The history of 'neutral colors' is a fascinating journey through the evolution of human aesthetics and design sensibilities. Closely related to the makeup of materials organically found in nature, the color chorus of whites, grays, and earthy brown tones has played a pivotal role in artistic expression, fashion, interior design, and architecture for millenia. From the understated hues of early clay, straw, wood, or brick architectural structures to the now prevalent contemporary interior style, neutral colors have transcended cultural boundaries and continue to hold a special place in our visual landscape – offering a sophisticated elegance and versatility that has stood the test of time.
Exploring materiality, contextuality, and approach, our editors developed thought-provoking articles seeking to question and describe some of the aspects that make any Architecture, a good one.
Discover in this piece a selection of editorial writings that aim to answer this interrogation, grouped under the themes of cities, materials, history, context, and Interior Spaces. Moreover, find at the end an excerpt from the ArchDaily book.
Construction administration processes can pose significant challenges to project productivity. The processing of submittals and requests for information (RFIs—a necessary part of the project lifecycle) is a tedious and time-consuming task for most project teams. In the case of larger projects, teams can be flooded with thousands of submittals and hundreds of RFIs.
The AEC industry is moving at a lightning-quick pace, requiring architects and engineers to quickly process and resolve RFIs and submittals to maintain their tight deadlines and keep costs within budget, which poses an ever-present challenge for teams.
In today's fast-paced and highly connected urban environment, people are increasingly realizing the vital importance of nature in improving both our physical and emotional health. This awareness directly impacts the quality of the spaces where people reside. Discussions and studies on topics such as neuroarchitecture and biophilia are becoming more prominent in the field of modern architecture and interior design. These discussions prompt us to think critically about the deliberate and mindful selection of design elements that shape our shared living environments.
In this scenario, the use of materials such as wood, whether in residential, commercial, or corporate environments, has shown positive effects on how we feel and experience the spaces by eliciting a connection with the natural environment, reconfiguring the way we perceive our living and working spaces and how we are affected by them. By incorporating wooden elements, we can create places of greater tranquility that allow us to disconnect from the stress and busyness of urban life.
The priority when it comes to a building’s exterior surface material is durability. Having to literally stand up to the tolls of rainwater, wind, sunlight, temperature fluctuations, and many other weather conditions, we demand a lot of them. On the opposite side of the insulated coin, meanwhile, interior surfaces instead tend to prioritize their finish – with the characterful color, pattern, and texture of materials such as paints, ceramic tiles, or wood panels.
Traditionally, these two worlds, exterior and interior, never need to be met. Opposing requirements, it was thought, need opposing surfaces. But as our external and internal environments continue to collide into a singular typology of simply liveable space, more and more projects both large and small, commercial and private, are taking surface design inspiration from the outside world. Dragging the materials, themes, and the history of facades inside. Here are four recent projects from the Architonic Archive that do just that.
Center for Computing and Data Sciences, Boston University / KPMB Architects + Suffolk. Image Courtesy of KPMB Architects
Decarbonization of the building sector is no longer a choice but a necessity. As nations strive to curb their greenhouse gas emissions by 2050, it is increasingly clear that current building standards do not go far enough to drive tangible change. Achieving climate goals requires economies to advocate measures that drive carbon neutrality while managing associated costs effectively. How would net-zero performance strategies impact building costs?
As we reflect on the unfolding of 2023, it has been a remarkable chapter in the world of architecture and design. This year saw the fruition of numerous groundbreaking projects that have left a mark on our collective built environment. This narrative takes place around a year of significance, with a renewed commitment to combat climate change, with dialogue initiated around world-renowned events such as the UIA World Congress of Architecture in Copenhagen or the 18th International Architecture Exhibition in Venice – La Biennale di Venezia.
This curated list includes projects that opened to the public in 2023. Each of them was designed and long-awaited to be completed. The featured architects include MVRDV, Zaha Hadid Architects,Snøhetta, Studio Gang, and OMA in collaboration with Shohei Shigematsu. Each of these firms is a unique design studio with its specific architectural style; while all these listed built projects are public and commercial.
