Responsible use and consumption of natural resources and the impacts of the building industry have been ongoing concerns in the field of architecture and urban planning. In the past, concepts such as clean slates, mass demolitions, and building brand new structures were widely accepted and encouraged. Nowadays, a transformation seems to be taking place, calling for new approaches such as recycling, adaptive reuse, and renovations, taking advantage of what is already there. This article explores a selection of projects and provides a glimpse into interventions by renowned architects in pre-existing buildings.
It has become evident that the spaces we inhabit have changed. The COVID-19 pandemic has forced us to appreciate values as lighting, ventilation, and comfort when working in home.
Marcel Breuer’s Pirelli Tire Building, a beacon of Brutalist architecture in the United States, is being reimagined as a hotel by development company Becker and Becker. After being abandoned for years, the structure was sold to architect and developer Bruce Redman Becker in 2020 with plans to transform it into a sustainable 165-room hotel. The sculptural concrete structure aims to be a model for passive design hotels using its unique architectural features and innovative adaptive reuse techniques.
The first quadrant of OMA’s Berlin KaDeWe department store transformation opened its doors to the public, revealing a new approach to retail design in the age of online shopping and shifting consumer behaviour. The masterplan divides the historic building, the largest department store in continental Europe, into four smaller, easily accessible and navigable sectors. The completed quadrant features a six-storey void containing a series of escalators and simultaneously acting as circulation, retail and event space.
The new Kremlin museum set within the UNESCO protected museum ensemble in Red Square nestles a contemporary structure within the vast courtyard of a 19th-century building. Designed by Moscow-based practices NOWADAYS office and Meganom, the project will house the vast Armory collection, of which only 30% is currently available to the public with the Kremlin walls. The refurbishment of the historic Middle Trading Rows building, together with the new extension, complement each other, creating a diverse and complex museum experience.
Architecture has been increasingly focusing on adaptive reuse, taking advantage of the opportunity to redesign existing spaces to provide new purposes while also reducing damage to the environment. In this context, recycling warehouses is quite usual and is becoming more popular every day because these spaces often have large open plans which allow many different layouts.
https://www.archdaily.com/969257/warehouse-renovation-12-projects-reusing-industrial-structures-in-brazilEquipe ArchDaily Brasil
Contemporary view of the Bagley House. Image Courtesy of Patrick Mahoney, AIA
Less than two months ago, the future of an 1894 Dutch Colonial-style home designed by Frank Lloyd Wright wasn’t looking all that bright after it hit the market for $1.3 million in the Chicago suburb of Hinsdale, Illinois. As of this week, however, the historic Frederick Bagley House, described by the nonprofit Frank Lloyd Wright Building Conservancy as a “unique and irreplaceable” early work of Wright, has found a very happy ending—or, more aptly, a new beginning.
The choice of Lacaton & Vassal to receive the 2021 Pritzker Prize was, above all, emblematic. Under the mantra “never demolish, never remove or replace, always add, transform and reuse”, the French duo built a career focused on renovating buildings, providing them with spatial quality, efficiency and new programs. Their approach contrasts with most of the architecture we are used to honoring: iconic, imposing and grandiose works. It also contrasts with the notion of the tabula rasa, of building and rebuilding from scratch, so well represented in Le Corbusier's Ville Radieuse, and which has fascinated architects and urban planners ever since.
Whether because of the sustainability demands currently in vogue, or simply because there are already enough buildings around the world, the task of rehabilitating spaces and buildings has been seen as an important driver of change. The focus is generally to center efforts on interior spaces, paying special attention to the environmental quality and comfort of the inhabitants, in addition to adapting the uses to contemporary demands. The main question revolves around how to update (and even automate) the buildings of the past to adapt to new needs for efficiency, sustainability and well-being.
The Neue Nationalgalerie, designed by Mies van der Rohe, reopened to the public after an extensive renovation project carried out by the practice of David Chipperfield. In this video created by Mies van der Rohe House, Chipperfield shares his thoughts on the design language of Mies van der Rohe while also discussing the qualities of Neue Nationalgalerie and the future role of architectural monuments. The interview is part of the film and exhibition project Mies Goes Future, which invites artists, architects, and historians to explore the work of the renowned Modernist architect as a source of inspiration for contemporary practice.
