Mexico City: The Latest Architecture and News
National Auditorium Bar / ESRAWE
Torre Reforma Wins the 2018 International Highrise Award
The office building Torre Reforma in Mexico City has won the prize for the world’s most innovative high rise awarded by the Deutsches Architekturmuseum (DAM). One of the world’s most important architectural prizes for tall buildings, the International Highrise Award is presented every two years to the project that best exemplifies the criteria of future-oriented design, functionality, innovative building technology, integration into urban development schemes, sustainability, and cost-effectiveness.
QÚBICA LOMAS / Colonnier Arquitectos
-
Architects: Colonnier Arquitectos
- Area: 29865 m²
- Year: 2017
LC 710 / Taller Héctor Barroso
-
Architects: Taller Héctor Barroso
- Area: 960 m²
- Year: 2018
Alcázar de Toledo / Sordo Madaleno Arquitectos
-
Architects: Sordo Madaleno Arquitectos
- Area: 5471 m²
- Year: 2018
-
Manufacturers: Cristalum, Kone, Porcelanosa Grupo
Penthouse in Magdalena / Taller David Dana
Casa Coroco 5 / Taller de Arquitectura Miguel Montor
-
Architects: Taller de Arquitectura Miguel Montor
- Area: 145 m²
- Year: 2018
-
Manufacturers: Helvex, LAMOSA, MSD, Pisos y Tabiques Extruidos, Santa Julia, +1
SCHULTZ Building / CPDA Arquitectos
-
Architects: CPDA Arquitectos
- Area: 2800 m²
- Year: 2018
-
Manufacturers: Cemex, Corev, Grupo Sar, Interceramic, Novaceramic
María Ribera Dwellings / JSa
Kumoto / Esrawe Studio + Rojkind Arquitectos
Asintelix Office / Ezequiel Farca + Cristina Grappin
The Failed Mexican Earthquake Memorial That Shows Protest Can Still Shape the Urban Environment
This article was originally published by Common Edge as "Letter From Mexico City: An Insidious Memorial to a Still-Unfolding Tragedy."
You wouldn’t think it looking at Mexico City today—a densely populated metropolis, where empty space is hard to come by—but decades earlier, following a devastating earthquake on September 19, 1985, more than 400 buildings collapsed, leaving a collection of open wounds spread over the cityscape.
Exactly thirty-two years later, the anniversary of that disaster was ominously commemorated with an emergency evacuation drill. Then, in one of those odd occurrences in which reality proves to be stranger than fiction, a sudden jolt scarcely two hours after the drill led to what would be yet another of the deadliest earthquakes in the city’s history. Buildings once again collapsed, leaving a rising-by-the-hour death toll that eventually reached 361, as well as swarms of bewildered citizens wandering the streets, frantically attempting to reach their loved ones through the weakened cell phone reception. “We’d just evacuated for the drill,” people said, like a collective mantra. “How could this happen again?”
Plaza Artz Pedregal Building by Sordo Madaleno Arquitectos Collapses in Mexico City
▶ Así se derrumbó una sección de la plaza comercial Artz Pedregal https://t.co/IMnqtfIiZy #CdMx pic.twitter.com/mYzYowaZVP
— Milenio.com (@Milenio) 12 de julio de 2018
Videos circulating around social media show at least a partial collapse of Plaza Artz Pedegral, a project built in 2012 by the Mexican architecture office Sordo Madaleno Arquitectos. At the time of reporting the cause of the collapse has not yet been confirmed.
According to the online version of the Milenio newspaper, The Secretary of Civil Protection (secretario de Protección Civil) in Mexico City stated that, at the moment, there are no reports of people injured or trapped.
Video from 2016 shows part of the site collapsing around the roads adjoining the site.
The Chemistry of Kahlo Blue
Before the monochromatic works of Yves Klein, who created the International Klein Blue (IKB), Frida's 'Kahlo Blue' already existed in Mexico City's core.
Vía Vallejo / Grow arquitectos
-
Architects: Grow arquitectos
- Area: 200000 m²
- Year: 2016
-
Manufacturers: Grupo Arca, Vetro Galo, Vidrios Sordo Noriega
Mexico City's Controversial Airport Project Could Be a Preservation Site for a Collection of Modernist Murals
This article was originally published by Metropolis Magazine as "How a Small Mexico City Exhibition Fueled a Debate About Preservation and Power."
It’s a slate-gray day in Mexico City’s Colonia Narvarte neighborhood and mounting gusts signal imminent rain. Centro SCOP, a sprawling bureaucratic complex, rises sharply against this bleak backdrop. The building is a masterful, if not intimidating, example of Mexican Modernism, an H-shaped assemblage of muscular concrete volumes designed by architect Carlos Lazo, covered in an acre-and-a-half of vibrant mosaic murals.
At its peak, the building accommodated more than 3,000 workers for the Secretariat of Communications and Transportation (SCT). Today, save a security guard in its gatehouse, it is empty.