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The Beauty of Pre-Oxidized Copper Through 8 Facades

Patinated copper, also called oxidized, is a metal coat that "ages well" with excellent weathering resistance. Due to its capacity for transformation over time, when coming into contact with atmospheric conditions, the material does not require major maintenance, giving a unique aspect to the facades.

In addition to orange-colored plates, this material also gives off a blue / green appearance through a controlled chemical oxidation process. Its coloration is defined by the amount of crystals contained in the surface of the material. With the appearance of natural light, the panels display various shades and nuances of color.

Penda and Smartvoll Design Giant Watermill for Austria's Expo 2020 Dubai Pavilion

Architecture and design practices Penda and Smartvoll have created a giant watermill for Austria's National Pavilion for Expo 2020 Dubai in Dubai. ‘The Source of Everything’ was selected as a finalist in an international competition and marks the first collaboration between Penda Austria and Smartvoll. The project features a supersized mill that circulates water through the pavilion and brings an experience to the desert of Dubai that Austria is famous for: Refreshment.

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Jasmax Designs New Zealand's Expo 2020 Dubai National Pavilion Inspired by Māori Culture

Architecture firm Jasmax has been selected to design New Zealand's National Pavilion for Expo 2020 Dubai. New Zealand will participate in Expo 2020 from October 2020 to April 2021. Expo 2020 Dubai will bring together 180 nations and 25 million international visitors. Over six months, the event will inspire collaboration on global challenges and opportunities. New Zealand’s theme for Expo 2020 is 'Care for People and Place'. The pavilion will feature an exhibition experience, corporate hosting facilities, a restaurant and design store.

WXY Proposes Vertical Manufacturing Buildings in New Brooklyn Navy Yard Masterplan

The New York firm WXY and the Brooklyn Navy Yard Development Corporation have proposed vertical manufacturing buildings in a new Navy Yard masterplan. A series of renderings show plans for the next phase of development, including high-rise structures with 5.1 million square feet of urban industrial space. The $2.5 billion masterplan was first announced in January 2018, and as Curbed NY reports, the master plan and rezoning calls for new manufacturing buildings, increased public access, and more educational programming.

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Life on the Moon, According to 8 Architects and Artists

Following the announcement by SpaceX founder Elon Musk that Japanese billionaire Yusaku Maezawa would be the first paying customer to visit the Moon, the retail tycoon generated further excitement by declaring he would bring between six and eight artists to accompany him.

The “Dear Moon” project would see a painter, musician, film director, and others, accompany Maezawa in order to “dream dreams that have never been dreamed…to sing songs that have never been sung, to paint that which has never been seen before.”

"I Want to Build Lighter": Francisco Gonzalez Pulido of FGP Atelier

After graduating from Tecnológico de Monterrey, a leading technical school in Mexico, Francisco Gonzalez Pulido worked on design-build projects for six years before leaving for the US where he earned his Master’s degree from Harvard’s GSD in 1999. The same year the architect started working with Helmut Jahn in Chicago where he stayed for 18 years – from intern to becoming the president of the company in 2012, at which point he renamed the firm into Jahn. By then he developed his own body of work there. Last year Gonzalez Pulido started FGP Atelier in his adopted home city.

Today the studio, counts a dozen of architects and is overseeing the design of a couple of high-rises in China, a baseball stadium in Mexico City, and university buildings in Monterrey, among other projects. The following interview was conducted at FGP Atelier in Chicago, during which the architect was explicit about transmitting his view: “Architecture is too rigid, too formal. It is time to break free…I want to build lighter. I want to build smarter.”

