1. ArchDaily
  2. Art

Art: The Latest Architecture and News

Aesthetics Alone Do Not Give Sacred Space Its Meaning

This article was originally published on Common Edge.

In the post-pandemic era, an oversupply of underutilized churches is a growing reality. Besides offering explorations in adaptive reuse, what does this trend say about modern spirituality? Have humans lost interest in the sacred? In a recent article on Common Edge, Duo Dickinson addressed this concern by claiming that "the cultural change that is causing the abandonment of churches does not end the human search for the sacred."

While correctly stating that no formula can turn architecture into "the holy," he seemed to indicate that a new spirituality might still be found in architectural form. As we consider what changing forms of sacred space mean for the modern era, looking for a revitalization of spirituality through architecture alone risks a repeat of an error made in the last century: expecting too much of aesthetics.

Aesthetics Alone Do Not Give Sacred Space Its Meaning - Featured ImageAesthetics Alone Do Not Give Sacred Space Its Meaning - Imagem 1 de 4Aesthetics Alone Do Not Give Sacred Space Its Meaning - Imagem 2 de 4Aesthetics Alone Do Not Give Sacred Space Its Meaning - Imagem 3 de 4Aesthetics Alone Do Not Give Sacred Space Its Meaning - More Images

Light as an Active Participant in Space: Robert Wilson’s Minimalist Approach to Stage Lighting

Robert Wilson embodies the roles of director, set designer, scenographer, lighting designer, and architect in a single figure. Internationally celebrated as a pioneer of stage lighting and honored with numerous prestigious awards, including the Golden Lion of the Venice Biennale and the Praemium Imperiale, Wilson, now in his eighties, continues to travel the world, staging remarkable productions. His use of light and color is marked by precision and minimalism, creating scenes that skillfully oscillate between stillness and drama. During rehearsals at the Düsseldorf Schauspielhaus, he elaborates on the interplay between stage and architecture, his creative process, and the profound impact of light on darkness.

Light as an Active Participant in Space: Robert Wilson’s Minimalist Approach to Stage Lighting - 1 的图像 4Light as an Active Participant in Space: Robert Wilson’s Minimalist Approach to Stage Lighting - 2 的图像 4Light as an Active Participant in Space: Robert Wilson’s Minimalist Approach to Stage Lighting - 3 的图像 4Light as an Active Participant in Space: Robert Wilson’s Minimalist Approach to Stage Lighting - 4 的图像 4Light as an Active Participant in Space: Robert Wilson’s Minimalist Approach to Stage Lighting - More Images+ 15

Rothko Chapel Closes Indefinitely After Suffering Damage During Hurricane Beryl

Built in 1971, the Rothko Chapel in Huston, Texas, was conceived as an intimate sanctuary for people of every belief, while in front of the chapel, Barnett Newman's sculpture "Broken Obelisk" stands in memory of Dr. Martin Luther King Jr. In 1964, Mark Rothko was commissioned by John and Dominique de Menil to create a meditative space for his site-specific paintings. Rothko’s vision clashed with that of the initial architect, Philip Johnson, over the scale and grandiosity of the building, which he felt distracted from the art. The project underwent several revisions with different architects, including Howard Barnstone and Eugene Aubry. Now officials have announced the indefinite closing of the chapel, after having sustained severe damage during Hurricane Beryl, the Category 1 storm that hit Houston on July 9.

Rothko Chapel Closes Indefinitely After Suffering Damage During Hurricane Beryl - Imagem 1 de 4Rothko Chapel Closes Indefinitely After Suffering Damage During Hurricane Beryl - Imagem 2 de 4Rothko Chapel Closes Indefinitely After Suffering Damage During Hurricane Beryl - Imagem 3 de 4Rothko Chapel Closes Indefinitely After Suffering Damage During Hurricane Beryl - Imagem 4 de 4Rothko Chapel Closes Indefinitely After Suffering Damage During Hurricane Beryl - More Images+ 1

Storytelling for Interiors: From Murals and Wallpapers to Digital Screens

Walls have long been more than mere structural elements; they are canvases that narrate stories, reflecting desires for nature, spirituality, or the pursuit of tranquility and stimulation. With advancements in addressable LED pixels, walls have evolved into immersive digital surfaces capable of displaying any image in large format, adapting to the needs of the moment.

