Human beings are “seeing machines.” Except for those who lack this faculty, our eyes are our greatest generator of information. The brain then interprets these images accordingly… We must not confuse "looking" with the act of "seeing" something. Looking, an automatic and passive response, must become the act of seeing—of processing all those bits of information into something concrete and tangible. Sherlock Holmes observed an earlobe to deduce kinship; Proust, the hem of a dress or the nape of a neck to understand a woman profoundly… Where is the sign hidden? How do we know, in any image—whether verbal, visual, or auditory—which is the signifying part and which is the neutral, empty background, the noise to be discarded?

While our eyes capture and absorb this information, and our brain processes and translates it, it is photography—more specifically, our camera—that manages to retain it, freezing it in a photograph so that once our eyes have stopped looking, they can begin to see. As Le Corbusier simply put it, “one must see what one looks at.”

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Dérive LAB is a multidisciplinary laboratory based in Santiago de Querétaro, Mexico, that seeks to explore, understand, and inspire alternative (new) ways of living and thinking about urban life. Through research, design, and action, they focus on developing art, architecture, urban design, and other disciplinary projects that impact three specific scales: public life, the built environment, and everyday objects.

After establishing itself—with ten editions already—as a key reference event for understanding the current and future state of architecture and urbanism in the Ibero-American community, the XI BIAU will take place for the first time in the city of Asunción in October 2019. The program of activities will include the presentation of selected works, keynote lectures, specialized presentations, and panel discussions organized around the central theme: aĩ paragua y (I inhabit - water).

As the year comes to a close, we look back... what captivated us most? After presenting the best architecture of the year, we now focus on identifying representative projects. Among the wide range of Peruvian works published in 2018, those that had the greatest impact on our platform span various scales and typologies. Below, you will find everything from a private house to a public library, by both established and emerging architects—reflecting architecture for everyone.

May the work continue.

What is it about the work of Joaquín Vaquero Palacios that still surprises us after all this time, making it worthy of an exhibition at the Museo ICO and so many visits by specialists? I have often been called upon—a role I gladly accept—as the local point of contact for those coming to Asturias to see Vaquero's work. The willingness of Hidrocantábrico, and now EDP (I still speak with the same people; many thanks to Nicanor Fernández and his team), is always absolute, stoically accommodating last-minute adjustments. After all, outsiders often fail to realize, for instance, that traveling to Grandas de Salime remains a major trek that takes up—and fills with joy—an entire day, and that security protocols are paramount.

On one occasion, we brought a busload of students from the Universidad Internacional Menéndez Pelayo, and by the end of the day, they were applauding on the bus as if they had just witnessed an opera. And indeed they had: Vaquero's grand formal opera. This year, in fact, I served as a guide for the Master of Advanced Architecture program at the Universidad Politécnica de Madrid, directed by Juan Herreros—a passionate admirer of Vaquero who has joined us on many occasions—with students from five different countries who were left awestruck upon seeing the power plants. We also crossed paths in Proaza, in the offices, and in Veriña with the young team of architects designing this exhibition, who were meticulously reviewing every element and archive they found in the buildings.

The lives of 32 families took a turn —quite literally— when the homes they occupied in the 1980s became a designated tourist attraction in 2009. Some of the residents decided to capitalize on this by offering small tours of their homes. Yet, despite the crowds of tourists that have flocked here since, the community remains as tightly knit as the cubes themselves. 

As the urban planning debate in Buenos Aires over the reform of the planning code unfolds, one only needs to look at the new issue of the online magazine Notas CPAU 'Código Urbanístico' to realize that it is no minor issue.

Consequently, attention is turning to the city's historic grid. If you have already heard of superblocks—a system bounded on its periphery by arterial roads and public transit networks, with an interior designed to prioritize cyclists and pedestrians—pay attention, because Salvador Rueda was recently in the city, and this concept could soon become a reality.

The results of the 24th competition organized by the Projetar.org portal have just been released. The challenge proposed to students was to design a portable individual shelter for unhoused individuals, receiving 142 proposals submitted by teams of students from various Brazilian states and other countries. Given the difficulty of addressing the housing deficit, the fact that the global population is projected to increase by 50% by 2050, and the severity of the situation faced by unhoused people, it is both necessary and urgent to consider emergency solutions that can at least alleviate suffering and improve their basic living conditions.

