On Monday, November 18, the National Institute of Fine Arts and Literature (INBAL), through its Department of Architecture and Conservation of Built Artistic Heritage, announced the official selection that will represent Mexico at the 17th International Architecture Exhibition of the Venice Biennale 2020. Chosen from 153 submissions across 14 Mexican states, the final selection of 12 proposals features the following participants:

Argentine architect César Pelli, known for designing some of the world's tallest buildings, such as the Petronas Towers in Kuala Lumpur, the Torre de Cristal in Madrid, and the Costanera Center building in Santiago, Chile, passed away today at the age of 92, as confirmed on social media by Juan Manzur, governor of the province of Tucumán.

"Domestic Workspaces" by Silvia Garcia Camps brings together 46 international architecture offices through collage, revealing the intimate, domestic, and shared qualities of workspaces through the everyday objects within them. Explore a selection of these illustrations, along with her thoughts, below.

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Whether seeking distraction, escape, or reflection, metro passengers shorten their commutes by checking their phones, reading books, or listening to music. For Chilean photographer and civil engineer Felipe Lavín, this conceals a contradiction. "Commuting en masse is a highly social act, yet at the same time, it is deeply solitary. As Marc Augé notes, in the metro we constantly brush against the lives of others without ever truly encountering them," Lavín says in conversation with ArchDaily.

Semana de la Madera (Wood Week) is an annual event organized by Madera21, an association founded in 2001 by the Corporación Chilena de la Madera (Chilean Wood Corporation). Its goal is to promote and disseminate the use of this material in Chile, offering a unique opportunity to highlight architecture, design, engineering, and innovation using wood, while encouraging future project development and research by professionals and academics.

On the occasion of the recent XXI Chilean Architecture Biennial, Juan Pablo Urrutia, a member of the curatorial team, spoke with Spanish architect Andrés Jaque, founder of the Office for Political Innovation, whose practice explores the intersection of the everyday and the political in architectural design.

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The ICO Museum (Madrid) has extended Francis Kéré: Primary Elements, the first exhibition in Spain dedicated to the Burkina Faso-born, German-trained architect. Originally scheduled to close on Sunday, January 20, the museum has pushed the closing date back to Sunday, February 3.

Think of a courtyard, just a courtyard. Naturally, the first thing that comes to mind is a courtyard defined by its frame. Thus, the designers created this frame to establish the atmosphere of a “home of knowledge”—yachaywasi—, as they have named their project. Yet, once again, do not lose sight of the courtyard. They also conceived a frame that not only defines the courtyard but integrates it with the surrounding volume, allowing it to transform, stretch, adapt, and complete or create what the school is missing. Shade, seating, panels, ventilation, green areas, a garden…even the facade.

This is what can happen when facing a competition with clear and defined parameters, yet with the freedom to let the imagination run wild—participating not just to win, but to propose and innovate. The result is an inspiring school. This proposal took second place in the First Social Infrastructure Projects Competition, organized by PLAN PISE, whose ongoing goal is to leverage the natural condition of a courtyard as an educational space for the Villa de Jesús IE 7216 school, located in Villa El Salvador, south of Lima. The project description from the design team follows.

Alexandra Cohen presents her master's thesis on the systematic cartographic analysis of the morphological intersection between the Cerdà urban plan and pre-existing urban structures in Barcelona, Spain. Through her cartographic work, she aims to demonstrate how two highly distinct urban forms can integrate to bring immense value to the city, preserving history within a modern plan.

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As part of an initiative by PienZa Sostenible, a group of architects comprising Alberto Kalach, Rozana Montiel, Tatiana Bilbao, and Manuel Cervantes joined forces with the design firm Pirwi to create a series of structures designed as bee habitats, thereby promoting population growth, care, and conservation. This project is supported by the work of Betsy de la Vega, who incorporates an interpretation of hand-woven textiles made by artisans from the León XIII Foundation, serving as a bridge connecting handmade craft with design requirements.

The winners of the International Preliminary Project Competition for the design of the “Education of the Future Building” have been announced. The project will be built based on the Master Plan designed for the Innovation Park in Buenos Aires, Argentina. Organized by the Central Society of Architects (SCA) and sponsored by the Argentine Federation of Architecture Organizations (FADEA), the competition sought architectural proposals that would foster entrepreneurship, science, and technology, generating and attracting knowledge and talent to the Autonomous City of Buenos Aires.

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As part of its annual awards program, Tamayouz Excellence Award announced the winners of the Rifat Chadirji Prize, organized in partnership with the Barjeel Art Foundation for its 2019 cycle. This year, the award sought proposals for a modern Arab art museum in Sharjah, UAE, to house Barjeel's extensive collection of art from across the Middle East.

