Metropolitans take pride in their storied cultural venues, the chroniclers of intellectual acumen and architectural achievement. While these icons revel in their ornate design, immersive grandiosity, and dramatic acoustics, the pandemic has introduced numerous challenges to the rules of assembly.
Recognizing changes in the rituals of attending a show—from procession and gathering to engagement—architects and cultural leaders are designing the next generation of performance venues while asking the question: How does architecture solve issues raised by a building’s inherent purpose? Is it possible to maintain the essence of a venue through gentle yet effective changes in people’s habits? The answers seem to rely on updating the auditorium culture (which dates as far back as the Colosseum) with contemporary design solutions rooted in new technologies.
https://www.archdaily.com/976581/what-will-post-pandemic-performance-venues-look-likeOsman Can Yerebakan
"Demolition is a waste of many things – a waste of energy, a waste of material, and a waste of history,"says Pritzker-winning architect Anne Lacaton. In recent years, refurbishment and adaptive reuse have become ubiquitous within the architectural discourse, as the profession is becoming more aware of issues such as waste, use of resources and embedded carbon emissions. However, the practice of updating the existing building stock lacks consistency, especially when it comes to Brutalist heritage. The following explores the challenges and opportunities of refurbishment and adaptive reuse of post-war architecture, highlighting how these strategies can play a significant role in addressing the climate crisis and translating the net-zero emissions goal into reality while also giving new life to existing spaces.
Dallas is home to a high concentration of structures by world-renowned architects. With some of the most iconic architecture per square mile of any American city, Dallas boasts designs by six Pritzker Prize Laureates, all within close distance to the up and coming Arts District. From Norman Foster’s Opera House to Thom Mayne’s Museum of Nature and Science, these projects are emblematic of a larger city-wide design culture.
As architecture is increasingly reliant on renderings to convey its message and depict the unbuilt, many practices turn to seasoned 3D artists to help them portray their designs in the most favourable light; thus they externalize visualizations to a handful of firms.
Architecture and design practice REX has submitted a revised design for a mixed-use tower development in Perth, Australia. Located along the city's Elizabeth Quay, the new project is created with executive architect Hassell, and will combine hotel, retail, offices and residences in two towers. The latest design has been submitted to the city's Metropolitan Redevelopment Authority, and if approved, would become Perth’s tallest skyscraper.
Developers Cbus and Nielson Properties have released a shortlist for the design of a $600 million office tower in Brisbane’s North Quay. Four local and international architectural teams have been selected to create proposals for the commercial tower that will accommodate 50,000 square meters of office space. The developers aim to establish an innovative workplace of the future that will represent the new world of work.
Architecture practice REX has unveiled the final design for their mirrored Necklace Residence project overlooking Long Island Sound. After winning the competition for the project in 2013, the firm has made a series of changes to their plan. The design includes five private family homes for a husband and wife, their four children, and each of their children's families. Made to be experienced autonomously and as part of a larger whole, each home rethinks archetypal American houses.
Architecture and design practice REX has unveiled their design for Brown University’s new Performing Arts Center. The academic and cultural building was made to be a flexible and adaptable space that serves as a hub for performance. Combining a multi-functional main hall with an open stage floor, the design addresses the need for a dedicated performance space suitable for large ensembles. The new center was designed to encourage collaboration and inspire new modes of artistic and cultural production.
The New York City-based architecture firm REX will be designing the new performing arts center for Brown University's campus in Providence, Rhode Island. Known for their portfolio of office and cultural projects - notably and recently including The Ronald O. Perelman Performing Arts Center at the World Trade Center - the firm aims to accommodate performances and events while serving as a hub for daily social interactions on campus within the 81,000 square-foot site. The building will become a central convening space of multimedia and performing arts for students, faculty, and visitors.
After funding issues threatened to halt the project last year, plans for the Ronald O. Perelman Performing Arts Center at the World Trade Center are now back on track after an agreement made between the venue and the Port Authority of New York and New Jersey.
We’ve now received additional proposals for the competition, including honorable mention-awarded entries from OMA, Staab Architekten, and Aires Mateus e Associados, and a finalist proposal from REX, that show alternative strategies for the site.
https://www.archdaily.com/799249/oma-aires-mateus-plus-staab-architekten-unveil-honorable-mention-proposals-for-new-neue-galerie-competitionAD Editorial Team
REX has released images of the future Ronald O. Perelman Performing Arts Center (The Perelman Center), located on the World Trade Center site in New York City. Located between the gleaming glass tower of One World Trade and the future Two World Trade Center, the Perelman Center takes on a solid, pure form as it is set to become a new home for theater, dance, music, film, opera, and multidisciplinary works for visitors and residents of Lower Manhattan.
REX has released designs for 2050 M Street, an office building in Washington DC’s Golden Triangle Business District. The 41,800 square meter (450,000 square foot) building evolves and merges two existing typologies in the US Capitol: heavy masonry or concrete buildings, with high relief facades and punched windows – in styles ranging from Beaux Arts to Neoclassical, Art Deco and Brutalist – or modern structures with taut glass envelopes, many with applied decorative treatments. To reconcile these two competing strategies, 2050 M Street provides hyper-transparent, floor to ceiling glass, without view-impeding mullions. From the exterior, the panels appear scooped or concave, establishing that an all-glass building can also have a high-relief facade befitting of the nation’s capitol.
"Throughout the architectural selection process, REX presented us with an inspired vision. Joshua [Prince-Ramus] totally blew us away with his innovative ideas about how to present cutting-edge culture, but also about how to make the PAC relate to everyone who comes to the WTC site," said PACWTC director and president Maggie Boepple.
REX founder Joshua Prince-Ramus has won the $100,000 Marcus Prize. Awarded by the Milwaukee-based Marcus Corporation Foundation, the biennial award is dedicated to honoring emerging designers who've had a decade of exceptional leadership in their field.
"He is headed to the pantheon of greatness...and yet his ideas are still evolving," said Bob Greenstreet, dean of the School of Architecture and Urban Planning at the University of Wisconsin-Milwaukee, which administers the award.
Taschen’s latest volume draws together the architectural underdogs that, despite their minute, whimsical forms, are setting bold new trends for design.
When economies falter and construction halts, what happens to architecture? Rather than indulgent, personal projects, the need for small and perfectly formed spaces is becoming an economic necessity, pushing designers to go further with less. In their new volume Small: Architecture Now!, Taschen have drawn together the teahouses, cabins, saunas and dollhouses that set the trends for the small, sensitive and sustainable, with designers ranging from Pritzker Laureate Shigeru Ban to emerging young practices.
Joshua Prince-Ramus of REX, together with Brookfield Properties unveiled today the $200 Million redevelopment of 450 West 33rd Street in New York. The 1.8 million-square-foot building will be integrated into the Manhattan West Development.
The architectural firm REX designed the redevelopment of Five Manhattan West, including a new pleated glass façade which will create floor‐to‐ceiling windows on every floor, maximizing daylight penetration while reducing solar gain through geometric 'self‐shading.' The interior program includes a redesigned lobby, upgraded and expanded elevators, and enhanced HVAC and other mechanical systems. New retail storefronts will provide a welcoming streetscape. The renovation is expected to be completed in 2016.