See the competition results below:

Videos

Concéntrico is an International Architecture and Design Festival that invites reflection on the city of Logroño (Spain) by revitalizing undervalued public spaces. Its latest edition, Concéntrico 04, takes place between April 27 and May 1, 2018, in the historic center of Logroño. The festival invites visitors to explore the city through installations, exhibitions, meetings, activities, and performances that connect venues, plazas, streets, courtyards, and hidden spaces that typically go unnoticed in daily life. Lucas Seré Paltzer and Sebastián Andrés Podestá explore the connection between space and people through reflection at Plaza de San Bartolomé.

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For the third time this year, ARCHIVO opens its doors to host the third installment of the series belonging to the México Ciudad de Diseño project. This project was divided into three exhibitions exploring Mexican design production across three distinct timelines. This edition explores objects belonging to the collective imagination of the future of design in Mexico through a speculative diagnostic of the challenges and opportunities ahead for design and its relationship with this city.

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Mexico City's Chinatown originated in the 1960s near Alameda Central, forming around Chinese, Korean, Indonesian, and Filipino immigrants who established an increasingly strong presence in the city. The ephemeral and vibrant nature of this enclave has led to various design interventions, including the most recent one inaugurated in early 2018 by the Public Space Authority (Autoridad del Espacio Público), featuring urban furniture designed by the Mexican firm Obiect.

The social housing model currently seems like a utopia in Spain—ruled by developers and real estate firms, and mired in national policies that fail—and have always failed—to address the housing problem.

Over the years, the idea has been promoted that renting a home is almost a crime, throwing away money that could otherwise go toward purchasing property. Welcome to the wonderful world of real estate speculation. Driven by exorbitant rents set by real estate agencies or landlords with absolutely no state or provincial regulation to control them, the system itself pushes the population to take out mortgages and participate in private development. While over 50% of housing in Spain was rented back in the 1950s, those figures are a far cry from the progressive decline that brings us to the present day: nearly 80% of current housing is owner-occupied, while rentals have shrunk to just 20%.

Ever since we announced the results of the competition for the "New Bío Bío Regional Theater," promoted by the Regional Government and the Architecture Area of the National Council of Culture and the Arts, we had been eagerly awaiting the completion of the winning proposal.

Videos

As one of Modernism's key global legacies, how do the architecture and urban planning of Brasília shape the lives of those living in Brazil's capital? This is the subject of the documentary The Body and the Modernist City (O Corpo e a Cidade Modernista), which premieres with two screenings in Europe: on May 8 at the Copenhagen Architecture Festival (CAFx) in Denmark, and on June 10 at the Arquiteturas Film Festival in Portugal.

In this project by El Equipo de Mazzanti, Independence Park (Bogotá) reclaims ground by expanding southward, covering a section of 26th Street in the Colombian capital.

Featuring an area of 7,257 square meters distributed across eight plazas, the site has become a key redevelopment space in the city center, where major thoroughfares converge. Nature, seating areas, architectural richness, and urban design transform a space conceived to "reconnect" the city, leveraging the site's native vegetation.

Architecture enthusiasts now have another reason to visit the Azores, in Portugal, as the Pink House, designed by Mezzo Atelier, is now available for short-term rental on the Boutique Homes website. Formerly a stable converted into two residences, the project has attracted international media attention for presenting a rehabilitation solution where, according to the architects, "history and contemporaneity coexist in balance."

Building your own home. This is perhaps one of the greatest aspirations for many people—not only architects, but anyone who wants to see the vision of their dream home come to life. Others, however, approach it from a perspective more focused on legacy: sentiments like “my great-grandfather built this house” serve as their driving force. It is about preserving memory in the form of a building.

Nevertheless, one must consider the challenges of being your own developer, of not relying on a real estate agency. It is a difficult path. Consequently, many people abandon this dream to avoid the complications, ultimately opting to buy an apartment or a house. 

The Faculty of Architecture at UNAM is one of the most highly recognized institutions both nationally and internationally, a status demonstrated each year through various exhibitions, festivals, publications, lectures, symposia, and competitions. Recently, we had the opportunity to connect with eighth-semester students from the Jorge González Reyna Studio to invite them to participate in a selection of the semester's best work. By publishing these projects on our platform, we aim to motivate students and build stronger ties with the student community—the next generation that will build and question the future of our cities.

Since 2008, the Obra del Año award has celebrated the best built architecture in Spanish-speaking countries, inviting readers to choose their favorite architectural projects.

Out of nearly one thousand projects built in Spain and Latin America and published on our site during 2017, last week we announced the 15 finalists that received the most votes.

