This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

The rationality of orthogonal shapes dominates architecture, despite grand gestures that have sought to oppose themselves throughout history. In large-scale production, the right angles, repetition and modularity of the block or grid of pillars help in the efficiency of construction, despite reproducing the same spatial solutions. Unlike buildings, interior architecture can propose alternatives to break this rationality, whether from partitions or decorative objects.

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Las Vegas, sometimes known as Sin City, is perhaps the most famous desert metropolis where people gamble, and indulge in entertainment, and other vices. Each year, the city is visited by hundreds of millions of tourists who come to see its flashing lights and round-the-clock nightlife. Las Vegas has garnered so much attention that even Robert Venturi and Denise Scott Brown sought to study its urbanism, concluding with their theories on duck and decorated shed buildings in the early 1970s. But 50 years later, Vegas is still a city that constantly reinvents its architectural identity.

As populations continue to migrate from rural to urban areas, space is at a premium. Many settlements are becoming ever-more congested – with adequate, affordable housing in short supply and transport systems struggling to serve their respective residents. But as much the conversation about urbanization is about people, it is sometimes also about the animals that come with those people – urban livestock that play a key role at providing sustenance on an individual level, in addition to becoming an avenue for communal trade.

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The city of Curitiba, located in the state of Paraná, has been recognized internationally as a leading benchmark for Brazilian urban planning, primarily due to the success of its public transit model. Within this context, tracing the path that led the capital of Paraná to achieve such acclaim is a compelling exercise. Addressing the process of diffusion of ideas, this essay highlights Curitiba's shifting positions in the history of urban planning: at times an importer of ideas, at others an exporter.

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Videos

The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.

A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.

COP27, held in Sharm el-Sheikh, Egypt, concluded with a historic breakthrough to help vulnerable countries cope with the loss and damage resulting from climate change. However, negotiations also disappointed many stakeholders by failing to include any significant new measures to reduce emissions, which is essential to keeping global temperature rise below 1.5°C. Regarding adaptation, despite some positive signs, progress also fell short of expectations.

The threat of climate change is looming before us. Sea level rise concerns over 410 million people at risk of losing their livelihoods. Coastal cities are choked with high-rise buildings and traffic-laden roads, consuming land insufficiently. Synthesizing these problems, architects across the world have proposed a potential answer - floating cities. A future of living on water seems like a radical shift from how people live, work, and play. Vernacular precedents prove otherwise, offering inspiration for what our cities could morph into. As world leaders discuss courses of action to tackle climate change at the COP27 climate summit in Egypt, ArchDaily dives into the concept of radical water-based settlements.

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Imagine that you have scheduled a visit to an important building for the history of architecture, a reference work for all enthusiasts. Probably you would equip yourself with a camera or a good cell phone, take a pencil, notebook and even a measuring tape to record all its aspects.

However, this is not the only way to “visit” a building of historical importance nowadays or, at least, that is what some researchers are trying to show. The metaverse is being explored for its role in architecture and culture preservation, embracing different generations.

In recent years, the term “co-creation,” a buzzword in the business and management sector, has made its way into the architecture and urban planning discourse. The term is used to define a large concept that describes working intentionally with others to create something jointly. But architecture is already the result of a collaboration between multiple actors, architects, clients, investors, developers, and local administration, to name a few. Can the term still apply to this field, can it bring forth new forms of knowledge, and does it differ from the concept of participatory design?

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Today, January 27, marks the 113th birthday of Félix Candela—of Spanish and Mexican nationality—who is one of the most globally recognized architects of the 20th century. His career was defined by his exploration of reinforced concrete through experiments that resulted in his famous cascarones (concrete shells): key structural and design elements that support many of his works, such as the Cosmic Rays Pavilion at UNAM, Mexico City (1951); the Palmira Chapel in Cuernavaca (1958); the Los Manantiales Restaurant, Xochimilco (1958); and the Palacio de los Deportes for the 1968 Olympic Games in Mexico City.

Simultaneously gripping, disconcerting, and chaotic, Djibril Diop Mambéty’s Touki Bouki is an exhilarating cinematic ride. The 1973 drama — the first full-length film by the Senegalese director — is the fantastical narration of a young couple in Dakar, eager to escape the Senegalese capital for the allure of Paris. It’s a character-driven film in many ways, primarily centered on the couple’s adventures, but it is also a subtle visual examination of the urbanism of post-independence Dakar, where the city and its architecture are essential fixtures in a surreal storyline.

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The World Heritage Committee decided to inscribe the Historic Center of the Port City Odesa, Ukraine, on the World Heritage List. The decision symbolizes the recognition of the outstanding value of the site and the commitment of the 194 States Party of the Convention not to undertake any deliberate step that may damage it and to help protect it. The site has also been inscribed on the List of World Heritage in Danger, which gives it access to international financial or technical assistance to ensure its protection and, if necessary, assist in its rehabilitation, according to UNESCO.

OMA / David Gianotten and Andreas Karavanas have won the competition to renovate the world’s oldest museum for Ancient Egyptian culture, the Museo Egizio founded in 1824 and housed in Collegio dei Nobili in Turin, Italy. The winning project aims to put in place a 2024 vision for the Museo Egizio, transforming the museum into a destination for scholars and a rediscovered public place for all.

In collaboration with, local architects Andrea Tabocchini Architecture, T-Studio, and historical consultant Professor Andrea Longhi, the proposal seeks to open the cultural space to all by creating a covered courtyard and a series of connected urban rooms within the existing settlement.

