Throughout history, San Diego has been a canvas for visionary architects who have left enduring legacies on its built environment. From iconic landmarks like the Geisel Library and the Salk Institute to the dynamic spaces of the San Diego Central Library and the Rady Shell at Jacobs Park, each piece of architecture reveals hidden aspects of the layered history and the spirit of exploration of San Diego.
By December 1956, Mario Soto and Raúl Rivarola received the first prize to build four schools in the province of Misiones, Argentina. That was followed by the first prize for the construction of six hostels, the commissioning of the project for the Escuela Normal Superior N° 1 in Leandro N. Alem, and the first prize for the construction of the Instituto de Previsión Social y Hotel in the city of Posadas. Their works in Misiones, developed within the framework of the process of provincialization of the national territories that took place between 1951 and 1955, have provided the opportunity to study themes such as the link between the State and architecture, the connection between technique and politics, state architecture and avant-gardes, the dilemma of styles, among many others.
Double skin façades: Almost a self-explanatory name for façade systems consisting of two layers, usually glass, wherein air flows through the intermediate cavity. This space (which can vary from 20 cm to a few meters) acts as insulation against extreme temperatures, winds, and sound, improving the building's thermal efficiency for both high and low temperatures. Perhaps one of the most famous examples of double-skin facades is Foster+Partners' 30 St Mary Ax Building, "The Gherkin."
The airflow through the intermediate cavity can occur naturally or be mechanically driven, and the two glass layers may include sun protection devices.
Nowadays, the cycles of change around society and architecture have generated new urban models, emerging technologies, and design trends that underline the need for constant adaptability in all areas. In this context, aspects such as flexibility, reliability, and simplicity emerge as distinctive elements, both in architecture and in the components that constitute it, including materials. This is why lines such as the EGGER Decorative Collection 24+, crafted from wood-derived materials, seek to redefine concepts through a rolling series, updated at most every two years. This dynamic enables a more agile response to new trends, influences, and product innovations that arise in the built environment.
https://www.archdaily.com/1012771/from-wood-stone-steel-and-uni-colors-a-decorative-collection-for-fast-moving-trendsEnrique Tovar
As the architecture industry shifts its focus towards greater sustainability and energy efficiency, many modern projects in the world’s hottest (and getting hotter) environments are unearthing more traditional ways to control temperature, light, and ventilation by learning from the past to save us from the future.
In any architectural design project, the transition from conceptual design to schematic design typically marks the evolution from broad ideas and massing studies to more detailed and refined planning. While this transition may seem straightforward, architects often find themselves facing a bottleneck that complicates the seamless flow of the creative process- particularly due to siloed tools and workflows.
During initial feasibility studies, conceptual surface modeling tools provide fertile ground for shaping spaces and manipulating forms. They allow for quick iterations and facilitate building the essence of the design. However, these models lack the inherent data understood by BIM software like Revit and ArchiCAD. As a result, eventually transitioning to such BIM tools for further detailing leads architects to face a series of technical limitations and rework.
In the highlands of the Central Andes, one finds the "bofedales." Known by some as 'high Andean wetlands,' bofedales are ecosystems and landscapes crucial for water regulation and storage in the Andes. Moreover, they are natural infrastructures that constitute a material and immaterial heritage to address contemporary climate crises and to sustain local Andean communities, which have nurtured them for generations.
https://www.archdaily.com/1012952/bofedales-natural-infrastructures-and-andean-landscapesDiego Vivas
Bricks are part of the collective imagination when thinking about construction. These are elementary, ubiquitous, modular, light, and reliable materials for erecting buildings. However, traditional ceramic block manufacturing relies on burning clay in kilns at high temperatures, often powered by non-renewable fossil fuels such as coal or natural gas. Furthermore, the transportation process significantly increases its environmental footprint, as the materials are heavy and bulky. In light of this, there is a growing interest in alternative construction materials that offer a lower environmental impact and greater sustainability. Soil cement bricks –or Compressed Stabilized Earth Blocks– are a good example of an existing alternative, as they have a smaller environmental footprint due to their use of local raw materials and the elimination of the burning process, while maintaining many of the intrinsic qualities of traditional bricks.
