India today is a country of 1.4 billion people requiring every type of building imaginable—hospitals, colleges, housing, and more. Championing sensibility and practicality in design is Brinda Somaya, an internationally acclaimed architect, urban conservationist, and academician, recently named an honorary member of the 2025 class of Fellows of the American Institute of Architects. Her work demonstrates a careful response to cultural contexts enriched with a grounded understanding of functionality, transforming them into modern relics. A four-decade career has built her portfolio that spans architecture, master-planning, and historic preservation - a constantly unfolding legacy.
This International Women's Day, we celebrate the contributions of women in architecture, a field traditionally dominated by men. While dominant narratives may overlook their significant impact, as the history of architecture is replete with examples of women subtly but powerfully shaping the profession. When limited to a draftsman position, Ester McCoy took a step back not to disengage but to better observe. She became the first architectural critic and historian to notice the unique flavor of Modernism developing along the West Coast during the 1950s, bringing names such as Richard Neutra, or Luis Barragan to the forefront of architectural discussions. Similarly, the name Aline Louchheim may not be a widely recognized one among architects, but, because of her, the name Eero Saarinen surely is. The profession of architectural publicist also emerged through this collaboration. These stories remind us that recognizing women's achievements in architecture is not about celebrating gender, but about acknowledging a historical bias that has hindered the entire field's progress.
Playtime movie (Jaques Tati 1967) . Image via screenshot
Architecture criticism and journalism are often expected to announce "the good, the bad, and the ugly" in architecture and the built environment. Its purposes go however further than that. As Michael Sorkin put it, "seeing beyond the glittering novelty of form, it is criticism's role to assess and promote the positive effects architecture can bring to society and the wider world". In other words, by telling us what they are seeing, critics are also showing us where to look in order to identify and address the issues plaguing our built environment.
The field of architecture journalism has been led by female writers even in times when the pursuit of a career in architecture was discouraged and inaccessible for women. Ada Louise Huxtable established the profession of architecture journalism by holding the first full-time position of architecture critic at a general-interest American newspaper. In 1970, she also received the first-ever Pulitzer Prize for criticism. Esther McCoy started her career as a draughtswoman at an architecture office, yet, because of her gender, she was discouraged from training as a professional architect despite her ambitions to study the field. Through her writings, she managed to bring attention to the overlooked architectural scene of the American West Coast and advocate for the values of regional Modernism.
A few months ago, French architect Renée Gailhoustet was awarded the 2022 Royal Academy Architecture Prize. As housing challenges continue to embattle Paris and other French cities today, Gailhoustet was a timely choice, her body of work in the Paris suburbs – stretching back to the 1960s – still functioning today as compelling case studies to a social housing approach that concurrently embraces community and has a uniqueness of form.
Buildings are deeply interconnected with their surroundings—the climate, culture, landscape, and the lives of their occupants. For Dorte Mandrup, a renowned Danish architect, context is more than a mere consideration; it is the driving force behind her designs. Her work demonstrates a profound curiosity about the people who will inhabit her buildings and the unique stories embedded within each site. Her buildings aren't just structures; they're thoughtful responses to their surroundings, without aiming to disappear within them.
Dorte Mandrup is featured, alongside Tosin Oshinowo, in the second installment of the documentary Women in Architecture, released November 12, 2024. Produced by Sky-Frame in collaboration with ArchDaily and directed by Boris Noir, the film builds upon the first episode, which highlighted Toshiko Mori, Gabriela Carrillo, and Johanna Meyer-Grohbrügge, offering a continued exploration of diverse perspectives within architecture.
On January 21, 1958, three women sat down as contestants for an episode of the popular television show "To Tell the Truth", a quiz game in which a panel tries to guess which of the three contestants is who they say they are by asking them a series of questions. The announcer reveals the true identity of the person is a registered architect, has so far designed a Hilton hotel, and is a married mother of four. Each of the women, dressed formally in pencil skirts and blouses, introduces themselves as Natalie De Blois. As the panelists reveal their lack of knowledge about architecture, only firing off questions about Frank Lloyd Wright, one asks "What is the name of the building that was torn down to build Union Carbide?" The real Natalie De Blois, at the time a senior designer at SOM, firmly answers, "Hotel Margery."
Architecture is one of the oldest recorded professions, dating back to ancient eras when builders designed historic huts and constructed some of the great wonders of the world. When we think about women who have been known as trailblazers of the industry, it's astonishing that we often talk about women who we may interact with in the workplace day to day, or who our mentors may have learned from. Natalie De Blois was a modern-day pioneer of women in the design workforce, and although her legacy began only seventy years ago, it has significantly changed the way that women can participate in the profession today.
Standing out among the array of cultural programs, the opera and theater typology is often understood as encompassing the luxurious and elitist spirit of a bourgeois society focused on entertainment. Across the Soviet Union, this represented the opposite of the principles to be promoted. However, despite the opposition of the political class, the program remained widely popular. As the historical structures, symbols of the previous regime could no longer be promoted, the search began for a new image of the Opera House, one aligned with Socialist ideals and the concept of "art belonging to the masses."
