David Zahle, a partner at Bjarke Ingels Group (BIG) and Lead Architect on the recently opened Danish National Maritime Museum, spoke to Mies. UK earlier this year. The practice, widely known for its creative approach to the issue of sustainability (sustainability should be experienced rather than hidden), recently won an an international competition to design a new Waste-to-Energy plant in Copenhagen.
Read more and watch the interview after the break…
The list of architects that have collaborated with Zhang Xin’s development company, SOHO China, reads like the roster of an architectural dream team (which includes Zaha Hadid, Yung Ho Chang, Bjarke Ingels, Kengo Kuma, Kazuyo Sejima, Herzog & de Meuron, Thom Mayne, David Adjaye, Toyo Ito and others). So it’s no surprise that the self-made billionaire lectured to a packed house at Harvard University’s Graduate School of Design last Thursday. Xin spoke about her commitment to and love of design, explaining that her company’s mission is to bring a variety of architectural languages to China. And though SOHO’s projects are certainly experimental, Xin contends that her developer mindset actually helps meliorate the architect’s propensity to take the experiment too far—all without sacrificing the impressive and iconic forms of SOHO’s building portfolio.
Watch Zhang Xin link her practice in real estate to larger global issues and catch a glimpse of two Zaha Hadid-designs currently under construction: Wangjing SOHO and Sky SOHO.
This interview was originally posted on Arup Connect and titled “Global perspectives on the future of healthcare design“.
In the last few decades, rapid advances in both medical and consumer technologies have created revolutionary possibilities for every aspect of healthcare, from prevention to diagnosis to treatment and beyond. From DNA-based preventative care to digital appointments with doctors thousands of miles away, the future holds enormous potential for improving longevity and quality of life for people around the world.
These dynamics present significant challenges for designers working to shape a built environment that will meet healthcare needs both today and in the future. We spoke with Arup experts from around the globe — Phil Nedin, who heads the firm’s global healthcare business from London; Bill Scrantom, the Los Angeles-based healthcare leader for North and South America; and Katie Wood, who recently relocated from Australia to Toronto to build the Canadian practice — to learn more.
In the following article, which originally appeared on Medium as “What Starbucks Gets that Architects Don’t,” Christine Outram, bemoans that architects today just don’t listen to people’s actual needs.
You’re outdated. I know this because I once was one of you. But now I’ve moved on. I moved on because despite your love of a great curve, and your experimentation with form, you don’t understand people.
I correct myself. You don’t listen to people.
On October 23rd, the Walt Disney concert hall, the project that almost never was, will celebrate its ten-year anniversary. Throughout these ten years it has had all manner of transformative power attributed to it. But has it really transformed LA? What would the city have been like if it had never been built? Would it be fundamentally different?
The answer? No.The city wouldn’t even be that different in the immediate vicinity of Grand Avenue.
In today’s globalized, Recession-reeling world, architects may just be better of changing location – but where is work to be found? And where are the best salaries? Last year, we asked ArchDaily readers where the best places in the world are to find work, and we got hundreds of responses that generated an important conversation. But we need to deepen the conversation – and we need your help.
Read after the break to find out how you can help…
Iwan Baan’s curiosity for the built environment has led him to be one of the world’s most preeminent photographers whose skills are in constant demand by architectural elites worldwide. Constantly on the move, Baan has found himself documenting fascinating testaments to human ingenuity. From the informal vertical community of Torre David in Caracas to the floating Niagara slum of Makoko, Baan’s encounters with thriving communities in some of the most unexpected places has led him to believe that there is “no such thing as normal” and humans can truly adapt to anything.
In an effort to reestablish Mid-Market as an arts district in San Francisco, developer Joy Ou has commissioned BIG to design a mixed-use arts, housing and hotel complex on 950 Market St. As the San Francisco Business Times reports, Group I is collaborating with the Thacher family and the nonprofit 950 Center for Art & Education to develop the project, which could potentially include a 250-room hotel, 316 residential units, a 75,000-square-foot arts complex, and 15,000 square feet of retail. The project will be BIG’s first in the Bay Area.
Turn the bend and the foreignness of the thing reveals itself, with its gunmetal-colored facade, surfaces jutting at oblique angles, and curves and lines that suggest automotive racing streaks or cooling pipes at a power-generation facility. It would fit right in with a fleet of Star Destroyers blasting some unfortunate rebel ship with turbolasers. — The Atlantic Cities’ John Metcalfe, describing Zaha Hadid’s Library and Learning Center in Vienna
When architecture and Sci-Fi are mentioned in the same breath, it’s usually only to achieve an amusing, surface-level comparison. Zaha’s library? A “Star Destroyer.” OMA’s Casa da Música? A Sandcrawler. And while these unlikely likenesses certainly speak to Sci-Fi’s hold on architecture’s imagination, they don’t really delve into the potential Sci-Fi holds as a source of architectural inspiration.
Enter CLOG: SCI-FI. As does each issue of CLOG, SCI:FI “slows things down,” taking a good-hard look at architecture and science fiction’s long, fascinating relationship. And while it certainly provides many entertaining meanders into comics, literature, and film (including a peek into 2001: A Space Odyssey by ArchDaily contributors INTERIORS), SCI:FI really shines when it’s digging below the surface, exploring how both architecture and sci-fi reveal the dilemmas, fears, and desires of our society today.