Domino Sugar Refinery / PAU - Practice for Architecture and Urbanism
In the same way that societies transform, times change, and cities evolve, industrial architecture modernizes and technifies, sometimes reaching a state of abandonment or ruin. Understanding its value as a built legacy and being vestiges of technological, social, and cultural changes, the renovation and/or conversion of numerous factories and industrial warehouses can lead to the revitalization, recovery, or growth of various areas in large cities, incorporating new uses and spaces for the enjoyment of their citizens.
Architecture is the design of spaces for human occupation. Despite architects’ skill in designing spaces to influence human behavior there often is a shortfall in anticipating and reacting to occupants’ behavior. To create environments that boost well-being, productivity, and social engagement, a symbiotic relationship between buildings and human behavior must be fostered. The intersection of architectural and anthropological studies forms an insightful framework for the design of physical spaces informed by human behavior and cultural context.
On the 3rd of February, this year's Lagos Biennial opened at the Tafawa Balewa Square, Lagos, an emblematic venue that was once the site of Nigerian independence celebrations in 1960. As the 4th edition of the art fair, it continues with its objective of using art to activate historic landmarks that have lost significance either through functional use or symbolic meaning to the residents of the former capital city.
The previous editions of the Biennial have explored various aspects of the city's architecture, its symbolic significance, political implications, sovereignty, ownership, notions of belonging, and its relationship with the public. This year, the theme of "Refuge" at the Tafawa Balewa Square takes this exploration even further. Curators Kathryn Weir and Folakunle Oshun highlight that this theme prompts the square to address the concept of a nation-state. It also brings together artists and architects from different disciplines to explore alternative approaches to constructing renewable communities and promoting climate justice.
Throughout history, rivers played a crucial role in the social structures of cities. Along riverbanks, communities often congregated for socializing, swimming, and fishing. Swimming in rivers was a popular summertime activity enjoyed by people of all ages. Whether it was the Thames in London or the Seine in Paris, rivers were bustling with swimmers; integrated into urban lifestyles.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina of FAME Architecture & Design share advice and tips for clients with a project that is small and/or has a tight budget. The two discuss the things to look out for when hiring an architect/designer, a contractor, and engineer; material and design constraints; client involvement; workflows; and more.
The private space is usually associated with hiding what goes on inside, allowing people to have certain moments of intimacy. Habitually, bathrooms have been designed for this purpose, reducing openings to a minimum or — sometimes — eliminating them completely.
However, being such an important space within a building, bathrooms have become an object of new exploration for architects. By blurring the limits of privacy — without losing it completely — these spaces are open to the outdoors, allowing the breeze to enter. How does this new experience feel? Check out 30 open bathrooms that play with the feeling of exhibitionism, without fully revealing what is happening inside.
Living in cities built on geographical slopes is a unique and challenging experience. While these areas can offer panoramic views and impressive landscapes, the steep topography presents a series of challenges in terms of urban planning, structural safety, and socio-environmental risks. These cities require special care and solutions in the design of streets, buildings, and infrastructure, as well as an understanding that, for reasons of environmental safety and population well-being, not all areas should be occupied.
When Brenda Mendoza told an NPR reporter about her commute to work, she became the face of the housing crisis in Los Angeles today. Mendoza, a uniform attendant at a Marriott hotel, was living with her family in an apartment in Koreatown, where she had grown up, 10 minutes from her job. The landlord raised the rent, so she moved to a less costly place in Downey. When that rent also rose out of reach, she moved to Apple Valley, and now gets up at 3:30 a.m. to drive 100 miles to her job, dropping off her husband and son at their jobs on the way. She did not move to Apple Valley to invest in a house she could love. She simply found an equally unstable, but slightly more affordable, rental hours from her workplace.
