What does the workplace of the future look like? Shawn Gehle, of Gensler, explains in this TEDx Talk that with over 10 billion square feet of existing office space in North America, we may not even need to envision new buildings. Rather, by “hacking” existing buildings, architects can transform them into something completely new. For more on Gensler’s “hacker” philosophy, read our article here.
A rare house from Frank Lloyd Wright‘s Usonian house period has been saved by the Crystal Bridges Museum in Arkansas. The dramatic rescue plan to disassemble and move the house to a site over 1,000 miles away is required due to frequent flooding of the home’s existing site in Millstone, New Jersey. The Crystal Bridges Museum will rebuild and restore the house at a site on their 120-acre grounds.
Read on for more about this unusual preservation
Six US projects have been selected by the American Institute of Architects’ (AIA) for honorably expanding the role of the architect beyond the building and into the realms of urban design, regional and city planning, and community development. These projects will be honored with the AIA’s Institute Honor Awards for Regional and Urban Design at the 2014 National Convention and Design Exposition in Chicago.
The Folk Art Museum is most certainly doomed; it may have been doomed from its first appearance. Designed and built to endure, it will soon dissipate in a fog of demolition and fading memory, its lifespan ultimately briefer than a McDonald’s franchise. Looks aren’t everything, I guess.
This raises a lot of questions about permanence, memory, and the spatial character of cities. If The Folk were not in New York, would its status as a landmark building still hold? A particularly New York type of building, more front and slot, it’s a building that is about the street as much as it is about an interior world beyond that street. And losing it will mean West 53rd will be wrought more mega in scale and commercial in vision.
After being rejected for appearing too “boxy” and not appealing enough to pedestrians, Related Companies’ revamped Grand Avenue vision has finally won unanimous approval from county supervisors. The $750-million plan, which was abruptly halted back in September when Gensler’s toned-down version was deemed greatly “disappointing” by the city, will now move forward with a more playful (and pricey) design by the project’s original architect, Frank Gehry.
Miami Beach city commissioners have unanimously agreed to abandon the $1 billion redevelopment of its 52-acre convention center district, which aimed to radically reinvent the area. This decision comes just six months after the city awarded developer South Beach ACE and OMA the bid after an international, highly-publicized competition that pitted OMA against BIG.
“For the purposes of getting this project done fast, on time, on budget, it’s unfortunate that we’ll have to make a very tough, challenging decision,” said Miami Beach Mayer Philip Levine, “To some people, it’s a little disheartening. To other people, it’s a very fresh start.”
As reported by the Miami Herald, the city plans to reinstate a bid for the renovation of the city-owned convention center as well as another for the development of a nearby hotel. Under the new bid, the city will no longer be required to attain 60 percent of voter approval to build. By doing this, Levine believes the renovation will be expedited.
This time last year we published our 30 Architecture Docs to Watch in 2013 featuring a fantastic range of films telling the tales of some of the world’s greatest unsung architectural heroes. We now bring you eleven more for 2014, looking past the panoply of stars to bring you more of the best architectural documentaries which will provoke, intrigue and beguile.
Last month we had the chance to attend to the III Moscow Urban Forum, an instance where urbanists, architects, city mayors, the real estate industry and the citizens of Moscow had an open dialogue related to the future of the city under the theme “Megacities: Success Beyond the Centre”. The forum was organized by the Government of Moscow, who invited global urban planning gurus with experience in developing suburbs, to discuss how to resolve the problems of deprived outskirts, how to transform “dead” zones in towns into socially beneficial areas for work and leisure, how make a city environmentally sound and comfortable for living at a low cost, and how to create a transport system that is convenient for its citizens.
During the forum we had the opportunity to talk and interview with some of these city makers, which will be published in the next days.
To better understand where is Moscow going and why its new periphery is an important object of study, we talked with Yuri Grigoryan and Alexei Komissarov.
Yuri is the cofounder of the renowned Russian firm Project Meganom and the Director of Education at Strelka, who guided the team that prepared the research project “Archeology of the Periphery”, a central part of the forum.
Alexei Komissarov is the Moscow Government Minister and Head of the Department of Science, Industrial Policy and Entrepreneurship of Moscow, a department that oversees the conversion of old industrial zones into creative and technological cluster.
Comcast Corporation and Liberty Property Trust has commissioned Foster + Partners to design a 59-story, $1.2 billion mixed-use tower planned to neighbor Comcast’s existing global headquarter in Philadelphia. The 1,121-foot glass and stainless steel building is expected to be the tallest in the United States, outside of New York and Chicago, and the largest private development project in the history of Pennsylvania.
The flurry of criticism that erupted when MoMA announced its plans to demolish the American Folk Art Museum (in its new plans for expansion, designed by Diller Scofidio + Renfro) has yet to settle. After the break, we offer a more complete round-up of the critics’ reactions – including Paul Goldberger’s of Vanity Fair, Michael Kimmelman’s for The New York Times, and more…
For the 5th consecutive year, we are proud to announce the Building of the Year Awards.
During the past year our network of architectural knowledge has grown intensely. Not only did we reach over 300,000 daily visitors; almost 70 million page views per month; 160,000 followers on Twitter; 105,000 followers on Instagram; and more than a million fans on Facebook, but, moreover, our local versions – ArchDaily Brasil, ArchDaily México and Plataforma Arquitectura – have grown exponentially as well.