"I Want to Build Lighter": Francisco Gonzalez Pulido of FGP Atelier - Arch Daily Interviews"I Want to Build Lighter": Francisco Gonzalez Pulido of FGP Atelier - Arch Daily Interviews"I Want to Build Lighter": Francisco Gonzalez Pulido of FGP Atelier - Arch Daily Interviews"I Want to Build Lighter": Francisco Gonzalez Pulido of FGP Atelier - Arch Daily InterviewsI Want to Build Lighter: Francisco Gonzalez Pulido of FGP Atelier - More Images+ 36

Caruso St John’s Ceramic Proposal Wins Hamburg Publishing Headquarters Competition

Caruso St John has won an international competition for a new headquarters for German publishing giant Gruner + Jahr in Hamburg. The winning scheme, chosen over RIBA Gold Medal winners O’Donnell + Tuomey, and Berlin-based ROBERTNUEN Architekten, features “striking green-enameled ceramic struts and three partially covered interior courtyards.”

The 60,000-square-meter scheme will be located in the Lohsepark area of the city, where it will form part of the HafenCity ensemble of office, commercial, and residential buildings.

Kazuyo Sejima: "The Building is About the Size, But Also About the Details"

Kazuyo Sejima, co-founder of the architecture firm SANAA, shared details of their upcoming project the New National Gallery – Ludwig Museum in Budapest at the Hay Festival Segovia in Spain. The 2010 Pritzker Prize winner linked the underlying premise of this project to three iconic museums: the 21st Century Museum of Contemporary Art in Kanazawa (2004), the New Art Museum in New York (2007), and the Louvre Lens in France (2012).

In this conversation, Laszló Baán, General Director of the National Gallery, Budapest and Ministerial Commissioner of the Liget Budapest Project, explained the details of the 100-hectare (247-acre) masterplan at the heart of Hungary's capital city. The Liget Budapest Project will feature ten museums, including Sou Fujimoto's House of Hungarian Music, the expansion of the Budapest Zoo, and SANAA's New National Gallery for Budapest — a museum that will host 19th, 20th century, and contemporary artworks.

Selgascano + FRPO Design Inflatable Canopy for Spain's EXPO 2020 National Pavilion

Architecture firms Selgascano and FRPO have been announced as a finalist in the competition to design Spain's National Pavilion for EXPO 2020 in Dubai. Their proposal includes an inflatable canopy of nine yellow ETFE cylinders set within a steel framework. Reinterpreting the Spanish plaza, the design creates a new take on the public square. The pavilion was made to be ultralight as a more sustainable structure that could be easily removed and transported. Formed as a 'breathing pavilion', the design allows two inflatables to move up and down to respond to views, light and breeze.

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World Architecture Day 2018: Our Editors Celebrate with their Favorite Stories and Projects

Created by the Union International des Architects (UIA) in 2005, World Architecture Day is celebrated on the first Monday of October, aiming to highlight and remind the world of the architecture's collective responsibility in designing the world's future cities and settlements. To celebrate, ArchDaily's editors have chosen stories from the year so far that have interested, excited, or inspired them. Read on to see the stories.

MAD Architects Begins Construction on Mountainous Quzhou Sports Campus in China

MAD Architects have officially begun construction on the Quzhou Sports Campus in China. Led by the Ma Yansong, the team designed the campus as a futuristic landscape with mountains and a lake conceived as a sunken garden. The design connects to the historic city as a surreal, ethereal and tranquil landscape. The 700,000 sqm sports campus combines the functions of a sports park with natural and organic forms to embrace thousands of years of history and culture in Zhejiang.

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Shortlist for the 2018 Architectural Photography Awards Revealed

The shortlist for the 2018 Architectural Photography Awards have been revealed, bringing together 20 atmospheric images of the built environment. Categories this year ranged from a “portfolio of an individual building to a single abstract: with a professional camera or on a mobile phone.”

The 2018 edition saw a record number of entries, with photographs from 47 countries, including the UK (28%), USA (20%), Germany (6%), and China (5%). The 20 photographs were selected from four categories: exteriors, interiors, sense of place, and buildings in use.

Words on the Street: Art, Architecture, and the Public Protest

This article was originally published as "What Marchers Today Can Learn from the May 1968 Protests in Paris" on CommonEdge in May 2018. In the 50 years since the historic and worldwide protests of 1968, much has changed. But today's political climate seems equally volatile, with seismic changes threatening social and political establishments across the globe. Lessons from the past are, to borrow the phrase of the moment, more relevant than ever.

