The global reference for architecture

Some cities grow through continuity, others construct themselves through moments of acceleration. Baku, in Azerbaijan, seems to operate somewhere in between. Its historic core, the Icherisheher, still holds a spatial logic that resists expansion: dense, enclosed, defined by proximity and repetition. But just beyond its walls, the city begins to shift. Scale increases, distances expand, and the relationship between buildings becomes less about continuity and more about visibility.

Over the past two decades, Baku has been the site of a deliberate effort to construct an image of itself. Oil wealth provided the means, but architecture became one of its primary tools. Projects such as the Heydar Aliyev Center by Zaha Hadid Architects or the Flame Towers are symbols of this transformation, their forms designed to circulate as much through media as through the city itself. They are precise, controlled, and highly resolved objects. But they also introduce a different urban logic, one that privileges singularity over continuity and positions architecture as an agent of representation.

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"My only concern is that my work must have a positive impact on the communities in which it is embedded," states Francis Kéré in his book Francis Kéré: Building Stories. His own life story, the context in which he was raised, and the experiences he has lived through all shape his approach to architecture. It is a commitment that extends to people and the places they call home—one that values materiality, collective learning, and the exchange of knowledge. Discovering the stories behind projects such as Primary School in Gando and Naaba Belem Goumma Secondary School inspires reflection on how to design spaces that truly serve humanity.

Francis Kéré's story begins in a village in sub-Saharan Africa and extends across many places. Gando was the setting of his first education, where he absorbed the essence and principles that later shaped the core values of his career alongside influences from other cultures. The structure of Gando is formed by different families who organize themselves, according to established customs, within courtyards scattered across the savanna. Growing up in this remote village in the Burkina Faso savanna fosters a strong sense of community, made tangible by the understanding that each resident of every courtyard is part of the life of the whole.

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Each spring, Milan Design Week 2026 transforms the city into a distributed platform for design culture, where prototypes, product launches, and research-driven explorations coexist across multiple scales, including a growing presence of architect-designed objects. Held from April 20 to 26, the 2026 edition once again centered around the 64th Salone del Mobile.Milano at Fiera Milano, complemented by a network of independent venues and exhibitions throughout the city, an expanded landscape that is further reflected in ArchDaily's accompanying selection of installations and exhibitions from this year's program.

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