Chinese artist and activist Ai Weiwei unveiled the Arch, a cage-like sculpture in front of the National Museum of Stockholm. The 12-meter-tall stainless steel structure features at its center silhouettes of two people holding one another, appearing to break through the steel bars of the cage. The artwork was created to symbolize refugee stories and is seen as an ode to freedom. The sculpture is installed outside Nationalmuseum national gallery on the Blasienholmen peninsula in Stockholm’s archipelago. It will remain there for one year, after which, it will be moved to a yet undisclosed location in the city.
Architecture in its broadest sense concerns itself with the uprooting of structures that are permanent, cementing themselves within the greater cultural context and history of its humanity, however, where do we place the creation of structures that are designed with the intention to be disassembled. How much meaning and value can these structures hold, knowing they were never designed to last, but to simply take up space for a moment?
The Glyptothek Museum will showcase the first exhibition dedicated to Santiago Calatrava's array of sculptures and paintings inspired by Greek Antiquity. Running from June 21st to October 23rd, "Beyond Hellas: Santiago Calatrava in the Glyptothek" traces the architect's career as a sculptor, highlighting the influence of histories and cultures on Calatrava's design process.
Talking to the Louisiana Channel, Danish professor, sculptor, and artist Bjørn Nørgaard outlines the philosophy that underpins his work and reflects upon his architectural projects. Nørgaard describes in the film, a co-production with Munkeruphus, the strong influence of his mentor in the 1960s - German artist Joseph Beuys - whose theories formed a key part of Nørgaard's evolution and ethos as an artist. The concept of "die soziale Plastik", or social sculpture, would go on to shape Nørgaard's approach to architecture and other forms of art - its main philosophy being that every part of life can be approached creatively.
OMA and Shohei Shigematsu have designed a proposal for Miami Beach’s first underwater sculpture park and artificial reef in Florida. Working with Ximena Caminos and BlueLab Preservation Society, the project will function as an artificial reef to protect and preserve Miami’s marine life and coastal resilience. Called ReefLine, the design will be a new 7-mile underwater public sculpture park, snorkel trail and artificial reef located off Miami Beach’s shoreline.
Although deploying four months later than normal (due to an obvious, unforeseen roadblock), the Metropolitan Museum of Art has revealed its 2020 Roof Garden commission, tapping Mexican artist Héctor Zamora to drop a timely intervention across the New York City institution’s outdoor terrace.
The MARABAR stone project by American sculptor Elyn Zimmerman is slated to be demolished at the National Geographic headquarters. Located in Washington D.C., it includes more than a million pounds of placed granite. Sited within buildings by Edward Durell Stone and Skidmore, Owings & Merrill, the publicly accessible plaza would be demolished to accommodate a new pavilion.
AaaM Architects have designed a series of sculptures for the Hong Kong Museum of Art's reopening. Invited by the museum with lead artist and architect Billy Tam. the team set out to create a urban artwork for the reopening of the museum after four years of renovation. “Rediscovering Landscape” is located in Salisbury Garden at the end of Nathan Road, a major business street in the heart of Kowloon Peninsula and marks the entrance art square for HKMOA.
POLDRA - Public Sculpture Project Viseu envisions to develop contemporary public art/art in public space proposals – with a significant focus on sculpture – created for selected spaces (site-specific) reinventing and reinterpreting them; while encouraging interactions between the visitors and the sites themselves. Through this dynamic, the work of art will be the kickstarter of a relation that it is hoped can exist beyond the act of looking. I've been doing so for the past two years by exhibiting the works of Neeraj Bhatia (Canada), Pedro Pires (Angola), Elisa Balmaceda (Chile), Natalia Bezerra & Kaitlin Ferguson (UK), Steven Barich (USA),
Grey Cube Gallery proudly presents the first Black & White Show for the month of February 2020. Contest is open to all artists worldwide over 18 years of age. Entries must include the black and white or shades of gray as the primary focus. All visual art mediums (except video and sound) are allowed. The Best of Show winning artwork will be displayed as the poster of the show. All wining artists ( Merit Award & Honorable Mention) will receive a digital award certificate. The application fee is $16 for the 2 images of artwork. You may enter more than
Contemporary Art Room Gallery is proud to announce their 1st “Landscapes” Online Art Competition for the month of January 2020. This is an international competition and artists from around the world are welcome to submit their work. The gallery invites all artists and photographers from around the world to submit ther best best representational and non-representational art related to the Landscapes theme. The Landscapes theme is considered to be any art with interpretation of natural elements such as mountains, hills, valleys, deserts, forests, farmland, trees, rivers, lakes, polar regions, rainforests, islands and tropical landscapes. All visual art mediums are
Architects and designers, just like all citizens, have a responsibility to participate in global conversations regarding the environment. Their power, however, lies in the fact that they are able to make an impact through the conscious decisions they make with their projects, such as sustainable building materials or expressive artworks.
To shed light on the current climate crisis, artist Alicja Biala and architect Iwo Borkowicz have created Totemy, a series of 9-meter-tall sculptures that translate the state of the environment into an immersive architectural experience.
The showpiece of a planned new development at Edinburgh Park will be UK-artist David Mach’s first-ever building, named “Mach 1” by the project’s developers and investors, Parabola. Working with Stirling Prize-nominated architects Dixon Jones, Mach’s building will be created from over 30 shipping containers - but not in the modular, linear method to which shipping container buildings typically lend themselves. Instead its sculptural shape is meant to draw attention to the new quarter and catch the public’s eye, especially those traveling by on the nearby tram.
XTU architects have published their competition entry for the Founder’s Memorial in Singapore’s Bay East Garden. Inspired by the mangroves and banyans of Singapore which stand tall along the coastal regions of tropical areas, the memorial dives its routes into the ground, before shooting skywards.
Emaar Development is hosting an International Open Design competition for the Design of The Landmark at the heart of the ambitious new world-class mixed-use waterfront development Dubai Creek Harbour. The Development is a 5.6 Million sqm site and is expected to have 48,500 residential units with a population of 175,000 residents, when completed.
Artist Lee Simmons has unveiled a 17-ton, 50-foot sculpture in London’s Marylebone neighborhood. Titled Quadrilinear, the project is made of five layers of laser-cut steel standing four stories tall. The project is slotted through Schoen Clinic by ESA Architects, and was completed over a four-year period with Format Engineers. The stainless-steel column is based on deconstructed maps of historic Marylebone to engage the context, rhythm and fabric of the facade.
The world’s largest ice festival has opened to the public in China. The Harbin International Ice and Snow Festival in Heilongjiang, North-Eastern China draws 18 million visitors, marveling at the festival’s spectacular castles and sculptures. In total, the 2019 edition saw 120,000 cubic meters of ice and 111,000 cubic meters of snow crafted by thousands of artists in temperatures as low as -35C (-31F) using swing saws, chisels, and ice picks.
Having begun as an annual tradition in 1985, the festival has gained accolades such as the Guinness Record for the world’s largest snow sculpture (250 meters long and 8.5 meters high). The 2019 festival sees more than 100 landmarks, and ice sculptures by artists from 12 countries.
The Harbin Festival will be open for one month, closing on February 5th. Below, we have rounded up our favorite images of the festival so far, demonstrating that red hot architecture can be cold as ice.
https://www.archdaily.com/909000/worlds-largest-ice-sculpture-festival-opens-in-china-with-chillingly-cool-architectureNiall Patrick Walsh
