To answer the Biennale's question of "How Will We Live Together", curators of the national pavilions explored what the future would look like in an architectural, cultural, and environmental context. Many saw the future as an entirely virtual environment whereas other highlighted the cruciality of physical coexistence with neighbors. ArchDaily met with Ippolito Pestellini Laparelli, curator of the Russian Pavilion, to discuss how the idea of the pavilion came together throughout the year as a virtual platform for interdisciplinary creative thinkers, the role of cultural institutions across physical and digital spaces, and how digitalization is always part of the conversation.
Ippolito Pestellini Laparelli: The Latest Architecture and News
"Dissecting the Politics and Mechanics of Institutions": In Conversation with Russian Pavilion Curator Ippolito Pestellini Laparelli at the 2021 Venice Biennale
The Russian Federation Pavilion announced that its exhibition Open! will "move to an entirely online presence". Coping with the recent outbreak of COVID-19 that led to the postponement of the Venice Biennale 2020, the pavilion will transform into a digital platform, to ensure the continuation of the projects.
The Russian Pavilion has announced its first list of contributors for the 2020 Venice Biennale. Selected after an open call, a new generation of architects will set up a temporary office within the pavilion, from May to November, creating an open workspace to plan the on-going architectural transformation.
OMA'S architect and urbanist Ippolito Pestellini Laparelli will serve as the curator of the Russian Pavilion at the Venice Biennale 2020. Moreover, Teresa Iarocci Mavica, co-founder, and director of the V-A-C Foundation was appointed as commissioner of the Pavilion by the Russian Ministry of Culture. The exhibition entitled Open! will showcase young Russian architects and will focus on the renovation of the century-old building of the pavilion, built by renowned Russian architect Alexey Shchusev in 1914.
Creative Mediators Reveal Concept for Manifesta 12 Palermo: The Planetary Garden. Cultivating Coexistence
Entitled The Planetary Garden. Cultivating Coexistence, the concept will explore “coexistence in a world moved by invisible networks, transnational private interests, algorithmic intelligence and ever-increasing inequalities through the unique lens of Palermo – a crossroads of three continents in the heart of the Mediterranean.”
The concept was derived from an earlier analysis conducted by OMA named the Palermo Atlas, which investigated the “social, cultural and geographical textures of the city.” The event will allow visitors to visualize contemporary global transformations through the lens of Palermo.
Manifesta 12 creative mediator OMA has revealed the Palermo Atlas, an interdisciplinary urban study of Palermo that will inform the organization of 12th edition of Manifesta, the European Biennial of Contemporary Art, that will be held next year in the Italian city. Led by OMA partner Ippolito Pestellini Laparelli, the project outlines a blueprint for Palermo “to plan its future and as a research framework to ensure that Manifesta 12 achieves a long-term impact for the city and its citizens.”
Global sportswear brand Nike, in collaboration with urban planning consultants Strelka KB, has announced the winners of the competition to design a new Nike sports facility in Gorky Park, located at the heart of Moscow. The competition asked five of Russia’s leading young architecture studios – KOSMOS Architects, Rhizome, Novoe, Crosby Studios and Xора – to envision a “unique architectural object” that seamless integrates into the surrounding park environment, creating a landmark hub for sport and physical activity for Russia.
OMA, led by partner Ippolito Pestellini Laparelli, have been chosen as the "Creative Mediators" for the 12th edition of Manifesta, which will be held in Palermo in 2018. The practice will assemble an interdisciplinary team to investigate the role of governance in the Italian city, and address how contemporary urban centers are affected by tourism, gentrification, migration and climate change. They will also work "with specialists from the fields of contemporary art, sociology, music, cinema and architecture" to develop a series of "interactive, interdisciplinary, performative and artistic interventions."
“Belonging,” the curatorial quintet of the 2016 Oslo Architecture Triennale, After Belonging, argue, “is no longer something bound to one’s own space of residence, or to the territory of a nation.” For this group of Spanish-born architects, academics and theorists—Lluís Alexandre Casanovas Blanco, Ignacio Galán, Carlos Minguez Carrasco, Alejandra Navarrese Llopis and Marina Otero Verzier—the very notion of our belongings and what it means to belong is becoming increasingly unstable.
After Belonging is the sixth incarnation of the Triennale and the first one in which a single curatorial thread has woven all of the festival’s activities together, including the international conference. The goal of the two primary exhibitions—On Residence and In Residence, including a series of Intervention Strategies—is to develop platforms with the aim of “rehearsing research strategies,” providing new ways for architects to engage with “contemporary changing realities."