Despite what you may think, Thom Mayne isn’t the “bad boy” of architecture – at least, not according to Thom Mayne. He sees himself more as a skilled negotiator than a starchitect (a phrase he hates) – after all, he reasons, how else would he have completed so many buildings? In this interview, originally published on Metropolis Magazine‘s Point of View blog as “Q&A: Thom Mayne,” Andrew Caruso and Mayne discuss Morphosis, SCI-ARC, the early days of his career, and his architectural ethos.
Andrew Caruso: Your professional career began in the discipline of planning. What led to the shift toward architecture and your eventual partnership with Jim Stafford?
Thom Mayne: I started working at the Pasadena redevelopment agency doing low cost housing, and that’s where I met Jim [Stafford]. Coming out of USC, I had no background about Mies, Khan or Corbusier, for example. USC was very strong in being anti-historical, looking forward instead of backward. I was essentially naive.
Jim was a year ahead of me at USC and had part of the older regime at the school. When I met him at the planning agency, he started introducing me to history. I got fascinated by [Paul] Rudolph; and then it just took off. Jim guided me through this thought process, reestablishing me in the tradition of architecture.
Janette Sadik-Khan demonstrates how paint, lawn chairs and a bit of imagination can quickly transform city streets, creating immediate public and commercial vitality. Sadik-Khan, listed as one of Business Insider’s “50 Women Who Are Changing the World,” is responsible for re-purposing 26 acres of dense New York City car lanes into pedestrian-friendly space. “More people on foot is better for business,” she says. Despite commanding a two billion dollar budget, her economical approach as commissioner of NYC’s Department of Transportation are testaments to her design sensitivity, relying on rapid-testing and regular iteration to expand the city’s public domain.
In 2013 alone some 1 million people have poured out of Syria to escape a civil conflict that has been raging for over two years. The total number of Syrian refugees is well over 2 million, an unprecedented number and a disturbing reality that has put the host countries under immense infrastructural strain.
Host countries at least have a protocol they can follow, however. UN Handbooks are consulted and used to inform an appropriate approach to camp planning issues. Land is negotiated for and a grid layout is set. The method, while general, is meticulous – adequate for an issue with an expiration date.
Or at least it would be if the issue were, in fact, temporary.
While most of us are grappling with the idea of 3D printing, Skylar Tibbits – computational architect and lecturer at MIT – is spearheading projects towards a fourth dimension. Transformation, Tibbit claims, is an uncharted capability that enables objects – straight off the printing bed – to assemble themselves, changing from one form to another. “Think: robots with no wires or motors.” Tibbits exhibits how a single strand – embedded with predetermined properties – can fold from a line to a three dimensional structure. “I invite you to join us in reinventing how things come together.”
As 3D Printing becomes more accessible, and a whole lot cheaper, it will open up a whole new world for architecture. There’s just one problem: how to share all that 3D data easily over the web. With this in mind, we’ve partnered with Gigabot - the biggest, most affordable 3D printer (printing models up to 60x60x60cm) – and Sketchfab - a new platform bridging the gap between the 3D models on your desktop and the web – to launch a new, exciting competition.
We asked our readers to model their favorite architectural classics from the AD Classics section, upload it to Sketchfab, and share it with the ArchDaily community. The submitted models are now available in our gallery, and it will be up to our readers to vote for their favorites – giving the authors the chance to have their model printed and delivered straight to his or her doorstep!
Voting is open until October 17th 11:59PM EST. On October 18th we’ll reveal the People’s Choice winner and the Gigabot Selection.
This article, originally posted in Metropolis Magazine as “Derek Parker’s Third Act,” tells the story of Aditazz, a Silicon Valley design startup founded by Deepak Aatresh, an entrepreneur with a background in silicon chip manufacturing. Now in collaboration with Derek Parker, a renowned veteran with six decades of experience in healthcare design, the pair could be set to revolutionize the way that hospitals are designed and built.
In June 2011, Derek Parker boarded a plane at San Francisco International Airport. The veteran health-care architect was headed to San Diego to deliver the most improbable presentation of his illustrious, six-decade-long career. For six months, he had worked as a consultant with a Silicon Valley design start-up called Aditazz. Shortly after Parker signed on, the new company had entered Small Hospital, Big Idea—a design competition launched by Kaiser Permanente. The first round, in which the firms remained anonymous, drew more than 400 entries. Eight of the nine shortlisted firms invited to San Diego were industry heavyweights. The ninth, to everyone’s surprise, was the unknown Aditazz.
I may be in the minority among my peers, but I want Kanye West to keep talking. Despite the many who despise, disparage or dismiss him—unwilling or unable to properly digest what he’s saying, consuming bite-sized quotes and late-night parodies instead of engaging him in intellectual discourse—I want him to keep talking.
As a black man and an architect (one of about 2,000 in this country who can claim membership to both those groups), I am particularly cognizant of the Truman Show wall that exists between architects and recognition, and between black architects and acceptance. West’s recent interview with Zane Lowe administered reflections on design, architecture and the creative process in a dosage too high for most to swallow. I am tripping over myself with fear and excitement at the prospect of having such a powerful mouthpiece for a generation of black architects and designers who share his frustration and connect with his message.
Why? Because when Kanye West talks, people listen.