In March of this year, Escola da Cidade, in partnership with Editora Perspectiva, hosted the launch of the book How to Study Public Life by Danish architects Jan Gehl and Birgitte Svarre, alongside a panel discussion with architects Sergio Kon, Fernanda Barbara, Nabil Bonduki, and journalist Leão Serva.

The millions of cars, trucks, and buses on São Paulo's roads account for over 90% of all air pollution. With residents spending up to five hours a day commuting, the metropolis is constantly gridlocked. To address this, What Design Can Do and the IKEA Foundation are calling on creative professionals from around the world to develop radical, innovative solutions for more sustainable flows of people and goods in the city.

Colonia del Sacramento, on the shores of the Río de la Plata in southern Uruguay. From the ferry—if arriving from Buenos Aires—one can spot the famous lighthouse rising above a cluster of historic stone houses and cobblestone streets; a historic center declared a UNESCO World Heritage Site, which features not only a colonial and post-colonial architecture blending Spanish and Portuguese influences, but also compelling restoration and renovation projects that demonstrate a thoughtful embrace of Uruguayan memory.

Its architectural landmarks emerge naturally from an atmosphere frozen in time as you explore the city on foot along its waterfront and green spaces. Below, discover a list of 10 sites you should visit.

What do dance and architecture have in common? It is difficult to explain how our experience of dance is stored in our bodily memory, yet our core recollection of a performance is often inseparable from the architectural space in which it unfolded. While the dance itself may be the focus, the venue remains integral to the experience. Ultimately, as we explore how cities and urban spaces are conceived and created, both dance and architecture serve as fundamental coordinates.

Unsurprisingly, many choreographers are exploring the intersection of these two disciplines. These works explore how our bodies navigate the built environment. This is far from a purely theoretical pursuit; instead, it engages specific communities and cultural groups through embodied movement. In the words of philosopher Marina Garcés: “The body no longer confines us to a single place, but instead integrates into and becomes part of the environment of every place. It is the zero point from which we can experience all space, enriching ourselves both materially and spiritually.”

The 5th Lisbon Architecture Triennale has announced its title and theme: “The Poetics of Reason.” This title asserts that, despite its subjective and non-scientific dimensions, architecture is grounded in reason, and its goal is to shed light on the specificity of this rationality. Indeed, a foundation in reason and rationality is essential for understanding architecture—making it accessible to everyone, not just architects.

The city of Barcelona remains firm in its fight against speculation and gentrification, which are currently widening the inequality of opportunity for residents seeking access to decent and affordable housing.

To address this, Barcelona's Commission for Ecology, Urbanism, and Mobility has initially approved two new urban planning tools to tackle the housing accessibility crisis and protect the social balance of its neighborhoods. These measures respond to the demands of organizations such as the Federation of Neighborhood Associations of Barcelona (FAVB), the Mortgage Affected People's Platform (PAH), the DESC Observatory, the Neighborhood Assembly for Sustainable Tourism (ABTS), and the Tenants Union. 

The tragedy of the fire and collapse of the Wilton Paes de Almeida building in downtown São Paulo prompts this statement from the Council of Architecture and Urbanism of Brazil on the social and urban challenges affecting not only the state capital but most of the country's major cities.

At the core of this tragedy is the social drama of the victims' families and the thousands of people living in other occupied buildings under precarious conditions across major Brazilian urban centers. The loss of a modernist building of cultural value adds another layer of loss.      

Located on São Paulo's most iconic avenue, after eight years of construction, the new Sesc Avenida Paulista branch finally opened its doors last Sunday, April 29. Guided by the triad “Art, Body, and Technology,” the institution—which expects approximately 18,000 visitors per week—has already seen these expectations begin to materialize.

In this piece, the Arquia Foundation Blog, alongside an article by architect and educator Santiago de Molina, calls on anyone wishing to become an architect in the near future to maintain a cultivated skepticism of almost everything, to have the courage to trust nothing, and to make the effort to maintain and nourish a cultivated imagination.

Finding the right block for your project can be a tedious task; although websites offering blocks are becoming increasingly common, the sheer quantity does not always reflect the quality of the models and textures.

With this in mind, the creators of the platform Arq Online have made a package of blocks and textures available for free on their website, useful for both architects and students. With over 100,000 items available for download, the package caters to users of AutoCAD, Revit, SketchUp, 3D Studio Max, VRay, and Photoshop.

The Housing Development Company of the Federal District (CODHAB/DF) continues to release the results of design competitions, establishing itself as a benchmark for institutions across the country by holding competitions to ensure high-quality construction through a clear and democratic selection process for the most qualified technical, scientific, or artistic proposals. This latest edition features the National Public Urban Planning and Architecture Design Competition for the QNR 06 Housing Sector, in the Administrative Region of Ceilândia.

The noias, identified by their abject bodies, evoke and challenge physical, social, spatial, symbolic, and moral boundaries, driving the creation of policies aimed at both their rehabilitation and their elimination. This article, organized by PISEAGRAMA based on the extensive ethnographic fieldwork conducted by the author up to 2012 and published in 2014 in the book Nas tramas do crack, offers an immersion into São Paulo's *cracolândia* (crackland), the most famous in the country, whose conflicts have replicated the term across the many others multiplying in various cities.
There, the *De Braços Abertos* (With Open Arms) program and heavy-handed repression have marked municipal and state administrations in recent years, highlighting the political conflict that emerges at the extremes of the territorial management of crack.

