This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

While 2016's Golden Lion-winning project 'The Unfinished' surveyed architecture after the construction crisis, this year's Spanish pavilion will explore architecture's future through the eyes of researchers.

The 'becoming,' an exhibition curated by Spanish architect Atxu Amann, opens its doors to the works and productions of architecture students developed between 2012 and 2017. According to the curators, "becoming makes an allusion to a vector of the future, with a common educational background in the 'EscuelaS,' which extends to other learning experiences in space and time, in dialogue with other disciplines."

Selected along with nine other architects by the Vatican, Carla Juaçaba has shared images of her proposed chapel design as part of the Venice Architecture Biennial, which marks the city-state's first time participating in the largest architectural event in the world.

The proposed chapel design seeks a harmonious integration between the water and trees that surround Venice, with the nearby vegetation outlining the interior space of the chapel. The space between the treetops - which offers a view of the sky - functions as the ceiling of the chapel.

Videos

Louisiana Channel has released a new video interview with acclaimed architect Daniel Libeskind, in which he retraces the story behind his architectural career. In the interview, Libeskind unravels his view of architecture, and the architectural profession, drawing comparisons between architecture and music, while reflecting on the adherence to legislation and inherent optimistic outlook required to practice architecture.

In the 30-minute in-depth interview, Libeskind guides observers through his childhood, the roots of his architectural career, and reflects upon his most noted schemes, including the Jewish Museum in Berlin and the World Trade Center Masterplan in New York.

The New York City Public Design Commission and Mayor Bill de Blasio have announced the 11 projects selected as winners of their 2018 Awards for Excellence in Design. Established in 1983, the award has been bestowed annually to projects from the city’s five boroughs that “exemplify how innovative and thoughtful design can provide New Yorkers with the best possible public spaces and services and engender a sense of civic pride.”

The 2018 awards recognized projects which responded to the de Blasio Administration’s commitment to providing an “equitable, resilient, and diverse city for all New Yorkers.” All five New York boroughs feature in the awards, with schemes encompassing education, culture, art, and recreation.

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As La Biennale prepares to open to the public this Saturday May 26, PLANE—SITE spoke to curators Yvonne Farrell and Shelley McNamara about this edition’s theme, Freespace. They move beyond architecture as an object, instead imagining Freespace as an invitation to think about architecture as a space of opportunities. Literally and metaphorically, Freespace presents environments of generosity, accessibility and freedom and celebrates the rich civic experiences that they create.

There is no female pronoun for architect in Italian, so a new project, Architette, was born aiming to professionally promote the female title in Italian. The project's objective consists of monitoring all-male juries and conferences, mentoring young generations on the ground to advocate for a more heterogeneous and fair professional landscape, where women can be an inspirational reference in architecture. 

Applications are now open for the 2018 social housing public call from CAU/GO . Projects for housing for families with incomes of up to three minimum wages can be submitted until June 29.

Across the country, in addition to the housing deficit, there is a high rate of substandard housing. For this reason, the public call supports both new construction and renovation projects.

Dr. Yael Reisner of Yael Reisner Studio, London, was selected as head curator for the 2019 Tallinn Architecture Biennale titled: “Beauty Matter: The Resurgence of Beauty." The architect’s winning proposal rejuvenates the importance of beauty, reflecting on how after almost 8 years of beauty being a tabooed subject, a cultural shift has changed its perception. The selected assistant curator will be Johanna Jõekalda, who has previously advised on the Estonian architectural scene and its socio-political-cultural features.

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The curatorial proposal for the Mexican Pavilion at the 16th International Architecture Exhibition of the Venice Biennale emphasizes the geographical, imaginary, and cultural weight of Mexican architecture. The pavilion responds to the theme Freespace—set by the Biennale's Artistic Directors, Irish architects Yvonne Farrell and Shelley McNamara—and establishes the connections expressed through interaction with the intangible and the integration of cultural heritage in
architecture.

The Mexican Pavilion in Venice not only highlights the echoes between the territory and architectural thought of 21 participants, but also the voice and vision of those whose careers have listened to and captured the understanding and vulnerability currently represented by the morphology of a challenging territory for architecture.

“Today, design has become a form of inquiry, power, and agency,” say Jan Boelen and Deniz Ova, curator and director of the 2018 Istanbul Design Biennial. “It has become vaster than the world itself, permeating all layers of everyday life.” Their curatorial statement for the 4^th Istanbul Design Biennial, which opens later this year themed with the title “A School of Schools,” seeks to explore how design education, and education in general, can evolve and adapt in a new age of artificial intelligence.

