The American Institute of Architects (AIA) and MIT’s Center for Advanced Urbanism has produced a new report examining urban health in eight of the USA’s largest cities, which has been translated into a collection of meaningful findings for architects, designers, and urban planners. With more than half of the world’s population living in urban areas – a statistic which is projected to grow to 70% by 2050 – the report hinges around the theory that “massive urbanization can negatively affect human and environmental health in unique ways” and that, in many cases, these affects can be addressed by architects and designers by the way we create within and build upon our cities.
Scandinavian practice C.F. Møller Architects, in collaboration with DinellJohansson, has been announced as winner of the HSB Stockholm architectural competition. The winning scheme includes three ”ultra-modern residential high-rises” planned for Stockholm’s city center. Only one of these proposals will actually be built, including the world’s tallest wooden skyscraper. Completion of the chosen tower is set for 2023, the 100th anniversary of the competition organizer and Sweden‘s largest housing association, HSB. View the three project proposals after the break.
Developer TF Cornerstone has selected Office for Design & Architecture (ODA) to design the largest affordable housing project in New York. Besting proposals from BIG, SHop and Perkins Eastman, the ODA-designed scheme will occupy more than 1,200,000-square-feet along the Long Island City waterfront in Hunters Point South. With an emphasis on connecting residents with nature, the design will feature multiple community green spaces throughout various levels, including two urban farming plateaus.
Skidmore, Owings & Merrill LLP (SOM) has unveiled a 99-story tower planned for the Rasuna Epicentrum neighborhood in Jakarta. Designed as a “highly sustainable corporate headquarters” for the state-owned energy company, Pertamina, the “energy tower” aims to become a new landmark on the Indonesian capital’s skyline. Once complete in 2020, the large-scale project will feature a 2,000-seat performing arts auditorium and exhibition pavilion, public mosque, and central energy plant in addition to the office tower.
Northwestern University has selected Perkins+Will to design the new 600,000 square foot Biomedical Research Building for the Feinberg School of Medicine in Chicago. Planned for the site of Bertrand Goldberg’s recently demolished Prentice Woman’s Hospital, the new building will “anchor the University’s research facilities and be the hub of a world-class research and development enterprise that attracts innovation and entrepreneurship.”
Using Australia as her focus, Marissa Looby, in a recent article for the Australian Design Review, argues that the disappearance of architectural styles, combined with the proliferation of various guidelines and building codes, has created a new breed of architect: The New Radical Pragmatist. Her article “The New Radical Pragmatist (On Validation)” is reprinted here.
The Architectural Review (December, 1955) first published Reyner Banham’s epochal and pivotal article, ‘The New Brutalism’, in which the critic pointed to the rise of a new architectural style. He also described an influx of -isms that were becoming increasingly conspicuous to the discipline, stemming from the then contemporary model of an art historian and their influence on the architectural historian-as-observer of the architectural profession. Banham incisively suggested that any proposition of the term ‘new’ has an unequivocal relationship to the past, so much so that in advocating for a new -ism an architectural theoretician must defend their claim with historic fact.
Ironically, Banham acknowledged that even ‘The New Brutalism’ title derived from The Architectural Review’s analysis of the International Style in the postwar article, ‘The New Empiricism’. He stated: “[the] ability to deal with such fine shades of historical meaning is in itself a measure of our handiness with the historical method today, and the use of phrases of the form ‘The New X-ism’ – where X equals any adjectival root – became commonplace in the early 1950s in fourth year studios and other places where architecture is discussed, rather than practised.”
Mapdwell announced today the unveiling of Mapdwell Solar System for the Washington, D.C. The MIT-born project has formed an alliance with the District Department of the Environment (DDOE) to provide its state-of-the-art rooftop solar resource to the U.S. capital.
DDOE was the first of several organizations to partner with Mapdwell after the platform was introduced in Cambridge, Massachusetts. The District’s map comes only seven months after the initial rollout of Solar System, and constitutes the first step in Mapdwell’s expansion in the United States and abroad.
To help ease the pressure of selecting the perfect gift for the architects in your life, we have compiled 13 products that are guaranteed to please. See them all, after the break, and let us know what you have on your christmas list this year in the comment section below.
From the window of an airplane it’s all too plain that apartheid has been deeply written into the South African landscape. Even the smallest town appears as two distinct towns. One features a spacious grid of tree-lined streets and comfortable houses surrounded by lawns. The other, its shriveled twin, some distance away but connected by a well-traveled road, consists of a much tighter grid of dirt roads lined with shacks. Trees are a rarity, lawns non-existent. This doubling pattern appears no matter the size of the population: here, the white town; over there, the black township. — Lisa Findley, “Red & Gold: A Tale of Two Apartheid Museums.”
There are few systems of government that relied so heavily upon the delineations of space than the Apartheid government of South Africa (1948-1994). Aggressively wielding theories of Modernism and racial superiority, South Africa’s urban planners didn’t just enforce Apartheid, they embedded it into every city – making it a daily, degrading experience for South Africa’s marginalized citizens.
When Nelson Mandela and his party, the African National Congress, were democratically elected to power in 1994, they recognized that one of the most important ways of diminishing Apartheid’s legacy would be spatial: to integrate the white towns and the black townships, and revive those “shriveled twin[s].”
