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What happens when the sensor-imbued city acquires the ability to see – almost as if it had eyes? Ahead of the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions," ArchDaily is working with the curators of the "Eyes of the City" section at the Biennial to stimulate a discussion on how new technologies – and Artificial Intelligence in particular – might impact architecture and urban life. Here you can read the “Eyes of the City” curatorial statement by Carlo Ratti, the Politecnico di Torino and SCUT.

Architectural practice naturally results in an extraordinary accumulation of visuals and archival media that demand sorting, cataloguing, and organizing at a certain moment in time in order to avoid their amorphous accumulation to invade the working order of a firm. Tagging, numbering and classifying the accumulated traces of architectural creativity and data, has become a way of organizing the log of creative options and scenarios developed in practice, a directory of successful examples and of failures, all arranged to be used as a self-referential working catalogue of options that may be mobilized at any moment in time. 

Log 47 reconceives architecture’s role in climate change away from sustainability and solutionism and toward its formal complicity and potential agency in addressing the crisis. In this excerpt from her introductory essay, guest editor Elisa Iturbe defines carbon form as a necessary new way of understanding architecture and urbanism in order to develop a new disciplinary paradigm.

Until now, most environmental discourse in architecture has focused on carbon as a by-product of building and construction, making it seem that at the ecological brink, the most pressing concern is energy efficiency. This stance compartmentalizes the discipline and dislocates the origin of the climate crisis from the dominant political, economic, and spatial organizations that are its cause. In response to this dislocation, Log: 47 Overcoming Carbon Form reconsiders the link between architecture and climate by exploring the reciprocity between energy and built form. To do so, energy must be understood beyond its technical capacity, viewed instead as a political and cultural force with inevitable spatial repercussions.

Angola, like many African countries, is experiencing a process of rapid urbanization. For the most part, these changes are happening under little to no regulation, filling cities with spaces that lack the infrastructure to provide a basic quality of life for residents. However, in spite of this unregulated development, it's worth noting the quality of contemporary architecture being produced in the second-largest Portuguese-speaking country, where projects draw inspiration from the strong local identity and blend with modern materials and technology.

In this article, we highlight 4 current projects in Angola. While it is a small sample, not only from the capital city of Luanda, but from smaller cities as well, it showcases the richness of Angola's local architecture--an art form that deserves worldwide recognition.

At first glance, it seems that Apple's strong retail design has derived from consistent design. But since Steve Jobs opened the first Apple Store in 2001, the brand has changed its store and lighting design concept five times. Thereby change appears as a central factor when a brand grows and expands internationally. For each period Apple developed sophisticated details and has strived for the perfect sky in their store - a smart strategy to enhance naturalness and sustainability.

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When it comes to commercial and industrial buildings that need to stand the test of time, wood is proving it has the necessary resilience and strength, while offering unique advantages over steel and concrete. In retail and office spaces, wood not only offers remarkable durability, but introduces a much-desired aesthetic warmth once absent from such environments. Adding mass timber to these spaces is a kind of modern-day revival of the century-old timber post-and-beam buildings of the past. What’s old becomes new again, but with all the state-of-the-art technologies and sustainable features expected in today’s commercial buildings.

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Architectural Photographer Laurian Ghinitoiu recently won in three categories in the Architectural Photography Awards 2019. The categories where he received awards were Social Housing, Exterior and Buildings in Use.

What started as a curiosity for Ghinitoiu, photography, through hard work and passion soon became a lifestyle and a continuous journey around the world. To date, this journey, has allowed him to receive an improved and more complex understanding of architecture, where he documents the built environment.

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What happens when the sensor-imbued city acquires the ability to see – almost as if it had eyes? Ahead of the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions," Archdaily is working with the curators of the "Eyes of the City" section at the Biennial to stimulate a discussion on how new technologies – and Artificial Intelligence in particular – might impact architecture and urban life. Here you can read the “Eyes of the City” curatorial statement by Carlo Ratti, the Politecnico di Torino and SCUT.