However, while universities continue to train architects and interior designers to create static buildings, the art of meaningful storytelling through digital screens—especially those with dynamics—remains largely unexplored in academic curricula.

A Look into His Interdisciplinary Creative Universe: Get to Know the Works of Iván Bravo

Subscriber Access | 

It is fascinating to delve into the practice of Iván Bravo, firstly because the path taken towards his architectural work immerses us in a vast creative universe through the architect's interest and curiosity in various tangential disciplines directly reflected in his built work. A constant reflection on the methodology of the making, the processes, the pieces, the design, and the materiality converges into a noble and honest architecture.

A Look into His Interdisciplinary Creative Universe: Get to Know the Works of Iván Bravo - Image 1 of 4A Look into His Interdisciplinary Creative Universe: Get to Know the Works of Iván Bravo - Image 2 of 4A Look into His Interdisciplinary Creative Universe: Get to Know the Works of Iván Bravo - Image 5 of 4A Look into His Interdisciplinary Creative Universe: Get to Know the Works of Iván Bravo - Image 6 of 4A Look into His Interdisciplinary Creative Universe: Get to Know the Works of Iván Bravo - More Images+ 16

Chromasonic: An immersive Renaissance of California's Minimalist Light and Space Movement

Step into the realm where the minimalism of the 1960s Light and Space movement intertwines with contemporary high-tech algorithms and sensors. Back then, light artists like James Turrell, Dan Flavin, and Robert Irwin captivated audiences with the bare essentials, using precisely daylight or lamps to heighten visual perception. Fast forward to today, Chromasonic takes this synergy of light and color but augments it with sound and algorithms. Envisioned as a global network to experience the harmony of body and mind, Johannes Girardoni's team unveiled the first satellite of perception in the heart of Venice Beach, California. Through a collaboration with Google, Milan Design Week showcased how the interplay of light and color can go on tour as a walk-in installation on a larger scale.

Chromasonic: An immersive Renaissance of California's Minimalist Light and Space Movement - Image 1 of 4Chromasonic: An immersive Renaissance of California's Minimalist Light and Space Movement - Image 2 of 4Chromasonic: An immersive Renaissance of California's Minimalist Light and Space Movement - Image 3 of 4Chromasonic: An immersive Renaissance of California's Minimalist Light and Space Movement - Image 4 of 4Chromasonic: An immersive Renaissance of California's Minimalist Light and Space Movement - More Images+ 1

Tadao Ando Transforms Historic Scuola Grande in Venice into an Exhibition Dedicated to Artist Zeng Fanzhi

A new exhibition presenting the works of artist Zeng Fanzhi has opened in the historic Scuola Grande della Misericordia in Venice, Italy. Running from April 17 to September 30, 2024, concurrent with this year’s edition of the Venice Arts Biennale, the “Zeng Fanzhi: Near and Far/Now and Then” exhibition showcases the latest breakthroughs in the artist’s practice in a space adapted by architect Tadao Ando.

Tadao Ando Transforms Historic Scuola Grande in Venice into an Exhibition Dedicated to Artist Zeng Fanzhi - Imagem 1 de 4Tadao Ando Transforms Historic Scuola Grande in Venice into an Exhibition Dedicated to Artist Zeng Fanzhi - Imagem 2 de 4Tadao Ando Transforms Historic Scuola Grande in Venice into an Exhibition Dedicated to Artist Zeng Fanzhi - Imagem 3 de 4Tadao Ando Transforms Historic Scuola Grande in Venice into an Exhibition Dedicated to Artist Zeng Fanzhi - Imagem 4 de 4Tadao Ando Transforms Historic Scuola Grande in Venice into an Exhibition Dedicated to Artist Zeng Fanzhi - More Images+ 4

Reviving Art in Architecture: A Look at France's '1% for Art' Policy

Subscriber Access | 

Throughout various historical civilizations and art movements, from Classical Greece and Rome to the Renaissance and the Bauhaus, the collaboration between art and architecture has been a significant societal expression. However, the 20th-century ideals of modernism and mass production resulted in the decline and near disappearance of art within buildings.

