But is this disregard for context a mistake? Observers would often say so, though I would like to disagree. It has become frequent that projects like these, largely formal and not politely accommodating their historic surrounding, actually take greater interest in social urban issues that have a direct impact on the city dwellers. Quite simply, successful architecture today is one that serves society culturally and practically, addressing tangible problems of 21st century cities and dealing with context in a solution-oriented manner, going beyond aesthetics (whose value is only temporary) and into future-invested urbanism. Case-in-point? My hometown: Beirut, Lebanon.
Cases from Lebanon on this new approach to context after the break…
As the stunning images from Hufton + Crow show, the tower’s disparate volumes (generated from gradual centripetal vectors) gently converge towards each other and then bend apart to create an elegant “metallic curving arc that slowly lifts and accelerates skywards into [...a] dramatic vertical geometry.”
Read More about CMA CGM Headquarters, after the break…