The team is determined that the Biennial should not read as a two-year scheduled event, but should “reinvent itself and become a productive, process-orientated platform for education and design to research, experiment, and learn in.” The team is undoubtedly well equipped for the challenge.

A BBC investigation has alleged that the insulation used in the refurbishment of London’s Grenfell Tower, which was tragically destroyed by fire in June 2017 with the loss of 72 people, never passed a fire safety test, and was unfit for use.

The BBC Panorama program, which aired on Monday night, concluded that the manufacturer Celotex “used extra fire retardant in the product that qualified for the safety certificate,” with the more flammable produce then sold for public use. According to the BBC, Celotex is yet to deny the program’s allegations.

Havana is often referred to as a time machine that transports visitors to a particular moment in history, seemingly frozen in time. While it is a city that boasts an exhaustive timeline of imported styles, Havana in the present day is not defined by a singular historical era—either in its political climate or in its architectural zeitgeist.

Over the decades, the Cuban Revolution has had powerful domestic and international repercussions. In particular, it transformed Cuba’s relationship with the United States. But efforts to improve diplomatic relations have gained momentum in recent years, with the teetering lift of the embargo that exacerbated a David and Goliath situation and left a lasting economic impact on the Cuban people. Havana’s skyline has hardly altered since the fall of the Soviet Union, and the city became shut off from the rest of the world, having to rely heavily on its own resources. Today, the government in Havana occupies the gap between the last stance of post-Cold War communism, and the looming influence of Capitalism, a situation which reveals itself in the variety of distinct architectural styles. These seven sites in the island nation’s capital best explain the story about where Havana has been, and offer a prediction as to where it may head next.

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One year after the launch of Resilient by Design's Bay Area Challenge, led by TLS Landscape has presented the final nine design concepts. The Bay Area Challenge launched with a call to action to "bring together local residents, community organizations, public officials and local, national, and international experts to develop innovative solutions that will strengthen our region's resilience to sea level rise, severe storms, flooding, and earthquakes." The idea formulated as a “blueprint for resilience” that can be replicated and utilized locally and globally. Other urban challenges will also be addressed, including housing, transport, health and economic disparity as a means of not just protecting the current regions, but strengthening them.

The elite, collaborative teams include world-renowned designers like BIG, Mithun and HASSELL+.

Read on for more about each of the final design concepts.

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If you think you’ve seen this handsome fella before, you have; except he was wearing a flashy red hat and an old blue robe, attempting to protect your house from thieves. Luckily, gnomes have gotten quite the modern makeover. Thanks to the collaboration between Plato Design and designer Pellegrino Cucciniello, you can finally get rid of the kitschy little guy, and replace him with NINO, the modern, brutalist gnome.

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As part of our 2018 Venice Architecture Biennale coverage we present the proposal for the Estonian Pavilion. Below, the participants describe their contribution in their own words.

Estonian Pavilion curators, Laura Linsi, Roland Reemaa and Tadeáš Říha, explore the spectrum between the explicit representation of the monument and the implicit politics of everyday architectures: from the triumphal column to the pavement beneath it, through all that is in between. The title itself – Weak Monument – is an oxymoron, a rhetorical device that offers fresh perspectives on how to recognize politics in any built form.

Prix Versailles is an international recognition promoted by UNESCO that addresses architecture and design—both interior and exterior—of commercial projects across four categories: shops, shopping malls, hotels, and restaurants. Its goal is to foster a better interaction between commercial and cultural spaces, highlighting the few examples that successfully achieve this.

This year, competing against numerous finalist projects from six major continental regions, the Porcelanosa Grupo showroom in Santiago, Chile, by Gonzalo Mardones V Arquitectos received the special prize for its exterior design in the shops category.

Discover the project in detail and read the architect's thoughts below.

The Fundació Mies van der Rohe has announced a list of 40 projects that will compete for the Young Talent Architecture Award 2018 (YTAA 2018). The award was established in 2016 to “support the talent of recently graduated Architects, Urban Planners and Landscape Architects who will be responsible for transforming our environment in the future,” and joins the Foundation's European Union Prize for Contemporary Architecture – Mies van der Rohe Award “in promoting high-quality work amongst emerging and established architects through the acknowledgment of the value of good buildings.”

