Zaha Hadid Architects’ Riverside Museum in Glasgow, Scotland, has won the prestigious European Museum of the Year Award (EMYA) for it’s ability to “demonstrate brilliantly how a specialist transport collection can renew its relevance through active engagement with the wider social and universal issues.” Out of 40 museums from across 21 European countries, the jury agreed unanimously that ZHA’s Riverside Museum fulfilled the EMYA criteria of ‘public quality’ at the highest level.
Madrid-based architect Angel Borrego Cubero of Office for Strategic Spaces (OSS) has directed and produced the first documentary focused on the tense process that characterizes an architectural competition. Appropriately titled The Competition, the film captures a fascinating account on how five world renowned architects - Jean Nouvel, Frank Gehry, Dominique Perrault, Zaha Hadid and Norman Foster - “toil, struggle and strategize to beat the competition.” The premise is based on a nearly forgotten, 2008 competition for a new National Museum of Art of Andorra, a small Pyrenees country nestled between Spain and France, which has yet to be realized.
Zaha Hadid has been announced as the winner of the 41st Veuve Clicquot Business Woman Award at a ceremony in London on Monday. Now in its 41st year, the Veuve Clicquot Award was set up by the Champagne house to recognize the work of successful businesswomen worldwide, who embody their spirit of Madame Clicquot.
Context in architecture has become a subject bloated with discussion and debate over the years. And, as a matter of fact, it has come to matter very little in its formal and typological sense. Take, for instance, the fluid forms that compose Zaha Hadid’s hundreds of projects around the world, or Frank Gehry’s exploding compositions seen from South America to the unmistakable Guggenheim in Bilbao. The form architecture takes in these cases, and countless others, is in itself a deliberate disregard towards context in its literal sense.
But is this disregard for context a mistake? Observers would often say so, though I would like to disagree. It has become frequent that projects like these, largely formal and not politely accommodating their historic surrounding, actually take greater interest in social urban issues that have a direct impact on the city dwellers. Quite simply, successful architecture today is one that serves society culturally and practically, addressing tangible problems of 21st century cities and dealing with context in a solution-oriented manner, going beyond aesthetics (whose value is only temporary) and into future-invested urbanism. Case-in-point? My hometown: Beirut, Lebanon.
As the stunning images from Hufton + Crow show, the tower’s disparate volumes (generated from gradual centripetal vectors) gently converge towards each other and then bend apart to create an elegant "metallic curving arc that slowly lifts and accelerates skywards into [...a] dramatic vertical geometry.”
Read More about CMA CGM Headquarters, after the break...
As pressure mounts to solve the UK’s aviation crisis, the Mayor of London has appointed Zaha Hadid Architects (ZHA) alongside a world-class team of aviation experts to develop plans for a new major airport in southeast England. The team is expected to resolve the debate on how and where the capital’s next multi-runway airport hub should be constructed, a decision that will play a critical role in the future of the British economy.
Zaha Hadid said: "This work is essential to deliver the most integrated transport solutions for London and the UK. It will enable London to maintain its position as one of the world's most important economic, commercial and cultural centers; outlining the city's future growth and development which has always been founded on global connectivity."
See who made the list after the break...
Marking the “continuance of Belgrade’s signature ‘Modernist’ movement”, which produced a number of iconic buildings throughout the mid-twentieth century, the Serbian capital is proud to unveil Zaha Hadid Architect’s (ZHA) contemporary masterplan for Beko. This all-inclusive, mixed use project embeds itself within the undulating topography of the abandoned Beko textile factory in a style that directly reflects Zaha’s distinct style of Parametricism. Focused on urban regeneration, the project will join forces with Sou Fujimoto’s proposed ‘Cloud’ on the adjoining Sava waterfront to revitalize Belgrade’s cultural axis. Learn more after the break.
Eleven Zaha Hadid projects are currently being constructed in China, however one of them has the international architecture mogul seeing double. Unfortunately, Hadid has found herself in a race to finish the Wangjing SOHO office and retail complex in Beijing before pirates complete their doppelgänger version in Chongqing, a megacity near the eastern edge of the Tibetan plateau. As reported on Spiegel Online, the Dame claimed that the pirates are currently in the lead and building faster than SOHO. The original, which is set for completion in 2014, features three curved towers whose “shimmering”, metallic skin unifies the complex as each volume appears to “dance” around each other. Hadid is not the first to be mimicked in China. Last year, a small UNESCO-protected village in Austria, Hallstatt, was recreated, brick for brick, in the subtropical district of Guangdong, China. You can find the complete story here.
The Miami Herald has just announced that Zaha Hadid will be designing her first skyscraper in the Western hemisphere in Miami: America’s Next Great Architectural City. The female powerhouse has been commissioned to transform a waterfront property, currently occupied by a BP Station at 1000 Biscayne Boulevard, predominantly into a residential high rise. The skyscraper will rise above the neighboring Museum Park and fill a void in the wall of towering condos, commonly referred to as the “Biscayne Wall”. Details of the design are expected to be released next year. This news comes shortly after Zaha’s loss to Norman Foster in an intense competition to design New York City’s next high-profile office tower on 425 Park Avenue. You can watch the A-list architects battle it out here as they present their ideas to the jury. As we reported last year, Zaha was also selected to design a Miami Beach parking garage at Collins Park, which was approved for construction by the Miami Beach Historic Preservation Board last month. Check out the preliminary renderings of the Collins Park garage, after the break…
As a follow up to our recent post on the recent win by Boltshauser Architekten for their Basel Aquarium design in Switzerland, we wanted to share with you the other entries by Zaha Hadid Architects, David Chipperfield Architects and Caruso St John Architects. Zaha Hadid’s ‘Blue Cave,’ while praised for its excellent quality, was criticised for its thin visitor aisles; the jury felt the “dynamic” styling of the building’s interior would have been in competition with the aquariums, and so the project came in third out of the 15 shortlisted entries. More information and images on the other entries, after the break.
