For its 9th edition, the Moscow Urban Forum continues to consolidate as one of the world’s most relevant urban conferences, bringing together a diverse group of architects, urbanists, city mayors, government officials, economists, developers, academics, citizens, and professionals from diverse fields and nationalities.
While Pierre de Meuron’s main keynote puts focus on ongoing developments in the city of Moscow, by showcasing the ambitious scheme to redevelop the Badaevskiy Brewery, the lectures and presentations acknowledged the diverse areas that shape the city, including topics such as mental health, lifestyle of the millennial generation, evolution of work, or delivery platforms. The evolution of the role of the architect was present, with a growing number of professionals now working on startups in the tech, infrastructure, real estate, construction, and mobility sectors, the new city makers.
An exciting new manifesto from the Why Factory, Porocity: Opening Up Solidity makes a case for the intervention of the public realm into the private sphere of the city. The Why Factory raises a critique of the city as excessively closed off, and offers tools for the prying open and aerating of the city in such a way that is socially, environmentally and economically valuable to its citizens. How can we introduce pockets for encounters, for streams of circulation, for green areas, for tunnels of cooling? What structures can be imagined to allow for this openness? Creating grottos? Splitting towers?
In 2020, the French city of Marseille is set to host Manifesta 13, the European Biennial of Contemporary Art. In preparation for the event, MVRDV has collaborated with thinktank The Why Factory (directed by MVRDV co-founder Winy Maas) in unveiling “The Grand Puzzle,” a 1200-page interdisciplinary pre-biennial research study of the urban potential for Marseille.
MVRDV produced the study through deep analyses of the city, such as interviews and spatial data, culminating in suggestions for possible urban interventions. As part of this engagement, the firm worked with The Why Factory, founded as “the think tank on the future city” at Technical University Delft, who collaborated with local architecture and design schools on the study. Having received overwhelmingly positive feedback, the work will now be “contextualized, analyzed, and refined as it becomes a tool for Marseillais to imagine possible futures for their city.” In addition, the study will serve as a point of inspiration for artistic and cultural interventions both before and during the Manifesta biennial.
https://www.archdaily.com/911441/mvrdv-and-the-why-factory-develop-a-future-grand-puzzle-of-marseille-for-manifesta-13Niall Patrick Walsh
MVRDV co-founder Winy Maas has been named Domus’ 2019 10x10x10 Editor-In-Chief. The publication began the Domus 10x10x10 in 2018 as an initiative to bring new ideas and alternative editorial styles to the magazine. The 10-year initiative leads to Domus' 100th anniversary in 2028.
As much an architect as a researcher, Maas will provide an original editorial strategy founded on intellectual exploration and catalyzing creative ways of thinking about contemporary and future design efforts. In a manifesto titled “Everything is Urbanism,” Maas describes his primary goals for Domus 2019, a series of 10 publications over 10 months that explore contemporary design questions and theoretical problems, spark dialogue, and examine ongoing architectural research.
Dutch practice MVRDV has broken ground on Radio Tower & Hotel, a 21,800-square-meter mixed-use high rise located in the Washington Heights area in northern Manhattan. The 22-storey building is MVRDV’s first major project in the United States and combines hotel, retail, and office functions in vibrantly stacked blocks. The project was designed to reflecte the vivacious character of the neighborhood and set a direction for future development.
For the last eight years, Moscow has hosted the Moscow Urban Forum, a yearly gathering for experts to reunite to discuss pressing issues of today’s metropolises. Some of the most renowned architects and urbanists, city mayors, government officials, economists, developers, academics, citizens and professionals from diverse fields and nationalities come together in the iconic Russian city and its important venues like Menage or VDNKh. But it was the presence of two of the world’s most influential men in their respective areas of influence which marked the importance of this year Moscow Urban Forum: Rem Koolhaas and Vladimir Putin.
Besides sessions and roundtables, the ambitious program of the event includes the shortlist presentation of the projects submitted for the Open International Competition of Architectural Concepts for Standard Housing and Residential Buildings. Architects and bureaus from 39 countries took part in this prestigious competition with their projects of innovative residential housing for future generations of Russians. The competition announces a remarkable prize fund: 20 finalists will receive 1 million roubles (about € 13 300) each, up to five winning projects will be awarded 2 million roubles (about € 26 600) each, and up to five runners-up will receive 1.5 million roubles (about € 19 900) each.
The UIA (International Union of Architects) world congresses are a premier forum for professionals and future leaders in the field of architecture to exchange the best and latest practices, visions and first-hand experience. The UIA 2017 Seoul, in particular, will promote various innovative architectural techniques and technologies among member sections and global citizens. In doing so, academic programs, exhibitions, competitions, student activities, and public outreach programs will simultaneously take place.
