MVRDV has won a competition to create a master plan for a new cultural and creative quarter in the heart of Potsdam, Germany. The project designed for developer Glockenweiß was acclaimed for its particular approach in creating considerably more space than required in the initial brief.
MVRDV has just released images of the firm’s competition entry for the next Tencent headquarters campus, located in Qianhai Bay, Shenzhen. Highlighting the green potential of Smart City Technology, the project imagines an entire urban district including offices, homes for Tencent employees, commercial units, public amenities, schools, and a conference center.
MVRDV has won the competition to redesign the Tancheon Valley and Seoul’s waterfront. Called “The Weaves”, the design was made to knit together pedestrian and bicycle paths, the natural landscapes, and public amenities. Commissioned by the government of Seoul, the design introduces a combination of natural and human activity in the midst of the city.
MVRDV and Jaarbeurs have designed a new master plan and green roof for Utrecht’s exhibition, event, and conference center in the Netherlands. MVRDV founding partner Winy Maas described the project's goal as creating “a garden in the city.” The new Jaarbeurs is designed to be a sustainable building that opens in all directions, and an accessible green roof will descend to ground level via cascading terraces.
In December 2019, the Chinese city of Shenzhen will host the world’s only Biennale focused exclusively on the topics of urbanism and urbanization. The 2019 Bi-City Biennale of Urbanism\Architecture will explore new phenomena brought about by the digital revolution, and the ability of citizens to become involved in shaping cities. The Biennale curator, Carlo Ratti, exemplifies this intersection between natural and artificial, championing the power of new technologies to transform how we live and design through his work at Carlo Ratti Associati and the MIT Senseable City Lab. In the “Eyes of the City” section of the Biennale, he is joined by MVRDV, and its co-founder Winy Maas, in shaping an experience that invites visitors and observers to question how technologies such as facial recognition can be integrated into urban life.
Opening in December in Shenzhen, China, the Bi-City Biennale of Urbanism and Architecture (UABB), organized by the cities of Shenzhen and Hong Kong, will discuss the theme of “Urban Interactions”. First to use Facial Recognition and Artificial Intelligence, the public exhibition will test new grounds to reflect on the impact of digital technologies on the urban environment.
Part of the Mission Rock master plan in San Francisco, MVRDV unveiled their contribution, in partnership with Perry Architects, a 23-story mixed-use building, including offices and residential units. The firm joins other big names like Studio Gang, Henning Larsen, and WORKac in designing one of the vertical entities in this waterfront.
The first phase of the planning vision for Mission Rock in San Francisco was initiated. The masterplan developed by the San Francisco Giants and Tishman Speyer put in place four buildings designed by internationally renowned architecture firms MVRDV, Studio Gang, Henning Larsen, and WORKac. The scheme also includes a 5-acre waterfront park by SCAPE.
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The six shortlisted concepts for the National Pulse Memorial & Museum will be on display at the Orange County Regional History Center where people can view and comment on the schemes, helping the jury choose the winning proposal, to be announced on October 30.
MVRDV has designed with local neighborhood organizations, a proposal to regenerate the canals of the city of The Hague, in the Netherlands. Filled-in during the 20th century, the canals will be reopened in order to revive the historic center and improve the city on the sustainable, economical and infrastructural levels.
The world's first publicly accessible art depot by MVRDV has topped out in Rotterdam. Called Depot Boijmans Van Beuningen, the new archive building was celebrated with a ceremony by the Stichting Collectiegebouw consortium, which comprises the museum, the municipality of Rotterdam, and Stichting De Verre Bergen. The depot will host the museum’s archive of 151,000 artworks and will be fully accessible to the public.
For Paul Lewis, Marc Tsurumaki and David J. Lewis, the section “is often understood as a reductive drawing type, produced at the end of the design process to depict structural and material conditions in service of the construction contract.” A definition that will be familiar to most of those who have studied or worked in architecture at some point. We often think primarily of the plan, for it allows us to embrace the programmatic expectations of a project and provide a summary of the various functions required. In the modern age, digital modelling software programs offer ever more possibilities when it comes to creating complex three dimensional objects, making the section even more of an afterthought.
With their Manual of Section (2016), the three founding partners of LTL architects engage with section as an essential tool of architectural design, and let’s admit it, this reading might change your mind on the topic. For the co-authors, “thinking and designing through section requires the building of a discourse about section, recognizing it as a site of intervention.” Perhaps, indeed, we need to understand the capabilities of section drawings both to use them more efficiently and to enjoy doing so.
Pixel, the latest project from Dutch firm MVRDV, is now under construction and is expected to be completed by the end of 2021. The community based mixed-used development is the first project in Abu Dhabi’s Makers District, an innovative and cosmopolitan new area, on the Reem Island.
MVRDV has designed an office and residential building on a corner lot next to the Dommel river in the Dutch village of Sint-Michielsgestel. Made with a facade that takes the form of potted plants, the project uses a gridded “rack” system to cover the building’s entire exterior in a variety of plants. Designed with MVRDV’s co-architect, Van Boven Architecten, the team wanted to create a landmark project for the village while also being socially conscious and environmentally progressive.
Opening on July 5th, “Architecture Speaks: The Language of MVRDV” will provide an immersive, diverse, multimedia experience for visitors to the Tyrolean Architecture Center (aut) in Innsbruck, Austria. The exhibition centers around a spatial intervention of 4 towers constructed inside the aut’s Adambräu Building, a former brewhouse. Each tower embodies a word that represents key concepts in MVRDV’s designs: stack, pixel, village, and activator. “Architecture Speaks” aims to present the concepts in an approachable, engaging manner, with the colorful towers enhanced by images, text, models, drawings, videos, audio, and interactive elements to present MVRDV’s projects.
Dutch design practice MVRDV has reopened their 2016 project Crystal Houses with a new tenant and façade. Located on the high-end shopping street PC Hooftstraat, Crystal Houses initially hosted a temporary store for Chanel. The project’s jewel-like façade was proposed as a way for Amsterdam to be home to distinctive, upmarket flagship stores without compromising the city’s historical character. Now the project has been renovated and re-opened for French luxury brand Hermès.
The shortlist has been announced for the design of the National Pulse Memorial & Museum in Orlando, Florida, honoring the 49 people killed during the Pulse nightclub shooting on June 12th, 2016. Established by Dovetail Design Strategists for the onePULSE Foundation, the open, two-stage international competition seeks to honor those killed while also supporting the families, survivors, and first responders.