On the evening of November 2, Rem·Koolhaas held a book launch for Elements of Architecture at the Central Academy of Fine Arts (CAFA). Hosted by Dean Zhu Pei, the event featured a roundtable discussion with artist Xu Bing, Mohsen·Mostafavi (Dean of the Harvard Graduate School of Design), and Stephan·Petermann, the book's editor. Koolhaas opened with a brief presentation introducing the book and the journey behind its publication. During the panel, the speakers engaged in an in-depth discussion on architectural details, differences between Eastern and Western book cultures, and the relationship between books and space. Below is a recap of this remarkable event.

The first American Institute of Architects Committee on Design (AIA COD) Conference in South America will take place in the cities of Santiago and Valparaíso, Chile, from October 20 to 27, 2018. The event is organized by the Copperbridge Foundation in collaboration with the Chilean organizations Constructo and Massantiago.

The architecture of Santiago, Chile—inherited from the colonial era but connected to a contemporary design vision—will take center stage at the conference, providing a global perspective on “Blueprint for Better Cities,” the AIA's theme of the year chosen by its president, Carl Elefante.

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In April 2018, the inaugural edition of the Provincia Festival was held, aiming to create an open forum for dialogue and the discussion of civic interest topics, with an emphasis on responsible engagement in regional architectural development.

The festival took place in the city of Tuxtla Gutiérrez in Chiapas, México—a region currently lacking high-quality urban spaces, planning, and a clear vision regarding the impact of architectural projects. Meanwhile, there is a constant drain of local talent, driven by a combination of factors that foster the belief that professional success can only be achieved through large-scale projects in major metropolises. We want to reaffirm the idea that architecture is everywhere, and that the true success of the profession lies in serving everyone, regardless of their gender, social background, or economic status.

On February 15, the exhibition ‘Joaquín Vaquero Palacios. The Beauty of the Colossal. Asturias, 1954-1980’ opened at the Museo ICO in Madrid. Curated by Joaquín Vaquero Ibáñez and organized by the Fundación ICO, the exhibition is sponsored by the Fundación EDP.

Joaquín Vaquero Palacios (Oviedo, 1900—Madrid, 1998) was an architect, painter, and sculptor. He studied at the Madrid School of Architecture (1921-1927), where his professors introduced him to the architecture of the Modern Movement. There, he witnessed firsthand how industrial architecture served as a rich source of inspiration for architects like Walter Gropius and Le Corbusier, offering a promising arena for the application of rationalist principles and concepts.

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Over the last decade, prominent and widely recognized architecture in Peru has slowly moved away from single-family housing, showcasing a promising output of educational buildings, restaurants, offices, and collective housing.

This latter category encompasses a series of private buildings characterized by maintaining a scale appropriate to their urban contexts. They serve as prime examples of architecture that allows for multiple families to live together on the same plot while maintaining a low overall density. Furthermore, their low height is complemented by evocative treatments of their facades and interior spaces, suggesting a conscious effort to create high-quality living environments for their inhabitants.

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As traditional elements of architectural ornamentation, moldings, cornices, and baseboards are present in the vast majority of our projects, regardless of their typology. Created to protect the junctions between walls, floors, and ceilings, these pieces are fundamental to the image and style of a space, helping, for example, to conceal cables, installations, and other unwanted elements.

Although traditionally manufactured from wood, plaster, or PVC, polyurethane and extruded polystyrene moldings offer a series of qualities and innovations that make them excellent options when selecting and specifying these elements. Review their characteristics and some featured models from our partner, NMC Chile, below.

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Recently released, 'La obra secreta' (The Secret Work) is an Argentine feature film directed by artist Graciela Taquini that—recalling 'El Hombre de al Lado' (The Man Next Door)—once again addresses one of the country's most renowned architectural projects: the Casa Curutchet, a work in the city of La Plata resulting from the meeting of Pedro Curutchet, Amancio Williams, and Le Corbusier.

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Have you ever tried building a wooden chair or piece of furniture?

Canal Encuentro offers a series of videos to help you learn the basics of woodworking and achieve the best possible results.

Explore the available chapters below.

After receiving more than 1,500 films for the fourth edition of the "The City is..." competition at the Architecture Film Festival Santiago (Arqfilmfest), taking place from October 25 to 28, the event's organizing team has selected 34 audiovisual productions to compete in various categories: documentary, fiction, experimental, and architectural documentation.

See the feature films and short films participating in the final stage below.

Most of our readers agree that education regarding materials and construction is insufficient—a sentiment that calls for architects to engage with the trade through hands-on practice.

Are you facing your first project—perhaps feeling a bit nervous—and realizing there are some fundamentals you would like to review? This 13-part video series from Encuentro, which focuses on masonry, serves as a valuable resource for brushing up on these skills.

Explore the various chapters below.

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In line with initiatives in other countries to address urban mobility, construction has begun to transform a small but significant section of Buenos Aires' Avenida Corrientes—known for its concentration of restaurants, theaters, bookstores, and heavy traffic—into a nighttime pedestrian zone with dedicated lanes for public transport.

Despite the potential benefits of prioritizing pedestrians, does this intervention fully capitalize on the opportunity? How will daily life be affected while this major artery is obstructed? Does it spark a discussion regarding the management of the construction process?

Between May 12 and 13, the annual architecture festival Open House—which originated in London and is now present in 34 cities worldwide—will hold its first edition in Rosario, Argentina.

Aimed at anyone interested in discovering or rediscovering the city's architecture and urbanism, the festival offers the opportunity to enter and tour a selection of private and public buildings of great cultural, historical, heritage, and architectural value, free of charge, during an open-door weekend.

Below is a list of participating buildings.