Inspired by the woods of Vermont, a US biotechnology startup have developed a system for using agricultural byproducts with fungal mycelium (a natural, self-assembling binder) to grow high performance insulation. Ecovative Mushroom® Insulation is seen as a viable competitor to plastic foams that can be found in both in packaging and building insulation, for which the project recently won second place in the Cradle to Cradle Product Innovation Challenge.
Raimund Abraham’s last project, a “stunning” design for a building atop an unused NATO missile base in Hombroich, has been realized four years after the architect’s death. At the time of his passing, Abraham was working on this project as part of a unique outdoor art complex close to Düsseldorf, Germany. A competition has now been announced to determine the future for the space which has become an “an integral part of Hombroich’s cultural sphere.”
As part of the Shenzhen Architecture Biennale, Finnish practice Lassila Hirvilammi Architects entered into a collaboration with Chinese architect Gigi Leung to explore the themes of copying, authenticity and knowledge transfer between cultures. Working with master craftsmen, they created two versions of the same space (each influenced by their respective cultures), intentionally blurring the line between copying and taking inspiration.
Read on for more on this lesson in sharing differing architectural understandings
The RIBA‘s recent report “City Health Check: How Design Can Save Lives and Money” looks at the relationship between city planning and public health, surveying the UK‘s 9 largest cities in a bid to improve public health and thereby save money for the National Health Service. The report includes useful information for city planners, such as the idea that in general, it is quality and not quantity of public space that is the biggest factor when it comes to encouraging people to walk instead of taking transport.
Read on for more of the results of the report – and analysis of these results – after the break
In this interview, originally published by Metropolis Magazine as “Q&A: Melissa Weigel of Moment Factory“, Leslie Gallery-Dilworth talks with Weigel about the challenges of devising multimedia installations for public spaces, as in their recent installation for the Bradley International Terminal at LAX.
Montreal’s Moment Factory, a new media and entertainment studio, is best known for creating and producing multimedia environments that combine video, lighting, architecture, sound, and special effects. You may have seen their work at Cirque du Soleil, Madonna’s 2012 Superbowl Half Time Show, Disney’s E3 booth, or Jay Z’s Carnegie Hall debut. Perhaps you were there when they lit up the facade of the Sagrada Familia or Montreal’s Quartier des Spectacles district. Or maybe you saw that they were included in Apple’s recently launched 30th anniversary timeline.
Moment Factory was the main content provider for the interior concept and media features in the newly opened Bradley International Terminal at LAX, designed by Fentress Architects. It was a large collaboration consisting of several partners, including Mike Rubin with MRA International, Marcela Sardi of Sardi Design, Smart Monkey, Digital Kitchen, and Electrosonic with installation by Daktronics and Planar.
Reaction from passengers and the airport management at LAX has been, to put it most effectively, “WOW!” So was mine. That’s why I asked them to present the project at Dynamic Digital Environments-Master Class on Feb 11, at the Digital Signage Expo in Las Vegas. I produce this annual pre-conference education workshop and roundtable with architects and designers in mind. To preview our master class, I asked Moment Factory’s Melissa Weigel, senior multimedia director on Bradley International Terminal at LAX a few questions about the project.
In this intriguing and often insightful two-part interview with Section D, Monocle‘s weekly design radio show, Sir Terry Farrell discusses at length the findings of his review into UK architecture as well as his views on the current state of architecture in the UK and the world. Looking to the future of the profession, Farrell says he sees architects as one of the key contributors to the world’s social future: ”We live in what we’ve built, we’re an urban-building creature… I call it the urbi-cultural revolution.”
Read more about the interview, and listen to both parts of the interview, after the break
The Museum of Modern Art and MoMA PS1 has selected ”Hy-Fi,” a “circular tower of organic and reflective bricks” designed by The Living (David Benjamin), as the winner of the 15th annual Young Architects Program (YAP) in New York. An exemplar of the cradle-to-cradle philosophy, the temporary installation will be built entirely from organic material via a new method of bio-design.
The challenges of sea-level rise cross boundaries of all sorts: geographic, political, social, economic. Proposed mitigation strategies will also necessarily shift and overlap. Here, we present five case studies from across the globe that offer intriguing ways—some operational, some philosophical—to address the threats associated with climate change. Drawing on a research initiative focused on vulnerabilities in Boston, a team at Sasaki Associates developed these additional design-strategy icons to illustrate the layered approaches. They are adaptable, the better to meet the unique demands of each coastal community.
Gehry Partners has been selected over David Chipperfield, Adjaye Associates and seven other practices in an invited competition for a 300-unit residential tower in Berlin. The winning proposal, deemed “the most compelling” by jury for its rotating stacks of sculptural, stone-clad cubes that rise up to 150 meters, is expected to be Berlin’s tallest skyscraper and Germany’s tallest residential tower.
