The Jayme Augusto Lopes Crematorium, popularly known as Crematorium of Vila Alpina, is located in Jardim Avelino, on the east side of the city of São Paulo. It was designed by architect Ivone Macedo Arantes - at the time an employee of the Cemetery Department of the City of São Paulo - and was inaugurated in 1974. It is considered to be the first crematorium in Brazil and Latin America and one of the largest in the world.
Crematorium: The Latest Architecture and News
As people adopt more control over the rituals behind their deaths, cremation has become an increasingly popular option across the world. This, in turn, has led to the considered design of spaces that respond to the deep emotions surrounding cremation, life and death, and stillness. Increasingly, architects are contending with the question of what role does architecture play in these rituals?
The municipality of Patras in Greece launched a competition for the design of the Crematorium, a highly debated subject in the Orthodox Greek context. The winning scheme was imagined by architects Stelios Andrikopoulos, Konstantinos Grivas, and Alexandra Stratou.
The international design firm Olson Kundig has designed a new sustainable option for after-death care. In fact, the architects created the world’s first facility for converting human remains into soil, a flagship building for Recompose in Seattle.
As people make considered choices about their own lives and deaths, cremation has become an increasingly popular option in Europe, representing a recent but accelerating change in funerary practices. What do these spaces actually look like? What role does architecture play in these rituals?
Considering precisely these questions, the authors of Goodbye Architecture embarked on a unique tour of European architecture. For the first time, the spaces and practices of cremation―the sites of some of our deepest desires and fears about life and death―receive serious architectural consideration. A wide range of facilities are documented in this volume with extensive illustrations
In this book, Belgian architecture office a2o presents an investigative and connecting approach to architecture through an evocative reading of their latest project, crematorium Statie Stuifduin in Lommel, Belgium. This thoughtful yet radical design blends architecture and landscape in a succession of spaces that reveals a deep understanding of both the fundamental aspects of and changing attitudes towards death, burial and the journey of life. Rather than through explicit religious symbols, the sacral is represented by the universal power of nature and by Romantic notions of finding meaning in rediscovered nature. In doing so, Statie Stuifduin goes beyond the specifics
The relationship that humans have with death is complex and ever-changing, this is inevitably reflected in the architecture of spaces related to death. To interrogate the contemporary role of these spaces, architect Sanchit Arora of Indian firm Renesa Architecture Design Interiors used his thesis work, "The Shadow Spaces; Invisible Sacred Landscapes of Indian Cities" to analyze the place of crematoriums within Indian society.
After a qualitative analysis, Arora has proposed an extension to the Green Park Crematorium in South Delhi. With this project, he aims to provide an example of an architecture which marries poetry and functionality to create spaces which are respectful, experiential, and user-friendly.