A recent article from The New York Times confirms something we’ve all long-suspected. A Pritzker translates into big bucks. Demand for Shigeru Ban’s Manhattan buildings has soared since his awarding of the prize. The New York Times reports that page views of the Metal Shutter Houses, for example, have quadrupled on the listings site Streeteasy.com. Why? The Pritzker name carries weight:
“In this second age of high-flying real estate, brand-name architecture and globe-trotting wealth, the identity of a designer has taken on ever-increasing value to ensure that a project’s multimillion-dollar homes stand out. Anyone can install waterfall showers and Wolf ranges. A Pritzker is harder to come by.”
“Though Mr. Ban’s Pritzker could make it costlier to hire him in the future, some developers find a laureate worth the expense. ‘You can save a lot on plans, because you only have to change 10 percent of the project, instead of 90 percent; the vision is just so complete,’ the developer Aby Rosen said. ‘And you also save a ton on the marketing. People want to write about these Pritzker projects, and an article is way better than an ad.’”
But what does it mean when architecture – particularly the architecture of a socially-conscious designer like Ban – becomes a brand-name item? As Laura Ilonemi writes, “the Pritzker Prize begins to perpetuate an environment that is unhealthy to architecture: too strong a divide is created between winners and non-winners of the same calibre. [...] Sought-after commissions, and other opportunities perhaps better suited to other candidates, may well go to Pritzker Prize winners, helping to reinforce the trend of ‘designer buildings’ in much the same vein as designer label consumer goods and products. ”
As one real estate agent, representing a resident of the Metal Shutter Houses, put it: “It’s like buying an Hermès bag but better.” Is, in the end, the Pritzker nothing more than a branding tool? Should it be more? Let us know your thoughts in the comments below.
Last week, while the ArchDaily team was in Mexico City for the Mextrópoli Conference, we caught up with Pritzker Jury member Juhani Pallasmaa and asked him to shed some light onto the recent winners of one of architecture’s highest honors. Watch Pallasmaa, a renowned Finnish architect and professor, explain what motivates his approach for recognizing architects in a world with “so much publicity.”
“The Pritzker jury has now, for at least 5 years, tried to select architects who are not the most obvious names because there is so much publicity in the architectural world and we’d rather try to find architects who have not been published everywhere else…”
Pritzker Juror Alejandro Aravena on Shigeru Ban: Virtuousity in Service of Our Most Urgent Challenges
The following is Alejandro Aravena’s response to the Shigeru Ban’s Pritzker win. Aravena is the executive director of the firm ELEMENTAL S.A and a member of the Pritzker Jury who selected Ban as this year’s Pritzker Laureate.
Shigeru Ban has expanded the field of architecture in unexpected ways. He has proved that the inspired artist and the skilled designer is not inevitably condemned to work for a privileged elite, but that innovation can take place while working for the majority, particularly those historically underserved, forgotten or neglected. In order to do that, he redefined the approach to deal with difficult, urgent and relevant challenges, replacing professional charity by professional quality. Ban has shown that no matter how tough the circumstances or scarce the means, good design far from being an extra cost carries the added value of sharp efficiency, power of synthesis and an uplifting feeling.
We culled the Twitterverse looking for reactions to Shigeru Ban’s Prizker win – from readers and critics alike. While the responses were generally positive, some were less so.
See our favorite responses – from #baffled to #goodenough to #Banstheman! – after the break.
Last week we had the opportunity to interview this year’s Pritzker Prize winner, Shigeru Ban, within his Metal Shutters Houses in New York City. The Japanese architect, who was a member of the Pritzker jury from 2006-2009, gave us his thoughtful, humble response to receiving architecture’s most prestigious prize, saying the win is an “encouragement for me to continue working to make great architecture as well as working in disaster areas.”
When we asked him how he remains so committed to humanitarian efforts, balancing them with his other commissions, he explained: “I also like to make monuments because monuments can be wonderful treasures for the city, but also I knew many people were suffering after the natural disasters, and the government provided them very poor evacuation facilities and temporary housing. I believe I can make them better.”
Read the entire interview transcript, in which Ban discusses his innovative use of materials and gives us a few anecdotes about studying in the US, after the break.
You probably know by now that Shigeru Ban has won this year’s Pritzker Prize, but did you know he almost went to university to play rugby? Or that he constructed his home without pulling down a single tree? These and many more fun facts on the 38th Pritzker laureate, after the break.
“Shigeru Ban is a tireless architect whose work exudes optimism. Where others may see insurmountable challenges, Ban sees a call to action. Where others might take a tested path, he sees the opportunity to innovate. He is a committed teacher who is not only a role model for younger generation, but also an inspiration.” — Pritzker Jury 2014
Citing his innovative approach to structure and material as well as his commitment to compassionate design, the Pritzker Jury has selected Japanese architect Shigeru Ban as the 2014 winner of the Pritzker Prize. Ban is the thirty-eighth recipient of the Pritzker Prize and its seventh Japanese recipient.
Ban, who studied at Sci-Arc and Cooper Union, first gained international recognition for his experimental, creative use of unconventional materials, particularly paper and cardboard. However, he has more recently gained fame for bringing low-cost, high-quality design to those most in need of it, such as refugees and victims of natural disaster.
According to the jury, the Pritzker Prize recognizes architects who both display “excellence in built work and who make a significant and consistent contribution to humanity.” Shigeru Ban, whose approach is as innovative as it is humanitarian, “reflects this spirit of the prize to the fullest.”
