This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

On the occasion of the recent XXI Chilean Biennial of Architecture and Urbanism, the curatorial team consisting of Beatriz Coeffé, Juan Pablo Urrutia, Vesna Obilinovic, Tomás Villalón, and Joaquín González spoke with Chilean architect Enrique Walker. An academic and former director of the Master of Science in Advanced Architectural Design program at Columbia GSAPP from 2008 to 2018, Walker has explored throughout his career an interest in the everyday in architecture.

To showcase the valuable output of Spanish universities, we launched an open call in September, inviting our readers to submit their thesis projects. Following a comprehensive evaluation of nearly 50 proposals, we selected 6 projects that not only offer innovative responses and deep research into complex, contemporary issues but also challenge and question the future of architecture.

The concept of the margin implies the existence of a center. Consequently, anything that is not part of this central focus is deemed external or peripheral. This division between center and margin, or center and periphery, extends beyond the architectural sphere into political, social, and regional realms. Therefore, when we speak of practices on the margins of architecture, we are also discussing multidisciplinary approaches—efforts focused more on understanding the context of the work and less on merely answering pre-established questions. In cultures or contexts shaped by historical discontinuities and interruptions, there is a distinct effort to define identity through self-knowledge and discovery, ultimately designing projects to address specific needs. As a result, research, the dissemination of knowledge, and alternative methods of architectural production become essential steps in this process.

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Antonio Lamela's Torres Colón is "an unprotected Madrid icon set to change completely." The twin buildings by the Spanish architect—who also designed the renovation of the Santiago Bernabéu stadium and Terminal 4 of the Madrid-Barajas Airport alongside Richard Rogers—will undergo a renovation that adds four new floors and a new facade by 2022.

The Latin American Coordinator of Architecture Students (CLEA Latinoamérica) has confirmed on social media that the 2020 edition of the Latin American Social Workshop (TSL) will be held in San Felipe del Progreso, Mexico.

Under the theme “The Rhythm That Connects the Future,” the Colombian government, in partnership with the country's public and private sectors, will participate in the global collaboration and business platform Expo Dubai 2020. The nation's pavilion was designed by Pacheco Estudio de Arquitectura in collaboration with the creative agency Buen Tipo Anchor.

In 2018, Chilean researchers Teodoro Dannemann, Boris Sotomayor-Gómez, and Horacio Samaniego published the results of a study in Royal Society Open Science that, by anonymously tracking the "footprint" of 350,000 mobile phones during working hours, visualized urban segregation in Santiago.

On Wednesday, December 4, Mexican architects Arturo and Jorge Arditti received the Honorary Doctorate Latin America Leaders Awards 2019 at the United Nations headquarters in Vienna. The distinction was awarded by The Global School for Social Leaders in collaboration with 1MillionStartups, The Ban Ki-moon Centre for Global Citizens, the Humanist World Foundation, and the Analysis and Opinion Research Group (GIAO).

Dear readers, with your invaluable companionship, 2019 has flown by here at ArchDaily. Throughout the year, we have continued our daily mission of sharing and celebrating global architecture; along the way, we have grown, earned the recognition of architects, and enjoyed the unwavering support of our readers. Having received heartwarming holiday wishes from hundreds of design practices around the globe, we are excited to share their creative holiday cards with you here!

We’re hiring at ArchDaily! Every day, thousands of architects from around the world submit their latest projects and content related to architecture, urbanism, and construction.

“How much does a subway line cost?” is a question frequently asked when discussing high-capacity rapid transit solutions for Brazilian cities. However, the cost of implementing rail projects varies enormously across different global geographies.

For example, a rail line in New York costs about twenty times more per kilometer than one in Seoul, reaching a budget of $6.4 billion for a segment of just 2.6 kilometers in the second phase of the Second Avenue Subway in northern Manhattan. Geographical factors, or even the high built density of the American metropolis, are insufficient to explain such a massive disparity in construction costs.

As a member of the Urban Design Expert Committee of the Ministry of Housing and Urban-Rural Development, I strongly urge an immediate increase in architectural and urban design fees. This is a matter of utmost urgency, for several key reasons:

 1. The current fee structure is a relic of China’s era of rapid, large-scale incremental construction, when design work focused primarily on spatial capacity and fees were strictly tied to project scale. Today, however, almost all cities have entered the era of existing urban stock. Moving forward, as the focus shifts to urban renewal, design work can no longer be mass-produced. Instead, architects must tackle an immense volume of bespoke, custom-tailored projects. Consequently, traditional fee metrics are completely out of sync with the actual workload;

 2. The flaw in traditional fee calculation methods is that when project scales shrink and design complexity increases, the upward adjustment coefficients for fees remain far too low. This is especially true for small-scale projects and renovations, which are incredibly time- and labor-intensive. Architects are essentially working at a loss, driven solely by passion. This leads to the absurd reality where years of design fees might not even equal the cost of a single tree. It is truly tragic when human value is deemed worth less than material objects;

 3. While the state encourages urban design—the essence of which is fostering urban diversity—achieving diversity requires architects and urban designers to invest significantly more time and labor into custom, site-specific solutions. Without a fee mechanism adapted to this level of customization, how can we support their creative work? While passion might sustain a single project or a brief moment, only a proper mechanism can ensure fair and sustainable practice. The so-called "cookie-cutter" urban landscape is, in reality, the product of a cookie-cutter fee structure.

