In conjunction with the Contemporary Morocco exhibit (Le Maroc Contemporain) at the Jean Nouvel-designed Institut du Monde Arabe in Paris, a giant tent has been constructed on the plaza in front of the building. Designed by Tarik Oualalou and Linna Choi of OUALALOU+CHOI, the tent harmonizes contemporary design and technical innovation with traditional fabrication methods. Constructed from more than 650-square-meters of camel and goat wool woven by female cooperatives in the Saharan desert, the tent serves as an urban landmark and a symbol for the Contemporary Morocco exhibit. The rhythm and scale of the tent’s silhouette renders a topographic dimension to the structure which pays homage to the nomadic traditions of southern Morocco.
The delicate mashrabiya has offered effective protection against intense sunlight in the Middle East for several centuries. However, nowadays this traditional Islamic window element with its characteristic latticework is used to cover entire buildings as an oriental ornament, providing local identity and a sun-shading device for cooling. In fact, designers have even transformed the vernacular wooden structure into high-tech responsive daylight systems.
Jean Nouvel is one of the leading architects who has strongly influenced the debate about modern mashrabiyas. His Institut du monde arabe in Paris was only the precedent to two buildings he designed for the harsh sun of the Middle East: The Doha Tower, which is completely wrapped with a re-interpretation of the mashrabiya, and the Louvre Abu Dhabi museum with its luminous dome.
JeanNouvelDesign, the studio led by French architect Jean Nouvel, presented their new collection of furniture during Paris Design Week. Among them is the Oxymore chair, designed by JeanNouvelDesign and produced by specialty group-seating manufacturer Figueras International Seating. This fetishistic chair, a result of research conducted at the Figueras Design Centre, has a singular cubic appearance that provides extreme comfort, softness. It is precisely this unapparent relationship between look and feeling that gives the seat its name—since an oxymoron means a union of contradictory elements.
In this powerful interview, Jean Nouvel explains his relationship to Arabic architecture. Discussing his various projects in Arabic countries - such as his office tower in Doha or the Louvre Abu Dhabi - Nouvel discusses how he is influenced by and integrates the abstraction and geometry of traditional Islamic architecture into his modern designs. He also espouses a strong opinion on the understanding of context in architecture, saying: "I'm a contextual architect, but for me the context isn't only the site. It's above all a wider historical context - a cultural context... each time, building is trying to continue a history, and to take part in this history." His architecture, he says, is about listening: "The architect is not meant to impose his own values or his own sensitivities on such general plans." Video via Louisiana.
“My interest has always been in an architecture which reflects the modernity of our epoch as opposed to the rethinking of historical references. My work deals with what is happening now—our techniques and materials, what we are capable of doing today.”
Today is the 69th birthday of the great French architect and designer, Jean Nouvel. The winner of the Wolf Prize in 2005 and the Pritzker of 2008, Nouvel has attempted to design each of his projects without any preconceived notions, resulting in a variety of projects that - while strikingly different - always demonstrate an interesting use of light and shadow as well as a harmonious balance with their surroundings. More on the Pritzker-winning architect, after the break.
This week, 2008 Pritzker Prize laureate Jean Nouvel is expressing his vision for the workspaces of the future at the Salone Internazionale del Mobile in Milan. Nouvel was asked by Cosmit, the Salone's parent company, to create a huge project tailored specifically to the Saloni that would document the tremendous changes that have altered living and working spaces over the past few years. Nouvel responded with a project that "frees up the office space" and is a "counter to urban segregation and the zoning of other specially dedicated workplaces." He achieves these goals in his design by rejecting cloned and enclosed spaces as well as serial repetitiveness, suggesting more cohesive formulas that will better serve the domestic and international workplaces of the future.
More from Cosmit on "Project: office for living" after the break.
From September 29th to December 8th, the exhibition dedicated to the work of Toni Cumella will be open. His works in ceramic have been utilised by architects such as Enric Miralles, Alejandro Zaera-Polo, or Jean Nouvel. These collaborations made his material became part of the image of Barcelona, being part of the construction of La Sagrada Familia, and the restoration of Casa Batlló and Parc Güell.
Focusing on the 4 main fabrication processes in use at Ceramica Cumella – extruding, casting, pressing and revolving – Shaping Ideas presents the work of Toni Cumella and the application of his ceramics in some of contemporary architecture’s most significant projects.
The new Police headquarters and the extension of Charleroi/Danses was designed by Jean Nouvel and MDW Architecture. The City of Charleroi has commissioned the CFE group to design, build, finance and maintain this ambitious project. More images and architects’ description after the break.
Since it’s opening on September 16th, the Jean Nouvel acrylic encasement and historic Jane’s Carousel has become a landmark in the heart of Brooklyn Bridge Park for New York families. The welcoming public pavilion offers spectacular views of the East River, the Manhattan and Brooklyn Bridges, and the Manhattan skyline.
Continue reading for more detailed information and images.
This week, with the help of our readers, our Architecture City Guide is headed to Barcelona. We recently featured an engaging video where Wiel Arets half jokingly said Barcelona is fantastic but boring. He continued to say as soon as Sagrada Família is finished Barcelona is done; there is nothing left to do there (10:50). Arets can say what he wants about Barcelona supposedly being boring, but our city guide doesn’t reflect this. Barcelona is filled with fantastically expressive architecture that springs from its proud Catalan culture. It was impossible to feature all our readers suggestions in the first go around, and we did not even come close to including some of the most iconic building such as Casa Milà. Thus we are looking to add to our list of 24 in the near future. Further more there are so many fabulous buildings on the drawing board or under construction, i.e. the projects in the @22 district, we’ll most likely be updating this city guide for quite awhile, regardless of Sagrada Família’s completion.