Read the Jury’s full citation after the break…
Originally published in Metropolis Magazine as “Inside the Homes and Workspaces of 8 Great Architects“, this article shows the spaces occupied by some of the best-known architects in the world. Documented for an exhibition that will be featured at the Milan Design Week 2014, the images give a glimpse inside the private worlds of some of our favorite designers.
It’s a cliche that architects have messy workspaces. From chaos comes creation, so the phrase goes. But an upcoming exhibition at this year’s Salone del Mobile intends to dispel the myth. Where Architects Live will present glimpses into the personal spaces of eight significant architects: Shigeru Ban, Mario Bellini, David Chipperfield, Massimiliano and Doriana Fuksas, Zaha Hadid, Marcio Kogan, Daniel Libeskind and Bijoy Jain of Studio Mumbai.
Curator Francesca Molteni interviewed each of the designers in their private homes and came away with one finding: architects are actually quite tidy. The studios are all pristinely ordered; books are neatly stowed away, figurines and objets astutely displayed, and table tops swept clean. The photographs below are part of the exhibition materials, produced with the help of scenographer Davide Pizzigoni, which faithfully document the physical environments in images, video, and audio. These will be used to recreate the architects’ “rooms” at Salone del Mobile in April.
Where Architects Live is not limited to satisfying our curiosity about what these architects’ homes look like. Richard Rogers’ affirmation that “a room is the beginning of a city” resonates with the project’s aim in trying to articulate its subjects’ personal tastes and obsessions, and how those are reflected in their architectural work.
Read on to see more images of the inside of architects’ homes and studios
Disappointed that most architecture is built for the privileged, rather than society, Shigeru Ban has dedicated much of his career to building affordable, livable and safe emergency shelters for post-disaster areas. As described by TED:
Long before sustainability became a buzzword, architect Shigeru Ban had begun his experiments with ecologically-sound building materials such as cardboard tubes and paper. His remarkable structures are often intended as temporary housing, designed to help the dispossessed in disaster-struck nations such as Haiti, Rwanda, or Japan. Yet equally often the buildings remain a beloved part of the landscape long after they have served their intended purpose.
Currently taking place at the Art Tower Mito‘s Contemporary Art Gallery and Plaza until May 12, the ‘Shigeru Ban – Architecture and Humanitarian Activities’ exhibition is the architect’s largest exhibition and encourages visitors to think about the architect’s role in society. From his early works and a pioneering new architectural material to an ongoing disaster project, the exhibition explores the diverse activities and achievements of the architect as well as his vision and spirit to challenge social issues and disasters. Featuring architectural models, mock-ups, photographs, videos of his major and important works, and furniture, Ban is known for his innovative work constructed by developing or applying building materials from objects already existing in our everyday lives. For more information, please visit here.
Graphic designer and curator Kenya Hara has put together a three week-long exhibition in Tokyo focusing on the future of the Japanese house. Hara argues that the housing industry can no longer be isolated but must be combined with other industries, technologies and ideas, including energy, transportation, communication, household appliances, the “vision of happiness” pursued by adults, the representation of Japanese traditions and aesthetics as well as a future vision of health. All of these elements he hopes to present and discuss at the House Vision Exhibition where more than ten types of futuristic houses are on display and daily seminars with expert urban planners, developers, contractors, architects, telecom and even gas organizations have been taking place.
Read more about the exhibition after the break.
Over the past five years, the Make it Right Foundation in New Orleans has been realizing its commitment to build 150 affordable, green storm resistant homes for families living in the Lower 9th Ward. The foundation, established by Brad Pitt, has completed seventy-five homes with the time and efforts donated by local and international architects such as Gehry Partners, Morphosis, Kieran Timberlake, Pugh+Scarpa, and McDonough+Partners.
More on Make it Right and the homes after the break.
Super star architects arrive to the Caribbean, specifically to Dellis Cay, a 560-acre island at the Turks & Caicos archipielago. The project, set to be completed by 2010, will feature works by Shigeru Ban, David Chipperfield, Carl Ettensperger, Zaha Hadid, Kengo Kuma, Piero Lissoni, and Chad Oppenheim. In addition to the 124 villas and 154 residences, the island will have a 30,000 sq ft Spa operated by the Mandarin Oriental, a five star luxury hotel, a signature restaurant and numerous casual dining experiences.
Below you can see further images of the individual projects, done by d-box. There aren´t too many images available, but you can certainly notice the hand of each architect on this projects, specially the Zaha and Chipperfield ones.
From this project, two houses took my attention. First, a house by Chad Oppenheim, pictured above. I really like the public area of this house, which reminds me of contemporary brazilian houses: A unique concrete volume covering the open public space and an enclosed area for the bedrooms. You can really feel outside while being covered by the structure, which has a big span with no elements that block the views.
Starchitects are all over New York, giving an extra value to new condos in Manhattan. A few months ago i visted the Herzog & de Meuron and Bernard Tschumi projects on the lower east side, and they looked quite impressive. While most people didn’t liked the Tschumi’s Blu Condo, despite it’s iconic image, i had mixed feelings with HdM’s 40 Bond St.
But on West Chelsea a new 9 unit condo is under construction, designed by japanese Shigeru Ban. The project is located on the south side of West 19th Street, between 10th and 11th Avenues in West Chelsea’s art gallery district, right next to the High Line, the Hudson River Park, Ghery´s IAC Building and Jean Nouvel´s 100 11th.
On this building, Shigeru Ban once again innovates on the material use by incorporating motorized perforated metal shutters on its -dynamic- facade, which act as light-modulating privacy screen at the outer edge of each residence’s terrace adjacent to the double-height living rooms.