REX has been selected as one of five finalists for a 173,000 square meter proposal located near the equator in Kuala Lumpur, Malaysia. Dubbed as the “Equator Tower,” the concept wraps a retractable, PTFE-coated, glass fiber-reinforced sun shade around a slender 80-story tower, blocking direct sun exposure from all four sides.
In this interview, originally published by Metropolis Magazine as “Q&A: Norman Foster on Niemeyer, Nature and Cities“, Paul Clemence talks with Lord Foster about his respect for Niemeyer, their meeting shortly before the great master’s death, and how Niemeyer’s work has influenced his own.
Last December, in the midst of a hectic schedule of events that have come to define Art Basel/Design Miami, I found myself attending a luncheon presentation of the plans for the Norton Museum of Art in Palm Beach, by Foster + Partners. While chatting with Lord Foster, I mentioned my Brazilian background and quickly the conversation turned to Oscar Niemeyer. Foster mentioned the talk he and Niemeyer had shortly before the Brazilian’s passing (coincidentally that same week in December marked the first anniversary of Niemeyer’s death). Curious to know more about the meeting and their chat, I asked Foster about that legendary encounter and some of the guiding ideas behind his design for the Norton.
Read on for the interview
Eleven projects have been selected to receive the American Institute of Architects’ (AIA) 2014 Institute Honor Award for Architecture, an award known as the profession’s high recognition for works in the United States that exemplify excellence in architecture. These projects, and the architects who designed them, will be honored at the AIA 2014 National Convention and Design Exposition in Chicago.
A glimpse, after the break…
The firm was founded in 1984 after Francine and a group of fellow students at the Delft University of Technology won a competition for a social housing complex. Since then the firm has developed a unique language with a special focus on the expression of materials, a strong relation with context, technical expertise, and the precise resolution of details, as can be seen in the TU Delft Library, the La Llotja Theatre and Congress Centre, the Montevideo Building, and the recently opened Birmingham Library, currently the largest library in Europe.
The firm’s logo, a falling diver ”represents a free spirit and unlimited creativity” according to @Mecanoo__.
In this interview Francine explains the challenges of designing a library, a program currently undergoing quick and constant evolution, and shares her experience running the practice.
Currently, the firm is directed by Francine and technical director Aart Fransen, joined by partners Francesco Veenstra (watch Mies.UK interview), Ellen van der Wal, Paul Ketelaars and Dick van Gameren. Mecanoo has projects under construction all around the world, including the Wei-Wu-Ying Center for the Arts in Kaohsiung (Taiwan, see watch construction video), the Dudley Municipal Center in Boston (USA) and the Shenzhen Cultural Center (China).
Projects by Mecanoo at ArchDaily:
Snøhetta’s $55 million redesign — bounded by Broadway and 7th Avenue between 42nd and 47th streets — creates an uninterrupted and cohesive surface, reinforcing the square’s iconic role as an outdoor stage for entertainment, culture and urban life.
Learn more after the break…
Metropolis Magazine has unveiled its 4th annual Game Changers – including architects Eric Owen Moss and Alistair Parvin, the co-founder of WikiHouse, an open-sourced platform for architecture. In the following article, Jonathan Glancey profiles Parvin and asks: is WikiHouse a threat to architects? Or “a glimpse into our digital design future”?
I ﬁrst met WikiHouse cofounder Alastair Parvin—not in the ﬂesh, of course, much less in print—courtesy of YouTube. You can do the same by watching his lecture, “Architecture for the People by the People.” In the video, Parvin explains the WikiHouse concept to the 2013 annual TED conference in Long Beach, California. Looking young and trim in a white shirt and blue jeans, Parvin’s voice is chipper and conﬁdent as he delivers his provocative idea to the world.
Given that the 1,600 TED lectures that are currently available online have been viewed more than a billion times, you may have already heard a little about the WikiHouse by now. In case you haven’t, it’s “an open- source construction set,” according to the WikiHouse online collaborative. “The aim is to allow anyone to design, download, and ‘print’ CNC-milled houses and components, which can be assembled with minimal skill or training.”
In a statement released last night, Glenn Lowry, the director of the MoMA, confirmed that the American Folk Art Museum, designed by Tod Williams and Billie Tsien Architects, will be demolished in order to make way for a re-design and expansion spearheaded by Diller Scofidio + Renfro (DS+R).
More information – and the critics’ reactions – after the break.
A recent topic that has been receiving attention among architects is the issue of designing prisons. The increased awareness of the problem has been spearheaded by Raphael Sperry, founder of Architects/Designers/Planners for Social Responsibility, who has been campaigning to have the AIA forbid members from designing execution chambers or solitary confinement units. At the other end of the scale, Deanna VanBuren, a principle of FOURM Design Studio and a member of ADPSR herself, has championed ‘restorative justice’, an approach to the justice system which emphasizes rehabilitation and reconciliation in order to prevent people from re-offending.
Now Glen Santayana, a student at Harvard’s Graduate School of Design, has used his thesis project to add to this debate, designing PriSchool – a prison which both integrates with a school of criminology and is embedded within the community. Could this radical approach to prison design really be an answer to the stretched prison system in the US (and elsewhere)? Read on after the break to find out more.
About 40% of the area of Hamburg, the second largest city in Germany, is made up of green areas, cemeteries, sports facilities, gardens, parks and squares. For the first time ever, the city has decided to unite them together via pedestrian and cycle routes. It’s all part of the “Green Network Plan,” which aims to eliminate the need for vehicles in Hamburg over the next 20 years.
