House in Kashiwa / Yamazaki Kentaro Design Workshop. Image Courtesy of Naoomi Kurozumi Architectural Photographic Office
Similar to a chameleon that changes color to blend in with its environment, architecture must constantly evolve and adapt to changing demands. A few decades ago, homes used to be associated solely with private life and rest, while workspaces were exclusively designed for just that: work. It was common for each use to be separated into its own room, making enclosed, rigid spaces the standard norm for architects to follow. That is, of course, until new living and working patterns blurred these boundaries to respond to contemporary trends.
Inspiring applications of the MEM collection in architectural settings inspired by AI. Image Courtesy of Dornbracht
In addition to contributing to the functionality of the space, bathroom fittings underlie the overall aesthetics of a chosen design style. Within their technical features –as well as the possible materials, finishes, and styles–, fittings play a role in both the visual appeal of a space, while also focusing on comfort and user experience. This is part of Dornbracht's continuous re-imagination of bathrooms as living spaces, in which the brand seeks to create innovative solutions based on proportion, precision, progressiveness, performance, and personality.
Among Dornbracht’s series, the MEM collection includes a complete selection of minimalist bathroom fittings for washstands, showers, and tubs. In collaboration with ethical design brand Nature Squared and Italian craft manufacturer Glass Design, the collection’s original design has been enriched with versatile new features for customizing bathrooms. These features are created through the combination of high-quality materials with sustainable craftsmanship and the incorporation of futuristic artistic crystal glass.
As society, technology, and architecture have evolved, designers and architects have embraced novel construction systems and innovative approaches to reshape the built environment. This advancement has stretched the boundaries of traditional construction techniques and ignited fresh ideas in building design.
In the past, some architects and artists aimed to question an architectural paradigm deeply entrenched in anthropocentrism. Historically, architecture has been linked to the notion that buildings, being conceived by human beings, must be extremely durable, even imperishable. Considering the principle that the best intervention is the least intrusive, inflatable architecture, in contrast to these human-centric viewpoints —but aligned to our ephemeral nature—, can propose structures that may exist one day and vanish the next, leaving a temporal imprint on the landscape. This architectural approach uses textiles as the primary material and air as the structural system, potentially challenging the traditional Vitruvian ideals of Venustas, Firmitas, and Utilitas.
https://www.archdaily.com/1007496/inflatable-architecture-pneumatic-structures-transforming-built-environmentsEnrique Tovar
Courtesy of Raymond Neutra and the Neutra Institute, Photo by Julius Shulman | VDL Research House
It was, of course, Frank Lloyd Wright who set up the ground for modern architecture to happen in Los Angeles. Then came the Viennese, Rudolph Schindler in 1920 and Richard Neutra in 1925 at the invitation of Schindler. Both worked for Wright choosing to learn from him what they saw as essential—by focusing on spatial and formal clarity, transformability, restrained materiality, and the living environment to achieve a desirable quality of life within. Neutra and Schindler collaborated at first, and then each built a rich portfolio, mainly comprising houses and apartment blocks. Universal in principle, these abstract robust structures defined and led the development of a local building vernacular. These buildings, of which there are several hundred, are now strongly associated with the two architects’ adopted city.
Last summer, Spain promoted cleaner transportation by offering free seasonal tickets for suburban and regional trains, which translated into roughly 48 million journeys per month. The initiative hoped to help citizens reduce fuel consumption and reduce the cost of living during the economic uncertainties and rising energy prices. In the summer of 2022, a 30% discount for municipal public transport was announced, with local governments in places like Catalonia topping up to a 60% discount. The program ran between the 1st of September and the 31st of December of last year.
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Gent Waste Brick. Image Cortesia de Carmody Groarke
There are several symbols that transcend language barriers and are easily recognized and understood by people from different cultures. Examples include the male and female bathroom icons, the cross symbolizing health, and the universal Wi-Fi symbol. Among these universal icons is the recycling symbol, conceived in 1971 by Gary Anderson, an architect and designer who was a student at the University of Southern California. Depicting a continuous cycle, it is a triangle with three arrows arranged clockwise, each of which represents the industry, consumers and recycling.
