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Gehry to Design Campus for Non-Profit in Los Angeles Neighborhood

Frank Gehry, renowned for his often enormous public works projects, is turning his attention to something on a smaller scale: a campus for the non-profit organization CII (Children’s Institute Inc.) in the Los Angeles neighborhood of Watts. Perhaps best known for Watts tower, the architecture of Watts is shaped by limited income and the need to deter vandalism. according to the LA Times Gehry’s intervention will hopefully be a tipping point for a neighborhood desperate to change not just its aesthetic but its future. Read the full article about the project here.

Gehry Unveils Designs to Extend the Philadelphia Art Museum Downwards

The Philadelphia Museum of Art has revealed Frank Gehry's designs for a 169,000 square foot expansion that will see the museum dig down to create a new set of galleries underneath its existing footprint. Already an unusual choice for a project whose brief called to preserve the architectural integrity of the existing building, Gehry's design is an unexpectedly muted intervention, focusing on interior rearrangement and additions that are in keeping with the 86 year-old building's aesthetic.

Perhaps the most dramatic alteration proposed by Gehry is a plan to punch a hole through the museum's famous 'Rocky steps', the iconic training location from the Rocky film series, creating a window into the new subterranean galleries; however as the $350 million project will by necessity by undertaken in stages, this intervention is likely to be a subject of discussion for some time.

More on the design after the break

A cross-section view showing the changes to the existing interior spaces and the new underground galleries. Image © Gehry Partners, LLP Lenfest Hall. Image © Gehry Partners, LLP The new underground galleries will be lit in part by a skylight in the East Terrace. Image © Gehry Partners, LLP The vaulted underground walkway, long closed to visitors, will become a space for art and events, with entrances at the north (Kelly Drive) and south (Schuylkill River) sides of the building. Image © Gehry Partners, LLP

Revised Design Unveiled for Toronto's Mirvish+Gehry Towers

Frank Gehry and Developer David Mirvish have revealed the latest design iteration in their embattled plan to build a set of mixed-use skyscrapers in Toronto. The new design reduces the number of towers, from three to two, however the remaining towers are taller than before, with one at 82 stories and one at 92.

The buildings will house apartments, a new art gallery and space for OCAD University as previously planned, but the decision to use two towers instead of three means that three of the five existing buildings can be retained - including the Princess of Wales Theatre, and two designated heritage warehouses - sidestepping some of the criticisms of the previous scheme.

Read on after the break for Frank Gehry's take on the design

Courtesy of Mirvish Enterprises, Gehry Partners, LLP and Projectcore Inc. Courtesy of Mirvish Enterprises, Gehry Partners, LLP and Projectcore Inc. Courtesy of Mirvish Enterprises, Gehry Partners, LLP and Projectcore Inc. Courtesy of Mirvish Enterprises, Gehry Partners, LLP and Projectcore Inc.

Gehry's Berlin Skyscraper May Be Too Heavy for Alexanderplatz

After winning the design competition for Germany's tallest apartment tower in January, Frank Gehry's project for the building on Alexanderplatz has already run into problems over fears that the 150-metre building could be too heavy for its site. The German edition of the Local is reporting that Berlin's Senate has placed the plans on hold because of the building's proximity to the U5 branch of the U-Bahn tunnel, which it fears could be crushed under the weight.

More on the story after the break

Frank Gehry Wins 2014 Prince of Asturias Award for the Arts

Frank Gehry has been bestowed with Spain's prestigious Prince of Asturias Award for the Arts. The Canadian-American architect was chosen as the award's 34th laureate “for the relevance and impact of his creations in numerous countries, via which he has defined and furthered architecture in the past half century.”

“His buildings are characterized by a virtuoso play of complex shapes, the use of unusual materials, such as titanium, and their technological innovation, which has also had an impact on other arts,” stated the jury.  “An example of this open, playful and organic style of architecture is the Guggenheim Museum in Bilbao, which, in addition to its architectural and aesthetic excellence, has had an enormous economic, social and urban impact on its surroundings as a whole.”

More information about Gehry's selection, after the break...

The Story of Maggie's Centres: How 17 Architects Came to Tackle Cancer Care

Maggie's Centres are the legacy of Margaret Keswick Jencks, a terminally ill woman who had the notion that cancer treatment environments and their results could be drastically improved through good design. Her vision was realized and continues to be realized today by numerous architects, including Frank Gehry, Zaha Hadid, and Snøhetta - just to name a few. Originally appearing in Metropolis Magazine as Living with Cancer,” this article by Samuel Medina features images of Maggie's Centres around the world, taking a closer look at the organization's roots and its continued success through the aid of architects.

