Architecture News

After conducting a concert at Munich’s Gasteig concert hall, Leonard Bernstein offered a scathing edict for the building: “burn it down.”

The Gasteig’s behemoth structure of brick and mirrored glass never met Bernstein’s decree. Instead, it has stood for decades, garnering vitriol from those who resent its postmodern aesthetic. In a design competition hosted by the Gasteig, seventeen architecture firms have attempted to change the concert hall and cultural center’s public perception with varied renovation schemes.

As part of our 2018 Venice Architecture Biennale coverage, we present the completed Indonesia Pavilion. Below, the curatorial team describes the exhibition in their own words.

What if architecture has no form and shape? It will be freed.

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Even after the death of John Portman & Associates’ namesake architect in January, the firm continues his legacy of innovative and elegant hotel architecture. On Monday, the Atlanta and Shanghai-based firm announced that they had been selected to design a new hotel and residential tower in Xi Shui, China. Portman & Associates’ design, dubbed “Greenland Wuxi 200,” beat out international entries to a design competition hosted by the hotel developer Greenland Hong Kong Wuxi.

Eight sites from the World Monuments Fund’s 2018 World Monuments Watch list have been awarded $1 million in funding from American Express to support much-needed preservation and restoration initiatives. The sites were selected based on their vulnerability to specific threats like natural disasters, climate change or social forces like urbanization that have left them neglected.

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One of the most representative houses by Mexican architect José Díaz Infante that served as an experiment to study urban processes was the 'Earthquake-Resistant House' located at Ámsterdam 270. Also known as 'Kalikosmia,' this house addressed themes that broke with the purist forms common at the time, making it highly controversial. Furthermore, it was the result of an analysis based on the aftermath of the 1985 earthquake in Mexico City.

The Mexican architect defined himself as a "spatial designer," saying, "(...) I am timeless, I am not in history because I am more in science than in style. I do not belong to an era. My work has evolved in accordance with the different structures I have built. I treat each program differently, and in each project, I contribute something that I deny in the next." This was reflected in his career: in addition to being an architect, he collaborated with NASA and studied under Buckminster Fuller. As the designer of major works like the TAPO terminal and the Mexican Stock Exchange, he is today among the forgotten.

Architect Kris Provoost, who lives and works in Shanghai, has captured Atelier Deshaus' new Shanghai Modern Art Museum through a series of photographs, displaying both the details of the building as well as its context on the Shanghai riverfront. The Shanghai Modern Art Museum is an adaptive re-use project on the old Laobaidu coal bunker, its industrial exterior kept and re-interpreted into a contemporary architectural project. Provoost captured the beautiful detailing of the project, as well as how it transforms during the cherry blossom season.

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The Australian Institute of Architects’ Gold Medal recognizes exemplary work by architects who have designed buildings of high value and great distinction, resulting in the advancement of the architecture profession.

This year, Jury Chair Richard Kirk presented Australian practitioner and Emeritus professor Alec Tzannes with the ceremony’s highest honor.

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When you tap an Instagram geolocation, the nine most popular posts in that location float to the top. Sometimes, there's an uncanny similarity to these posts: near-identical pictures of smoothie bowls, tiled floors, or neon signs. In part, a place’s popularity on Instagram is a domino effect—one person posts a picture of a mural (Wynwood Walls, anyone?), and then everyone does. But a new Instagram Design Guide from Valé Architects suggests that some design features might be inherently more Instagrammable than others. Valé’s guide is interesting for its quasi-scientific analysis of Instagram aesthetic, but it also has real implications in the architecture world; a building’s popularity on social media (in this case, its Instagramability) can influence its perception in the non-digital world. Here are some of the traits that Valé says make a space successful on Instagram:

For the second time in 4 years, Charles Rennie Mackintosh’s Glasgow School of Art Building is ablaze. The BBC reports that the fire began at 23:00 BST and it has engulfed a large portion of the building. Thankfully no casualites have been reported, but one eye-witness said the building is ”going up like a tinderbox.”

The competition called for proposals to occupy 70,000 square meters of the Ágora Tech Park complex, as well as the design of its first building, spanning approximately 4,000 square meters. It will be built on a 70,000-square-meter block at the Perini Business Park, across from the UFSC campus in northern Santa Catarina.