Cities, as Goethe had already pointed out, should be understood as continuously developing 'forms in motion' (see Batty 2018). In the past, technological developments and our hopeful, as well as our dystopian imaginations of them, have been one of the main sources of kinetic energy to kick-off the shapeshifting processes of urban transformations. Most of the time with unexpected side-effects, evolving center stage in retrospect.

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Frederico Babina is an Italian architect and graphic designer who creates artwork that focuses on the abstract replications of famous imagery and buildings. Through a strong focus on geometry and form his work represents a sense of innocence, inexperience and spontaneity throughout.

This article was originally published on Common Edge.

Conversations around resiliency today seem to imply that planners and designers might be capable of—might even be expected to—save every building and public space at risk. The sad truth is, however, that we cannot, and perhaps we should not. Climate change and its attendant sea level rise will radically redraw urban edges, forcing us to make difficult decisions. Even if we had the vast sums of money required to protect the precarious status quo, that might not be enough to stave off the inevitable.

So, then: What are our priorities? How do we choose what to save? How do we responsibly chart this uncertain future? I believe the answers to these and similar questions should begin with an honest assessment of three essential considerations:

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Open More Doors is a section by ArchDaily and the MINI Clubman that takes you behind the scenes of the world’s most innovative offices through exciting video interviews and an exclusive photo gallery featuring each studio’s workspace.

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Use the term ‘volume builder’ in front of an architect, and there’s a fair chance they’ll shudder. Conjuring a vision of homogenous, mass-produced boxes squished together, ruining the look of leafy suburbs traditionally populated by impeccably designed homes, volume building is often seen as the poor cousin.

However, not all volume builders are cut from the same cloth.

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More than 5.000 architecture projects were published in ArchDaily this year.  Year after year, we curate hundreds of residential projects, and as we know our readers love houses, we compiled a selection of the most visited residential projects published on the site. 

Set in various locations around the world, in urban, rural, mountain and beach landscapes; a variety of structural designs, from traditional masonry to the most technological prefabricated systems; from small dwellings to large houses and materials such as concrete, wood, and bricks as the most used. We also found their design and typology solutions were very much aligned with their specific settings and all of them share a strong dialogue between the house and nature, whether it is its direct surroundings or the introduction of green into a more condensed urban setting. 

This selection of 50 houses highlights the most visited examples during these twelve months and, according to our readers, were the most attractive in innovation, construction techniques, and design challenges. Check them out below:

Relatively unknown outside his home country, Clorindo Testa (December 10, 1923 – April 11, 2013) was one of Argentina’s most important 20th-century architects. Consistently defying categorization, Testa had a hand in two of Buenos Aires’ most iconic buildings, the Bank of London and South America, and the National Library, as well as many others throughout his long career. Characteristically enigmatic, Testa would only ever acknowledge Le Corbusier as an influence, saying, “I never paid attention to other architects.” As a former colleague Juan Fontana described, Testa spoke the language of brutalism with an Argentine accent.

Seeking international projects that combine sustainable construction practices with architectural excellence, the LafargeHolcim Awards are open for entries to their 6th cycle through February 25, 2020. The Awards offers a total of $2 million USD in prize money to projects and concepts from architecture, engineering, urban planning, materials and construction technology, and related fields.

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Humans spend almost 90% of the time indoors; that's approximately 20 hours a day in closed rooms and 9 hours a day in our own bedrooms. The architectural configurations of these spaces are not random - that is, they have been designed or thought of by someone, and are at least slightly "guided" by the conditions of their inhabitants and their surroundings. Some people inhabit spaces specially catered to their needs and tastes, while others adapt and appropriate designs made for someone else, perhaps developed decades before they were born. In either case, their quality of life may be better or worse depending on the decisions that are made. 

Understanding the importance of carefully designing our interiors, particularly through the lens of access and enjoyment of natural light, was the purpose of the 8th VELUX Daylight Symposium, held on October 9 and 10 of 2019 in Paris. This year, more than 600 researchers and professionals attended and reaffirmed the importance of natural light, presenting a series of concrete tools that could help quantify and qualify light by designing its entry, management, and control with greater depth and responsibility.