In response, many European countries have taken on the responsibility of promoting the collaboration between art and architecture. Schemes were created mandating that a percentage of the total cost of a new public building, place, or space must be spent on art. This legislation, commonly known as 'Percentage for Art', originated in France and has been explored by artists and architects over the years to create new architectural experiences.

Reviving Art in Architecture: A Look at France's '1% for Art' Policy - Image 1 of 4Reviving Art in Architecture: A Look at France's '1% for Art' Policy - Image 2 of 4Reviving Art in Architecture: A Look at France's '1% for Art' Policy - Image 3 of 4Reviving Art in Architecture: A Look at France's '1% for Art' Policy - Image 4 of 4Reviving Art in Architecture: A Look at France's '1% for Art' Policy - More Images+ 8

A Unique Approach to Creating Public Spaces: In Conversation with Alejandro Haiek

Subscriber Access | 

Architecture practices usually start their design process with a client, who provides a program and a site. Alejandro Haiek, founder of The Public Machinery, approaches things differently. The Public Machinery describes itself as a network of architects and designers working collectively, actively observing, imagining, and proposing public urban interventions themselves. Their proposals are at the intersection of art, architecture, and engineering and weave community engagement, ecology, and new technologies into innovative forms of social infrastructure. They secure funding through research and public grants, enabling them to create public spaces that defy expectations in both their design process and in the form their projects take.

A Unique Approach to Creating Public Spaces: In Conversation with Alejandro Haiek  - Image 1 of 4A Unique Approach to Creating Public Spaces: In Conversation with Alejandro Haiek  - Image 2 of 4A Unique Approach to Creating Public Spaces: In Conversation with Alejandro Haiek  - Image 3 of 4A Unique Approach to Creating Public Spaces: In Conversation with Alejandro Haiek  - Image 4 of 4A Unique Approach to Creating Public Spaces: In Conversation with Alejandro Haiek  - More Images+ 5

Transforming Public Spaces Through Art: An Interview with Antonio Ton

Subscriber Access | 

Transforming Public Spaces Through Art: An Interview with Antonio Ton - Image 1 of 4Transforming Public Spaces Through Art: An Interview with Antonio Ton - Image 2 of 4Transforming Public Spaces Through Art: An Interview with Antonio Ton - Image 3 of 4Transforming Public Spaces Through Art: An Interview with Antonio Ton - Image 4 of 4Transforming Public Spaces Through Art: An Interview with Antonio Ton - More Images+ 11

How do we give new meaning to degraded public spaces? Vibrant colors, geometric patterns, and community collaboration. That could describe the approach of Rio de Janeiro artist Antonio Ton. Drawing inspiration from interactions he finds on the streets and engaging in dialogue with local communities, his works extend beyond revitalizing sports courts and skate parks. Ton demonstrates how art fosters the creation of a space for gathering and leisure. We spoke with him to delve into his artistic process and explore the outcomes his paintings offer.

The 10th Edition of Toronto's Winter Stations Reveals Images of the Winning Projects

Winter Stations, now in its 10th year, has unveiled the winning designs selected from a pool of hundreds of submissions worldwide. Following an international design competition launched in November 2023, designers, artists, and architects contributed with bold proposals to reimagine the lifeguard stations along Toronto’s east-end beaches for the winter. Launched by RAW Design, Ferris + Associates, and Curio in 2014, the event aims to gather an international design and art community to join in this playful exercise of rethinking public spaces through bold temporary interventions. The winning designs were realized with the support of Anex Works, a Toronto-based fabrication group, and will be on display until the end of March.

For its 10th anniversary edition, the chosen theme for this year is “Resonance,” hoping to challenge designers to reflect on the artistic legacy and enduring impact of the Winter Stations and to embark on a journey of reinvention and reimagination. The projects were invited to recreate and reinvent installations from previous Winer Stations editions, offering moments of contemplation and remembrance. The event also continues the tradition of the Lifeguard Sands, inviting designers to incorporate them into their designs without structurally altering the stands in any manner.