“Gehry’s design is strong in visual expression and introduces an unusually eccentric, new pattern for this location. Nevertheless, the façade radiates agreeable tranquility. In addition, the design blends well with the neighborhood and conveys all aspects of metropolitan living,” commented Regula Lüscher, Senate Building Director.
New York City’s notoriously space-hungry real estate market is converting the cantilever – perhaps made most famous in Frank Lloyd Wright’s floating Fallingwater residence of 1935 – from a mere move of architectural acrobatics to a profit-generating design feature. Driven by a “more is more” mantra, developers and architects are using cantilevers to extend the reach of a building, creating unique vistas and extended floor space in a market in which both are priced at sky-high premiums.
This past week London’s Royal Academy of Arts (RA) celebrated the opening of, what many claim to be, one of the most “epic” and “enchanting” exhibitions of 2014: Sensing Space: Architecture Reimagined. With a series of large scale installations by some of profession’s most acclaimed architects, such as Eduardo Souto de Moura, and Kengo Kuma, the immersive exhibition creates an atmosphere that encourages visitors to become part of the experience and open their minds to the sensory realm of architecture.
“Architecture is so often the background to our lives,” stated curator Kate Goodwin. “We often don’t think about it – it’s practical and functional, but when does it do something more?”
A preview of the installations, after the break.
This past September marked the commencement of ArchiLab 2013 at the newly completed FRAC Centre in Orleans, France. Forty architects, designers and artists gathered for the annual architectural exposition and conference’s ninth edition to discuss the deepening overlap between digital architecture and the sciences, particularly molecular biology. Under the theme “Naturalizing Architecture,” two international symposiums took place which provided the opportuntiy for architects and scientists to present, and debate, the latest research revolving this subject and its ever-evolving role within the living world.
To encourage the continuation of discourse, we have complied a video list of all the discussions from the symposium for your viewing pleasure. Enjoy them, after the break, and feel free to share your thoughts in the comment section below.
A unique biotechnology start-up company have developed a method of growing bricks from nothing more than bacteria and naturally abundant materials. Having recently won first place in the Cradle to Cradle Product Innovation Challenge, bioMason has developed a method of growing materials by employing microorganisms. Arguing that the four traditional building materials – concrete, glass, steel and wood – both contain a significant level of embodied energy and heavily rely on limited natural resources, their answer is in high strength natural biological cements (such as coral) that can be used “without negative impacts to the surrounding environment.”
A proposal by gmp Arquitectos, L35 Arquitectos and Ribas & Ribas has been announced as winner of an international competition to revamp Real Madrid’s Santiago Bernabéu Stadium in Spain. Selected over an impressive shortlist of candidates including Foster & Partners, Herzog & de Meuron and Populous, the winning gmp-led team is expected to “transform the Santiago Bernabéu into the most advanced and developed stadium of the 21st century,” as described gmp owner Volkwin Marg.
“This building is undoubtedly the most important project of our careers.,” Marg added.
In the following interview, which originally appeared in Zawia#01:Utopia (published December 2013), Sir Peter Cook, one of the brilliant minds behind Archigram, sits down with the editors of Zawia to discuss his thoughts on utopia – including why he felt the work of Archigram wasn’t particularly utopian (or even revolutionary) at all.
ZAWIA: It is perhaps difficult to discuss our next volume’s theme – “utopia” – without first starting with archigram and the visions that came out of that period. How do you view the utopian visions of archigram during that specific moment of history in relation to the current realities of our cities and the recent political and social waves of change ?
PETER COOK: Actually… at the time I was probably naive enough to not regard it as Utopian.
We are happy to present the winners of the 2014 ArchDaily Building of the Year Awards, a peer-based, crowdsourced, architecture award where the collective intelligence of 60,000 architects filter and recognize the best architecture featured on ArchDaily during the past year.
This group of buildings is unique in several aspects, in their spatial qualities and materials, yes, but also in terms of what they represent for the communities they serve. Each of these projects, in their own special way, solve unique social/environmental/economic challenges, and in so doing impart knowledge and inspiration to architects around the world. This is exactly our mission. So thank you, thanks for being a part of this amazing process, where the global voices of architects unite into one, strong, intelligent, forward-thinking message.
The practices with the most votes, and therefore the winners of the HP Designjet T520 ePrinter are Auburn University Rural Studio and Luís Rebelo de Andrade + Tiago Rebelo de Andrade. The winners of the iPad Minis are Alexander Munn and Kirsten Martins.
Following our recent news that confirmed Rogers Stirk Harbour + Partners (RSHP) will oversee the design and construction of two new stadiums within Caracas’ Hugo Chavez Park, details have emerged regarding the Estadio Nacional de Fútbol de Venezuela. Designed by RSHP, in collaboration with Arup and Schlaich Bergermann und Partners, the project will be the practice’s first ever football stadium.