According to city spokeswoman Angelika Fritsch, the project will help to turn the city into a one-of-a-kind, integrated system: “Other cities, including London, have green rings, but the green network will be unique in covering an area from the outskirts to the city centre. In 15 to 20 years you’ll be able to explore the city exclusively on bike and foot.”
More details, after the break.
2013 was a year of stories that were intriguing, exciting, disappointing and – sometimes – downright hilarious.As is traditional at this time of year, many critics are rounding up their highlights of the past 12 months.Perhaps the most entertaining of the roundups is Olly Wainwright’s of the Guardian; Wainwright took 10 big stories from this year and twisted them into new year’s resolutions – offering up helpful advice such as “don’t be afraid of copying“, “be nice to skateboarders“, and the Walkie-Scorchie inspired “don’t melt things”. Other critics, though, had more sensible suggestions for what went right and wrong in 2013 – read on after the break to find out more.
A lot of things happened in 2013. Zaha was in the news about every other week. She was copied in China and then accused of designing a giant vagina in Qatar. Rem’s son is producing a documentary about his dad. We lost Prentice Women’s Hospital. We almost lost the American Folk Art Museum. There were a lot of stellar exhibitions and one that took things On the Road. It was the year of high-rise after high-rise, with Rem changing the game yet again by lifting the podium off the ground and sticking to his formal guns, refusing to indulge in curvy shapes.
Things at Architecture for Humanity were shaken up with the departure of co-founders Cameron Sinclair and Kate Stohr. Resiliency became the new sustainability. China suddenly became defined less for its adventurous architecture and urbanism and more for its darker, smoggier flipside. My hometown, Los Angeles got a few more bike lanes, some big plans for its concrete river, plus a new Bloomberg-esque mayor with attendant sustainability tsar. There were people complaining about architecture and telling us why they left the profession. Kanye got attacked for daring to tell us why he likes architecture, and then architecture loved talking about Kanye for weeks on end until we just wanted architecture to shut up about Kanye. Poor Kanye. There are so many things we could say were key in 2013. It’s been a great year. And there were also a lot of fantastic buildings.
But in terms of issues, what really stands out from 2013 (right up there with “resilience”) is equality – and nothing represented this better than Denise Scott Brown v. Pritzker Prize. In arguing that she has a rightful and equal place alongside husband Robert Venturi, she (along with Harvard GSD’s Women in Design organization) woke a sleeping giant—but not for the first time.
In this article, originally posted on Grasp as “We Are All Ethical Hackers!“, Kasper Worm-Petersen demonstrates how design has the ability to make the abstract tangible and create desirable activities. When that ability is used to promote sustainability and improve the state of the world great things happen and we all get a chance to become ethical hackers.
There are enough big issues to tackle in the world today. The financial crisis and the climate crisis seem almost insurmountable. And as our old habits are keeping us from adapting to the new circumstances there is a need for viable alternatives to our current way of living. At the Design for Smart Growth event held by the Global Agenda Council on Design and Innovation some interesting and promising solutions were presented. And they all had design as a key component.
The Danish Minister of the Environment Ida Auken set the scene when she discussed her engagement in environmental policies, “I was so frustrated with the image of environmental policies. That green was someone who hated life… I really want to flip it around and see how we can get people to actually want to live in a sustainable way. How can we make them desire it? And that is where designers come in. It is as easy as that.”
Read on to find out how we can be “ethical hackers” after the break.
New information has been released — along with a series of renders — seven months after the New York City Council approved Cornell University’s two million square foot technology campus in Roosevelt Island. Envisioned as “a campus built for the next century,” Cornell Tech’s first set of buildings has tapped into the talent of some of the most respected architecture firms in the city: Morphosis‘ Pritzker Prize-winning Thom Mayne, Weiss/Manfredi Architecture, Handel Architects, and Skidmore Owings & Merrill.
New images of the buildings, after the break…
We live today the way we do because we know no other. Our lives fit the defined patterns of homes, streets, neighborhoods, cities. As an architect I try to understand and explore – through drawing – different possibilities of building and landscape. More and more, drawing has taken me away from the conventions of architecture, into more abstract realms. Drawing has helped define space as it doesn’t exist, and perhaps as it should. Not in a utopian way, but one that tries merely to describe a different way we may live.
Foster + Partners has unveiled a scheme that aims to transform London’s railways into cycling freeways. The seemingly plausible proposal, which was designed with the help of landscape firm Exterior Architecture and transportation consultant Space Syntax, would connect more than six million residents to an elevated network of car-free bicycle paths built above London’s existing railway lines if approved.
“SkyCycle is a lateral approach to finding space in a congested city,” said Norman Foster, who is both a regular cyclist and the president of Britain’s National Byway Trust. ”By using the corridors above the suburban railways, we could create a world-class network of safe, car free cycle routes that are ideally located for commuters.”
Francesco Veenstra, one of six partners at the Dutch practice Mecanoo and Lead Architect on a number of major projects in the United Kingdom, recently spoke to Mies. UK about the practice’s approach to design and their unique take on sustainability. Having recently completed a major public building in Birmingham (which was put to the vote and won the AJ’s 2013 Building of the Year), and with more in the pipeline, the practice’s international outlook is growing. How has the practice’s design methodology and core ideas influenced this success? Read more after the break.