It was May 1993, and writer and designer Margaret Keswick Jencks sat in a windowless corridor of a small Scottish hospital, dreading what would come next. The prognosis was bad—her cancer had returned—but the waiting, and the waiting room, were draining. Over the next two years until her death, she returned several times for chemo drips. In such neglected, thoughtless spaces, she wrote, patients like herself were left to “wilt” under the desiccating glare of fluorescent lights.

Wouldn’t it be better to have a private, light-filled space in which to await the results of the next bout of tests, or from which to contemplate, in silence, the findings? If architecture could demoralize patients—could “contribute to extreme and mental enervation,” as Keswick Jencks observed—could it not also prove restorative?

Highlands, Scotland, 2005 by Page\Park Architects / Courtesy of Page\Park Architects. ImageA collaboration between Page\Park and Charles Jencks, Maggie's Centre Inverness at Highlands weaves together building and landscape in a unified composition. The design invokes the formal properties of mitosis or cell division; scaled up, they are manifested in the swirling landscape mounds and the center's spiraling form. "The cell is the unit of life: dynamic, really exciting, a factory of life itself, and I thought it was time to celebrate the cell," Jencks has said in the past. Fife, Scotland, 2006 by Zaha Hadid Architects / © Werner Huthmacher. ImageAll sharp angles and painted a sinister black, Zaha Hadid's Fife center isn't the first thing you'd expect from a Maggie's Centre. The exterior invited comparisons to a bunker, despite the airy, humane spaces within. "Zaha got a lot of criticism and her building is bloody good," Jencks says of his former student's design. The building was the architect's first in the UK. Manchester, England, 2016 by Fosters + Partners / Courtesy of Fosters + Partners. ImageThe next center is set to open in Manchester, where Norman Foster was born and raised. “Norman came to us, and I was waiting because he is an old friend of mine,” Jencks says. “He had cancer, and because of his own experiences, he was really interested in doing this. He’s got everything he’s ever wanted in this building.” Aberdeen, Scotland, 2013 by Snøhetta / © Philip Vile . ImageThe center's cocoon-like shell packs a big, Niemeyer-esque punch despite its modest proportions. The interiors, however, reveal a Scandinavian influence, with extensive timber coverings and exquisite stone accents. The building has been nicknamed "the Pebble" by locals.

New Images of the Frank Gehry Facebook Campus Released

After Facebook assumed the former Sun Microsystems complex in Palo Alto in 2011, Facebook founder Mark Zuckerberg set out to find an architect capable of handling a grand design for its main main headquarters building. Zuckerberg chose world famous architect Frank Gehry for the job (amid major concessions to the city of Palo Alto).

If he was looking for impact, Zuckerberg could have made no better choice. Gehry's past designs have become renowned tourist attractions, like the Guggenheim Museum in Bilbao, Spain. They are considered some of the most important works of contemporary architecture on the planet.

Photos of the Gehry model that will become Facebook's new HQ have been floating around for a couple of years. But with the building slated for completion next year, Facebook provided these new, exclusive images to Business Insider of what the world can expect from Gehry's latest design:

Six Essential Materials & The Architects That Love Them

In case you missed it, we’re re-publishing this popular post for your material pleasure. Enjoy!

To celebrate the recent launch of our US product catalog, ArchDaily Materials, we've coupled six iconic architects with what we deem to be their favourite or most frequently used material. From Oscar Neimeyer's sinuous use of concrete to Kengo Kuma's innovative use of wood, which materials define some of the world's best known architects?

Spotlight: Frank Gehry

Born in 1929, internationally acclaimed architect Frank Gehry has been headlining architectural news platforms since he established his Los Angeles practice in 1962 and remodeled his home in Santa Monica. Notorious for his expressive use of form (and its sometimes inflationary effect on project budgets), Gehry is best known for the Guggenheim Museum in Bilbao, which fellow architect Philip Johnson once dubbed “the greatest building of our time.”

Congress Aids the Impending Doom of Gehry's Eisenhower Memorial

Congress budget cuts have officially stalled Frank Gehry’s controversial Eisenhower Memorial, according to a recent report, rejecting $49 million in construction funds and cutting the Eisenhower Memorial Commission’s annual budget in half. Unless the commission is able to raise a substantial amount of private funds, as well as win support from the Eisenhower family (which is doubtful), Gehry’s “grandiose” memorial is unlikely to ever break ground. Despite this, the commission’s director is optimistic, stating that the FDR Memorial took nearly 45 years to get built. You can read more about the controversy here.

