Design:ED Podcast is an inside look into the field of architecture told from the perspective of individuals that are leading the industry. This motivational series grants unique insight into the making of a successful design career, from humble beginnings to worldwide recognition. Every week, featured guests share their personal highs and lows on their journey to success, that is sure to inspire audiences at all levels of the industry. Listening to their stories will provide a rare blueprint for anyone seeking to advance their career, and elevate their work to the next level.
In this episode of Design:ED Podcast, Patrik Schumacher — the company director and Senior Designer for the esteemed Zaha Hadid Architects — sits down to discuss the future of parametric design, the early days of Zaha Hadid Architects, and how the firm is continuing the legacy of Zaha Hadid after her passing in 2016.
Days of Oris is an international architecture convention organised by Oris magazine and the Oris House of Architecture. The two-day event has been held since 2001. It presents the most significant names of the architectural and cultural scene and gathers more than 2000 visitors every year.
Now on display at the Jaroslav Fragner Gallery as part of the third Prague Experimental Architecture Biennial is “ZHA: Unbuilt,” an in-depth look into some of the firm’s best projects that could have been.
Arranged within the space by typological concepts (towers, atriums, stadiums, shells, masterplans, ribbons, and bubbles), the exhibition serves as an exploration into the evolution of the work of Zaha Hadid Architects, showing how earlier research and innovations have become the foundations of the firm's architectural projects currently in development.
The UIA (International Union of Architects) world congresses are a premier forum for professionals and future leaders in the field of architecture to exchange the best and latest practices, visions and first-hand experience. The UIA 2017 Seoul, in particular, will promote various innovative architectural techniques and technologies among member sections and global citizens. In doing so, academic programs, exhibitions, competitions, student activities, and public outreach programs will simultaneously take place.
Zaha Hadid Architects has collaborated with Samsung and digital art and design collective Universal Everything to create an immersive technology installation at the 2017 Milan Design Week, taking place this week in the Italian city. Named ‘Unconfined,’ the pavilion will showcase Samsung’s new Galaxy S8 smartphone by leading visitors through an immersive environment inspired by the device.
It was in 1988, at London’s Tate Gallery during the Deconstructivism conference held in anticipation of MoMA’s eponymous exhibition that I first encountered Zaha Hadid in person. She was lecturing among her six co-exhibitors: Peter Eisenman, Rem Koolhaas, Frank Gehry, Wolf Prix, Bernard Tschumi, and Daniel Libeskind. I had encountered her work a few years earlier as a young architecture student (at Stuttgart University) and was stunned and thrilled by the unprecedented degrees of compositional freedom, versatility and dynamism in her work. Up until then I had not been so sure if architecture was such a good career choice for me. I was rather underwhelmed and bored by architecture but, through my encounter with Zaha’s incredible work, architectural design unexpectedly transformed into an adventure. The bounds of architectural possibilities had shifted. Thirty years later, this sense of adventure continues. Zaha changed our field and changed everything for me.
As reported by The Guardian and the Architects' Journal, the last will and testament of the late Zaha Hadid—who passed away in March 2016 aged 65—has revealed that the Dame of the British Empire and Principal of Zaha Hadid Architects had a net fortune of £67,249,458 (around $82.5million or €77million). This sum, which was filed in the UK High Court in December last year, will be bequeathed in small parts to nieces and nephews (£1.7million), her brother Haytham Hadid (£0.5million), and her business partner Patrik Schumacher (£0.5million). At the time of her death, Hadid was unmarried with no children.
https://www.archdaily.com/803672/zaha-hadid-leaves-net-fortune-of-67-pounds-millionAD Editorial Team
On Thursday 17th of November, at the World Architecture Festival in Berlin, Patrik Schumacher gave a lecture offering his theory on how to address London’s Housing crisis. Given Schumacher’s well-known penchant for neoliberal economics, it was perhaps little surprise that his plan included a number of highly controversial ideas, such as the elimination of all forms of social housing and planning, and the privatization of all public space—with Schumacher highlighting Hyde Park as a particularly interesting opportunity.
Though ArchDaily was in attendance at the lecture, we chose not to cover Schumacher’s speech, at least in part because the audible boos from the crowd indicated that this was not a position that the wider architectural profession was interested in giving publicity to. However, the news was picked up by a number of other architectural publications including Dezeen; as a result, Schumacher’s speech became front page news on the London Evening Standard, prompting a response from London Mayor Sadiq Khan who said Schumacher’s ideas were “out of touch” and “just plain wrong.” These developments in turn have prompted an outcry from the architectural profession, causing Zaha Hadid Architects to write an open letter in response to the furore. Read on to see the full letter.
