The international Summer School will take place in Brussels from from August 26th to September 2nd. Forty students and recently graduated architects will be invited to rethink the future of the office buildings, products of the real estate boom of the 1960s. Participants will be led by four talented architects: Piovenefabi (Milan), Gafpa (Ghent), Something Fantastic (Berlin) and Dyvik Kahlen (London).
In its latest installment of the Private View series, Nowness has released a short documentary by New-York based filmmaker Alexandra Liveris profiling Santiago Calatrava. In the film, Calatrava discusses his perspective as an artist and an architect, as well as his creative process, mainly within the scope of the World Trade Center Transit Hub.
"You see, the first goal in this place was to deliver something beautiful where such an ugliness was there before,” says Calatrava in the film. “To deliver something optimistic looking to the future where so much sadness and depression was there.”
The Santiago Calatrava-designed St. Nicholas National Shrine at the World Trade Center has topped out, and capped with a temporary, six-foot-tall cross.
The Byzantine-styled structure was envisioned by Calatrava in 2013 as a non-denominational spiritual center to replace the original St. Nicholas Greek Orthodox Church, located at 155 Cedar Street, which was destroyed on 9/11.
9/11 Memorial Visions: Innovative Concepts from the 2003 World Trade Center Site Memorial Competition
More than a billion people watched the 9/11 World Trade Center destruction unfold on television, making it the greatest shared event in world history. Reflecting this fact, the 2003 World Trade Center Memorial Design Competition was open to anyone, drawing 5,201 entries from 60 countries, all of which were posted online.
On the 15th anniversary of 9/11 yesterday, the skylights at Santiago Calatrava’s Oculus at the World Trade Center opened for the first time, allowing light to fill the massive space as a memorial to the attacks on the twin towers. Following the masterplan laid out by Daniel Libeskind, Calatrava’s design used the angle of light as a guiding principle for orienting the transportation hub – so that at precisely 10:28 am each September 11th (the time of the collapse of the North Tower), a beam of light would pass through the opening in the roof and project all the way down the center of the Oculus floor.
REX has released images of the future Ronald O. Perelman Performing Arts Center (The Perelman Center), located on the World Trade Center site in New York City. Located between the gleaming glass tower of One World Trade and the future Two World Trade Center, the Perelman Center takes on a solid, pure form as it is set to become a new home for theater, dance, music, film, opera, and multidisciplinary works for visitors and residents of Lower Manhattan.
Hufton+Crow have shared with us their latest set of photographs: Santiago Calatrava’s World Trade Center Transportation Hub in New York City. Hardly requiring an introduction, the spiky structure has opened in stages since last year to mixed critical response, with new retail spaces lining the central “Oculus” space debuting to the public earlier this month.
Continue on for the British duo’s photographic impressions of the ribbed structure.
Twelve years after Santiago Calatrava revealed his design for the World Trade Center Oculus, the PATH station finally opened to the public in March. Although not officially confirmed by the Port Authority, the total cost of the Oculus is estimated to be nearly four billion dollars - almost double the original budget. The Real Deal has broken down the big-ticket costs that went into the making of the Oculus.
Since it opened to the public two months ago, Santiago Calatrava's World Trade Center Transportation Hub has been the subject of intense debate. Critics and the public alike have tried to answer whether the building, while undeniably unique and striking, was worth the $4 billion price tag that made it the world's most expensive train station. Key to this question's answer will be the way that the building settles into its role as a piece of the city's fabric.
With construction work still surrounding the building - both on the site itself and at the nearby skyscrapers - photographer Laurian Ghinitoiu turned his camera lens onto the station to see how it has been absorbed into the life of the city, capturing the way the structure is revealed from unexpected vantage points and showing how its users react to the sublime internal space of the "oculus."
If you haven't had the opportunity to step inside Santiago Calatrava's World Trade Center Oculus, here is your chance. Miguel de Guzmán of Imagen Subliminal has captured the incredible space in VR (Virtual Reality), granting you 360-degree views of the infamous oculus. Put on your Google Cardboard and see it for yourself.
Santiago Calatrava's long-awaited World Trade Center Oculus has officially opened. Thanks to EarthCam and the project's contractor Skanska USA, you can watch the $4 billion transportation hub take shape over the course of 42 months in just 65 seconds, from June 2011 to December 2014. For more, see what the critics have to say about the newly opened building here.