For architects, schools are often complex structures to design. They must provide a variety of spaces for education, and also consider sports and recreational activities. But beyond its size or surface, the greatest challenge is to design an area that fosters a positive pedagogical environment for children. Below, a selection of +70 school projects with their drawings to inspire your proposals for learning campuses.
Seratech's technology, developed by Sam Draper and Barney Shanks, eliminates the CO₂ footprint of concrete and reduces carbon emissions in construction. This innovative process uses silica, a waste product from flue gases, as a carbon-negative cement replacement in concrete. By incorporating silica, the required amount of Portland cement is reduced by 40%, resulting in the production of carbon-negative concrete. This groundbreaking technology won the 2022 Obel Award for its focus on embodied emissions.
The Obel Award is an international award that promotes architecture in the service of both people and the planet. Seratech was the fourth winner of this new international prize for architectural achievement, preceding this year's 'Living Breakwaters' by SCAPE Landscape Architecture. ArchDaily had the chance to interview Sam Draper, CEO of Seratech, about the company's role in building a sustainable construction industry and their plans for scaling their innovative process.
As editors and curators of the largest architecture website in the world, our team is in a vantage position that allows us to be exposed firsthand to massive amounts of architectural insights from all over the world and enables us to imagine what the future of our cities might look like.
As our mission is to spread the best information to our readers, we bear the responsibility to keep an eye out for successes and innovations that would one day become benchmarks and tools for a better Urban and Living setting.
Part of our job is to deduce context-specific and recurring patterns that form what we might call trends; that we regularly showcase through our site in various formats.
Here are some indicators as to how to navigate Trends in ArchDaily.
https://www.archdaily.com/1007893/the-supporters-newsletter-issue-number-4ArchDaily Team
Wood in contemporary construction is often associated with coziness, simplicity, and a certain sense of nobility. Despite requiring more frequent maintenance compared to materials like concrete, wood is increasingly considered a viable option within the concept of regenerative design, owing to its place in the natural organic cycle of our planet. While wood has been a staple in architectural design, carbonized wood, known as yakisugi, is gaining significant attention as a finishing choice.
At ArchDaily, we're more than just architects. We're a dynamic team with varied backgrounds, spanning from software and finance to design, journalism, art, accounting, and even insurance! Yet, there's something that connects us all: creativity. And creativity is what we also have in common with you.
That is why by analyzing how to improve the content we generate for you, we often find ourselves asking the question of what we can do to feed your (and our) mind to foster creativity.
Highly creative people usually have profound specialized knowledge and have the capability of divergent thinking. That’s why our stream is a set of periodic new, fresh, and diverse projects and content, where you don’t know what comes next.
That’s why we are always fascinated with the new.
https://www.archdaily.com/1007892/the-supporters-newsletter-issue-number-3ArchDaily Team
More and more, the field of architecture is shifting its focus towards revitalizing existing spaces. This shift is motivated by various factors, including concerns about sustainability, cost constraints, and the scarcity of available land in rapidly expanding urban areas. It presents an opportunity not only to renovate buildings but also to engage with the layers of time. This intricate task involves fostering a dialogue between contemporary and historical materials, acknowledging traditional construction techniques, and even uncovering hidden aspects of history and geography within the built environment to create truly unique architectural experiences.
https://www.archdaily.com/1007028/architecture-with-history-7-brazilian-houses-that-respect-the-layers-of-timeArchDaily Team
As society, technology, and architecture have evolved, designers and architects have embraced novel construction systems and innovative approaches to reshape the built environment. This advancement has stretched the boundaries of traditional construction techniques and ignited fresh ideas in building design.