As Zaha Hadid’s successor and current leader of the firm, Schumacher relays a host of opinions, including those on parametricism, which he deems the “architectural style of capitalism.” The term describes the avant-garde practice that uses digital animation to create equations for designs. Patrik Schumacher, who coined this term in 2008, believes this style extracts doubt from the design process, relying instead on the infallibility of science.
This theme of this year’s festival is “Housing For Everyone.” Inspired by a variety of influences, markedly the condition of displaced communities of political and disaster refugees, lectures will focus on “the growing understanding of how demographics and global urbanization are forcing change; and the imperatives to create shelter at one end of the spectrum, and sufficiency for occupation and investment at the other.”
https://www.archdaily.com/793244/peter-cook-patrik-schumacher-lead-list-of-speakers-at-waf-2016AD Editorial Team
The XV International Architecture Exhibition at the Venice Biennale opened its doors last month. Under the directorship of Chilean Pritzker Prize-winner Alejandro Aravena, “Reporting the front” asked architects to go beyond “business as usual” and investigate concealed built environments – conflict zones and urban slums, as well as locations suffering from housing shortage, migrations and environmental disasters. Clearly, the aim of this Biennale is to open the profession to new fields of engagement and share knowledge on how to improve people’s quality of life.
This stance that has been highly criticized by Patrik Schumacher, director of Zaha Hadid Architects, who believes that architects “are not equipped to [address these issues]. It’s not the best value for our expertise.” But is this a view shared by the rest of the design world and its critics? What are the limits and benefits of this “humanitarian architecture”? Read on to find out critics’ comments.
In their semester-long project at Zaha Hadid’s final studio course at the Yale School of Architecture, students Lisa Albaugh, Benjamin Bourgoin, Jamie Edindjiklian, Roberto Jenkins and Justin Oh envisioned a new a high density mixed-use project for London's Bishopsgate Goodsyard, the largest undeveloped piece of land still existing in central London.
Neoliberal post-fordism poses a dramatic challenge to urbanism as we have come to know it since the early 20th century. The public planning process has become more and more an embarrassment and obstacle to urban and economic flourishing. It’s a relic of a bygone era. The high point of urban planning was the post-war era of socialist planning and re-construction of the built environment. With respect to this period we can speak about physical or perhaps ‘positive planning’, in the sense of governments formulating concrete plans and designs about what to build. This era has long gone as society evolved beyond the simple fordist society of mechanical mass production to our current post-fordist networked society. When a few basic standards were functionally separate, optimized and endlessly repeated, central planning could still cope with the pace of societal progress. The world we live in today is far too multi-faceted, complex and dynamic to be entrusted to a central planning agency. The old model broke apart as it could not handle the level of complexity we live with and our cities should accommodate. The decentralized information processing mechanism of the market was indeed capable of managing such levels of complexity and, for this reason, has effectively taken over all positive decision-making processes.
In April, the world's "third smallest sovereign state" was established: Liberland. Established on a small patch of unclaimed land created by the border dispute between Croatia and Serbia, the new country founded on the principles of libertarianism is currently battling for international recognition - although as reported by The New York Times Magazine in August, this remains a steep uphill struggle. In spite of these challenges, the European micronation is seeking ideas through a global design competition on how to masterplan its seven-square-kilometer territory. Zaha Hadid Architects' Patrik Schumacher is one of the many experts that have been summoned to judge the proposals, of which aim to establish a "multi-stage" plan that will reflect Liberland's Libertarian and Anarcho-Capitalist values.
"Rather than purely fantastical or artistic schemes, Liberland seeks radically creative, yet mature proposals for a fertile, high-density city-nation of the 21st century, responsive to its advanced contemporary network society," says the competition brief.
Last week, the Chicago Architecture Biennial opened to over 31,000 visitors and much fanfare, and for good reason - it is the largest architecture event on the continent since the 1893 World's Columbian Exposition, featuring over one hundred exhibitors from over thirty countries. With a theme as ambiguous as "The State of the Art of Architecture," and with the hope of making the biennial, according to directors Joseph Grima and Sarah Herda, "a space for debate, dialog and the production of new ideas," the event was sure to generate equally wide-ranging opinions. Read on to find out what the critics had to say about the Biennial.