Gehry’s Grand Avenue Project Wins LA County Supervisors’ Approval

After being rejected for appearing too “boxy” and not appealing enough to pedestrians, Related Companies’ revamped Grand Avenue vision has finally won unanimous approval from county supervisors. The $750-million plan, which was abruptly halted back in September when Gensler’s toned-down version was deemed greatly “disappointing” by the city, will now move forward with a more playful (and pricey) design by the project’s original architect, Frank Gehry

40 Architecture Docs to Watch In 2014

Gehry's Vertigo. Image Courtesy of Living Architectures
Gehry's Vertigo. Image Courtesy of Living Architectures

This time last year we published our 30 Architecture Docs to Watch in 2013 featuring a fantastic range of films telling the tales of some of the world's greatest unsung architectural heroes. We now bring you eleven more for 2014, looking past the panoply of stars to bring you more of the best architectural documentaries which will provoke, intrigue and beguile.

Frank Gehry: "I'm Not a Starchitect"

For Peter Aspden's first encounter with the architect of the Guggenheim in Bilbao and the Walt Disney Concert Hall in LAFrank Gehry did not "exude sweetness." "You are not going to call me a [...] ‘star-chitect’? I hate that." In a candid interview with the Financial Times, Gehry discusses the problem of being branded for beginning the Bilbao Effect in spite of the fact that he insists that "you can’t escape your signature." Gehry talks at length about Facebook's latest headquarters and, in particular, his relationship with his client, Mark Zuckerberg. Read the full interview here.

Frank Gehry to Submit Grand Avenue Vision to L.A. City Officials

After reviewing proposals from a selection of other firms, Related Companies has chosen to move forward with Frank Gehry’s Grand Avenue vision for Los Angeles. The design, which abandons the fluid forms of Gehry’s original scheme, has been described by critic Christopher Hawthorne as “significantly more exuberant and suggestive of L.A. culture” than Gensler and Robert A.M. Stern Architects’ recently rejected proposal

Museum Round Up: The Box is Back

Clyfford Still Museum. Image ©  Jeremy Bittermann
Clyfford Still Museum. Image © Jeremy Bittermann

In a recent article for the Denver Post, Ray Rinaldi discusses how the box is making a comeback in U.S. museum design. Stating how architecture in the 2000’s was a lot about swoops, curves, and flying birds - see Frank Gehry and Santiago Calatrava - he points out the cool cubes of David Chipperfield and Renzo Piano. We've rounded up some of these boxy works just for you: the Clyfford Still Museum, the Kimbell Art Museum Expansion, The St. Louis Art Museum's East Building, Tod Williams and Billie Tsien's Barnes Foundation, and Shigeru Ban's Aspen Art Museum. Each project begins to show how boxes can be strong, secure, and even sly. Check out more about the article here

How Would You Design Grand Avenue?

"Will Grand Avenue finally turn around? Most likely not until they make it a two-way, add more trees, bike lanes, and pedestrian amenities. Buildings alone can’t do it, no matter how daring, novel (or expensive) the architecture." -- Guy Horton, The Indicator, "Ten Years Later, Has the Disney Concert Hall Made a Difference?"

The latest controversy surrounding the Grand Avenue re-design, the long-awaited project to develop the stretch of land east of the Walt Disney Concert Hall, is the re-instatement of Frank Gehry, a move which occurred after the city of LA rejected plans from mega-developers Related Cos. (designed by Gensler in collaboration with Robert A.M. Stern) for being "overly commercial."

Of course, while the Related Cos. plans may have failed to wow the city, the decision to bring Gehry back to the project hasn't exactly been embraced either. A must-see article in Zócalo Public Square asks four urban planning experts, "what would you do with Grand Avenue?" In his latest ArchDaily column, Guy Horton offers his opinion: any re-design must rely on activating life on the street-level, rather than on one architectural solution. Well, ArchDaily readers, now we'd like to know your thoughts on the matter.

The Indicator: Ten Years Later, Has the Disney Concert Hall Made a Difference?

On October 23rd, the Walt Disney concert hall, the project that almost never was, will celebrate its ten-year anniversary. Throughout these ten years it has had all manner of transformative power attributed to it. But has it really transformed LA? What would the city have been like if it had never been built? Would it be fundamentally different? 

The answer? No.The city wouldn’t even be that different in the immediate vicinity of Grand Avenue. 

Gehry Confirms His Return to LA's Grand Avenue Project

The Los Angeles Times' Christopher Hawthorne may have hoped for (and indeed hinted at the possibility) of Frank Gehry's return to the Grand Avenue Project, the long-awaited plan to develop the stretch of land east of the Walt Disney Concert Hall, but now the speculation has finally become fact. Speaking last week at a panel discussion meant to commemorate the 10th anniversary of the Disney Hall, Gehry finally put the rumors to rest.

More details, after the break.