Detailed visions of the concept designs from the seven shortlisted teams in the running for the new Ross Pavilion (named for William Henry Ross, the former chairman of the Distillers Company) have been released. Following the announcement of the competition earlier this year—in which the likes of Adjaye Associates, Bjarke Ingels Group, Sou Fujimoto Architects and Reiulf Ramstad Arkitekter were placed in the running alongside local practices, such as Page\Park—the sensitivity and level of restraint behind the majority of the proposals demonstrates the public and national significance of the site, which sits at the heart of the Scottish capital of Edinburgh.
Early design studies have been unveiled of Adjaye Associates’ first New York City skyscraper. Developed by the Lightstone Group, the 61-story, 750-foot-tall ‘Wall Street Tower’ will be located at 130 William Street in New York’s Financial District.
Uncovered by CityRealty, these initial visualizations show a gold-detailed structure featuring arched windows that expand as the building rises, and an abundance of luxury amenities including sports facilities, a swimming pool, a movie theater, lounge areas and rooftop observatory.
TIME Magazine has named architect David Adjaye to their annual list of 100 Most Influential People, recognizing the world figures who have had the most impact on society in the past year in five categories: Pioneers, Titans, Artists, Leaders, and Icons. Unlike Bjarke Ingels and Wang Shu – who were selected under the Artist category in 2016 and 2013, respectively – Adjaye was nominated in the Icons category alongside champions including media personality RuPaul, subversive photographer Cindy Sherman, and US Congressman John Lewis, the civil rights leader who was the original advocate for a National African American Museum in Washington, which was eventually designed by Adjaye and inaugurated last September.
In the citation for the award, Thelma Golden, director and chief curator of the Studio Museum in Harlem (and currently working with the architect on an expansion project for the museum), describes Adjaye as “one of the great architectural visionaries of our time,” and lauds his work as “deeply rooted in both the present moment and the complex context of history."
There’s no doubt that one of the best things about architecture is its universality. Wherever you come from, whatever you do, however you speak, architecture has somehow touched your life. However, when one unexpectedly has to pronounce a foreign architect’s name... things can get a little tricky. This is especially the case when mispronunciation could end up making you look less knowledgeable than you really are. (If you're really unlucky, it could end up making you look stupid in front of your children and the whole world.)
To help you out, we’ve compiled a list of 22 architects with names that are a little difficult to pronounce, and paired them with a recording in which their names are said impeccably. Listen and repeat as many times as it takes to get it right, and you’ll be prepared for any intellectual architectural conversation that comes your way.
The Smithsonian National Museum of African American History & Culture Photographed by Brad Feinknopf
After its opening in September last year, the now completed Smithsonian National Museum of African American History and Culture can be seen in full swing, thanks to this new photoset taken by photographer Brad Feinknopf. Designed by Freelon Adjaye Bond / SmithGroup JJR (a collaboration which included Perkins + Will's Phil Freelon, David Adjaye from Adjaye Associates, Davis Brody Bond, and SmithGroup JJR), the 420,000 square foot building houses numerous galleries and collections, as well as a theater. Maintaining a strong connection to America’s engrained African history and roots through its bronze filigree envelope, the museum asserts a subtle presence in the landscape, coexisting alongside the Washington Monument and National Museum of American History.
David Adjaye OBE, principal of Adjaye Associates, will be Knighted by Her Majesty Queen Elizabeth II for his services to architecture at an investiture in 2017. The Central Chancery of the Orders of Knighthood at St. James's Palace, who administer the Knight Batchelor awards that will be bestowed upon the architect, described Adjaye as "one of the leading architects of his generation and a global cultural ambassador for the UK."
Adjaye Associates, alongside development manager Alchemi Group, have submitted a planning application for 5 Strand, a mixed-use scheme adjacent to London's iconic Trafalgar Square. Inspired and informed by the surrounding historic buildings, the new 5 Strand will include 62,000 square feet (5,760 square meters) of office space, 26 apartments, and two ground-level retail units.
Article 25's "10x10" Auction Features Work by Zaha Hadid, Kengo Kuma, Richard Meier & Antony Gormley
In celebration of their 10-year anniversary, Article 25, the world's largest architectural charity, will hold this year's "10x10 Drawing the City London" event on November 29 at the Royal Institute of British Architects. Each year, representatives from UK's top architecture studios and property and design industries gather to raise funds for Article 25's work in developing countries. The event features an auction of artwork by 100 prominent rising artists, designers, and architects; this year's participants include Kengo Kuma, Richard Meier, Antony Gormley, Zaha Hadid Design, and David Adjaye.
Architectural research initiative arch out loud has announced the winners of Tokyo Vertical Cemetery, its international open ideas competition that sought solutions to Tokyo’s rising issue of burial space.
Sited in the Shinjuku district of Tokyo, the competition challenged architects and designers to develop proposals for a vertical cemetery that explores the relationship between life and death in the city while taking into account the cultural identity that is tied to death.
