REX has just released their winning competition design for a unique residential competition: a private residence for three generations. The estate includes the parents’ home, four children’s homes, event space, indoor and outdoor swimming pools, gym, spa, library, study, home cinema, and performance space.
In August, we reported a Request for Qualifications for the renovation of Mies van der Rohe’s Martin Luther King (MLK) Jr. Memorial Library in Washington D.C. - Mies’ only library and the only building in D.C. A few days ago, the District of Columbia Public Library (DCPL) narrowed down the list of potential firms from 26 to 10 and revealed that it was looking for community input on the library’s future spaces and services.
The ten firms that made the cut are:
Four shortlisted teams have been asked to design proposals for a new central library in the Canadian city of Calgary. Selected from 38 submissions, the competing teams of local and international architects will harness the power of platemaking to envision a 280,000 square-foot “landmark” for the East Village Calgary. The four shortlisted teams include:
YIBD ‘Project R6’, designed by REX, is an urban boutique residence for short-term business people, young urban professionals, and foreign residents in Seoul, South Korea. To meet the trends of its users and compensate for its small unit size, R6 must engender a strong sense of community and its residences must be highly attractive, providing generous views, daylight, and cross-ventilation. Maximizing daylight and cross-ventilation are also paramount to providing a highly sustainable residence. More images and architects’ description after the break.
REX shared with us their proposal for two of China’s major financial institutions, CLC and MSFL, which chose to consolidate their new headquarters on a single site within Shenzhen’s CDB. Although the planning regulations permit tall buildings on the site, the maximum allowable building area and the proposed combination of offices and retail seemingly dictate a perfunctory tower-and-plinth scheme. Instead, CLC’s and MSFL’s offices are organized into two highly efficient blocks with: an ideal 9 meter distance between core and façade; an entirely flexible, column-free plan; the largest floor area allowed by code and urban design requirements; and an efficiency ratio of 80%. More images and architects’ description after the break.
Architects: REX | OMA
Location: Dallas, USA
Key Personnel: Joshua Prince-Ramus (Partner-in-Charge) and Rem Koolhaas, with Erez Ella, Vincent Bandy, Vanessa Kassabian, Tim Archambault
Executive Architect: Kendall/Heaton Associates
Client: The AT&T Performing Arts Center
Consultants: Cosentini, DHV, Donnell, Front, HKA, Magnusson Klemencic, McCarthy, McGuire, Pielow Fair, Plus Group, Quinze & Milan, Theatre Projects, Tillotson Design, Transsolar, 2×4
MEP/FP Design Engineer: Transsolar Energietechnik, Germany
MEP/FP Engineer of Record: Cosentini Associates, New York
Structural Engineer of Record: Magnusson Klemencic Associates, Seattle
Theatre Design: Theatre Projects Consultants, Connecticut
Acoustics: Dorsserblesgraaf, Netherlands
ADA: McGuire Associates, Massachusetts
Construction Management: McCarthy Construction
Cost: Donnell Consultants, Florida
Facades: Front, New York
Furniture: Quinze & Milan, Kortrijk Belgium
Graphics/Wayfinding: 2 x 4, New York
Life Safety: Pielow Fair, Seattle
Lighting: Tillotson Design Associates, New York
Vertical Transport: HKA, California
Project Area: 7,700 sqm
Project year: 2006-2009
Photographs: Iwan Baan, Tim Hursley, Jeffrey Buehner
Dallas is hosting both the Super Bowl this coming Sunday and this weeks Architecture City Guide! If you are heading there for the big game be sure to take a look at our list of buildings featured after the break. We want to hear from you, so take a minute to add your favorite can’t miss buildings in Dallas in our comment section below.
The Architecture City Guide: Dallas list and corresponding map after the break!
Like many large scale projects around the country, REX’s Museum Plaza, in the city of Louisville, Kentucky, had just broken ground and had given light to many dreams for the downtown community when the nation’s financial crisis hit the city. Needless to say, financing came to a standstill and funding for the towers the city had been hoping for was no longer an option. Their current construction loan of $140.5 million, city contributions, bonds and funds already put forth by the team was not enough to proceed in their construction efforts until positive news came their way at the turn of the month. More images and description after the break.
Location: Incheon, Korea
Client: Songdo Landmark City (SLC)
Program: Residential towers with a total of approximately 2,000 units, community facilities, retail, and underground parking
Area: 342,900 sqm
Project Status: Completed Concept Design
Landscape Architect: Bureau Bas Smets
Executive: HYUNDAI Architects & Engineers; SAMOO Architects & Engineers
Key Personel: Adolfo Albaisa, Haviland Argo, E. Sean Bailey, Keith Burns, Nicolas de Courten, Rob Daurio, Jeremiah Joseph, Hui Lee, Katharine Meagher, Clinton Miller, Roberto Otero, Michelle Petersen, Joshua Prince-Ramus, Jacob Reidel, Nikolas Rychen, Tal Schori, Hala Sheikh, Nuo Xu
Consultant: Magnusson Klemencic Associates
Last month we shared with you the six designs from the shortlisted group for the future Victoria & Albert Museum in Scotland:
The six designs are now on exhibition at the library of Abertay University on Bell Street in Dundee until November 4th.
