A guide from Graphisoft on how to create powerful design presentations with Archicad through the use of Archicad version 25.

Architectural thinking has a rich tradition of being bound to writing. Be it the vāstu śāstra, the Seven Lamps by Ruskin, or the writings of Thoreau—writing and craft have not only gone hand in hand but are synonymous. Imagination is the moment of architecture and it finds expression in writing as much, if not more, as it does in drawing. Unfortunately, the power of the pen, especially when it comes to architecture-design, remains largely underrated.

Videos

The interview Per Kirkeby: "We Build Upon Ruins" published on Louisiana Channel not only showcases the colorful canvases of the Danish painter, sculptor, filmmaker, and writer, but also his own reflections on the importance of surroundings that "give us so much baggage." It's this very idea that Kirkeby brings to his brick sculpture displays, where something simple and sometimes useful puts aside inaccessible conceptualism to pay homage to the surroundings rather than the sculptures themselves.

Part of a bigger vision and a master plan by Peter Zumthor, Studio Akkerhuis’ new 55.000 square meter project in Leiden’s 19th-century flour mill complex is under construction. With a landscape by Piet Oudolf and Lola, the development that recently won the "Future Project - Commercial Mixed Use” at WAF, will include shops, galleries, apartments, workspaces, a hotel, and a spa.

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New York City Council passed legislation that will now mandate all new construction use bird-safe glass on facades below 75 feet. New York City Audubon estimates that up to 230,000 birds crash into glass building surfaces across the five boroughs annually. The new legislation aims to address migratory patterns as birds pass through New York on the Atlantic Flyway.

The 8th Bi-City Biennale of Urbanism\Architecture (Shenzhen) has officially opened in Shenzhen, China. Hosted at both the Shenzhen Museum of Contemporary Art and Planning (MOCAUP) and the Futian Railway Station, the event is the most visited architecture biennale in the world, and holds the distinction of being the first major architectural event where all materials for the exhibitions were sourced in the host city of Shenzhen.

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Although cities are supposed to be built for everyone, they are in most of the time, thought, planned and designed by men: “Cities are supposed to be built for all of us, but they aren't built by all of us.”

With basic different needs, men and women expect different outcomes from their urban surroundings. A city should be able to fulfill everyone’s essentials. Lately, the topic that has everyone's attention revolves around cities designed by women. With a female mayor onboard and a feminist agenda, for the past four years, Barcelona has been undergoing major transformations on this subject.

The municipality of Patras in Greece launched a competition for the design of the Crematorium, a highly debated subject in the Orthodox Greek context. The winning scheme was imagined by architects Stelios Andrikopoulos, Konstantinos Grivas, and Alexandra Stratou.

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Revery Architecture has designed a new development of 11 residential towers for the Squamish First Nation in Vancouver, Canada. Working with developer Westbank, the $3-billion project would transform the city’s Kitsilano neighborhood on the reserve lands at Sen̓áḵw. The project will be Canada’s largest development on First Nations land.

City of the Future is a bi-weekly podcast from Sidewalk Labs that explores ideas and innovations that will transform cities.

In the final episode of season 2, hosts Eric Jaffe and Vanessa Quirk discuss the past, present, and future of responsive architecture with Sidewalk Labs’ director of public realm Jesse Shapins, engineer and microclimate expert Goncalo Pedro, Bubbletecture author Sharon Francis, and renowned architect Liz Diller of Diller Scofidio + Renfro.

Human economic activities are naturally dependent on the global ecosystem, and possibilities for economic growth may be limited by the lack of raw materials to supply factory and trade stocks. While for some resources there are still untapped stocks, such as certain metals and minerals, there are others, such as fossil fuels and even water, with serious availability issues in many locations.

Once completed, the Dubai Municipality will become the world’s largest 3D printed building, standing tall at 9.5 meters with an area of 640 square meters. Executed by Apis Cor, a U.S.-based company, the structure was directly built on-site.

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Durbach Block Jaggers won the competition for a multi-level car park, playground and commercial tower in Penrith, Australia. Working with Sue Barnsley Design, Right Angle Studio and SGS, the team made the proposal for Penrith City council's Soper Place Design Competition. Unanimously chosen by the selection panel, the design combines a playground on an arched brick base with a commercial tower and car park.

Videos

In their recent interview for the Time Space Existence video series, Plane-Site, through the support from the European Cultural Centre, interviewed Spanish architect Ricardo Bofill. The series will be exhibited in the biennial exhibition in Venice, opening May 21-22, 2020.

DMDmodular is manufacturing modules for the world's tallest modular hotel, in the Big Apple. The modular elements of the 26-story AC Marriott New York NoMad, designed by Danny Forster & Architecture, are produced in Skawina, Poland and shipped to the United States.

Wafai Architecture and Fragomeli+partners, two architecture practices based in Torino, Italy have imagined an Islamic cultural center in the Piedmont area. The project features a mosque and a center for cultural and social activities, a space that promotes constructive dialogues.

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Odile Decq has unveiled new images of the design for her first new residential building and luxury skyscraper in Barcelona, Spain. Called Antares, the project will be sited along the Mediterranean Sea. In addition to the architecture, Odile also designed the interiors. Antares was made to be a unique addition to the Barcelona skyline by taking the form of a distinctive architectural tower.

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Quatre Caps, a group of architects from Spain visualized in a series of images, the unbuilt works of Fernando Higueras. In fact, the pictures portray the buildings in their context, as if they were built back when they were first conceived.

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What happens when the sensor-imbued city acquires the ability to see – almost as if it had eyes? Ahead of the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions," ArchDaily is working with the curators of the "Eyes of the City" section at the Biennial to stimulate a discussion on how new technologies – and Artificial Intelligence in particular – might impact architecture and urban life. Here you can read the “Eyes of the City” curatorial statement by Carlo Ratti, the Politecnico di Torino and SCUT.

Architectural practice naturally results in an extraordinary accumulation of visuals and archival media that demand sorting, cataloguing, and organizing at a certain moment in time in order to avoid their amorphous accumulation to invade the working order of a firm. Tagging, numbering and classifying the accumulated traces of architectural creativity and data, has become a way of organizing the log of creative options and scenarios developed in practice, a directory of successful examples and of failures, all arranged to be used as a self-referential working catalogue of options that may be mobilized at any moment in time. 

Log 47 reconceives architecture’s role in climate change away from sustainability and solutionism and toward its formal complicity and potential agency in addressing the crisis. In this excerpt from her introductory essay, guest editor Elisa Iturbe defines carbon form as a necessary new way of understanding architecture and urbanism in order to develop a new disciplinary paradigm.

Until now, most environmental discourse in architecture has focused on carbon as a by-product of building and construction, making it seem that at the ecological brink, the most pressing concern is energy efficiency. This stance compartmentalizes the discipline and dislocates the origin of the climate crisis from the dominant political, economic, and spatial organizations that are its cause. In response to this dislocation, Log: 47 Overcoming Carbon Form reconsiders the link between architecture and climate by exploring the reciprocity between energy and built form. To do so, energy must be understood beyond its technical capacity, viewed instead as a political and cultural force with inevitable spatial repercussions.

Tanzania’s architecture is built to celebrate nature and everyday life. Representing a long history of diverse styles, from British and German to Arab influences, much of the country’s major buildings include mosques, churches and marketplaces. Today, Tanzania’s diversity is also rooted in its traditional architecture and structures that were shaped by both their functional use and culture.

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