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Hiroshi Sambuichi: The Latest Architecture and News

Revolutionary Nature: the Architecture of Hiroshi Sambuichi

07:00 - 30 November, 2018
Naoshima Hall. Image © Sambuichi Architects
Naoshima Hall. Image © Sambuichi Architects

Our world revolves. Not just literally, as it does around the sun, but in nature’s every aspect. Seasons cycle into each other (though more erratically each year), waves trace and retrace the beaches with the shifting tide, flowers open, close, and turn to follow the path of the sun. Even we are governed by these circular natural systems. Maintenance of our circadian rhythms, a human connection to light, is so essential to our health that it is a required element in many contemporary building codes. 

Hiroshi Sambuichi Wins 2018 Daylight Award for His "Timeless, Fluid" Treatment of Light

04:00 - 21 May, 2018
Hiroshi Sambuichi Wins 2018 Daylight Award for His "Timeless, Fluid" Treatment of Light , The Water - Installation in the Cisterns of Frederiksberg. Image © Jens Markus Lindhe
The Water - Installation in the Cisterns of Frederiksberg. Image © Jens Markus Lindhe

Hiroshi Sambuichi's approach to a site entails long-term study and reflection upon the qualities and forces of nature embedded within. His understanding is “deeper and with a finer grain,” explains American architect and member of The Daylight Award jury James Carpenter as one of several reasons why Sambuichi was recently announced as the latest laureate of the nearly 50-year-old Daylight Award in 2018. In Sambuichi's hands, “light becomes timeless, fluid and rich.”

Naoshima Hall. Image © Shigeo Ogawa Rokko Observatory. Image © Sambuichi Architects Miyajima Misen Observatory. Image © Sambuichi Architects Inujima Seirensho Art Museum. Image © Daici Ano + 12

On Jørn Utzon's 100th Birthday, 11 Prominent Architects Pay Tribute to the Great Architect

09:30 - 9 April, 2018
© <a href='https://www.flickr.com/photos/seier/5958688179/'>Flickr user seier</a> licensed under <a href='https://creativecommons.org/licenses/by/2.0/'>CC BY 2.0</a>
© Flickr user seier licensed under CC BY 2.0

Today marks what would have been the 100th birthday of the leading Danish architect, Jørn Utzon. Notably responsible for what could be argued to be the most prominent building in the world, the Sydney Opera House, Utzon accomplished what many architects can only dream of: a global icon. To celebrate this special occasion, Louisiana Channel has collaborated with the Utzon Center in Aalborg, Denmark to put together a video series to hear prominent architects and designers talk, including Bjarke Ingels and Renzo Piano, about their experiences with Utzon and his work—from his unrivalled visual awareness of the world, to his uncompromising attitude that led him to create such strong architectural statements.

Unlike many architects around at the time of Jørn Utzon, who as modernists rejected tradition in favour of new technologies and orthogonal plans, Utzon combined these usually contradictory qualities in an exceptional manner. As the architects recount, he was a globalist with a Nordic base, that has inspired the next generation to travel the world and challenge their concepts. Many of them compare his work to Alvar Aalto’s, as both shared an organic approach to architecture, looking at growth patterns in nature for inspiration. Utzon even coined this approach "Additive Architecture," whereby both natural and cultural forms are united to form buildings that are designed more freely.

Hiroshi Sambuichi: "I Take Something that People Already Like, and Make Them Even More Aware of It"

09:30 - 19 November, 2017

In this extended interview from the Louisiana Channel, Japanese architect and experimentalist in sustainable architecture Hiroshi Sambuichi explains how he integrates natural moving materials—sun, water and air—into his architecture. A rare symbiosis of science and nature, each of his buildings are specific to the site and focus on the best orientation and form to harness the power of Earth’s energy, particularly wind. Two of his projects displayed in the video, the Inujima Seirensho Art Museum and the Orizuru Tower, force a contraction of air to make it flow faster and circulate with you through the building, while the Naoshima Hall takes a more sensitive approach due to the nature of the building, reducing the wind’s velocity as it passes.

Hiroshi Sambuichi: I Take Something that People Already Like, and Make Them Even More Aware of It Courtesy of Louisiana Channel Courtesy of Louisiana Channel Courtesy of Louisiana Channel + 19

Hiroshi Sambuichi Reflects Upon His Hometown of Hiroshima, And Why It Became Green Again

04:00 - 22 September, 2017

When a city really becomes one with the air, water and sun I am sure that people will feel the vitality of this. To create cities where this is not lost is a very important message I want to convey to the world.

In this video from the Louisiana Channel, Japanese architect Hiroshi Sambuichi reflects on the Japanese city of Hiroshima—his home town—and the ways in which it has undergone a radical transformation following the atomic bombings of the Second World War. Known primarily for his interest and work in the field of sustainable design and building, Sambuichi describes how "the power of nature"—allowing flora and foliage, water and air to rapidly reclaim swathes of the built environment—has been central to the city's recent urban success.

Hiroshi Sambuichi: Architecture Begins with "Water, Air and Sun"

15:20 - 7 June, 2017

In my work as an architect, my idea is to bring out the beauty of a specific place. The sun, the water and the air at that specific place. Thus my architecture will make the place as beautiful as possible. What interests me most is to bring out the beauty of a place. That’s why I spend a long time exploring the moving materials of the specific place.

In this video from the Louisiana Channel, Japanese architect Hiroshi Sambuichi explains his approach to design through observation and reverence for the natural conditions of an existing site, as seen in his recently completed installation, ‘The Water’, currently on display at the Cisterns Museum in Copenhagen, Denmark.