In the past, some architects and artists aimed to question an architectural paradigm deeply entrenched in anthropocentrism. Historically, architecture has been linked to the notion that buildings, being conceived by human beings, must be extremely durable, even imperishable. Considering the principle that the best intervention is the least intrusive, inflatable architecture, in contrast to these human-centric viewpoints —but aligned to our ephemeral nature—, can propose structures that may exist one day and vanish the next, leaving a temporal imprint on the landscape. This architectural approach uses textiles as the primary material and air as the structural system, potentially challenging the traditional Vitruvian ideals of Venustas, Firmitas, and Utilitas.
https://www.archdaily.com/1007496/inflatable-architecture-pneumatic-structures-transforming-built-environmentsEnrique Tovar
The use of local materials in architecture is becoming more and more important as there is a growing need to find new, sustainable construction methods that can help address the current climate crisis. Understanding the behavior of different materials and their key construction properties, architects and other professionals in the field are increasingly turning to bamboo, aiming to develop strategies and techniques that enable its use in both the structures of their projects and the various components of spaces.
Digitization has revolutionized the way we experience art on platforms like SINGULART, which combines multiple influences from various artists.. Image Courtesy of SINGULART
The relationship between art and architecture is a recurring topic of discussion, seeing as architecture can be positioned at the intersection of structure, technology, and aesthetics. Despite the utilization of technical knowledge, architecture, and interior design also incorporate artistic concepts into their processes. From captivating illustrations during the design development phase to murals and artistic pieces that form an integral part of spatial conception, art plays an essential role in architectural production and society.
In the context of contemporary society, many of our activities are carried out digitally, from booking accommodation for travel to manufacturing materials and creating art exhibitions. In this sense, digitalization has also permeated the art world, conceiving initiatives like SINGULART, which challenges the traditional concept of art galleries by existing in a digital format. This platform combines works from various sources of inspiration and artistic techniques, encompassing everything from sketches and paintings to architectural photography. It fuses multiple influences from various contexts, including architectural work.
https://www.archdaily.com/1006625/from-sketch-to-painting-a-digital-art-gallery-to-inspire-everyday-architectural-workEnrique Tovar
Working within the restrictions of a limited carbon footprint can be one of the hardest – but also most rewarding – parts of a modern architect’s role. Whether to suit a large multinational corporation’s sustainability report, to achieve LEED status or similar for a commercial developer, or to build an eco-home for a climate-conscious private client – or even one who just wants to spend less on energy, it’s imperative to keep up-to-date with the latest carbon-neutral and low-carbon building practices and materials.
Whether looking at a project’s structural beginnings, its high-grade finishes, or thinking more holistically about its entire lifetime, there are huge gains to be made with sustainable substitutes and alternatives to traditional materials and techniques.
Besides denoting a show of careful thought, in architectural terms, the word ‘considerate' also suggests an emotional and perhaps even empathetic approach. And why shouldn't it?
Good architecture can and should be considerate—in all the varied ways the word embodies. While it could start off with the motivation to do good and require an initial moral approach, this sensibility, combined with a meticulous knowledge of individual/communal needs and transparent communication, generates a well-adapted, and accessible built environment that can promote growth.
https://www.archdaily.com/989415/good-architecture-is-considerateArchDaily Team
Timeless design possesses qualities that resonate with people on a fundamental level, whether through its simplicity, functionality, emotional impact, or adaptability. It continues to captivate and inspire indefinitely, remaining relevant and cherished across generations. This is the primary ambition of any designer, to endure through their creations over time. Philippe Starck, the renowned French designer, has long been at the forefront of the design world. He emphasizes that "The keywords for the future and ecology are longevity, transmission and heritage." His designs aim to go beyond mere aesthetics, incorporating a commitment to timelessness and a dedication to environmentally conscious practices.
Innovation thrives when we pause to observe, question, and reimagine the world around us, turning challenges into opportunities for progress. Nature, in particular, serves as a rich source of inspiration. By observing it, studying its daily challenges, and contemplating its processes, we can discover valuable insights that inspire innovative solutions.