After 12 long years and a series of construction headaches, Santiago Calatrava’s $4 billion World Trade Center Transportation Hub has finally opened to the public. Once widely regarded as a symbol of hope for post-9/11 New York, the project’s ballooning budget and security-related revisions gradually soured the opinions of the public and top design minds including Michael Graves and Peter Eisenman, and provoked a multitude of mocking nicknames ranging from “Calatrasaurus” to “squat hedgehog” to “kitsch dinosaur.” All the while, Calatrava urged critics to reserve their opinion until the project’s opening. Now that day has arrived - did Calatrava receive the vindication he was insistent would come? Read on for the critics’ takes.
Half of Santiago Calatrava's $4 billion World Trade Center Transportation Hub is set to "quietly" open next week, according to a report by Crain's New York. Heavily criticized for being seven years overdue and twice its original cost, the public project has been labeled a "symbol of excess" by some and a "legacy project" by others. Despite the criticism, its 355-foot-long operable "Oculus" is "breathtaking" says New York Times reporter David Dunlap.
“It is necessary,” Calatrava told Dunlap, “that public space prevail... A balance is struck at Grand Central Terminal, and it will be here."
Two major tenants, 21st Century Fox and News Corp have pulled plans to relocate to the BIG-designed 2 World Trade Center - the final building planned for the 16 acre site. 2 WTC was unveiled last summer after news broke that BIG would be replacing Foster + Partners as the building's architect. According to a report on The Wall Street Journal, the two media companies based their decision on the high cost of relocating; they plan to stay in their current Midtown site until at least 2025.
The project will be placed on hold until a new tenant is found.
Until recently, the only options for providing clients and the public with visualizations of what a prospective building would look like were almost exclusively hand drawn renderings, or scale models built by hand. Both of these practices are still in use today, but now there is a much wider range of options with 3D modeling software providing the bulk of renderings, the growing presence of 3D printing, and even video fly-throughs with special effects that rival the latest Hollywood action movie. This 16mm film created by architecture firm Skidmore, Owings & Merrill (SOM) in 1984, and digitized by illustrator Peter Little, reminded us of what the early days of digital 3D modeling looked like.
A commission that was originally set to be Frank Gehry's, Brooklyn-based REX has been selected to design The Performing Arts Center at New York's World Trade Center site - PACWTC. REX was chosen over finalists Henning Larsen Architects and UNStudio through a "rigorous invitational process" that focused on the practices' experience with similar projects, including REX's Dee and Chales Wyly Theater in Dallas, Seattle Public Library and Vakko Fashion Center in Istanbul.
"Throughout the architectural selection process, REX presented us with an inspired vision. Joshua [Prince-Ramus] totally blew us away with his innovative ideas about how to present cutting-edge culture, but also about how to make the PAC relate to everyone who comes to the WTC site," said PACWTC director and president Maggie Boepple.
Adding to the controversy surrounding its construction, Santiago Calatrava’s World Trade Center Hub - set to be the world’s most expensive transit hub with a now-estimated budget of $3.7 billion - has delayed its opening until the first half of 2016 due to leaking water, according to an article in The New York Times. The water, originating from the site of an office tower to-be at 3 World Trade Center has been traced back to workers constantly spraying water to handle dust while breaking up concrete, exposing the construction site of 3 World Trade Center to the elements. Though the centerpiece of the Hub, The Oculus, has nearly finished construction, several retail spaces of the Westfield World Trade Center luxury shopping centre have been affected by the leaking and the Westfield Corporation has decided to postpone the move-in of all stores until the problem has been fully addressed. Despite the problems, the Westfield Corporation remains optimistic of the final result that the Oculus will produce and are working aggressively to remedy the leaking.
In It’s A Wonderful Life the film’s protagonist George Bailey, facing a crisis of faith, is visited by his guardian angel, and shown an alternate reality where he doesn’t exist. The experience gives meaning to George’s life, showing him his own importance to others. With the increasing scale of design competitions these days, architectural “could-have-beens” are piling up in record numbers, and just as George Bailey's sense of self was restored by seeing his alternate reality, hypothesizing about alternative outcomes in architecture is a chance to reflect on our current architectural moment.
Today marks the one-year-anniversary of the opening of Phase 3 of the High Line. While New Yorkers and urbanists the world over have lauded the success of this industrial-utility-turned-urban-oasis, the park and the slew of other urban improvements it has inspired almost happened very differently. Although we have come to know and love the High Line of Diller Scofidio + Renfro and James Corner Field Operations, in the original ideas competition four finalists were chosen and the alternatives show stark contrasts in how things might have shaped up.
On this key date for one of the most crucial designs of this generation, we decided to look back at some of the most important competitions of the last century to see how things might have been different.