The 10th Edition of Toronto's Winter Stations Reveals Images of the Winning Projects - Image 1 of 4The 10th Edition of Toronto's Winter Stations Reveals Images of the Winning Projects - Image 2 of 4The 10th Edition of Toronto's Winter Stations Reveals Images of the Winning Projects - Image 3 of 4The 10th Edition of Toronto's Winter Stations Reveals Images of the Winning Projects - Image 4 of 4The 10th Edition of Toronto's Winter Stations Reveals Images of the Winning Projects - More Images+ 14

Immersive Spaces: Shaping Profound Experiences Through Architecture and Art

Subscriber Access | 

Immersive spaces are heavily sensorial environments meant to create impactful experiences crafted through intentionally curated architecture, light, imagery, sound, and sometimes even smell. To "immerse" oneself is to be wholly enveloped in a world shaped solely by immediate sensory input. Using digital tools to craft these environments to showcase art, create compelling exhibitions, and feature performance events has become increasingly popular. Evocative experiences like these can offer a respite from the inundation of personalized digital content and foster shared, grounding encounters. The design of these can exist at the intersection of architecture, graphic design, visual art, lighting design, music, and performance. They underscore the power of interdisciplinary collaboration to craft memorable moments. So, what role does architecture play in shaping these?

Immersive Spaces: Shaping Profound Experiences Through Architecture and Art - Image 1 of 4Immersive Spaces: Shaping Profound Experiences Through Architecture and Art - Image 2 of 4Immersive Spaces: Shaping Profound Experiences Through Architecture and Art - Image 4 of 4Immersive Spaces: Shaping Profound Experiences Through Architecture and Art - Image 3 of 4Immersive Spaces: Shaping Profound Experiences Through Architecture and Art - More Images+ 1

5 Art Movements that Influenced Architecture

Subscriber Access | 

As far as history goes back, art and architecture have always been interrelated disciplines. From the elaboration of the Baroque movement to the geometric framework of modernism, architects found inspiration from stylistic approaches, techniques, and concepts of historic art movements, and translated them into large-scale habitable structures. In this article, we explore 5 of many art movements that paved the way for modern-day architecture, looking into how architects borrowed from their characteristics and approaches to design to create their very own architectural compositions.

5 Art Movements that Influenced Architecture  - Image 1 of 45 Art Movements that Influenced Architecture  - Image 2 of 45 Art Movements that Influenced Architecture  - Image 3 of 45 Art Movements that Influenced Architecture  - Image 4 of 45 Art Movements that Influenced Architecture  - More Images+ 8

Sculpting Facades: Using New Technology to Create a More Textural and Expressive Architecture

Subscriber Access | 

Advancements in 3D printing technology are progressing at an unprecedented pace, accompanied by a parallel surge in computational power for manipulating and creating intricate geometries. This synergy has the potential to offer architects an unprecedented level of artistic freedom in regards to the complex textures they can generate, thanks to the technology's remarkable high resolution and rapid manufacturing capabilities. If the question of production was out of the way, and architects could now sculpt virtually anything into a facade effectively and efficiently, what would they sculpt?

Sculpting Facades: Using New Technology to Create a More Textural and Expressive Architecture - Imagen 1 de 4Sculpting Facades: Using New Technology to Create a More Textural and Expressive Architecture - Imagen 2 de 4Sculpting Facades: Using New Technology to Create a More Textural and Expressive Architecture - Imagen 3 de 4Sculpting Facades: Using New Technology to Create a More Textural and Expressive Architecture - Imagen 4 de 4Sculpting Facades: Using New Technology to Create a More Textural and Expressive Architecture - More Images

From Trash to Ornament: Architects and Designers Give New Life to Discarded Objects

Subscriber Access | 

A vital aspect of a circular economy lies in shifting our view of waste. Labeling an item "waste" implies voiding its value and ending its useful role in a traditionally linear economy. While the item might be out of sight and out of mind, its life continues in the landfill. This shift in perspective regarding waste means opening our minds to the opportunity that the abundance of junk presents. These designers and architects have managed to not only effectively reclaim discarded objects but also to make them look precious, imbuing them with new meaning and value through their careful curation.