This is the case of Soviet Lithuania, which, in the 1940s, began the process of developing a new Opera and Ballet Theater in Vilnius to replace the theatre in Pohulianka. The process resulted in an unusual commission, as young architect Elena Nijolė Bučiūtė won the 1960s competition for architectural design, turning the initial socialist realist proposals into a welcoming and expressive design, blending elements of early and late modernism. This also represents a surprising accomplishment for a young architect who was a woman and not a member of the Communist Party. Open House Vilnius featured the project in its program for several editions.
During the period 1925–1975, Danish society underwent significant changes. As a result, the architects were called upon to help shape the daily lives of the citizens in modern Denmark. The role of women was also changing, following the 1915 constitutional amendment that gave women the right to vote. In the following years, the first generations of women completed their educations within the design disciplines. During 1925-1975, women have had an important, if other overlooked impact, shaping the everyday environment by designing and reimagining kitchens, public buildings, housing, landscapes, and urban areas, among other things.
The Women in Danish Architecture project aims to offer a more complete understanding of Danish architecture history and to present it in a more engaging and inclusive way. The aim is to contribute to an understanding of architectural history as not created by great individuals but through mutual and creative collaborations. The project is anchored in the Section for Landscape Architecture and Planning at the Department of Geosciences and Natural Resource Management, University of Copenhagen.
Beverly Willis, architect, wearing a hard hat at a construction site. Image Courtesy of Library of Congress Prints and Photographs Division Washington
American architect and tireless advocate for gender equality Beverly Willis passed away on October 1, 2023, at the age of 95, as reported by The New York Times. Throughout her career, she was dedicated to breaking down barriers for women in a traditionally male-dominated profession. She ran an accomplished studio in San Francisco, having completed over 800 projects across the US, and established a Foundation for recognizing and promoting women in architecture. Across various programs and scales, her designs have gained national recognition for their humanistic concern for the occupant and for adapting historic buildings to modern purposes, a practice now known as adaptive reuse.
Courtesy of Jen Lewin, Photo by Brendan Burkett / The Pool
In the world of interior design, light serves as an essential medium, but light can also create immersive public spaces. While James Turrell, Olafur Eliasson, and Dan Flavin are celebrated for their transformative mastery of color, reflections, and luminous contrasts, it's crucial to note that the realm of light art isn't exclusively male-dominated. In response to the underrepresentation of female light artists, a refreshing and enlightening perspective emerges from the British lighting designers Sharon Stammers and Martin Lupton of Light Collective.
After founding the platform "Women in Lighting" their book "Women Light Artists," takes a bold step in introducing us to 40 creative women whose work radiates with responsive ingenuity and brilliance. The book offers a captivating spectrum of projects from interactive pools to the play of colorful daylight shadows dancing across a bridge in London, from the peaceful projection onto an iconic Berlin landmark to the vivid rainbow arching above Manhattan's skyline, each work embodies a unique dialogue between light and space. The luminous journey offers a valuable tribute to the power of female artists who, for far too long, have remained in the shadows.
Yasmeen Lari, recognized as the first female architect in Pakistan, has had a significant impact both in her home country and internationally due to her innovative and socially conscious approach to architecture. Through a systemic approach, Lari’s work takes into consideration local culture, site-specific opportunities, and challenges. Born in Pakistan in 1941, Yasmeen Lari moved to London with her family at the age of 15. After graduating from Oxford Brooks School of Architecture, she returned to Pakistan at the age of 23 to establish Lari Associates with her husband, Suhail Zaheer Lari. The couple settled in Karachi. Here, she began to study Pakistan’s ancient towns and the vernacular architecture of earth buildings, igniting her interest in the architectural heritage and traditional techniques of her country. In 1980, she co-founded the Heritage Foundation of Pakistan with her husband, becoming instrumental in the preservation of her country’s rich cultural heritage.
SANAA co-founder Kazuyo Sejima and influential Canadian architect Phyllis Lambert have been awarded the Jane Drew and Ada Louise Huxtable prizes, respectively, as a recognition of their work and commitment to design excellence and for raising the profile of women in architecture. The Jane Drew Prize for Architecture commends Kazuyo Sejima for her achievements as an architect, while the Ada Louise Huxtable Prize recognizes Phyllis Lamber’s contribution to the wider architectural industry. The two awards are presented by UK-based publications Architects’ Journal and The Architectural Review.
What are the stories of the first Ibero-American women architects? This is the main question we seek to answer in celebration of ArchDaily's theme: Women in Architecture.
Seeking to put their motivations, inspirations, and trajectories on the table, we carried out a research project to make visible and highlight some names that have not had their deserved recognition. Meet Doris Clark Núñez, Guadalupe Ibarra, Matilde Ucelay Maórtua, Filandia Pizzul, Dora Riedel, Luz Amorocho, María Luisa Dehesa, Arinda da Cruz Sobral, and Julia Guarino, below.