We now have more photographs and a short description of each proposal plus a video after the break.
Last year we presented you this interesting project by REX during its construction stage, where you could see how an unused structure was converted into the new headquarters for Vakko, integrated with a new complex steel structure. The project is now completed, and we can see the final result with photos by Iwan Baan and a complete set of drawings and diagrams courtesy of REX.
Despite the mix of the existing concrete structure with the new additions and the complex inner core (dubbed the “showcase”), the exterior of the building is read as a whole. The structural “X” of the glass panels on the facade break the monotony of the box on the outside, contrasting with the mirror like finish of the volume on top.
The “showcase” fills the central void with a mirror finish that turns the volume into a sculpture (as seen on the photos and on the showcase elevations below), while housing different programs that benefit from the arrange of the boxes, such as the auditorium, meeting rooms and showrooms.
REX once again shows innovative structural solutions in relation with the program, together with new uses of materials as we previously saw on the Wyly Theatre in Dallas.
After the break, the architect’s description:
Location: Istanbul, Turkey
Clientes: Vakko and Power Media
Key personnel: Erez Ella, Tomas Janka, Mathias Madaus, David Menicovich, Tsuyoshi Nakamoto, Joshua Prince-Ramus, Ishtiaq Rafiuddin, Tieliu Wu
Consultants: ARTE, Autoban, Buro Statik, Cedetas, Dora, Eleksis, Front, Gurmen Muhendislik, Lamglass, Norm Tecnic, Say Yapi, STEP, Superpool, Cem Mimarlik
Area: 9,100 sqm (98,000 sqf)
Program: Headquarters for a Turkish fashion house—including offices, showrooms, conference rooms, auditorium, museum, and dining hall—as well as the television studios, radio production facilities, and screening rooms of its media sister-company
Photography: REX, Iwan Baan
Joshua Prince Ramus is one of the best architects I’ve meet, and also a very good speaker. I think most of you have already seen his presentation at TED back in 2006, where he presented the Seattle Central Library, a powerful talk on which he talked about the role of the architects in the process, as an editing/team approach rather than authorship. We interviewed Joshua back in 2008, where we first heard about his position regarding the separation of conception and execution on architecture, as architects became the “artists” leaving the execution to engineers, which can be seen on the first minutes of his talk at TEDx Dallas posted above, before explaining how the Wyly Theatre re interpreted the typical theatre programatic configuration.
I like the story about his silver hat, for decorative purposes only… same as architects (here’s a photo of us while visiting his office, reflected on the mentioned hat).
After our interview, we talked a lot about the role of the architect on the production of buildings, the importance of BIM and more… sadly we didn´t record that but I hope we can have a chance to talk to him again soon, and bring you more on that.
You can see interesting details on the facade and the engineering behind one of the most innovative contemporary theaters. Follow the link to see to whole video.
We are back with our series of interviews. This time we had the chance to ask our usual set of questions to Joshua Prince-Ramus, founder of REX – Architecture PC. Previously, Prince-Ramus was the founding partner of OMA NY, where he was Partner in Charge of the Guggenheim-Hermitage Museum in Las Vegas and the Seattle Central Library.
As of now, he has been developing one of the most interesting mix-use projects I have ever seen: The Museum Plaza in Luisville, Kentucky. He has also two ongoing projects, the Vakko headquarters in Turkey and the Wyly Theatre in Dallas.
This has been one of the most interesting interviews we have ever had. Joshua talked a lot on his approach to design and how to collaborate on a project.
But enough talk, just watch the interview – sorry for the audio, we are working to improve our interviews in the future.
After the break, some images of his practice.
This building reuses an existing structure to receive a new program, through the addition of a new complex core, that doesn´t end up like a parasite, rather than a whole.
The glass skin shows an innovative work, that results in a very light skin.
The Wyly Theatre in Dallas is almost finished. This project is very interesting, and REX/OMA show once again how designing a building goes way beyond that working on the volumes and the skin, but to rethink the program itself.
Anyone familiar with a theatre knows the program order hasn´t changed much, as it´s pretty much the same you find on Neufert. But REX/OMA take this a step further, by re-studying the program relations and adjacencies, resulting on a unique building. Perfect for the client, as the Dallas Theater Center (DTC) is recognized as one of the country’s few innovative theater companies located outside the triumvirate of New York, Chicago, and Seattle. On the top of that, an interesting aluminium skin adds to make this building unique.
The facade is being installed this days, opening expected during 2009.
Now, the architects description: