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As is well known, the year 2015 saw a boom in coworking spaces—a type of shared office that typically operates in an open environment (though some companies offer closed offices), located either across entire floors of high-rise buildings or in repurposed historic sites adapted for these new ways of living and working. These new setups speak to a professional community in the midst of self-reinvention, where an increasing number of entrepreneurs, freelancers, and small businesses seek affordable spaces that offer networking opportunities in cooperative environments. These shared workplaces provide access to resources such as high-speed internet, desks, chairs, lamps, filing cabinets, printers, copiers, kitchens, and phone booths in strategic urban locations.

Is there a future for our cities if we do not adopt a sustainable way of life? For some time, urban sustainability has been approached more from the perspective of climate change than from a holistic vision that integrates society and how we live as a community.

What new ways of living are we experiencing amidst today's social, economic, and ecological shifts? We must bring to the table the various reference cases emerging around the world to understand the latest trends in how we inhabit our cities.

For several years, the global context of energy and ecological crises has resonated across various disciplines, and architecture has been no exception. Consequently, a crucial question arises: how do our buildings help mitigate these issues? In this context, the global architectural scene has been flooded with buildings addressing these challenges through heavy technological dependence. In their bid to tackle environmental problems, some have forgotten that architecture can offer a synthetic response through an understanding of place and the deliberate manipulation of form, matter, and energy. 

Originating as protection against low temperatures around 3,500 years ago, carpets and rugs have, over time, evolved into a true art form, reaching a high level of specialization by the 16th century. Rugs, carpets, and tapestries of various shapes, colors, textures, and patterns are integrated into different areas of the home to meet users' needs and enhance spatial comfort, sometimes extending far beyond their original purpose.

Architectural works from around the world are the primary inspiration for Erika Moreno, the creator of HUAJJE, a digital illustration project. The project was born in 2019, a year after Moreno completed her architecture degree in Tijuana. “The project started by accident; my only goal in making these drawings was to learn how to use more Photoshop tools—it was a personal challenge.” To document her process, she decided to open an Instagram account, which has since fostered an organic community that shares and supports her work. This has encouraged her to overcome her fears and even host workshops on the subject in various formats.

Today, understanding the properties of materials used in vernacular construction is essential to ensuring a better quality of life and spatial habitability, both of which have evolved alongside new technologies in the market. Spatial design now represents a commitment to the natural environment and, consequently, to improving quality of life.

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From NFTs and the Metaverse to the productivity benefits of real-time rendering, this year presents a prime opportunity to discuss the latest trends in visualization.

With this in mind, we want to open the debate and hear your thoughts on the following questions: How much can we learn from other related industries such as cinema, video games, and industrial design? How can architecture contribute to and advance the world of visualization?

Delivering productivity levels up to 50% higher than previous models, HP introduces its new range of HP Latex large-format printing solutions. The series consists of four devices—the HP Latex 700 and 800, and the HP Latex 700W and 800W—introducing white ink printing to this category for the first time. Print jobs executed by this new series will not only deliver brighter colors and finer details, but will also do so at even faster printing speeds, reaching up to 36 m2 per hour.

With more than 11,000 years of history, brick is one of the oldest building materials. In fact, replacing sun-dried mud blocks, the Romans were the first to experiment with fired clay masses in new structural forms such as arches, vaults, and domes. Although the dimensions and manufacturing methods of this small module have evolved over the years, its components and classic rectangular shape have undergone few changes, especially considering its long history. The reason is simple: with its warmth, versatility, and outstanding structural properties, brick is a timeless material that never goes out of style.

As the first female architect to graduate in Colombia, in 1945, María Luz Amorocho Carreño is a prominent figure in the country's architectural field. Throughout her career, she approached the profession from diverse fronts, ranging from teaching and public and private design to writing and criticism, most notably for the journal *Proa*. Over a career spanning more than 40 years, she steadfastly championed her ideals within a shifting context focused on achieving modernity, setting a precedent for future generations of women architects. An analysis of her work and legacy offers a window into the diverse roles of the architect, spanning from drafting and construction to research and project management.

While online stores have existed since the democratization of the internet in the late 20th century, the pandemic has marked a turning point in the evolution of e-commerce. In response to mobility restrictions and lockdowns, businesses of all scales were forced to embrace digital transformation, saving time and, in some cases, reducing costs. Furthermore, as more consumers discover the convenience of home delivery, online shopping is likely to continue growing even in the post-pandemic era.

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When we speak of social production, we refer to processes where community leaders are adults who represent and make decisions for their community; however, we often overlook children, who also enjoy and live in these spaces. They are the ones with limitless imagination and creativity, who create scenarios on Mars on a basketball court. They are the ones who hold the best car races in the loose sand of their backyards. They are children who, due to various family or economic circumstances, cannot write a letter, but instead express what they feel and want through the lines they draw.

Italian law never explicitly denied women access to university. Nevertheless, their minimal presence in the 19th century—only 224 women graduated in Italy between 1867 and 1900—demonstrates how a double discrimination, based on both gender and social class, operated through an inherently elitist and dualistic educational system.

It is well known that the construction industry is one of the largest producers of CO2. Although significant progress has been made in technology and in design and construction processes, there is still a long way to go to minimize or nearly eliminate carbon emissions in the development of the built environment. 

Indeed, as revolutionary as the construction industry may seem today, it remains responsible for nearly 40% of global carbon dioxide emissions, 11% of which result from the manufacturing of building materials such as steel, cement, and glass.

What are the latest trends in reducing emissions in both design and material manufacturing? How should the industry transition toward net-zero architecture? These are some of the questions we want you to help us answer. 

"I'm an architect... now what?" must be one of the most common questions for any recent graduate holding an architecture degree. Over the years, many will find jobs in different industries that do not necessarily involve working in an office designing and building buildings.

We visited “Dogon Country” in Mali (latitude 15°N) in 2008 to observe how vernacular “Dogon” architecture (a UNESCO World Heritage site) has achieved the counter-form of lived experiences. We were looking for the coherence between society and dwelling through architecture and urbanism in another dimension and another culture.

Throughout its history, CHC has participated in and supported social projects that improve the quality of life of their residents, while constantly seeking to establish new and better standards that contribute to the construction of spaces. In this particular case, the project led by architect Jaime Ovando integrates public funds through Chile's Habitabilidad Program and the Illustrious Municipality of Paine, along with private contributions from building material companies, the architecture firm, and the construction company, including CHC.

Thinking about the present and future of older adults is essential to improving the population's quality of life. According to the United Nations study on world population prospects, by 2050, it is estimated that 32% of Chile's population will be over 65 years old. According to data from the 2017 National Socioeconomic Characterization Survey (CASEN), 22.1% of older adults in the country live in multidimensional poverty. The connection between architecture and social commitment develops a strategy to combat vulnerability in this demographic.

When addressing the recycling process of construction materials, several obstacles stand in the way of achieving a comprehensive and effective outcome. First, careless demolition can make the process highly complex, as materials destined for different recycling streams are often mixed together. Furthermore, not all materials can be recycled or processed efficiently, as many still require costly or overly complex processes. However, the construction industry—a major contributor to waste production and greenhouse gas emissions—has also developed multiple new technologies to improve its practices. This is where the WOOL2LOOP project comes in, aiming to resolve one of the greatest challenges in applying a circular approach to construction and demolition waste.

El colectivito came into being about five years ago. Lacking both a name and a defined shape, it brought together, in an almost casual way, a group of students interested in critically reflecting on architecture and territory. Its name ironically references the historical moment of its birth: it views itself as just one of countless architectural collectives, adopting a diminutive suffix to reflect its awareness of its own budding development. Today, it serves as a meeting space where architects and architecture students from the province of Misiones, Argentina, share and discuss interests and concerns regarding the architectural culture of the unique region they inhabit.

To honor the life and work of architect Armando Franco—who passed away last June at the age of 100—Clásicos Mexicanos presents the book Armando Franco COLECCIÓN COFRAN (1955-2022). This publication, the result of extensive research by the Clásicos Mexicanos team, brings together biographical data, plans, sketches, designs, and photographs of the most iconic works from the career of Franco, one of the most original and enigmatic Mexican modern architects of the 20th century.

This July 11 marks World Population Day, an annual event established by the United Nations Development Programme (UNDP) in 1990 to raise awareness of global demographic issues. This is a critical issue today; not only is the global population projected to reach nearly 10 billion by 2050, but the latest UN-Habitat reports estimate that, by then, two-thirds of the world will live in cities.

Every year, World Population Review assesses urban growth and the number of residents living in metropolitan areas to understand global development trends. While the list of the 20 most populous cities in the world features recurring Asian hubs like Tokyo, Delhi, and Shanghai, it also includes several Latin American metropolises such as Sao Paulo, Mexico City, and Buenos Aires. Consequently, we have compiled a list of the ten most populous cities in Latin America to understand their growth and role in the global context.

In Peru, communal kitchens (ollas comunes) are self-managed neighborhood initiatives located in vulnerable areas. Driven by the food and educational insecurity triggered by the pandemic, these spaces have assumed a vital role in child development, transforming themselves into neighborhood schools. Within this context, "DIT: Building a Space for Children" emerged—a project selected for the XII Ibero-American Biennial of Architecture and Urbanism. Through this initiative, architects Gian Franco Pedreschi, Sergio Iván Puch, and Jhordano Zabanick, together with the community of the AA.HH. Horacio Zevallos, intervened in the public space adjacent to a communal kitchen in the Rímac district, improving the residents' quality of life.

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Many of us agree with Roman Mars of 99% Invisible when he says that "we tend to not notice well-designed things"—yet many also agree that design is often perceived as being for only a select few. Consequently, we must ask ourselves what is truly democratic when it comes to design, and from there, help define and contribute our vision toward a more just society.

From the perspective of design and architecture, we can approach the democratization of design from various angles—from incorporating design into everyday needs to designing inclusively. At the core of it all lies the search for solutions that improve accessibility and livability in our daily lives.

The construction industry is one of the largest producers of pollutants and waste globally in its daily operations. To put this into perspective, in the mid-1990s in Great Britain, construction processes generated nearly 10 million tons of post-industrial waste. Approximately a decade ago, over 3.5 billion new bricks were used annually, while around 2.5 billion were demolished; of that total, only about 140 million were reused, with the rest sent to landfills.