As we remember Mandela – undoubtedly the most important man in South Africa’s history – and ponder his legacy, we must also consider his spatial legacy. It is in the physical, spatial dimensions of South Africa’s towns and cities that we can truly see Apartheid’s endurance, and consider: to what extent have Mandela’s words of reconciliation and righteous integration, truly been given form?
In this article, which originally appeared on Australian Design Review as “Reframing Concrete in Nepal,“ Aleksandr Bierig describes how New York-based MOS Architects, a firm better known for its experimental work, is designing an orphanage for a small community in Nepal.
Strangely enough it has become almost unremarkable that an office such as New York-based MOS Architects would find itself designing an orphanage for a small community in Nepal. Now under construction in Jorpati, eight kilometres north-east of the capital, Kathmandu, is the Lali Gurans Orphanage and Learning Centre, which finds itself at the intersection of any number of tangential trends: the rise of international aid and non-governmental organisations, the seeming annihilation of space by global communications networks and the latent desire of architects to use their designs to effect appreciable social change. Emphasizing simple construction techniques and sustainable design features, the building hopes to serve as a model for the surrounding communities, as an educational and environmental hub, the provider of social services for Nepalese women and as a home for some 50 children.
MOS Architects, founded in 2003 by US architects Michael Meredith and Hilary Sample, is not a practice known for its involvement in humanitarian projects. Its work is often experimental and, at times, willfully strange. Alongside its architecture, MOS makes films, teaches studios, designs furniture and gives lectures on its work. It was after one lecture in Denver, Colorado in 2009 that Christopher Gish approached Meredith and Sample to ask if they would be interested in designing an orphanage.
Originally posted in Metropolis Magazine as “Iconic Museums, Rendered In Gingerbread“, Samuel Medina looks into a fun project to realize world-famous buildings in various types of candy.
Had Hansel and Gretel stumbled across one of these sugary structures, they may have taken off in the opposite direction. Dark, gloomy, and foreboding, the confectionary architecture would have made quite the impression on Jack Skellington, however. The project, by food artist Caitlin Levin and photographer Henry Hargreaves, is clearly indebted to the gothic mise-en-scène of the latter’s expressionistic underworld, a dreary, but whimsical land where one might half expect to find a twisted (gumball) doppelganger of the Tate Modern or Zaha Hadid’s MAXXI.
Find out more about the process behind this sweet project after the break
For his thesis project, Javier Lloret turned a building into a giant, solvable Rubik’s Cube. Making use of the media facade of the Ars Electronica in Linz, Austria, he projected the world’s most famous handheld puzzle onto a huge scale – inviting passers-by to solve the puzzle. In the process, Lloret transformed the nearby area, showing that (when used correctly) technology can make the urban environment more fun.
Read on to find out how Lloret did it…
As we celebrate the 25th anniversary of Arup’s New York office, we’ve spent the past few months talking with people inside the firm and beyond about the future of the city. We asked them to come up with blue-sky ideas about the New York of 2050 without worrying too much about financial or political feasibility. Circumstances can change a great deal over almost four decades, after all, and tomorrow’s constraints might look very different than today’s. We then worked with graphic designerJosh Levi to synthesize and visualize the results — view the large version here. Our main goal: to spark conversations about long-term priorities for the city and possible ways to achieve them.
What would you add to the list? How would you change it?
Read all 27 predictions, after the break…
Herzog & de Meuron just celebrated the grand opening of the Pérez Art Museum Miami (PAMM), alongside the commence of the Art Basel in Miami Beach. Located on a waterfront site overlooking the Biscayne Bay, near the MacArthur Causeway, the three-story museum’s low-profile seems to almost disappear into its surroundings – a pleasant contrast to the ornate and often form-based architecture that is typically found throughout the city. This lack of form, as Jacques Herzog described, is all about “permeability.”
“Miami is known for its iconic art deco district – in fact art deco was about decorated boxes with no great relationship and exchange between inside and outside,” Herzog continued. “The greatest thing, however, that makes Miami so extraordinary is its amazing climate, lush vegetation and cultural diversity. How can these assets be fully exploited and translated into architecture? That’s the way we tried to go with our design for the new art museum in Miami.”
Continue reading for a sneak peak inside the Museum…
It’s been exactly one year since the world first mourned the passing of a great master of 20th century architecture: Oscar Niemeyer.
After 104 years of life, the renowned architect left a profound legacy. His works - known for their impressive curves, embrace of light, and profound relationship to their surroundings – made him an icon. Not just in Brazil, but the world.
ArchDaily continually strives to be the ultimate source of inspiration, knowledge, and tools for architects around the world. Every potential initiative that we conjure up, we launch only if it aligns with our mission.
Which is why we’re so excited to introduce to you a fantastic new resource: ArchDaily Materials.
We know that many of you already browse our site for inspiration for your work – whether at the very beginnings of a project, when the design is still forming in your mind, or later on, as source references for details, facades, materials, etc.
However, once you’ve found the material that inspired you, you’re left to your own devices to procure it (maybe you even settle for something else along the way).
We’re still in the early stages and so will be fleshing out ArchDaily Materials with even more products and materials over the next few months; however, we invite you to explore this inspirational new resource and start integrating it into your everyday practice today. Enjoy!
The ArchDaily Team