A design for a pavilion constructed out of recycled clothes hangers has been selected as the winner of the sixth annual City of DreamsPavilion Competition. The temporary structure will be built on Governors Island and available to the public for summer 2016, pending final approval and fundraising.
Hosted by FIGMENT, the Emerging New York Architects Committee (ENYA) of the American Institute of Architects New York Chapter (AIANY), and the Structural Engineers Association of New York (SEAoNY), the competition speculates on possible futures with solutions to the current strain on economic and natural resources. Designers are required to consider their materials from sourcing to disposal, or ideally, reuse, promoting sustainable thinking.
Over 100 design proposals were submitted, and the jury selected four finalists who were each given a month to further develop their designs in response to jury comments. See the winning design and the three finalists after the break.
An image of Álvaro Siza's first US building has been released. The luxury New York tower, planned for the corner of West 56th Street and Eleventh Avenue in Midtown, will rise up to 120 meters (just over 400 feet) and offer 80 units, a private roof garden, sun deck, spa and fitness center, and more.
The Google Cultural Institute have teamed up with New York City's iconic Solomon R. Guggenheim Museum, designed by Frank Lloyd Wright and completed in 1959, to open its doors through Street View. Additionally, the Solomon R. Guggenheim Foundation has made over 120 artworks from its collection available for online viewing. "Using Street View technology, it will now be possible to tour the museum’s distinctive spiral ramps from anywhere online," the Foundation said.
Architecture and Hip-Hop are both social, cultural practices that have remained at polar ends of a societal spectrum for most of their existence. Hip-Hop, which historically was born from communities of under-privileged youth, is often at odds with Architecture, a profession that has until recently, existed to almost solely service the top of society. With the affluence of certain hip hop artists – Pharrell Williams, Kanye West and Jay-Z, to name a few – hip hop has begun to encroach the realm of design, and ever so slightly, the dimension of architecture. A new “hip hop architecture” is being born.
New York City's Van Alen Institute have announced four new members—Haptic Architects, Mecanoo, Studio Libeskind, and Trahan Architects—to their International Council, a platform for exchange among leading architects, designers, developers, and planners. Furthermore, Jing Liu (SO–IL), Kim Herforth Nielsen (3XN), and Raymond Quinn (Arup) have joined its board of trustees to help guide the organisation's cross-disciplinary research, provocative public programs, and design competitions.
As part of OMA co-founder Rem Koolhaas' sixth interview with Charlie Rose, the Rotterdam-based Architect discusses why the Dutch port-city is his practice's base – and why he switched from journalism and scriptwriting to architecture. In the discussion, of which four snippets have been made available, Koolhaas also explains why he feels that smart technology has a "sinister dimension," and on how he—and his practice—have a tendency to "resist aesthetic."
http://www.archdaily.com/780502/why-rem-koolhaas-switched-from-scriptwriting-to-architectureAD Editorial Team
Of course, the archive also includes a significant assortment of captivating architectural images that range from everyday scenes to historic treasures. We've trawled the database to find some of the most unusual and insightful examples - read on to see a selection of the most interesting architectural images from NYPL’s digital archives.
Alongside a series of 2016 proposals, including the plans to transform Penn Station, Governor Andrew Cuomo has announced that New York will be expanding its Jacob K. Javits Convention Center - the busiest convention center in the US. Originally designed by James Ingo Freed of Pei Cobb Freed & Partners in 1986, the structure has undergone a number of renovations since; this time, it will be expanded by 1.2 million-square-feet, totaling 3.3 million-square-feet, with the addition of "the largest ballroom in the Northeast," new exhibition space, a four-level truck garage, and a 34,000-square-foot solar array.
New York City has seen rapid redevelopment that has capitalized on previously undesirable locations. Sitting at the top of these locations are the sites that have access to waterfront. Most of the ventures in these areas are private economic interests that only address public value when there is a direct return on profit. If not taken into consideration many of these waterfronts will be absorbed and, with the constant return of people to the urban core, there lies a need to create public and cultural infrastructure. In a city that is filled with numerous icons, parks, theaters, and museums an
Governor Andrew Cuomo has laid out plans to transform New York's congested Pennsylvania Station and neighboring James A. Farley Post Office into a world-class transportation hub. Penn Station, North America's busiest train station, was originally designed in 1910 to accommodate 200,000; currently it's serving more than 650,000 passengers each day. Though a number of firms have been enlisted in the past to re-imagine the station, the project's developer has yet to chose an official architect.
