Architecture News

The World Architecture Festival (WAF) has announced the ten winners of the WAFX prizes, awarded to “future projects that identify key ecological and societal challenges which architects are actively seeking to address over the next ten years.”

This year, participants tackled issues such as climate change, water waste, and aging populations, with winning proposals including river parks in Colombia, a transformed coal plant in the United States, and solar panel fields in the Netherlands.

We’ve rounded up the winners below, along with further information about the upcoming 2018 World Architecture Festival taking place in Amsterdam this November. Tickets for the festival are available online now, with a 20% discount available for ArchDaily readers who enter the code ARCHDAILY20 at checkout. Our site will also have news coverage and live-streams of festival events.

Haysom Ward Miller's Lochside House in the West Highlands has been named RIBA House of the Year 2018. The annual accolade is given by the Royal Institute of British Architects (RIBA) to the UK’s best new architect-designed house. Lochside House was revealed as the winner in the final episode of a special Channel 4 series Grand Designs: House of the Year. The award-winning project was designed as a modest, sustainable home for a ceramic artist on the edge of a Scottish lake.

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Following an extensive day of presentations, panels, critiques, and talks The World Architecture Festival (WAF) has announced the Day 1 category winners in their 2018 programming. Winners are recognized in over 35 categories over the first two days of the conference, which culminates with the announcement of the World Building of the Year 2018 on the third and final day of the conference.

While still early days, the world’s largest architectural award program, the WAF Awards is poised for its biggest year yet, with a total of 535 shortlisted projects from 57 countries across the world.

Bjarke Ingels Group, James Corner Field Operations, and Gensler have released new renderings of the new Oakland Athletics baseball stadium and surrounding development. The new stadium will replace the Oakland A’s existing 51-year-old Oakland-Alameda County Coliseum, which the A’s share with the Oakland Raiders football team. The mega-ballpark includes a waterfront “jewel box” stadium at Howard Terminal and would turn the current Coliseum site into a tech and housing hub.

The design of the USA Pavilion for the Expo 2020 Dubai has been revealed, designed by Curtis W. Fentress and Fentress Architects. Destined to represent more than 325million Americans, the pavilion seeks to “provide a unique platform for [the United States] to come together to showcase the very best of [their] cultural and commercial achievements.”

The pavilion is to be circular in form, with “slants fashioned to project a sensation of movement, making the viewer feel like the building itself is in motion.” The pavilion’s interior will showcase American innovation and technology, including the premiere of the Virgin Hyperloop One ride experience.

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Lima-based architect Karina Puente has created a new series in her personal project: to illustrate each and every "invisible" city from Italo Calvino's 1972 novel. Her collection, which ArchDaily published in 2016, and again in 2017, consists of mixed media collages, drawn mainly using ink on paper, brings together a sequence of imagined places – each referencing a city imagined in the book.

Invisible Cities, which imagines fictional conversations between the (real-life) Venetian explorer Marco Polo and the aged Mongol ruler Kublai Khan, has been instrumental in framing approaches to urban discourse and the form of the city. According to Puente, "each illustration has a conceptual process, some of which take more time than others." Usually "I research, think, and ideate over each city for three weeks before making sketches." The final drawings and cut-outs take around a week to produce.

Puente’s work is set to go on display in the San Miguel de Allende, Mexico on the 2nd February 2019. You can learn more about the project from Puente’s official website here.

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We are pleased to partner with the World Architecture Festival to bring you live streaming of each day's keynote addresses. On Wednesday, tune in for lectures from Peter Cook, Li Xioadong and an impressive group of speakers. Follow us on Instagram at @archdaily to see more updates from our team on the ground.

Architect Gabriel Kozlowski has partnered with Gringo Cardia, Bárbara Graeff, and Tripper Arquitetura to design a structure of floating tree branches for the Brazil pavilion at Expo 2020 Dubai. The pavilion is inspired by one of the greatest technological achievements of Brazil: the improvement of the Direct Planting System over a straw. The design conceptually mimics this scheme through its layered arrangement - soil, an entanglement of protection, productivity - presenting itself as both a building and a symbolic image.

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UNESCO and the International Union of Architects (UIA) have announced the launch of a “World Capitals of Architecture” initiative, seeking to create a “synergy between culture and architecture in an increasingly urbanized world.”