From 460 proposals representing 54 countries and six continents, one winner and three runners-up were selected by a jury including David Adjaye, Tom Wiscombe, Alison Killing, and more.
The winners of the Tokyo Vertical Cemetery competition are:
Serpentine Galleries Names Rogers & Adjaye to Pavilion Selection Board, Announces Zaha Hadid Exhibition
The Serpentine Galleries has announced a new process for the selection of architects for its successful Summer Serpentine Pavilion program.
For the event’s first 16 years, the annual commissions were selected by program founder and former Serpentine Galleries director Julia Peyton-Jones, who left her position earlier this year to pursue independent contemporary art and architecture projects. Replacing her are the Serpentine Galleries new CEO Yana Peel and Artistic Director Hans Ulrich Obrist, who will lead an advisory board featuring architects Richard Rogers and David Adjaye.
Video: President Obama Inaugurates the Smithsonian National Museum of African American History and Culture
“What we can see of this building, the towering glass, the artistry of the metalwork, is surely a sight to behold.”
These were the words spoken by President Barack Obama as he inaugurated the most recent addition to the National Mall in Washington D.C., the Smithsonian National Museum of African American History and Culture, this past weekend. The opening ceremonies featured musical performances and celebrations, as well as a look at the museum’s place in American history.
“This national museum helps to tell a richer and fuller story of who we are,” said Obama. “It helps us better understand the lives, yes, of the president but also the slave, the industrialist but also the porter, the keeper of the status quo but also the activist seeking to overthrow that status quo.”
A century since the founding of the National Memorial Association and the start of a campaign by African-American war veterans for a monument of African American culture, the National Museum of African American History and Culture will finally be opened on September 24th. The Museum took $540 million and four years to build, resulting in a striking, and refreshingly unorthodox, architectural construction on Washington DC’s National Mall. The Freelon Adjaye Bond/SmithGroup JJR team, led by Ghanaian-British architect David Adjaye, defiantly broke the white-marble-Corinthian-column convention, opting instead for a bronze-coated aluminum façade bound to provoke a reaction from the critics.
It’s rare for an architect to have the opportunity to design a building in which symbolism and form are as important as function, if not more so. But this was the task given to David Adjaye when he won the commission to design the National Museum of African American History and Culture (NMAAHC), which, when it opens in September, will be the final Smithsonian institution to take its place on the National Mall in Washington, D.C. Adjaye, whose work is marked for its extreme sensitivity to context, found himself challenged in ways he had never been before. On the occasion of the completion of Adjaye’s Eugene McDermott Award residency at MIT, Metropolis editor Vanessa Quirk spoke with the architect about the new institution, its symbolic significance, and the blurry boundary between monument and museum.
Next Month, architecture will be hitting the mainstream media, as Bjarke Ingels has been selected to grace the cover of the September 2016 edition of WIRED UK. Titled “THINK BIGGER,” the issue will also feature profiles and stories from architects and designers Tom Dixon, Neri Oxman, David Adjaye and Rem Koolhaas. A Condé Nast Publication, the magazine focuses on the effects of science and technology on topics including design, architecture, culture, the economy, politics and philosophy.
Gallery: David Adjaye's National Museum of African American History and Culture Photographed by Paul Clemence
Photographer Paul Clemence of ARCHI-PHOTO has shared with us images of Adjaye Associates' nearly-completed Smithsonian National Museum of African American History and Culture. The building draws inspiration from the nearby Washington Monument, mirroring the 17-degree angle of its capstone in the museum’s tiered corona. Adjaye has described the building’s ornamental bronze lattice as “a historical reference to African American craftsmanship.” The skin can also be modulated to control the transparency and amount of sunlight reaching the interior spaces. The building will open to the public on September 24, 2016.
Continue on for Clemence’s full photoset.
In this series by renowned financial institution Goldman Sachs, Talks at GS, some of architecture’s leading minds, including David Adjaye and Maya Lin, talk about how their careers have developed, their secrets to success, and what they are working on right now. The most recent video features Bjarke Ingels discussing his design approach and the development of this year’s Serpentine Pavilion. In addition to the videos, Goldman Sachs has also sat down with two other design leaders to talk about their careers.
Find the rest of the interviews after the break.
The Spaces has recently released a short film in which architect David Adjaye and his musician brother Peter Adjaye discuss their upcoming vinyl collaboration, which fuses music and architecture together to represent a multi-sensory experience.
In the film, the Adjaye brothers delve into several topics, like explaining their inspirations, David’s early ambitions as a DJ, and their upcoming soundtrack for the soon-to-be-opened National Museum of African American History and Culture in Washington, DC.
David Adjaye is set to release a vinyl record with his brother Peter, a composer and musician with whom David has been formally collaborating for over a decade, reports The Spaces. The record, Dialogues, presents a collection of 10 of Peter's sonic responses to David's architectural projects. "When I see architecture I hear sounds – I respond to the visual. David responds to sound – he creates with a soundtrack in his mind," Peter said of their creative dynamic.