Today, we are pleased to present the three projects that have won the #ODA18 Award. Hailing from Mexico and Chile, the three winners reflect the region's architectural diversity, while serving as outstanding examples of the public impact that high-caliber architecture should deliver.

Meet the three winners!

They say you shouldn't trust the sky of the Peruvian highlands: a clear blue sky can give way to a downpour or a hailstorm in a matter of hours. The students and workshop leaders of the XV TSL Puno—this year's edition of the Latin American Social Workshop, held in Chucuito, Peru—know this all too well. Throughout the week, they have been working to build three projects that will be handed over to the local community.

Landscape, heritage restoration, and public infrastructure are the three themes addressed by the Serpiente, Cóndor, and Puma workshops. Their projects, scattered across different parts of Chucuito, are being built at an elevation of over 3,800 meters (12,400 feet) above sea level. Organized by the Latin American Coordinator of Architecture Students (CLEA) in collaboration with the Peruvian Organization of Architecture Students (OPEA), the workshop will conclude this Sunday, April 1, with the public inauguration of the projects.

Here, we invite you to take a look at the progress of the teams participating in this edition of the TSL, the third to be held in Peru.

A proposal described as "a new esplanade guarded at its four corners by four new clearings: two public buildings and two programmed public spaces" is the winning design for the future Biobío Civic Esplanade in Concepción, Chile. 

The project is the result of a competition launched last February by FESUR —the southern subsidiary of the State Railway Company in Chile— for the land that will be freed up once Concepción's railway line is placed underground. "Removing the railway barrier allows us to envision a system of significant, hierarchical public spaces capable of articulating the city's new relationship with the river," the organizers explained in the competition brief.

The future Biobío Civic Esplanade will integrate the current Plaza España, the Regional Government building, Plaza Bicentenario, Parque Bicentenario, and Parque Ribera Norte, as well as the Memorial to the Detained and Disappeared, the Biobío Regional Theater, the 27F Memorial, and Chile's second Museum of Memory, whose construction was recently postponed.

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When Paisaje Transversal was founded, 10 years ago, one of our driving motivations was to demand and advocate for a more responsible profession—one that is respectful of both its own guild and society as a whole. At the time, we saw—and we still see today—that one of the most damaging consequences of Architecture's self-absorption and self-sufficiency (the capital "A" is ironic; we prefer talking about architectures), both in the professional realm and, to an extreme degree, in universities, is the profound ignorance it fosters around fundamental topics like labor, business management, and the law, among many others.

This widespread ignorance—proudly imposed and self-imposed because these are dismissed as dry, secondary matters—has in practice led to an anomalous system where fraud, exploitation, precariousness, and self-exploitation are all too frequent. This, naturally, ends up harming professionals, the profession, and society at large.

A less obvious cause of this phenomenon is that, in many cases, this dereliction of duty is voluntary. It stems either from an unsupportive, anti-system liberal stance, or from the precariousness of a profession that was once wealthy and now refuses to accept its new economic reality.

Below, we list five principles we believe must be shared and championed to rebuild a dignified and responsible profession:

Hans Scharoun [1893-1972] drew from this language. Along with many of his contemporaries—Mies, Taut, Mendelsohn, and Häring himself—he was shaped by the expressionist milieu of postwar Germany, studying under Poelzig at his Breslau School. This expressionism first appeared in a series of watercolors he contributed to the *“Gläserne Kette” (“Glass Chain”)*, the famous correspondence network among architects and artists in Germany at the time. Conceived by Bruno Taut, this chain of letters served as a medium of communication among the group's members. In these letters, liberated from the constraints of feasibility, the members outlined their visions of an ideal society and a benevolent architecture.

By the 1920s, however, on the cusp of another conflict, a culture of resourcefulness and efficiency took root once again globally. Economic recovery demanded austerity, a trend reflected not only in household management but across many artistic avant-gardes of the period—a collective quest for material, formal, and, consequently, economic efficiency. Rationalism emerged as the dominant trend, championed by architects like Hannes Meyer and André Lurçat, who sought to strip the communicative attributes of architectural language down to zero in favor of addressing the organizational tasks demanded by technological and political developments.

The XIV Spanish Biennial of Architecture and Urbanism (XIV BEAU) was presented on July 19 at the Pereda Gardens in Santander. Under the title "More dwelling, more humanizing," a temporary pavilion in the Spanish city brings together the winning professional works alongside the VII Final Thesis Project Exhibition and the II Research Exhibition.

Below are the winning proposals in all categories of this exhibition: products, books, periodicals, alternative media publications, and research articles.