Cities designated as World Capitals of Architecture will become a global forum for discussion on the world’s most pressing challenges “through the prism of culture, heritage, urban planning, and architecture.” UNESCO and UIA will collaborate with local city organizations to organize activities and events promoting buildings, architects, planners, and related sectors.

New photography by Hervé Hôte has been released, showcasing the Frank Gehry-designed Luma Arles complex as construction continues in the French town of Arles. The arts center, situated on a former SNCF rail yard, will offer exhibition, research, education, and archive space within a 46-meter-tall, aluminum tile-clad tower.

Constructed from a concrete core and steel frame, the scheme emerges from a circular glass atrium echoing the town’s Roman amphitheater. The distinctive jagged form above the atrium echoes the region’s rugged mountain ranges, with glass boxes extruding from reflective aluminum panels.

Perkins+Will’s Los Angeles studio has revealed a new dining hall and A-frame cabins for Camp Lakota, a campsite for the Girl Scouts of Greater LA. Located one and half hours north of the city in Frazier Park, the camp master plan proposal was made to create a camp of the future. Completed pro-bono by Perkins+Will, the aim is to support the Girl Scouts’ mission of empowering girls and young women. Perkins+Will reimagined the typical A-Frame layout and wanted them to be both practical and modern for the campers, but still a traditional tie-in to California cabin design.

MAD Architects have revealed their design for a multi-functional complex located in the historical center of Vilnius, the capital city of Lithuania. The project was designed as an "urban sculpture" where anyone can move between underground levels, walk-able roofs, porches and other sightseeing platforms. All public spaces are adapted for the city residents, so the complex benefits not only its users but also the citizens of Vilnius.

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The Venice Biennale 2018 closed to the public yesterday after six months in operation. Curated by Yvonne Farrell and Shelley McNamara, the Biennale was titled FREESPACE and celebrated “generosity, thoughtfulness, and a desire to engage.”

With the exhibition closed, the organizers behind the Venice Biennale have released an impressive roundup of statistics related to the event, demonstrating the Biennale’s role as one of the most influential events in the architectural calendar.

Swedish creative firm Studio Esinam has launched a second edition of their recently-created cutout shop, offering an aid to architects and designers seeking to enliven renders and visualizations. The studio’s products, including these print elevations of iconic landmarks, are made in Sweden with an emphasis on eco-friendly materials.

In celebration of the launch, the studio is offering a new mixed pack of 50 diverse, high resolution cuts outs for free, normally priced at £100. Users can gain access to the offer using the discount code “BFARCHDAILY” on the cutout shop here during the purchasing process.

You can check out a selection of the cutout products below, or on the official website here.

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'Central Community Pavilion' was a response to an invitation to design a variety of temporary pavilions by different creators as a part of Arch Days CDMX and Design Week 2018. For the occasion, three up-and-coming architectural firms have joined forces to design and construct a single pavilion with a common theme. The design process between TO Arquitectura, LANZA Atelier, and Alberto Odériz reinforced the idea of a generation plagued with a certain collective curiosity and concern.

CAA Architects have won first prize in the Maldives Airport Economic Zone competition. Their winning proposal, "Ocean’s Heaven" is a mixed use development made to embrace tropical culture and ocean systems with renewable energy structures in a living belt design. Facing global warming and rising sea levels, the project hopes to create a new model for sustainable development before the Maldives disappear from the world forever.

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MAD Architects has unveiled images of their proposed panoramic viewpoint for the Fenix Warehouse in Rotterdam, commissioned by the Droom en Daad Foundation. The scheme represents MAD’s first public cultural project in Europe, which sees them tasked with uncovering the forgotten history of what was once one of the biggest warehouses in the world.

The viewpoint is to form part of a restoration project of the historic warehouse itself, to be led by Rotterdam-based Bureau Polderman. The scheme is situated on the site of one of the oldest Chinatowns in Europe, on the southern banks of the port of Rotterdam.

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Australia’s largest engineered timber commercial building has opened in Brisbane, designed by Bates Smart. At 10 stories, and 45 meters in height, the “25 King” open plan office complex is the tallest timber structure in Australia, and “establishes new frontiers in the design of commercial buildings.

The scheme’s aesthetic is centered on the goal of “bringing a clear expression of its exposed timber structure to the building’s transparent envelope and promoting a warmer, more natural workplace environment of the future.”

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