Central to the concept of the circular economy is the reintegration of materials typically viewed as waste back into the production cycle. This concept is particularly important for the construction industry, which has historically depended on the destruction and extraction of resources in order to exist. In this case, nothing is more symbolic than the brick, which not only represents the construction of new things, but is also the perfect example of how to apply the concept of circularity. Creative minds have embraced the challenge of circularity, devising solutions that transform discarded materials into high-value resources and generating a wide range of products, using raw waste materials that range from seaweed and plastics to human hair. These innovations not only address pressing environmental issues but essentially redefine the way we build and inhabit our spaces. In this article, we highlight seven initiatives that are turning waste into bricks.
Cities across the globe are developing comprehensive action plans in order to create a coordinated response to the challenges of climate change. Targets and goals for consumption-based emissions are important for guiding strategic planning and decision-making, improving accountability, and communicating the direction of travel to businesses and the public. National and regional government officials are working with the private sector, international organizations, and civil society to create change at every level, from structural interventions in supply chains and industries to individual choices. This demonstrates a rising understanding of the role of cities in mitigating the adverse effects of rising temperatures.
James Wines, a New York architect and environmental artist, has been on a mission of sorts. He believes that architecture needs to be liberated from itself. This act of liberation is expressed in many radical projects that he and his company, SITE (Sculpture In The Environment) realized in 11 countries. Wines is world famous for such projects as Ghost Parking Lot (Hamden, CO, 1977), Highrise of Homes (theoretical project, 1981), Highway 86 (Vancouver, Canada, 1986), Fondazione Pietro Rossini Pavilion (Briosco, Italy, 2008), and Off-White Showroom for Virgil Abloh (Ginza, Tokyo, 2021). The very essence of the architect’s work is expressed in his fascinating stores for BEST Products Company, the key focus of my conversation with the architect that took place over Zoom on August 10, 2022, following many of our in-person meetings.
Architecture is likely to exist in any place or physical space inhabited by human beings. Moreover, our inherent curiosity and exploratory spirit constitute an integral aspect of our humanity. Fueled by our inventive capacity, drives us to venture into future scenarios that we can explore as individuals and as a society. Consequently, the possibility of a future in space has sparked the imagination of scientists and designers, resulting in conceptual and science fiction designs where human beings inhabit space.
The inventive and imaginative human capacity can be traced through the work of artists such as Jean-Marc Côté, who, in the early 20th century, envisioned a series of retro-futuristic illustrations depicting what life would be like in the year 2000. There are also notable literary references, such as the works of Ursula K. Le Guin, renowned for her speculative fiction exploring humanity's journey as a spacefaring species. Undoubtedly, the future and space are two captivating topics that have inspired the development of a long-term vision for society in space.
https://www.archdaily.com/1001762/architecture-for-inhabiting-space-tessellated-reconfigurable-structures-for-adaptive-environmentsEnrique Tovar
While visiting this year’s Serpentine Pavilion, the ArchDaily team has a chance to sit down with French-Lebanese architect Lina Ghotmeh, the designer behind the temporary structure built in the Kensington Gardens in London. The conversation touched upon Ghotmeh’s motivations and concepts that prompted this pavilion titled À table, conceived as an invitation to sit down together at a table, to enjoy sharing food and engaging in open dialogues. Delving into her Lebanese roots, the architect also expands on her methodology and the desire to create space for conversation and decision-making while encouraging conviviality among people of different backgrounds and experiences. The ArchDaily team also talked to Hans Ulrich Obrist, artistic director at the Serpentine Galleries, about the pavilion as a platform for architecture and the arts.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina of FAME Architecture & Design are joined by Denise Scott Brown, architect, planner and urban designer, and a theorist, writer and educator to discuss her background and upbringing in South Africa; her beginnings in architecture; traveling the world; how teaching impacted her life and career; the National Gallery and other of her projects being remodeled; and much more!