The competition to design a new flagship factory and bottling plant for San Pellegrino has been narrowed down to two firms: BIG and MVRDV. Searching for a “truly innovative project that not only conveys an artistic vision, but also sets new standards in terms of efficiency and compliancy to environmental sustainability,” the jury committee selected the two final proposals from a 4-firm list which also included designs from Snøhetta and aMDL Michele De Lucchi.
“The judging committee were so impressed by the four proposals that they decided to narrow their selection to a shortlist of two and deliberate further before announcing the winning project early next year,” explained San Pellegrino in a press release.
A little over a month since Rotterdam-based practice MVRDV announced a new temporary urban structure—a 180-step staircase, 29 meters tall and 57 meters long—for the heart of city of Rotterdam, the project has been officially opened. Those who ascend the staircase will find a temporary observation deck looking over Rotterdam Centraal, a rooftop bar, and the temporary reopening of the Kriterion cinema that was last active in the 1960s.
Rotterdam—the original "tabula rasa" city—will soon become host to a giant staircase, ascending 180 steps from Stationsplein (outside Rotterdam Central Station’s iconic entrance) to the top of the world-renowned Groot Handelsgebouw building. According to MVRDV, the structure will "follow in the city's tradition of celebrating reconstruction milestones" and, as such, the scaffolding system used to construct the staircase will be "a nod" to the 75th anniversary of the rebuilding of the city following World War II.
As the first month of 2016 draws to a close, we decided to tap into our network and ask an esteemed group of architects, critics, theorists and educators to tell us what they are looking forward to this year in architecture.
What are you looking forward to in architecture this year?
https://www.archdaily.com/780498/50-architects-tell-us-what-they-are-looking-forward-to-in-2016AD Editorial Team
Rotterdam will soon have a new cabinet of curiosities to add to its collection of architectural icons. For many years the city's Museum Boijmans van Beuningen, originally established in 1849, has required a safer space to house its world-class collection of painting, sculpture and prints – a collection which is said to have a total value of €7billion ($7.5billion). Last week the Municipality of Rotterdam voted in favour of the building’s construction and, with zoning approved, "the world’s first fully accessible art storage facility" is now slated to open its doors in 2018.
Today marks one year since Queen Máxima of the Netherlands opened MVRDV's Markthal in Rotterdam to great public fanfare. In the 12 months since this event, the building has come to be recognized by the architectural establishment as being among the most important of MVRDV's designs. Perhaps more interestingly though, it has become widely popular among the general public - on Google you can find references to "Rotterdam's Sistine Chapel" in a variety of languages, and articles about the building have appeared in publications everywhere from Colombia to Vietnam.
MVRDV Head of Public Relations and Business Development Jan Knikker's article, published today on ArchDaily, shows that this widespread recognition was not accidental; it was the result of a widespread and comprehensive PR strategy initiated by MVRDV and carried out by a team that included every one of the building's major stakeholders. It's a fascinating and provocative tale that offers an insight into one of the least trusted facets of architectural practice. However, it also largely ignored one important element that undoubtedly contributed to the building's popularity: its design.
In order to connect the two parallel lines of Markthal's design and its PR campaign, we spoke to Knikker and founder of MVRDV Winy Maas to talk about Markthal, PR, awards and architectural media. Read on for the full interview.
In 2000 Bart Lootsma released Superdutch, a bestselling opus on the mythology of Dutch architecture and its thought leaders, which provided a glimpse into the enduring humanist approach to design that has earned global praise for the country's architects. In the book, Lootsma profiled a handful of Dutch firms including UNStudio, West 8 and MVRDV. Fifteen years later, students from Canada's Simon Fraser University formed a collective called Groep Drie to continue the conversation. From Herman Hertzberger to Ben van Berkel, Groep Drie sat down with The Netherlands' most innovative designers to talk urbanism, spiritualism, color, and more.
Read on to find out what The Netherlands' leading architects had to say.
Winy Maas is one of architecture’s most aggressive researchers. Through his office MVRDV and affiliations with universities in Europe and America, Maas produces a seemingly unstoppable stream of insights into the environments in which architects now operate. As an advisor to the educational program of the Strelka Institute in Moscow, the architect is currently contributing to the production of eleven radical visions of the future, based on extrapolating trends that shape contemporary life, in Russia and around the world. Maas recently sat with writer, curator, and Strelka faculty member Brendan McGetrick to discuss his unusual educational trajectory, learning from the conservationist Richard Leakey, facing death in Sudan, and the beauty of architects experimenting with algae.
In the late 20th and early 21st centuries, one of the major changes within cities around the world has been the rise of so-called "privately-owned public space," a development which has attracted the attention of many urbanists and is still being widely debated. However, for MONU Magazine, the increasing prevalence (and arguably, acceptance) of such privately owned spaces for public use gives us an opportunity to discuss another aspect of public space: interior urbanism. With the rise of the shopping mall and the increasingly diverse functions required by buildings such as libraries, interior spaces now resemble exterior public spaces more and more.