Celebrating the unique creative spirit that drives architecture and design, the Architecture & Design Film Festival (ADFF) comes to Tippet Rise Art Center, the 10,260-acre sculpture park and classical music center in the Montana highlands, this September. Architect Kyle Bergman, ADFF’s founder, will bring a lineup of eight films to Tippet Rise that intimately explore the connections between nature and architecture and examine how architects from around the world grapple with the constraints and inspirations presented by their sites.
Almost one year has passed since the music video release of 'Do It Right' by French artist Martin Solveig. Although deprived of a star-studded tennis match on this occasion, over 15 million viewers have been treated to stunning vistas of The Red Wall, a vibrant fortress of color designed by Ricardo Bofill in Calp, Spain.
As well as being an inspiration for hundreds of architects, who have admired its striking color palette and interlocking staircases, The Red Wall succeeded in capturing the imagination of Solveig and the team at Monsieur l'Agent, the French agency who produced the music video.
The project of the Music Factory of Lanzarote was born as a public initiative that seeks to solve the lack of musical spaces and interpretation of the island bearing in mind the analysis extracted from the area.
A priority objective is a connection with the city and the impulse of the urban renewal in Arrecife. A project that will act as an engine of future activities that seek intervention in urban voids and old buildings adapting them to new uses.
Archtalent, an online architecture platform for Architects, in collaboration with Sziget, one of the largest music and cultural festivals in Europe, make an international call to design a temporary structure within the particular context of a music festival in the city of Budapest in Hungary.
Music+Architecture: This Web Series Invites World-Renowned Musicians to Perform in Celebrated Chilean Buildings
Architecture and music are two very different art forms – one is visual, tactile and logical; the other audial and emotional. So what happens when you bring these two artistic media together?
This is the idea explored by Chilean web series Insigne Sesiones, which aims to “[expose] he ideal mix between contemporary architecture and music, generating the first audiovisual project worldwide that officially joins these two disciplines.” For their first season, Insigne Sesiones invited six world-renowned musicians to perform their music in the intimate settings of some of the most celebrated works of Chilean architects across the country.
Check out the full first season below.
TRIKONA is a biennial multicultural event organised at MIDAS Architecture College located in a sprawling 600 acres township. The three days conference and sports cum cultural gala event is organised from 03 to 05 March 2017 with 2500 participants from all over India and aboard.
Title of the Conference: VERNACULAR
Date: 03-04 March 2017
Venue: ECR, Swarnabhoomi, Kancheepuram District, TN-INDIA
Vernacular means native – it defines the soul of any environment, culture, architecture, language, cuisine, and life-style. It is a common identity of the place which will be sustainable and energy efficient. In this data-revolution packed century, the world has become a global village,
The production of creative work often requires a very particular type of space—a temple, if you will, to the work being done. Architects and artists are open about how their living and working areas affect their practice, and musicians, of course, are no different. Perhaps this is why places and spaces are often featured on album covers. The art on an album cover is partially advertising, but it is also often a visual symbol of an entire period in the life of a musician. An album's cover artwork may depict the view a band saw coming into the studio every day, the building the album was recorded in, the city the musician grew up in, or myriad other more abstract connections. We will leave it to you to make sense of the connection between the 7 architectural landmarks featured on the following albums and the music their images envelop, but the stories behind the constructions themselves may help you make a more educated guess.
FAAB Architektura has designed a smog-fighting music academy on the site of a former military base in Cracow, Poland. In a city constantly tackling air pollution, FAAB has incorporated a 1300 square meter "Air Purifier" into their proposal, combating CO2 levels as effectively as 33,000 city trees. This system, however, is only one element in a music academy wholly integrated with its natural surroundings.
We experience our cities daily through ordinary acts, whether it’s commuting, looking for a quiet place, having lunch downtown, or even exercising. However, one of the most exceptional ways to experience the different roles of a city's urban space is through traditional festivals, rooted in local cultures presented through different clothing, culinary arts, dances and other arts.
Through these festivals, one can see the uses and the demands of the urban public space, in which cultural actions offer new ways to take over the city - at a time when the streets are no longer just a transit space and become a space of leisure and residence, overtaken by a different atmosphere.
New cultures are built on new practices. Through travel, architects can expand their repertoire and gain new influences for their projects. Here, we take a look at some traditional festivals around the world that serve as a good excuse to unveil new ways of thinking about a city and, as a result, to see great architectural works.
Interiors is an Online Publication about the space between Architecture and Film, published by Mehruss Jon Ahi and Armen Karaoghlanian. Interiors runs an exclusive column for ArchDaily that analyzes and diagrams films in terms of space.
Kanye West followed up his demented masterpiece Yeezus with an art project—an album never officially released, never officially completed, and one that is continuously being revised and restructured. It’s a continuous work in progress, a painting that’s never finished, which has evolved before our eyes (known by many titles including So Help Me God, Swish, Waves, until finally settling on the anachronistic The Life of Pablo).
It’s no wonder then that The Saint Pablo Tour, which kicked off in Indianapolis on August 25th, 2016 and is tentatively scheduled to end in Brooklyn on December 31st, 2016, feels unlike anything Kanye West has done before, while staying true to his creative vision. If 2013’s Yeezus Tour was an operatic experience that was more about the performance aspect, 2016’s Saint Pablo Tour is an active experience that is more about creating a Disneyesque attraction.
