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While the kitchen is a ubiquitous part of almost every home—and, in many cases, is considered symbolic of domestic living entirely—it can also take up precious space, produce visual clutter, and detract from the minimalist aesthetic of an otherwise sleek, modern home. For some homeowners, the solution is simply to keep the kitchen clean and organized at all times. But for some innovative contemporary architects and their clients, the solution is to design a compact, concealable kitchen that can quickly and easily be shuttered out of view. Below, we discuss several examples of hidden kitchens, as well as some common techniques and strategies for designing them.

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While the traditional image of the cabin is one of a rustic wooden home located far away from any trace of society, architects have been experimenting with these conventions alongside newer material and technological considerations to push the boundaries of the ‘cabin’ today. Whether it is by reimagining the aesthetics of the cabin, utilizing advanced fabrication techniques to modernize the rustic, or even reconfiguring the log cabin for the city setting, architects and designers have utterly transformed traditional cabin architecture for a more contemporary existence. Below, we consider 10 innovative cabins that achieve this transformation through experiments with different materials and construction technologies. While each explore different strategies and functions, many share similarities in their use of prefabrication systems, their dedication to sustainability, and their close attention to and optimization of specific material properties.

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Considering the time, energy, and environmental impact of a construction process, architecture must explore different methodologies that work with the existing built environment. For example: how to give life to a forgotten building? Adaptive reuse gives new opportunities to abandoned buildings, following the idea that good architecture must be durable, innovative and recyclable.

Architects should not design just for the present, but should also think of how to adapt buildings for the future. In view of the world’s current situation regarding the climate crisis and available natural resources, adaptive reuse explores strategies for sustainability and design innovation, working to reduce energy consumption, minimal carbon impact and positive social impact.

The Great Wars of the early 20th century brought several social transformations, including the introduction of women into the labor market. Decades later, work dynamics are different, but the market continues to reinforce the division of labor by gender and to explore the triple shift. However, there are gaps for possible transformations.

As climate change continues to reach unprecedented levels, many are pointing towards enhancing circularity in the construction sector. Essentially, the circular economy aims to eliminate waste and the continual use of resources by repeatedly reusing, repairing or recycling materials. The cyclical approach is able to meet demand and minimize CO2 emissions by extending a product’s lifespan, which is especially important when dealing with limited resources. Unlike the traditional linear extractive method –where everything goes through an extremely contaminating process of 'take-make-waste'–, circularity keeps materials in use for as long as possible to extract maximum value. This, in turn, reduces pollution, regenerates natural systems and contributes to a healthier built environment, hence building economic, natural, and social capital.

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After having explored the spaces of architectural offices in the cities of Frankfurt, Stuttgart, and Munich, Germany, Marc Goodwin documents the facades of the same studios. Looking at what makes them similar and what makes them unique, the series of images showcases 25 buildings of German firms such as Schneider+Schumacher, Blocher Partners, Asp Architekten, Behnisch Architekten, Laboratory for Visionary Architecture, Henn, Auer Weber Assoziierte, FRANKEN Generalplaner, apd architektur+ingenieurbüro, Steimle Architekten and Max Dudler.

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After photographing architectural studios in Berlin, Marc Goodwin has captured the spaces of 26 offices between the German cities of Frankfurt, Stuttgart, and Munich, including Schneider+Schumacher, Blocher Partners, Asp Architekten, Behnisch Architekten, Laboratory for Visionary Architecture, Henn, and Auer Weber Assoziierte to name a very few.

Continuing his work on the Atlas of Architectural Atmospheres, Archmospheres, Goodwin has collected so far, images of studios from cities around the world, more specifically from Madrid, Panama City, Dubai, London, Paris, Beijing, Shanghai, Seoul, Barcelona, Los Angeles, Istanbul, and so many others.

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The Chicago Athenaeum: Museum of Architecture and Design and The European Centre for Architecture Art Design and Urban Studies have announced the over 150 winners of the International Architecture Awards. This event takes place every year to recognize the most significant and inspirational buildings and urban planning projects around the world. Founded in 2005 by The Chicago Athenaeum and The European Centre, the awards aim to set a global standard for architectural achievement worldwide.

This year’s winning projects focus on inclusive design, sustainable solutions, and finding a sensible response to the surroundings and local cultures. Restorations, renovations, and adaptive reuse solutions are also well represented among this year’s winners. projects range from significant cultural destinations such as Fuzhou Strait Culture and Art Centre China to new city infrastructure such as the Eleftheria Square in Nicosia, Cyprus; a UNESCO cultural building in Greenland to a Modularized COVID-19 Epidemic Prevention Hospital in Shanghai.

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Ahead of the official opening of the Expo City Dubai site on October 1st, the organizers have announced that visitors will have the chance to discover two of the Expo's thematic pavilions: Alif and Terra starting September 1st, marking its inauguration. The pre-launch will also feature access to Garden in the Sky, a 360-degrees platform that offers panoramic views of the site.

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At ArchDaily, our work is grounded in stories. Between practice and projects, editorials and news, we write to share how architecture and design is changing both how we live and why. We also hold a responsibility in our choice of which stories get told and those that don't. The following is a reflection about design in Los Angeles, a beautiful, immense, sprawling, and diverse city that I've called home for many years.

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Videos

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During the past two years spent photographing Expo 2020 Dubai, I was often asked by friends what exactly it was. To align with its closure on the 31st of March, I would like to address that question from two angles. Most readers will be aware that the expo is part of a tradition dating back to the 19th century - a Showcase for companies and countries, a tourist attraction, a testing ground for technical innovation. But it is also a collection of paradigm studies on opportunity, sustainability, and mobility, as well as a lucrative building project creating a new neighbourhood in the Emirates and a future means of dwelling. Perhaps this last frame of reference is the most interesting for it is what most distinguishes this expo from others.

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Moving forward with his "ultra-marathon of photoshoots", architectural photographer Marc Goodwin is putting together an Atlas of Architectural Atmospheres by Arcmospheres, a project that seeks to document diverse architecture and design studios from around the world. Since 2016, the architectural photographer has been traveling "far and wide to capture the atmospheres of architecture studios in order to produce an online and print resource for the architecture community", and after a two-year hiatus due to the pandemic, Goodwin resumed his project with an exploration of Berlin's architecture offices, capturing the work environment of renowned firms such as Hesse, LAVA, JWA, and FAR frohn&rojas, to name a few.

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Minimalism has shaped architecture for over a century. Embracing new materials and rejecting ornament, the modernist movement grounded minimalist architecture through rational use and function. Throughout the 20th century, architects returned to minimalism as they worked with glass, steel and reinforced concrete. Over time, minimalist and modernist designs became more closely tied to cost, construction and aesthetic.

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