One of the organizers' goals was to develop the concept of "Human Smart Cities," where technological infrastructure interacts with and positively impacts people's lives. The competition jury consisted of Gustavo Cedroni, Mário Biselli, Roberto Loeb, Emerson Edel, Marcelo Hack, and Danilo Conti. The contract to develop the project has already been signed. This news renews the optimism of any architect who frequently participates in competitions, believing they are the most democratic way to secure relevant and engaging work, even for young firms like Estúdio Módulo. This efficiency demonstrates the client's commitment to bringing the project to life, unlike the vast majority of competitions. The building is scheduled to open on March 28, 2019.

Discover the winning projects below:

As part of our 2018 Venice Architecture Biennale coverage, we present the completed Latvian Pavilion. To read the initial proposal, refer to our previously published post, "Latvian Pavilion at the 2018 Venice Biennale to Highlight Turning Points in 20th Century Apartment Block Design.”

Black walls and an exposed concrete floor create a mysterious and eerie backdrop for Together and Apart: 100 Years of Living—the Latvian Pavilion curated by urbanist Evelīna Ozola, architect Matīss Groskaufmanis, scenographer Anda Skrējānem and director Gundega Laiviņa.

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The Winnipeg Art Gallery’s Inuit Art Centre has broken ground in Winnipeg Manitoba. Designed by Michael Maltzan Architecture in collaboration with Cibinel Architecture, the 40,000-square-foot scheme is set to become the largest gallery space in the world devoted to Inuit art, culture, and history.

Arranged over four stories, the scheme is an addition to the 1971 museum designed by Gustavo Da Roza, and seeks to form a new cultural landmark for downtown Winnipeg.

Coffee machines and garden gnomes aside, Brutalist fanatics have a new means of expressing their love for the controversial modernist style, with credit to Frankfurt-based artist Guido Zimmermann. His beautifully-crafted “Cuckoo Blocks” reinvent the traditional Black Forest cuckoo clock with a modernist Brutalism inspired by the architecture of the late 1960s.

More than an aesthetic centerpiece for Brutalist fanatics, the clocks are in fact a response to a decline in the middle class caused by increasing rent prices in modern metropolises. 

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The world’s tallest building, the Burj Khalifa, towers at 828 meters in the heart of Dubai’s ever-growing urban core. But just a few hours east of the metropolis, a different kind of monument is garnering tourism to the United Arab Emirates: the Al Hajar Mountains. With its peak at 3,008 meters, the mountain range’s natural elegance rivals the country’s architectural achievements. The Biodomes Wildlife Conservation Centre, a project from Baharash Architecture for the UAE’s Eco Resort Group, seeks to celebrate the mountain range through an ecotourism paradigm.

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The uncontrollable roar of construction sites, the chaotic city streets, the monotony of spending more than 8 hours a day in a cubicle… All these daily grinds can take a toll on the human body and mind. Retreating into nature sounds liberating, however, our dependence on technology makes living off-the-grid almost impossible. Well, what if you could keep your modern lifestyle and sleep in a house hidden in the forest?

IO Houses created The SPACE, a versatile and innovative housing project for people who love nature and want to preserve it, just as much as they love contemporary, luxurious living.

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As part of our 2018 Venice Architecture Biennale coverage, we present the completed Russian Pavilion. To read the inital proposal, refer to our previously published post, "Russian Pavilion at 2018 Venice Biennale to Explore Rich Railway History."

The Russian Pavilion highlights the past, present, and future of Russian railways. The exhibition shows railways as a response to a landscape which is in many places uninhabitable, allowing the people who use them to explore Russia's expansive territories.

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Swedish creative firm Studio Esinam has launched a new cutout shop, offering an aid to architects and designers seeking to enliven renders and visualizations. The studio’s products, including these print elevations of iconic landmarks, are made in Sweden with an emphasis on eco-friendly materials.

In celebration of the launch, the studio is offering a mixed pack of 50 diverse, high resolution cuts outs for free, normally priced at £100. Users can gain access to the offer using the discount code “archdaily” on the cutout shop here during the purchasing process.

The laws of home decor often derive from personal opinion, varying depending on which “expert” you ask. In an effort to uncover the most serial interior design crimes of our time, technology giant Samsung turned to the British public.

In a public vote of 2000 UK adults, Samsung asked participants to vote on the worst interior design trends of the past 50 years. The results are as controversial as they are varied, with a total of 25 trends spanning half a century, and leaving no room intact.