I love putting together lists of original manifesto-like statements by architects perpetually searching for breaking new ground. They provoke us to imagine possibilities we haven't dared to consider before. Questioning conventions should be a critic's primary objective to engage in a conversation with a creative. Otherwise, what is there to discuss, really? That's why speaking with Elizabeth Diller about her studio's work and intentions is like a breath of fresh air, especially nowadays when so many architects are happy to align themselves in pursuing what's expected. In one of our previous conversations, Diller put it bluntly: "We don't take professional boundaries seriously. Every time we are handed a program, we tear it apart and continuously ask new questions. Nothing is fixed." This time, we spoke about Diller Scofidio + Renfro's new monograph, "Architecture, Not Architecture." The book, a project in itself, aims to rethink the very limits of architecture. It reinvents what a book can be in the process. During our 1-1/2-hour discussion over Zoom, which I prefer for its frontal dual recording, she said eagerly, "We were always critiquing; we were always throwing grenades at things."
"We Were Always Critiquing, We Were Always Throwing Grenades at Things:" In Conversation with Elizabeth Diller
El Perdido Spiritual Space / estudio ALA
One River North / MAD Architects
Aga Khan Award for Architecture Announces Master Jury for the 2025 Edition

The Aga Khan Award for Architecture has announced the Master Jury for the 16th award cycle. The independent panel includes Pritzker Prize laureate Yvonne Farrell, ArchDaily founder David Basulto, and Lucia Allais, director of the Buell Center. Established in 1977 by Aga Khan IV, this competition set out to highlight architectural projects that have a significant positive impact on Islamic communities worldwide. The Award is presented in three-year cycles and has a monetary prize totaling US$1 million.
What Makes a City Resilient?

This article was originally published on Common Edge.
About a decade ago, the term "resilience planning" became ubiquitous in climate circles. That shift, in the wake of increasingly unpredictable events, was shaped in part by the Rockefeller Foundation's 100 Resilient Cities program, a six-year, $160 million effort to establish chief resilience officers in cities all over the world. Out of that program, which ended in 2019, emerged its successor, Resilient Cities Catalyst (RCC), a New York–based nonprofit engaged in what it calls "capacity building" projects. For Climate Week, I talked to Sam Carter, one of RCC's founding principals, about his definition of resilience, the organization's planning and philanthropic method, and the challenge of scaling up climate efforts.
Guardia di Finanza Office Building / DEMOGO

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Architects: DEMOGO
- Area: 2700 m²
- Year: 2023
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Manufacturers: Celenit, Daku, Ideal Work, Ninz, Schindler , +1
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Professionals: Sinergo S.p.A.
Are For-Profit Developments Consistent With the Values of a Public University?

This article was originally published on Common Edge.
I am by no means an expert on public-private partnerships. But for about 10 years, as the University of California Berkeley’s campus planner and then campus architect, I watched these developments play out in higher education—sometimes from a front-row seat, sometimes as a participant. During that time, this strategy, promoted with great enthusiasm and optimism, was touted as the answer to whatever problem arose. And yet the definition of a public-private partnership was slippery. The concept itself seemed to be all things for all people, depending on what was needed, who was recommending it, and what equivalents (if any) existed outside the university. The bandwagon continues to play today, making it ever more important to nail down the pros and cons of this development strategy, not only for colleges and universities, but for all public decision-making.
Discover the 7 Finalists for the EU Mies Awards 2024

The European Commission and the Fundació Mies van der Rohe just revealed the 7 finalists for the 2024 European Union Prize for Contemporary Architecture – Mies van der Rohe Awards. There are 5 finalists in the Architecture category and 2 in the Emerging category. In March, the jury will visit these architectural works and will decide on the winning projects that will be announced on April 25th at the CIVA in Brussels.
Selected by the jury comprising 7 members: Frédéric Druot, Martin Braathen, Pippo Ciorra, Tinatin Gurgenidze, Adriana Krnáčová, Sala Makumbundu, and Hrvoje Njiric, from a list of 362 nominees, the "7 finalist works promote local policy references and can become global European models since all of them create inclusive and high-quality living environments."
Flower House / NO ARCHITECTURE

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Architects: NO ARCHITECTURE
- Area: 326 m²
- Year: 2020
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Professionals: Quadresign Inc., Madden & Baughman Engineering, Inc.




























































