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In the past, in a less densely populated urban context, houses and buildings were built with a direct connection to the street, with no need for walls and front fences. Over time, the urban fabric was transformed, and the division between public and private spaces became increasingly evident and — under the argument of public safety — necessary. Although this division occurs in different ways in Brazilian cities, in general, walls, fences and railings are used on the facades, creating a transitional space between the building and the street, transforming the relationship between them.

A home is one of the most significant architectural typologies that we experience throughout our lives. Largely serving as a significant private space, a home represents safety, ownership, and a sense of respite away from the rest of the world. It’s also historically been a place of routine, where we both begin and end our day, following the same patterns through different rooms of a home that we utilize. We can expect to sleep in our bedrooms, relax in a living room, cook in a kitchen, and eat in a dining room. 

This article was originally published on Common Edge.

About 50 years ago, the renowned architect, educator, and author Charles Moore was hired by Frederick and Dorothy Rudolph to design a vacation house on Captiva Island, Florida, and about a decade later, in the late 1970s, they hired him again to design their permanent residence in Williamstown, Massachusetts.

Moore was often called the father of Postmodernism and was a prolific proponent through such books as The Place of Houses. With the exception of his small houses, however, I was never a big fan of his work. But I still have a tattered copy of that book, because when I read it, it was the first time that someone had articulated the process of designing a house, including a programmatic checklist to follow.

The Venice Architecture Biennale is an event organized by the Italian State that brings together some of the world's most prestigious international architecture exhibitions. The Giardini and the Arsenale serve as the event's main venues. These spaces have hosted various exhibitions, national pavilions, and collateral events spread throughout Venice.

A new platform launched by 3D Agora is looking to revolutionize the architectural visualization industry by sweeping out all of its cluttered corners. Finding the most suitable 3D Artist for a project, exchanging large files of various kinds with them and keeping track of all versions, requests and changes are said to become much easier with 3D Agora's worldwide database, smart filtering system, feedback panel and the industry-specific project collaboration board.

Spanish architect and engineer Santiago Calatrava has unveiled the design of the Calatrava Boulevard, a complex offering upmarket restaurants, retail, and office spaces in Düsseldorf, Germany. Located on a highly visible site between Königsallee boulevard, Königstrasse, and Steinstrasse, the new complex features a curved and vaulted 135-foot-tall roof and a flowing interior street, creating the appearance of a sculptural light-filled canyon. The project, done in collaboration with Uwe Reppegather, Founder and Managing Director of the CENTRUM Group, is set to be completed by 2028.

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Titled "January, February, March", the Georgian Pavilion at the 2023 Venice Architecture Biennale is curated by the Tbilisi Architecture Biennial. Exploring the relationship between the flow of time and energy, the Georgian intervention "will represent dead and living nature through the story of an artificially altered settlement in the Dusheti region of Georgia". Running from May 20th to November 26th, 2023 in the Giardini, at the Arsenale, and at various sites around Venice, the 18th International Architecture Exhibition investigates "the Laboratory of the Future".

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"The flat floor is an invention of architects. It suits machines, not humans." Inspired by the Viennese Secessionists and Austrian artists Egon Schiele and Gustav Klimt, as well as bold Gaudinian forms, the author of this phrase, Friedensreich Hundertwasser (1928-2000), was a prolific painter, sculptor and architect. His works are marked by the dualities between discipline and indiscipline, the predictable and the unexpected, rational and irrational. In his creative adventure, Hundertwasser was not just an enemy of the straight line. He despised architectural rationalism, claiming fluid forms and striking colors.

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The construction industry is one of the largest in the world, and cement and concrete are literally the building blocks of its success. Evolving from prehistoric caves to today’s towering skyscrapers, concrete structures have and will continue to be vital components of modern civilization, providing long-lasting, reliable support for buildings, roads, bridges, tunnels and dams. So much so that concrete is the most consumed material on Earth, second only to water, while the steel used to reinforce it is by far the most commonly used metal. But this doesn’t come without high environmental costs: concrete accounts for 8% of global CO2 emissions, much of which come from the extraction and transportation of aggregate materials such as sand, gravel and crushed stone.

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On the grounds of the Tripoli International Fair (Rashid Karameh International Exhibition Center) in Lebanon, one finds one of the five largest exhibition centers in the world. The 15 structures, designed by legendary Brazilian architect Oscar Niemeyer in 1963, remain unfinished due to the project's abandonment during the country's civil war in 1975. Inscribed on UNESCO's World Heritage List and World Heritage in Danger List, on January 25th, 2023, the 70-hectare site is located between the historic center of Tripoli and the port. In 2022, the renovation of one of the structures on the site, the Niemeyer Guest House, by East Architecture won the Aga Khan Award.

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Ljubljana is Europe’s little secret. This small capital city (less than 300,000 inhabitants) is perhaps surprisingly big in terms of architecture, and the variety of its built history makes it a mandatory stop in your architectural journey. From richly painted churches to sobering Brutalism. From classical Baroque and Habsburg-inspired architecture to delightful Art Nouveau façades and interiors. And of course, abundant greenery (Ljubljana is Slovenia’s – and now Europe’s – green capital) and food.

Ljubljana is a city that has many layers. Its beginnings as a Roman city are still visible (a wall, the world’s oldest wooden wheel, and the roads in and out of the city to name a few). Its contemporary vestiges might have aged, but their meaning hasn’t – think of the Republic Square or Brutalist petrol stations. It’s when we visit in person that we are able to truly feel these places and understand these layers.

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