Boston City Hall . Image Courtesy of Utile and Reed Hilderbrand
"Demolition is a waste of many things – a waste of energy, a waste of material, and a waste of history,"says Pritzker-winning architect Anne Lacaton. In recent years, refurbishment and adaptive reuse have become ubiquitous within the architectural discourse, as the profession is becoming more aware of issues such as waste, use of resources and embedded carbon emissions. However, the practice of updating the existing building stock lacks consistency, especially when it comes to Brutalist heritage. The following explores the challenges and opportunities of refurbishment and adaptive reuse of post-war architecture, highlighting how these strategies can play a significant role in addressing the climate crisis and translating the net-zero emissions goal into reality while also giving new life to existing spaces.
With three more years to go until the 2024 Paris Summer Olympics and the re-opening date announced by French President Emanuel Macron, Notre Dame's restoration work progresses. After a long safety phase and months of work interruption last year due to the pandemic, all burned timber from the roof has been removed, and scaffolding has been installed inside the cathedral. As a homage to the heritage structure and "the collective effort to rebuild Notre Dame", the Catholic University of America is building a replica of one of the cathedral's roof trusses in Washington D.C., using medieval techniques.
Association Cap Moderne have announced that the restoration of Eileen Gray’s modernist villa E-1027, along with other projects on the Cap Moderne site, such as Le Corbusier’s Cabanon and Unités de Camping, and l’Etoile de Mer restaurant, have been completed and are now open to visitors. The site is listed as a UNESCO World Heritage Site, and is considered as one of the must-see places to discover in the region, welcoming more than 10,000 visitors a year.
C+S Architects and Citizenstudio are among the winners of the Face of Renovation competition, an initiative to redesign the architectural image of housing stock across 31 sites in Moscow. The competition sought to improve the experience of the urban environment through the renovation of urban blocks, fostering a sense of identity through individuality. In redesigning the Metrogorodok area (lot no. 13), the two architecture studios focused on overcoming the uniformity and repetitiveness of the prefab housing estate while also enriching the public space through the plasticity of the facades, the use of colours and the creation of intermediate spaces.
Batroun Boutique Hotel . Image Courtesy of Carl Gerges Architects
Last year, Archdaily inaugurated its first edition of Young Practices, an initiative meant to highlight emerging offices that pursue architectural innovation. Carl Gerges Architects is a Lebanese practice whose body of work is a careful consideration of culture, context, and heritage. Villa Nadia and Batroun Boutique Hotel are two of the studio’s unbuilt projects that showcase the assemblage of architectural tradition and contemporary design, informed by a poetic sensibility and a deep understating of the local social, environmental and historical landscape.
Work has begun for MVRDV's renovation of Shenzen Women & Children Centre, a mixed-use tower featuring an array of public functions, now in need of a comprehensive transformation. Constructed during the city's explosive growth following the Special Economic Zone designation in the 1980s, the building is one of the many nearing the end of their initial lifespan, and MVRDV's adaptive re-use project sets an important precedent for repurposing these buildings by bringing colour, greenery and a new layer of public spaces.
Plant 7 at Congdon Yards, an adaptive reuse project in High Point, North Carolina. Image Courtesy of Keith Isaas
Adaptive reuse or the process of transforming an older building by reusing the structure and changing its original purpose, has gained relevance over the years especially because it allows a complete optimization of the performance of the existing built environment. In a piece, originally published on Metropolis, author Elissaveta Brandon explores how "architects and developers are transforming the staples of the South—located throughout a 120-mile region from Winston-Salem to Fayetteville—into infrastructure fit for today". Transforming historic mills into design hubs, and mixed-use complexes, the article highlights 3 examples from North Carolina.
https://www.archdaily.com/963472/three-adaptive-reuse-projects-in-north-carolina-reinvent-historic-millsElissaveta M. Brandon