A few months ago we informed you about a competition to re develop the massive “wedding-cake” style building at 425 Park Ave in NY, near Mies’ Seagram Building and SOM’s Lever House. The objective of the developer, L&L Holding, was to turn this project into the next iconic building of the city, and for that they invited a group of eleven renowned practices, including ten Pritzker laureates.
The shortlist was announced in October, and included OMA, Rogers Stirk Harbour + Partners, Zaha Hadid Architects and Foster + Partners, which was later announced as the winner of the competition a few weeks ago.
Over the last days, the presentations of the architects to the clients appeared on YouTube, and now we have the opportunity to see these interesting group of architects doing a fundamental part of their work. In the videos we see each architect using their own presentation style, either a PPT, video or just physical boards, connecting it to the practice’s research and discourse, projecting their passion about certain features of their projects and engaging with the client around their main objective: to turn this into an iconic project.
Four videos that take us further into how we understand projects, showing insights that we often don’t have access to, turning the competition into a particular moment of architecture this year.
Rio de Janeiro-based writer Robert Landon has shared with us his experience exploring Zaha Hadid’s newly completed Eli and Edythe Broad Museum in Michigan. As you approach Zaha Hadid’s new Eli and Edythe Broad Museum in East Lansing, Michigan, it is the complex, light-catching carapace that first reels in the eye — a fine shock after the brick, neo-Gothic buildings that define the rest of the Michigan State University campus. Draw closer and its undulating fins, opening and closing in rhythmic asymmetries, begin to seduce the mind. In some places scrunched up into sharp angles and in others allowed to breathe for longer stretches across the low-slung facade, the fins seem to be the expression of some higher, grid-bending equation. In a half-conscious attempt to solve the math, you begin to circle the building. At certain points, the fins spread wide enough for generous glimpses inside, but as you move keep moving, the inner secrets vanish again behind the metal lattice. In the same way, the relentlessly kinetic carapace tantalizes with, but ultimately eludes, any logical or definitive summing up. What is certain, though, is that, by the time you’ve come full circle, you’ll have grown quite curious to see what is going on inside. More after the break…
The Hong Kong Polytechnic University (PolyU) chose world-renowned architect, Zaha Hadid, as Chief Architect of its new “Innovation Tower”. The project, located at the northeast side of the university campus, will serve as a driving force in the development of Hong Kong as a design hub in Asia. The tower will also provide additional space to facilitate inter-disciplinary research and education in the field of design. The topping-out ceremony was held on September 24. On completion, it will be home to PolyU School of Design (SD) and the newly established Jockey Club Design Institute for Social Innovation. More images and architects’ description after the break.
In early September, Zaha Hadid gave the official order to begin construction work on Port House, the new headquarters for Antwerp Port Authority on the Kattendijk dock. The new Antwerp Port Authority headquarters will house approximately 500 staff in a single new location that comprises both a former fi re station and a new extension. Together, these two entities form an impressive new landmark as the headquarters of the Antwerp Port Authority, overlooking both the city and the harbor. More images and architects’ description after the break.
Opening October 12th, the ‘Pleated Shell Structures’ Exhibition consists of a short term, site specific research prototype designed by Pritzker Architecture Prize-winning architect Zaha Hadid and her firm. Presented by the Southern California Institute of Architecture (SCI-Arc) in their gallery, the exhibit positions itself within the argument of parametric design research to focus its efforts on design methods that encompass an operative pathway from design intent to manifestation. The exhibition will be on display until December 2. More information after the break.
With their early work inspired by Russian Suprematism, Zaha Hadid Architects’ pays homage to the historical lineages of collective research that has led to the major works of today’s contemporary architecture at the 2012 Venice Biennale with the installation ‘Arum’. The pleated metal structure is derived from the work of German architect Frei Otto, who paved the way for material-structural form-finding processes. This installation is a response to David Chipperfield’s belief that the theme of ‘Common Ground’ is meant to “reassert the existence of an architectural culture, made up not just of singular talents but a rich continuity of diverse ideas united in a common history.”
After controversy struck when critics blamed “bad design” for inconvenient ticket refunds, the success of Zaha Hadid’s design for the London Olympic’s Aquatics Center was validated by the overwhelming approval from spectators. According to a survey conducted by the University of Westminster, 95% of the Aquatics Center spectators were satisfied with their experience and 85% thought the venue captured the “true spirit” of the Olympics. Researchers from Westminster and University of South Australia surveyed spectators about their experiences at the Aquatics Centre, Greenwich Park and Wimbledon. Greenwick Park received a 92% approval and Wimbledon received 88%, while 88% of those surveyed believed the events could not have been staged in a better venue. “Our preliminary analysis suggests positive outcomes for London 2012 organisers. Those attending the events were very satisfied with their experiences and impressed with the venues,” stated Andrew Smith, city tourism lecturer at the University of Westminster. But he added, “We should remember that these results were derived from research undertaken in the positive afterglow of an event.” Where you at the 2012 London Olympics? Tell us about your experience in the comment section. via bdonline