Colombia's topography features both plains and mountainous areas. Despite the challenges this poses for urban development, the country's major cities—from its capital, Bogotá, to Medellín and Cali—have been founded upon it. While this topography has posed significant challenges for construction and mobility, it has also paved the way for innovation, inspiring architectural projects that seamlessly integrate with the mountainous terrain, adapt to their specific altitude, and reflect regional culture.

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As part of the Abierto Mexicano de Diseño 2019 (AMD2019), Jumbo, an international company focused on the development of urban spaces and furniture, presented the play sculpture “Infinito,” designed by Ariel Rojo. The project stems from the desire to design a line of urban elements that stimulate a sense of adventure and play through a range of play sculptures. These address not only an aesthetic responsibility to users, the city, its parks, and playgrounds, but also introduce an original approach to how children play and learn.

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As part of the design program at AGO Projects—a multidisciplinary space focused on promoting design, photography, and architecture, based in New York, which opened its doors in Mexico City just a few weeks ago—the exhibition "Otro Reino" has opened. The showcase features previously unseen and well-known pieces by Isabel Abascal and Alessandro Arienzo's architecture studio, LANZA Atelier, and is complemented by "Neo-neo," a collection of ceramics based on urban concrete accidents by MT Objects.

The Rifa Housing Competition is a historically celebrated event in Uruguay that gives new generations of architects from the Faculty of Architecture, Design, and Urbanism (FADU – UdelaR) the real opportunity to design and build a project. Every year, the Arquitectura Rifa travel groups organize this competition to reflect the state of the discipline, offering a perspective on contemporary living and how it is conceptualized within the school.

On December 4, the opening of the Provincial Preliminary Design Competition for Cultural Spaces in Villa Carlos Paz took place. 

The format involved intervening in three emblematic urban spaces under a single competition, but with individual prizes awarded for each site. The goal was for participants to achieve aesthetic and architectural proposals that would transform each space into a city landmark.

These are the three winning projects:

Spaces and their designated uses are connected through circulation. When navigating the vertical axis, stairs, ramps, and elevators function as the primary systems of movement. Some view these architectural elements as protagonists in spatial configuration.

Stairs undoubtedly span the entire spectrum from mere utility to sculptural installations. The stairs designed by the Bogotá-based firm Yemail Arquitectura are no exception.

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On Thursday, October 3, a new space called Design House opened in Mexico City, showcasing a series of interventions that integrate disciplines such as design, architecture, and interior design. Over the past nine years, the initiative has presented cutting-edge proposals from more than one hundred participating firms across various properties. These projects are created in collaboration with showrooms from the Design Route (Ruta del Diseño), which provide the design firms with the pieces and accessories that make up their diverse proposals.

The construction company GAYA and SCI-Arc, one of the world's most prestigious architecture schools, have awarded David Aizenman the inaugural “GAYA Talent Scholarship” to study architecture in Los Angeles, starting this August.

SCI-Arc, considered one of the most cutting-edge architecture schools not only in the United States but globally, is dedicated to finding radically new answers to the real-world needs and aspirations of today. The school comprises 500 students and 80 faculty members, who work together in a flexible, non-hierarchical environment to challenge established norms, create, explore, and push the boundaries of architecture.

Architect Rodrigo Rieiro Díaz, writing for the Collective ARKRIT, explores the values of community living in Stacken, a cohousing project built in Sweden in 1979. The project became the country's first housing model based on self-management, community labor, and feminism, challenging established social relations and presenting collective living as an attempt to move beyond the standard family model.

Many pioneers are ill-timed, arriving too early. José Miguel de Prada Poole [1938-present] is no exception, occupying his place in history as one of the most unique, unconventional, and highly individualistic architects of the 20th century in Spain. A pioneer of pneumatic architecture, his approach was undoubtedly shaped by the pop trends of the era, represented by figures like Archigram, Archizoom, or Team 10. He was always peculiarly interested in the avant-garde's “mobile and deployable work,” specifically exemplified by structures capable of providing variable responses to changing uses. Ultimately, he can be considered one of the first architects to introduce concepts like "sustainability" into a purely architectural context: all of his works minimized energy consumption or were capable of generating microclimates on their own. 

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Through sculpture and drawing, Ivan Kurov (Mexico City, 1982) explores nature and transformation in their broadest definitions. While the former allows him to study the chemical properties of materials and the physics of objects, his paintings frame the confrontation between the organic landscape and the intervention of human architecture. For Kurov, art in its fullest sense is achieved outside of discursive intention, occurring when the hand works the material without the mediation of a concept. Consequently, his pieces emerge from the autonomy of processes and from matter in the freedom of its essence. The result is spontaneous and fluid, much like the artist's own conversation.

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Born out of an initiative to provide a space dedicated to studying Mexican design, 'Clásicos Mexicanos' is a Mexico City-based gallery run by art historian Aldo Solano Rojas—a specialist in modern Mexican furniture, curator of the exhibitions, and head of historical research—and Mónica Landa, a communications professional interested in promoting Mexican culture who carefully directs the gallery.