In short, transforming Chinese cities begins with raising design fees!

Choosing high-performance BIM software is key to developing efficient projects by automating tasks that traditionally consumed time in conventional design workflows—such as documentation, calculations, analyses, and other repetitive processes.

At the time of writing this article, Brazil is facing the most severe humanitarian crisis in its history—not merely a “health crisis,” as is commonly described. By April 30, 2021, the COVID-19 pandemic had claimed 411,854 lives in the country, and only in recent days has the moving average of deaths begun to cool down once again—after reaching a peak of 3,125 in April.

Epidemiologists, microbiologists, and infectious disease specialists note that the impact of the pandemic on Brazilian cities is highly idiosyncratic: each has unique conditions to consider before we can attempt any generalizations. Furthermore, underreporting is estimated to be high (with actual cases potentially being ten times higher), a figure that also varies from city to city. Nevertheless, with these caveats in mind, what does the overall picture reveal? 

ArchDaily is working with CityMakers to publish a series of articles, conversations, and interviews with the various actors in urban co-production behind the Barcelona CityMakers Lab 2021, an event taking place from November 8 to 12.

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Receiving architectural recognition typically reflects best practices. This is the case for Niro Arquitectura + OAU, who have won the Building Of The Year 2021 award in the commercial architecture category with the Gramalote Market Square. This demonstrates that this pair of young Colombian practices is on par with internationally renowned firms such as Álvaro Siza, MVRDV, Heatherwick Studio, or Foster + Partners.

This week, we feature job openings at two Shanghai-based design firms: ARIZON Design and atelier tao+c. Specializing in different scales and themes, both practices are active across various architectural sectors and are looking to recruit like-minded architects to join their teams.

Since ArchDaily launched its recruitment services, we have received job postings from architectural practices of various scales across China, from Beijing to Shenzhen and Hangzhou. Highly active across diverse architectural fields with their distinct styles, these firms are looking for talented architects to join their teams. Below are six curated openings for May, along with a showcase of their representative projects. Interested candidates are warmly invited to apply.

Organized by the Association of Architects of the Province of Buenos Aires – District I – and promoted by the Municipality of La Plata, the Provincial Ideas Competition “La Plata Technology District Convention Center” aims to stimulate the urban transformation of a highly potential area of the city, creating a space for creativity, technological innovation, and connection between government, academia, businesses, and institutions. Sponsored by the Argentine Federation of Architecture Organizations (FADEA), it seeks to improve citizens' quality of life, foster the competitiveness of small and medium-sized businesses, and enhance the efficiency of public administration.

The jury awarded first prize to architects Valentín Ayala, Rodrigo Ballina Benites, Luciano Del Valle, and Agustina Ronconi, members of the firm Paralelo Colectivo. Read more about the project below.

This article by Ana López Ortego (Colectivo Arquitectura Expandida) is a collaboration with Colectivo RE and was originally published on August 2, 2020, in the second edition of Huevo de pato, a publication that aims to share thoughts and experiences as a strategy toward democratizing knowledge and action.

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While the work of Mexican architect Luis Barragán is globally recognized and studied for its invaluable commitment to the architecture of his time and context—and, above all, built upon deeply harmonious and poetic foundations that connect with a deeply personal quest in "cosmic solitude, with Mexico as the temporary home he lovingly accepts," as the Pritzker Prize Jury described it when honoring him in 1980—until recently (and even before the launch of the Barragan Foundation website), understanding the full spectrum of Barragán's place in architectural history was somewhat difficult, as several of his works have remained private (or difficult to access) for years.

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The Mexican Association of Urbanists, through its Tlaxcala chapter, called for entries for the Conceptual Preliminary Design Competition for the "Parque Integral Zahuapan 10." The competition was aimed at multidisciplinary teams in the fields of architecture and urban planning, with the goal of presenting proposals and conceptual ideas to develop a park along the banks of the Zahuapan River and revitalize its surrounding areas.

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Construction recently commenced on a prominent internet company's industrial park in Hangzhou. Serving as a central hub in the enterprise’s digital ecosystem, the project will offer a one-stop office and commercial park experience for its network partners. Guided by a deep understanding of the client's vision, the design team took the corporate spirit of "shared connectivity" as their starting point, reflecting seamless partnership and brand identity through a unique master plan and architectural form.

Benches with dividers and uncomfortable shapes, sharp stones under overpasses, fences surrounding plazas and gardens, walls with metal spikes, buildings without awnings or with timed water drippers, electric fences, and barbed wire. The elements and materials used to deter people from public spaces are numerous, ultimately shaping how individuals experience cities and interact with one another. Hostile architecture—a term encompassing all barriers and urban designs that seem to say “don’t make yourself at home,” as reporter Winnie Hu of The New York Times defines it—is part of the reality in most cities worldwide, sparking growing debate over the impact of these measures, particularly on social media.