One of these current challenges is the production of concrete, an ancient and extremely popular material that is now accountable for a significant portion of global CO₂ emissions, due to the energy-intensive process of cement production and the chemical reactions involved. It is estimated to be responsible for approximately 8% of the world's annual CO₂ emissions, pumping 11 million tons of CO₂ into the atmosphere every day and consuming 9% of the world's annual industrial water usage. In addition, the world's building stock is expected to double by 2060—the equivalent of building an entire New York City every month for the next 36 years, which means an incredible increase in demand for cement and concrete. Faced with this daunting situation, is there anything we can do? In this article, we speak with Loren Burnett, CEO of Prometheus Materials, which has developed a material that mimics nature's processes to recreate concrete as we know it.
Living in a tropical country means cherishing outdoor experiences, whether feeling the gentle breeze, connecting with nature, or basking in the sunlight. We have grown up with a cultural tradition of playing in our yards, gathering with family and friends on balconies, enjoying barbecues, or simply admiring the beautiful landscape. Numerous Brazilian residences integrate wooden decks for these purposes. They are versatile spaces that fulfill various functions.
The atmospheric sadness of a typical office ‘kitchen’ – and by kitchen I mean an old kettle, two rusty spoons (both missing) and three flimsy chairs around a one-person table – can be the root of much employee unrest. But when the alternatives mean either walking through the city smog or hunching over a desk with a Tupperware sandwich, dropping crumbs on the keyboard, there isn’t much choice.
In the post-pandemic workplace, however, where employee wellness demands respect and employers themselves are searching for ways to make their offices more appealing in a hybrid schedule, the age-old canteen format might just find its way back onto the menu. Here is a selection of projects that prove it can work, and how.
Courtesy of Jen Lewin, Photo by Brendan Burkett / The Pool
In the world of interior design, light serves as an essential medium, but light can also create immersive public spaces. While James Turrell, Olafur Eliasson, and Dan Flavin are celebrated for their transformative mastery of color, reflections, and luminous contrasts, it's crucial to note that the realm of light art isn't exclusively male-dominated. In response to the underrepresentation of female light artists, a refreshing and enlightening perspective emerges from the British lighting designers Sharon Stammers and Martin Lupton of Light Collective.
After founding the platform "Women in Lighting" their book "Women Light Artists," takes a bold step in introducing us to 40 creative women whose work radiates with responsive ingenuity and brilliance. The book offers a captivating spectrum of projects from interactive pools to the play of colorful daylight shadows dancing across a bridge in London, from the peaceful projection onto an iconic Berlin landmark to the vivid rainbow arching above Manhattan's skyline, each work embodies a unique dialogue between light and space. The luminous journey offers a valuable tribute to the power of female artists who, for far too long, have remained in the shadows.
The Duffle is a modular system that can create an armchair, or a much larger composition of units joined together, offering a broad spectrum of possibilities depending on the space it occupies. Image Courtesy of BOSC
There’s something old-fashioned, or indeed anti-fashion about a duffle coat. It’s charmingly naïf, the stuff of school uniforms and Paddington Bear, with a history that goes way back to the mid-19th century. It had a life in the military, as part of the uniform for the Royal Navy, and like much service attire, was then reimagined by the world of high fashion. Jean Cocteau used to stroll with close friend Coco Chanel, wearing his white version. Decades later, Rei Kawakubo made an oversized statement with versions at Comme des Garçons, and it remains a favorite of arch Modernist Margaret Howell. When Jean Louis Iratzoki was working on plans for a new sofa to join his ever-growing range of designs at BOSC, he took inspiration from the toggles and nostalgia of all things duffle. It was a subtle way to infuse what is a contemporary and highly sophisticated piece of furniture with a touch of something softer, from the past.
https://www.archdaily.com/1007402/nostalgic-comfort-the-charm-of-the-duffle-coat-on-a-sofaMark C. O'Flaherty