“Penn Station is the heart of New York’s economy and transportation network, but it has been outdated, overcrowded, and unworthy of the Empire State for far too long,” said Governor Cuomo. “We want to build Penn Station to be better than it ever was, and that is exactly what we are going to do. This proposal will fundamentally transform Penn Station for the 21st century, and we are excited to move forward with the project in the days to come.”
This first major retrospective of Alberto Burri's (1915-1995) work in the United States in nearly forty years will close at New York City's Guggenheim Museum later this week. More than one hundred works are on display covering his entire career, culminating in a film of Burri's largest work: the reinterpretation of the ruins of Gibellina, in Sicily. The old city, destroyed by the 1968 Belice earthquake, was later encased in concrete preserving the morphology of the buildings and the city's medieval streetscape. Alongside his two-dimensional work, the exhibition ultimately seeks to demonstrate how Burri blurred the line between painting and sculptural relief that directly influenced the Neo-Dada, Process art, and Arte Povera movements.
Shigeru Ban, the 2014 Pritzker Prize winner, is an architect often celebrated for his humanitarian and disaster relief structures, constructed out of recycled or recyclable materials. On the other end of spectrum, he is well-known for his meticulously constructed residential and museum projects, more often than not for high-end wealthy clients. The Nomadic Museum, however, combines both of these facets of his practice, using shipping containers and paper tubes to craft a bespoke mobile gallery for Gregory Colbert’s traveling exhibition of photography entitled Ashes and Snow.
The Ford Foundation is about to undergo a massive $190 million renovation. Led by Gensler, the project will "modernize" the landmark building and expand its spaces "for convening and creating a global center for philanthropy and civil society."
Originally designed by Kevin Roche and John Dinkeloo, the Ford Foundation is considered to be one of modern architecture's most iconic buildings. "That rarity, a building aware of its world," New York Times architecture critic Ada Louise Huxtable once described, following the building's opening in 1967.
The Institute for Digital Archaeology (IDA), a joint-venture between Harvard University (US), the University of Oxford (UK) and Dubai’s Museum of the Future (UAE) have announced that they will replicate a structure of architectural significance that was destroyed earlier this year by IS, or 'Islamic State', at full scale in the centre of London and New York City. The arch—all that remains of the Temple of Bel at the Syrian UNESCO World Heritage site—was captured by militants in May and destroyed. By no means an isolated case, IS have looted and demolished a number of similar architectural and anthropologically important sites that "pre-date Islam in Iraq," condemning them as "symbols of idolatry."
The New York City Landmarks Preservation Commission has approved COOKFOX Architect's plans for a mid-rise, 66-unit condominium building in Manhattan. Planned for two parcels of land in the West End Collegiate Historic District, next to one of the Churches' five ministries, the project aims to "fit harmoniously with the distinct streetscape" while "interweaving the rich historic details of the Upper West Side with subtle contemporary and sustainable design."
Located on 527 West 27th Street, in “the heart of West Chelsea” and overlooking the highline, Jardim is a set of two, 11-storey luxury condominium buildings designed by Brazilian architect Isay Weinfeld. His first project in New York, the buildings comprise 36 condominium residences, each with between 1-4 bedrooms. Many of the residences will have private outdoor spaces, providing “seamless indoor-outdoor living."
In his latest article for Vulture, art critic Jerry Saltz celebrates the latest crop of public art in New York City, such as Deborah Kass' OY/YO sculpture, sitting near the Manhattan Bridge in Brooklyn, commenting on the success of such pieces even though (or perhaps because) many of them have been curated by art-world insiders rather than publicly accountable arts commissions or community engagement processes. But for Saltz, this new wave of high-quality public art has come at the expense of quality public space. Despite his admiration for the art installations, he expresses skepticism of the privately-funded public spaces that house them, such as the much-celebrated High Line, designed by Diller Scofidio + Renfro (DS+R) and James Corner Field Operations, as well as future projects such as Pier 55 by Heatherwick Studio, and the "Culture Shed" at the Hudson Yards development also by DS+R. His critique even references a phrase from DS+R that belongs on our list of words only architects use. Read Saltz's full discussion of public art and public space here.