Green, or living, walls have begun popping up and growing across commercial interiors everywhere over the last decade. To understand how a living wall functions, and how to design one, we went straight to a pioneer in the profession: Ms. Birgit Siber of Diamond Schmitt Architects in Toronto. The synthesis of natural systems and building systems had been in her mind since her days as a student, but the major break came in 2000, when her team constructed a massive living wall for The University of Guelph-Humbar. To understand how architects are closing the gap between interior and exterior via the living wall, read the full interview after the break.
Last week, Daniel Libeskind joined Century Properties Group to celebrate the ground breaking of the “Century Spire.” Designed as a key building for Century City – a 3.4 hectare, mixed-use development in Makati – the all-glass, 60-story office and residential tower sets itself apart with a “dramatic crown” that divides and expands the building’s top half as it rises.
Interdisciplinary teams from the University of Sao Paulo, Delft University, and five other post-secondary institutions are currently exploring sustainable innovations in design, materials, and building systems thanks to the support of Pillars of Sustainable Education – a partnership between Architecture for Humanity and the Alcoa Foundation. The collaborative effort was founded as a way to “educate the next generation of architects, engineers, and material designers while supporting real-world design-build projects that positively impact both the environment and the local community.” Months into the project, the schools’ proposals are turning into reality as students collaborate with NGOs. To learn about what each school is working on, keep reading after the break.
The U.S. National Council of Architectural Registration Boards (NCARB) has released a statement endorsing licensure upon graduation from accredited programs. Though the release did not specify a definite plan of action, the announcement acknowledges the benefits of restructuring U.S. licensure so that “rigorous internships and examination requirements” are all fulfilled during the education process.
Envisioned by NCARB’s “Licensure Task Force,” the “new path” concept overhaul will move forward by identifying schools interested in participating in the program. A Request for Information will be sent out later this year, followed by a Request for Proposal process in 2015.
Though many U.S. architects have seemingly longed for news such as this, others argue that there are drawbacks to licensure upon graduation. Let us know your thoughts in the comment section after the break.
With no casualties, last week’s fire at the Glasgow School of Art, which caused significant damage to parts of the building and gutted Charles Rennie Mackintosh‘s canonical library room, will be remembered as a tragic event that robbed us of one of the best examples of Art Nouveau of its time. The intention of the Glasgow School of Art is to restore the building in the hope that in generations to come, the fire will be all but forgotten, a strategy which has been largely well received by the profession.
However, in the case of other fires things have not gone so smoothly: for millennia, fire has played a big role in determining the course of architectural history - by destroying precious artifacts, but often also by allowing something new to rise from the ashes. Read on after the break as we count down the top 10 fires that changed the course of architectural history.
Four firms have been shortlisted to design Qatar‘s Lusail Stadium, the centerpiece for the 2022 FIFA World Cup. Foster + Partners, David Chipperfield Architects, Mossessian & Partners and Mangera Yvars Architects are now competing to design the 80,000 seat stadium which will host the international event alongside Zaha Hadid‘s Al Wakrah stadium and others.
Read on after the break for more on the shortlist
Zaha Hadid Architects, SOM, Ian Simpson Architects, Manuelle Gautrand Architects, and Wingårdhs Arkitektkontor are all competing to design what will be the tallest tower in Scandinavia. Submitted anonymously, the five shortlisted proposals have just been unveiled by Serneke, who has envisioned the skyscraper as an integral piece to a larger 32,000 square meter mixed-use masterplan in Gothenburg that has been in the making for more than ten years.
Check out each shortlisted design, after the break…
The following news is presented by ArchDaily Materials, our new US product catalog.
The 2014 Wienerberger Brick Award Winners exemplify brick’s potential in contemporary architecture, transforming the common brick into something spectacular. This year’s jury featured 2012 Pritzer winner Wang Shu, who commented on the “spatial and secret” feeling of the Grand Prize Winning Kantana Film and Animation Institute. See all seven winners after the break.
The Venice Biennale 2014 has announced the make-up of the International Jury who will determine which National Pavilions will receive the Gold and Silver Lions June 7th. As decided by the Board of Directors, including chairman Paolo Baratta and director Rem Koolhaas, the jury represents experts from a variety of disciplinary fields, from four different continents (Asia, Africa, the Middle East, & Europe). Read on after the break for more on the five appointed jury-members.