This means that ArchDaily is now reaching every corner of the globe – and in many different formats. From the many lectures and events we attended this year to the launch of our new mobile version (which puts ArchDaily in pockets everywhere), we’re doing everything possible to spread our content – and our mission – around the world.
Which is why the Building of the Year Awards continue to be so important for us. As our audience has grown, so has your collective voice.The Building of the Year Awards are our chance to hear it. This is when you – whether you’re from the smallest town in Africa or the largest city in China – get to identify and recognize the most impactful/meaningful/inspiring project that was published on ArchDaily during the past year. This is an opportunity to tap into our global readership’s collective intelligence; an opportunity for you to judge over 3,500 projects from around the world, according to criteria and priorities that are important to you.
Full rules, including how your vote could win you an iPad Mini, after the break:
Barcelona-based architect and graphic artist Federico Babina is at it again, this time creating an imaginary “Archibet City” guided by the language of architecture. From Alvar Aalto’s Riolo Parish Church to Zaha Hadid’s Library and Learning Centre in Vienna, the collection reimagines 26 famous works of architecture into a set of letters that, as Babina describes, expresses the “heterogeneity of forms and styles” that make up our profession. Each letter is drawn according to the interpretation of an architect’s style, forming part of the cityscape that Babina refers to as “Archibet”.
See the whole set, after the break…
REX has been selected as one of five finalists for a 173,000 square meter proposal located near the equator in Kuala Lumpur, Malaysia. Dubbed as the “Equator Tower,” the concept wraps a retractable, PTFE-coated, glass fiber-reinforced sun shade around a slender 80-story tower, blocking direct sun exposure from all four sides.
In this interview, originally published by Metropolis Magazine as “Q&A: Norman Foster on Niemeyer, Nature and Cities“, Paul Clemence talks with Lord Foster about his respect for Niemeyer, their meeting shortly before the great master’s death, and how Niemeyer’s work has influenced his own.
Last December, in the midst of a hectic schedule of events that have come to define Art Basel/Design Miami, I found myself attending a luncheon presentation of the plans for the Norton Museum of Art in Palm Beach, by Foster + Partners. While chatting with Lord Foster, I mentioned my Brazilian background and quickly the conversation turned to Oscar Niemeyer. Foster mentioned the talk he and Niemeyer had shortly before the Brazilian’s passing (coincidentally that same week in December marked the first anniversary of Niemeyer’s death). Curious to know more about the meeting and their chat, I asked Foster about that legendary encounter and some of the guiding ideas behind his design for the Norton.
Read on for the interview
Eleven projects have been selected to receive the American Institute of Architects’ (AIA) 2014 Institute Honor Award for Architecture, an award known as the profession’s high recognition for works in the United States that exemplify excellence in architecture. These projects, and the architects who designed them, will be honored at the AIA 2014 National Convention and Design Exposition in Chicago.
A glimpse, after the break…
The firm was founded in 1984 after Francine and a group of fellow students at the Delft University of Technology won a competition for a social housing complex. Since then the firm has developed a unique language with a special focus on the expression of materials, a strong relation with context, technical expertise, and the precise resolution of details, as can be seen in the TU Delft Library, the La Llotja Theatre and Congress Centre, the Montevideo Building, and the recently opened Birmingham Library, currently the largest library in Europe.
The firm’s logo, a falling diver ”represents a free spirit and unlimited creativity” according to @Mecanoo__.
In this interview Francine explains the challenges of designing a library, a program currently undergoing quick and constant evolution, and shares her experience running the practice.
Currently, the firm is directed by Francine and technical director Aart Fransen, joined by partners Francesco Veenstra (watch Mies.UK interview), Ellen van der Wal, Paul Ketelaars and Dick van Gameren. Mecanoo has projects under construction all around the world, including the Wei-Wu-Ying Center for the Arts in Kaohsiung (Taiwan, see watch construction video), the Dudley Municipal Center in Boston (USA) and the Shenzhen Cultural Center (China).
Snøhetta’s $55 million redesign — bounded by Broadway and 7th Avenue between 42nd and 47th streets — creates an uninterrupted and cohesive surface, reinforcing the square’s iconic role as an outdoor stage for entertainment, culture and urban life.
Learn more after the break…
Metropolis Magazine has unveiled its 4th annual Game Changers – including architects Eric Owen Moss and Alistair Parvin, the co-founder of WikiHouse, an open-sourced platform for architecture. In the following article, Jonathan Glancey profiles Parvin and asks: is WikiHouse a threat to architects? Or “a glimpse into our digital design future”?
I ﬁrst met WikiHouse cofounder Alastair Parvin—not in the ﬂesh, of course, much less in print—courtesy of YouTube. You can do the same by watching his lecture, “Architecture for the People by the People.” In the video, Parvin explains the WikiHouse concept to the 2013 annual TED conference in Long Beach, California. Looking young and trim in a white shirt and blue jeans, Parvin’s voice is chipper and conﬁdent as he delivers his provocative idea to the world.
Given that the 1,600 TED lectures that are currently available online have been viewed more than a billion times, you may have already heard a little about the WikiHouse by now. In case you haven’t, it’s “an open- source construction set,” according to the WikiHouse online collaborative. “The aim is to allow anyone to design, download, and ‘print’ CNC-milled houses and components, which can be assembled with minimal skill or training.”