The purpose of innovation is to promote positive change and progress in various aspects of life. This involves creating, developing and implementing new ideas, methods, products, or processes that improve existing ones or introduce completely new concepts. Renowned architecture and design firm Henning Larsen, founded in 1959 in Denmark, has a solid commitment to embracing innovation as a core element of its work. With an emphasis on design excellence, sustainability, collaboration and user-centric approaches, innovation plays a key role in its quest to create iconic and sustainable architectural landmarks. Through dedicated research and development, they are constantly exploring new ideas, materials and technologies to enhance functionality and elevate the user experience of their buildings. To learn more about this visionary approach and its impact on architectural efficiency, we spoke with Jakob Strømann-Andersen, who heads a specialist department that combines innovation and sustainability, highlighting the firm's commitment to pushing the boundaries of sustainable architecture.
In his latest TED Talk, Thomas Heatherwick decries a condition affecting areas of the city defined by monotonous buildings, or what he calls “an epidemic of boringness.” While recognizing the functionality which drove these designs, he states that functionality alone cannot ensure that the structures become active parts of urban life, as they often fail to provoke an emotional response from passers-by. Heatherwick explains that, in his view, this emotional function, or the ability of buildings to mean something to their users and visitors, is essential. When it succeeds, architecture can positively contribute to the quality of life and well-being of its residents, promote social cohesion and contribute to a sense of identity. So how can architecture provoke a positive emotional connection and provide an enjoyable backdrop to the communities it serves?
An arid environment refers to specific regions characterized by a severe lack of available water and extremely dry weather conditions. More specifically, arid regions by definition, receive less than 25 centimeters of rain per year. In the immense vastness of arid environments, where extreme climates present significant challenges, the role of water in architecture takes on a new dimension.
For centuries, architects and designers dealing with harsh desert landscapes and the vital necessity of water have invented techniques, technologies, and new structures. Moreover, many creative approaches have been created to harness, collect, and cool water in arid environments.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week Anthony Laney, Founder of Laney LA joins David and Marina of FAME Architecture & Design to discuss the iterative design process, leadership and teamwork, how Laney LA has evolved, designing different kinds of buildings, refining their design sensibilities, and more!
In parallel to this year's Venice Architecture Biennale, The European Cultural Centre (ECC) presented the sixth edition of its extensive architecture exhibition titled Time Space Existence. The 2023 iteration of the group show draws attention to expressions of sustainability in its numerous forms, ranging from a focus on the environment and urban landscape to the unfolding conversations on innovation, reuse, community, and inclusion. A total of 217 projects by established participants like Snøhetta or MADWORKSHOP and emerging players such as Urban Radicals or ACTA are currently on show through the 26th of November, 2023, at Venice's Palazzo Bembo, Palazzo Mora, and Marinaressa Gardens.
In response to climate change, the installations on show investigate new technologies and construction methods that reduce energy consumption through circular design and develop innovative, organic, and recycled building materials. Participants also address social justice by presenting living solutions envisioned for displaced communities and minorities, while others examine the tensions between the built urban environment and the nature surrounding it to identify opportunities for coexistence.
Almost two decades ago, in the downtown corridor of Columbus, Ohio, the century-old landmarked Lazarus Building underwent an extensive renovation to save the department store and restore it to its former glory. Sixty million dollars went into its restoration and transformation into a retail and office complex. During the construction, workers recycled nearly 5,000 pounds of steel, 2,000 pounds of concrete, and significant amounts of carpeting, ceiling tiles, and various wood- keeping 22,000 pounds of debris out of Ohio’s landfills. They also saved more than $25 million dollars by implementing this rigorous recycling process.