Architecture, like music, inspires us daily. Our sister site ArchDaily Brasil, in partnership with Spotify, created an architecture- and urbanism-themed playlist, with shout-outs to cities, buildings and even architects themselves. In the list you'll find everything from David Bowie singing about Philip Johnson and Richard Rogers, to Laurie Anderson citing Buckminster Fuller and the Beatles fretting over a visit to an apartment.
Listen to the playlist after the break and add songs with architecture shout-outs in the comments.
The Spaces has recently released a short film in which architect David Adjaye and his musician brother Peter Adjaye discuss their upcoming vinyl collaboration, which fuses music and architecture together to represent a multi-sensory experience.
In the film, the Adjaye brothers delve into several topics, like explaining their inspirations, David’s early ambitions as a DJ, and their upcoming soundtrack for the soon-to-be-opened National Museum of African American History and Culture in Washington, DC.
OUTDOOR LAB is an initiative promoted by NUfactory within the Outdoor Festival 2016. The competition aims to exploit one of the former pavilions of the Guido Reni military station, reflecting on the theme of conversion that the space is experiencing: transform an old industrial laboratory in a meeting space, production, sharing and experimentation.
What do Frederic Chopin, Alexander Calder and Montana's Bear Tooth Mountains have in common? A long summer day at Tippet Rise Art Center seeks to make the connections audible, visible, tangible.
Founded by philanthropists and artists Cathy and Peter Halstead and inaugurated in June 2016, Tippet Rise began as—and largely remains—a working ranch. It sprawls across 11,500 acres of rolling hills and alluvial mesas of southwestern. To the west rise the snowy heights of the Bear Tooth Mountains. Off to the east, hills give way to golden prairies that stretch out to the horizon.
Into this privileged landscape, the Halsteads and team have strategically inserted massive outdoor sculptures by Alexander Calder, Mark di Suvero, Stephen Talasnik, plus three specially commissioned works by the Spanish architectural firm Ensamble Studio. And hidden in a small depression near the entrance of the massive ranch, the LEED Platinum-certified Olivier Barn serves as both base camp for visitors and a state-of-the-art concert hall.
David Adjaye is set to release a vinyl record with his brother Peter, a composer and musician with whom David has been formally collaborating for over a decade, reports The Spaces. The record, Dialogues, presents a collection of 10 of Peter's sonic responses to David's architectural projects. "When I see architecture I hear sounds – I respond to the visual. David responds to sound – he creates with a soundtrack in his mind," Peter said of their creative dynamic.
When it comes to the confluence of music and architecture, maybe the first thing that comes to mind is Goethe's claim that "music is liquid architecture." Goethe, however, was writing before the advent of MTV: music videos have become miniature films, attempting to capture all the tone, undercurrents and context of a particular song and translate them visually. Even better, the way music videos use architecture isn't the same as any documentary or film location; the camera attempts to mimic the way people listen to music by cutting and weaving around, designed for listeners as much as they are designed for viewers. Hence we see protagonists turning to the side, important elements placed away from the center and shots that both explore and disguise spaces in an attempt to fit the songs' acoustics to the setting.
What this means for us is that music videos can relate to architecture and capture its underlying tones in a way that a film might struggle to. For an architect wondering how the public truly understand and interact with a piece of architecture or remember a style, music videos are an untapped goldmine, since every setting location and filming choice show off how our wider culture relates to a building. Read on after the break for seven music videos that tell us a surprising amount about the architecture they feature.
In The Chemical Brothers’ “Go” music video, seven women carrying two poles march through Paris’ Front-de-Seine neighborhood in perfectly synchronized choreography by Michel Gondry. The area is located in the 15th district, beside the Seine river, and is characterized by its Brutalist buildings, the result of an urban project in the 1970s that rehabilitated the former industrial area through the construction of 20 towers nearly 100 meters high.
The buildings were designed by Henri Pottier and Raymond Jules Lopez, and rise around an elevated platform, which features a series of geometric patterns that are best seen from the top of the towers. The video not only highlights several of these buildings, but also integrates the choreography into the remarkable urban setting.
This post was originally written by José Tomás Franco for Plataforma Arquitectura.
Fusing Architecture and Music: Philip Kennicott Describes the Inspiration Behind Steven Holl’s Daeyang Gallery and House
Awarded yesterday with the 2013 Pulitzer Prize for criticism, Philip Kennicott has built an honorable reputation as a art and architecture critic for Washington Post’s Style section. One of his most recent works, Music Holl: A Copper Clad Pavilion in Seoul recounts the inspiration behind Steven Holl’s award-winning Daeyang Gallery and House in Seoul.
Designed as an experiment on “the architectonics of music,” the basic geometry of the Daeyang Gallery and House was inspired by Istvan Anhalt’s 1967 Symphony of Modules - a uniquely transcribed sheet of music found in John Cage’s contemporary music compendium, Notations. Reminiscent of the “blocky and shard-like shapes” of Anhalt’s sketch, Holl’s design features three copper-clad pavilions punctured by a symphony of carefully placed, rectangular skylights that animate the interior with “bars of light”. As Kennicott describes, Holl uses music as a “powerful metaphor for the dynamic unfolding of experience” (captured in this film by Spirit of Space).