From Trash to Ornament: Architects and Designers Give New Life to Discarded Objects - Image 1 of 4From Trash to Ornament: Architects and Designers Give New Life to Discarded Objects - Image 2 of 4From Trash to Ornament: Architects and Designers Give New Life to Discarded Objects - Image 3 of 4From Trash to Ornament: Architects and Designers Give New Life to Discarded Objects - Featured ImageFrom Trash to Ornament: Architects and Designers Give New Life to Discarded Objects - More Images+ 3

2023 Music Festival Installations: At the Intersection of Art, Technology and Architecture

Music Festivals can provide artists, designers, and architects a platform to present their work to large crowds. The sheer scale of these installations, the space for artistic exploration, and the vast audience they reach can give designers the opportunity of a lifetime to showcase their ideas. Through scale, color, imagery, and lighting, these installations create lasting impressions on the people who attend these events and those who see them through news coverage or social media. Some themes explored this year included reframing familiar things in unfamiliar ways, large-scale abstract geometries at the intersection of technology and art, and the use of innovative new materials.

2023 Music Festival Installations: At the Intersection of Art, Technology and Architecture - Imagem 1 de 42023 Music Festival Installations: At the Intersection of Art, Technology and Architecture - Imagem 2 de 42023 Music Festival Installations: At the Intersection of Art, Technology and Architecture - Imagem 3 de 42023 Music Festival Installations: At the Intersection of Art, Technology and Architecture - Imagem 4 de 42023 Music Festival Installations: At the Intersection of Art, Technology and Architecture - More Images+ 10

Dissolving Boundaries Between Art and Architecture: Exploring the Works of Diogo Aguiar Studio

Subscriber Access | 

There are numerous intersections between art and architecture, including aesthetic enjoyment, formal element composition, the relationship with the environment, and abstraction. The unique combinations of these aspects distinguish each architecture office or artist in their practice and language. Diogo Aguiar Studio is an architecture office that actively explores these intersections, pushing the boundaries that traditionally separate art from architecture.

Each project is built on the dynamic interaction between architecture and art, serving as its foundation and driving force. This approach yields work that addresses functional requirements and ventures into uncharted territories of spatial research. Notably, materials exploration and sensory aspects in both architectural and immersive artistic spaces stand out as a significant aspects of their endeavors.

Dissolving Boundaries Between Art and Architecture: Exploring the Works of Diogo Aguiar Studio - Imagen 1 de 4Dissolving Boundaries Between Art and Architecture: Exploring the Works of Diogo Aguiar Studio - Imagen 2 de 4Dissolving Boundaries Between Art and Architecture: Exploring the Works of Diogo Aguiar Studio - Imagen 3 de 4Dissolving Boundaries Between Art and Architecture: Exploring the Works of Diogo Aguiar Studio - Imagen 4 de 4Dissolving Boundaries Between Art and Architecture: Exploring the Works of Diogo Aguiar Studio - More Images+ 10

MAD Architects’ Museum of Migration in Rotterdam is Scheduled to Open in 2025

Designed by MAD Architects, the FENIX Museum of Migration is set to be inaugurated in 2025 in Rotterdam’s City Harbor. The purpose of the institution is to showcase and highlight the stories of global migration through encounters with art, architecture, photography, and history. The museum broke ground in 2020 when the first images of the proposal were also released. MAD Architects is working with Bureau Polderman for the restoration of the historic warehouse dating back to 1932, which now represents the base and starting point for the museum experience.

MAD Architects’ Museum of Migration in Rotterdam is Scheduled to Open in 2025 - Image 1 of 4MAD Architects’ Museum of Migration in Rotterdam is Scheduled to Open in 2025 - Featured ImageMAD Architects’ Museum of Migration in Rotterdam is Scheduled to Open in 2025 - Image 2 of 4MAD Architects’ Museum of Migration in Rotterdam is Scheduled to Open in 2025 - Image 3 of 4MAD Architects’ Museum of Migration in Rotterdam is Scheduled to Open in 2025 - More Images+ 2