Take a look at our list with the knowledge it is far complete and add to it in the comment section below.
This week, with the help of our readers, our Architecture City Guide is headed to Paris. For centuries Paris has been the laboratory where innovative architects and artists have come to test their ideas. This has created a city that has bit of everything. Where the architecture of some cities seems to undergo phases of punctuated equilibrium, Paris’s architectural fossil record gives an impression of gradualism; all the missing links are there. This makes it easy to trace the origins of the most contemporary ideas throughout history. Nothing seems to come out of nowhere. If you look around you kind find the design’s inspiration running through the city’s Roman, Medieval, Renaissance, Baroque, Classical, Rocco, Neo-Classical, Empire, Art Nouveau, Art Deco, Modern, Post-Modern, and Contemporary Architecture. Seen in another context, many of Paris’s buildings might seem out of place, but the bones of this city support the newest iterations on the oldest and most profound questions. The 24 contemporary designs that comprise our list probably should not be viewed outside of this context, even though that is the stated goal of some of the designs.
As the most visited city in the world and arguably the capital of culture, it is impossible to capture the essence of Paris in 24 modern/contemporary designs. Our readers supplied us with great suggestions, and we really appreciate the help and use of their photographs. The list is far from complete and we realize that many iconic buildings are not yet on the list. We will be adding to it in the near feature, so please add more in the comments section below.
This week our Architecture City Guide is headed to the city stars fall on. With a few notable exceptions, one can hardly be called a starchitect if s/he hasn’t designed something in Minneapolis. Since 2005 the starchitects that have fallen on this “City of Lakes” include Jean Nouvel, Herzog & de Mueron, César Pelli, Michael Graves, Steven Holl, and Frank Gehry. This is a surprising number for a city just north of 380,000 people. Few cities of this size could boast as much. What’s more our list of 12 is far from complete. There are many wonderful historic and contemporary buildings mixed in with the explosion of starchitecture. Please leave comments of buildings one should not miss when visiting Minneapolis.
Architecture City Guide: Minneapolis list and corresponding map after the break!
https://www.archdaily.com/127516/architecture-city-guide-minneapolisChristopher Henry
Pritzker Prize winning architect Peter Zumthor’s design for the 11th Serpentine Gallery Pavilion was revealed today. A design that ‘aims to help its audience take the time to relax, to observe and then, perhaps, start to talk again – maybe not’, the materials are significant in aiding the design which emphasizes the role the senses and emotions play in our experience of architecture. The Pavilion will be Zumthor’s first completed building in the UK
Zumthor shared that ‘the concept for this year’s Pavilion is the hortus conclusus, a contemplative room, a garden within a garden. The building acts as a stage, a backdrop for the interior garden of flowers and light. Through blackness and shadow one enters the building from the lawn and begins the transition into the central garden, a place abstracted from the world of noise and traffic and the smells of London – an interior space within which to sit, to walk, to observe the flowers. This experience will be intense and memorable, as will the materials themselves – full of memory and time.’
Jean Nouvel was chosen as the lead urban architect and coordinator for the Seguin Island project in July of 2009. Here we are sharing with you the Ateliers Jean Nouvel team master plan for Seguin Island in Boulogne-Billancourt, France.
A diverse group of programs will make up the spaces, total surface area of 300,000 sqm, including cultural, retail, social facilites, parks, gardens, terraces serving as a destination for both residents and tourists. Construction is scheduled to begin in 2010 and final completion is expected for the end of 2023.
Follow the break for a video and renderings by Ateliers Jean Nouvel.
A year ago, we featured a set of Tim Harris’ early construction photos of Jean Nouvel’sDoha Office tower previously on AD, and now photographer Nelson Garrido has shared some new shots of the 45 story cylindrical structure. The building’s dia-grid gives much character to the project, as it not only provides structural support but also gives the volume a textured appearance from far away that turns into a more delicate patterning in closer range. The facade is layered with metal brise-soleil based on a traditional Islamic pattern. The fairly standard geometry module becomes a complex visual as it is rotated and flipped to provide maximum shading for the interior of the building. In this way, the arrangement of the panels is both functional and supplies the aesthetic touch that will define the tower.
Since 2010, the Serpentine Gallery has commissioned world’s most renowned architects to design a temporary structure to host summer events. The list includes Zaha Hadid, Frank Ghery, Rem Koolhaas, Toyo Ito, Daniel Libeskind, Oscar Niemeyer, Alvaro Siza + Souto de Moura, SANAA (previously featured at AD), danish artist Olafur Eliasson, and several collaborations with Cecil Balmond and ARUP.
Nouvel proposes a vivid red metal structure, which trough the reflection of its materials (steel, glass, fabric, polycarbonate) remind of classic british icons, such as the phone box or the London buses, while contrasting with the green of the park. A free standing 12m tall wall marks the presence of the pavilion.
A few weeks ago, we shared Jean Nouvel’s design for 53 West 53rd Street, a 1,250 foot project that would dominate the site. Reactions to the project were different across the board as some felt the tower would push New York forward in the architectural world, whereas others did not agree with the scale or aesthetic of the project. As we previously mentioned, Nouvel’s project had a long way to go before construction, and this week, as Nicolai Ouroussoff reported for the New York Times, it seems that the City Planning Department has decided to shorten the proposed tower by 200 feet.
More about the City Planning Department’s decision after the break.