Are you feeling short on inspiration today? For a jump-start, try watching one of these twenty TED Talks – a follow-up to last year’s post “The 10 Most Inspirational TED Talks for Architects.” Wherever your interests lie, the passionate people featured in these videos – from WikiHouse founder Alastair Parvin to famed photographer Iwan Baan and architectural great Moshe Safdie - will get your creative juices flowing. See them all, after the break.
Last week one of the greatest icons of Brazilian architecture, João Filgueiras Lima, also known as Lelé, passed away. Photographer Joana França has shared with us photographs depicting the architect’s extensive repertoire - from his most classic works to some lesser-known gems.
See them all, after the break…
A statement from The Glasgow School of Art’s Muriel Gray paints a somber picture of the aftermath of yesterday’s fire: “Bad news first is that we have lost the iconic and unique Mackintosh library. This is an enormous blow and we are understandably devastated.”
The fire, which broke out on Friday, May 23 at around 12:30pm, caused an outpouring of grief on social media. Though many speculated as to the fate of the library, the archives, and the building’s structural integrity, the report brings confirmation that the archives are “safe.”
Gray added, “As for the library, Mackintosh was not famous for working in precious materials. It was his vision that was precious and we are confident that we can recreate what was lost as faithfully as possible.”
The Bauhaus school of design has made an indelible mark on the world of architecture, one that is still felt almost seventy years after its closing. After moving the school from Weimar to Dessau in 1925 to avoid confrontation with the Nazis, founder Walter Gropius designed a series of semi-detached homes for the design masters teaching at the Bauhaus. This small neighborhood, nestled in a pine forest near the school building itself, was an idyllic home for the likes of Lyonel Feininger, Oskar Schlemmer, and Gropius himself. They were abandoned in the 1930s as Germany plunged into war, and suffered years of damage from military conflict and neglect. Renovations to the houses began in 1990, and now, 24 years later, the Bauhaus meisterhäuser have been completely reopened.
Peter Zumthor has chosen to mentor Paraguayan architect Gloria Cabral as part of the Rolex Mentor and Protégé Arts Initiative. Cabral, a partner at Asuncion-based Gabinete de Arquitectura, will spend a year collaborating with the Swiss architect, who has dedicated his expertise in an effort to learn, create and grow with the young talent.
Describing Cabral’s work to reveal an original spirit, Zumthor stated: “In Gloria’s work and attitude I sense a keen interest in the physical experience of architecture, which makes it exciting for me to collaborate with her.”
Our very talented friend Federico Babina has been responsible for some of ArchDaily’s most popular posts lately. The creativity behind his ARCHISET, ARCHIMACHINE, ARCHIPORTRAIT, ARCHIST, ARCHIBET and ARCHICINE have garnered thousands of shares on social media. Since we loved Babina’s serialized architectural illustrations, we were thrilled when he saw his latest set: the ArchDaily logo imagined in and around the world’s classic architecture. Read on for our interview with the architect and graphic designer.
ArchDaily: Can you introduce yourself?
Federico Babina: My name is Federico Babina. I am an Italian architect and graphic designer (since 1994) that lives and works in Barcelona (since 2007). But mostly I’ve been a curious person (since forever).
AD: What’s an interesting fact about you?
FB: Every day I try to rediscover a way to observe the world through the eyes of a child. Children are able to have a vision of things totally uninhibited and without the conditioning of the experience. Children’s drawings are always amazing and beautiful in their spontaneous simplicity and clarity. I like trying to explain the world I see through different techniques of expression. I like the richness of the language and the diversity of its forms. I do not want to confine me in a prison of a style or shape.
AD: In what ways does your training as an architect affect your style as an illustrator?
FB: Any architect has to explain his projects through illustration and drawing. Design is the first way to give shape and body to a project. In this sense every architect should be a graphic designer. I was born with illustration. It’s been part of my life since I was a child. I started with book stories, I passed through the comics and then I arrived to architecture. Drawing and illustration and making architectural projects are, for me, one of the ways to recount and capture thoughts, feelings and emotions. Every project has a story and every project is a witness of a story. I ‘m fascinated by the idea of being able to blend the world of architecture and illustration: transform the architecture in an illustration and illustrations in an architecture.
The following six “miracle” materials could be headed straight into your home, office, car and more. Dina Spector at Business Insider recently rounded up the six most promising materials. As of now, their potential applications have just scratched the surface, but the possibilities are endless. Presented by AD Materials.
Scientists are constantly on the look out for lighter, stronger, and more energy-efficient materials. Here’s a glance at some materials that will change the way we build things in the future.