More than 330 projects were submitted from over 118 European, Chinese, and Korean architecture schools, which were narrowed down to a shortlist of 40 projects by an esteemed jury of architects and curators. The YTAA 2018 exhibition is a collateral event at the Venice Biennale, opening on May 24th at the Palazzo Mora, where 12 finalists will be announced. The names of the four winning schemes will become known on June 28th.

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The polls are closed and the votes are in! With nearly 15,000 votes cast over the last three weeks, we are ready to unveil the winners of ArchDaily's inaugural Refurbishment in Architecture Awards. This crowdsourced architecture award, developed in partnership with MINI Clubman, showcases the best refurbishment projects published on ArchDaily throughout 2017, with our readers filtering a 450-strong shortlist down to 15 finalists, and ultimately, three winners.

Reflecting ArchDaily's global reach, the 15 finalists hailed from five continents, with the three winners located in South Africa, Mexico, and the United States. The award therefore demonstrates the global importance of architectural refurbishment as a means of enhancing sustainable urban environments at different scales. 

Without further ado, meet the winners of the ArchDaily's 2018 Refurbishment in Architecture Awards.

London-based AL_A has been appointed for their first Scottish commission: the $55million (£42million) transformation of the Paisley Museum. The brief calls for the revitalization of the home of Paisley’s textile heritage, natural history and art and science collections.

The museum’s transformation is a flagship project for a $135million (£100million) investment in cultural venues by the council governing the city of Paisley, in preparation for a UK City of Culture 2021 bid legacy.

C.F. Møller Architects have collaborated with Kristin Jarmund Architects and Rodeo Architects in the design of a new urban realm at Oslo Central Station in Norway, comprising a square, hotel, and high-rise building. The scheme seeks to create an attractive recreational area around the transport hub, connecting different areas and terrain differences in an organized, efficient flow.

The latest scheme represents a further development of a proposal by C.F. Møller Architects and Kristin Jarmund Architects for the area in a prequalified architectural competition in 2009.

The 21 projects making up the Official Selection of the Mexican Pavilion at the 16th International Architecture Exhibition of the Venice Biennale converge across latitudes, geographical regions, and territorial echoes, rooted in the curatorial concept of "Freespace." In four installments, we will share the work and ideas of each participant representing Mexico in Venice. Read on to discover the fourth part of these projects.

Recently, CCTN Design released renderings of the renovation scheme for the Shougang No. 3 Blast Furnace Museum. The architects have carefully preserved the iconic blast furnace of the original Shougang steel plant, including core industrial structures such as the main body of the No. 3 blast furnace, the hot blast stoves, the gravity dust catcher, and the dry dust collector. By opening up the original main control room that previously blocked the furnace on the west side, the design establishes a clear dialogue between the No. 3 blast furnace complex, the Xiuqi Lake to the west, and Shijingshan Mountain. Below, the design approach for the industrial heritage revitalization of the Shougang Museum is explained through three dialectical relationships.

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Earlier this year, the jury of the Pritzker Prize chose the Indian architect Balkrishna Doshi, also known as B.V. Doshi, or Doshi, as the winner of the 2018 Pritzker Prize. In recent weeks a lot of information has come to light about the winning architect's practice who, as you probably already know, was an apprentice and collaborator of Le Corbusier and Louis Kahn. Being the first Indian architect to receive Architecture's most prestigious award, Doshi has had an active career of more than 70 years, with a poetic architectural style that is based on oriental cultural influences, creating a production that "covers all socioeconomic classes, in a wide spectrum of typologies, since the 1950s," according to the jury's record.

But, can you imagine what it's like to work with Doshi in his firm? We talked with four alumni from the School of Architecture, Art and Design from Tecnológico de Monterrey, who some years ago had the opportunity to travel to India to work directly with Doshi through a professional internship program promoted by the same university. Arturo Acosta, Jeimi Cuendulain, Airam Moreno and Giovanni Llamas tell us about their experience working in the firm, as well as anecdotes that marked them both professionally and personally that helped them see and experience architecture beyond the obvious. Here are their testimonies below:

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Hiroshi Sambuichi's approach to a site entails long-term study and reflection upon the qualities and forces of nature embedded within. His understanding is “deeper and with a finer grain,” explains American architect and member of The Daylight Award jury James Carpenter as one of several reasons why Sambuichi was recently announced as the latest laureate of the nearly 50-year-old Daylight Award in 2018. In Sambuichi's hands, “light becomes timeless, fluid and rich.”

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