American friends recently sent an email: “What’s going on with the French political system? Why all the strikes? What about the endless protest marches? We’d like to visit you in Paris, but we’re a little wary.”

Architectural Models of Constructive Details: Examples of Representation and Utility

It's not easy to find theory in the implementation of architectural models: a practical model that allows you to analyze and showcase the organization of material elements according to a particular process. They also allow you to detect and modify the key elements of a project while also addressing the project's executive procedures. 

Together with architectonic construction details, the development of the constructive facets is pushed to the background up until the ultimate steps of the design process, but this is also when we identify what is appropriate for a certain stage in the process in order to facilitate a seamless execution.

In the search to bring ourselves closer to the presentation and utility of architectural models, we invite you to take a look at a series of examples:

This Company Designed a House Out of Seaweed with 50% Fewer Resources Than the Average Social Housing Project

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Over the past few months, Quintana Roo's coast has been overtaken by an invasion of seaweed that has put the locals to work cleaning up the beaches as the weeds wash ashore. The work is an exhausting day-to-day ordeal and while the cause of the invasion is still unknown, many point to the changes in climate impacting the Atlantic Ocean. 

Currently, over 60 tons of seaweed has been gathered from the coast and locals are already putting the plants to good use as raw materials for biodigestors, cosmetics, plastics, fertilizers, and pharmaceuticals. However, another use for seaweed has recently come to the public's attention. 

Mood Changers: Why Lighting is The Most Important Design Feature

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Walk into a room bathed in cozy, inviting light and you’ll feel instantly at ease. Walk into the same room buzzing with harsh fluorescents, and your teeth may start to grind.

Why?

In 2014, a Journal of Consumer Psychology study found that the more intense the lighting, the more affected and intense the participants’ emotions were — both positive and negative.

The study included six experiments that examined the link between emotion and ambient brightness. Feelings of warmth increased when participants were exposed to bright light with hints of reddish hues. A sensation of angst increased when bluer light dominated.

And the brighter the light, the more intense the participants’ emotions became. Both the intensity and the color of the light affected people’s moods. 

The Tools You Need to Easily Meet BIM Mandates

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For bpr architects, BIM Level 2 is becoming business as usual. This medium-sized, employee-owned firm based in the UK focuses on how good design can add value to a client’s vision. Led by Directors Paul Beaty-Pownall and Steve Cowell, the firm specializes in three core sectors: higher education, rail stations, and regeneration.

FILMATICA: The Mexican Studio that Explores Architecture and Cinematography

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Founded by Juan Benavides in 2014, FILMATICA is an architectural film studio dedicated to making videos with a curatorial focus. The selection of projects is carried out in order to empathize with the formal interests of the studio, responding to aesthetic spatial conditions surrounded by powerful landscapes. With this in mind, FILMATICA makes a series of narratives that highlight architecture, time, movement, and our journey through the world. Below, a compilation of videos of contemporary architectural works narrated through the lens of Juan Benavides and the FILMATICA team.

Serious Question: Should We Call Them Slums?

Slum. Shanty Town. Favela. Ghetto. Barrio Marginal. Bidonville. The list goes on. 

We have the foresight to understand and predict that demand for shelter in urban environments will continue to expand, perhaps indefinitely, but certainly until the highly-cited prediction that by 2050, more than two-thirds of the global population will live in cities. With this reality, is it time to reassess the way in which we talk about different forms of urbanization?

"I Don't Really See AI as A Threat": Imdat As on Artificial Intelligence in Architecture

Is Artificial Intelligence (AI) the doom of the architecture profession and design services (as some warn) or a way to improve the overall design quality of the built environment, expanding and extending design services in ways yet to be explored? I sat down with my University of Hartford colleague Imdat As. Dr. As is an architect with an expertise in digital design who is an assistant professor of architecture and the co-founder of Arcbazar.com, a crowd-sourced design site. His current research on AI and its impact on architectural design and practice is funded by the US Department of Defense. Recently we sat down and talked about how this emerging technology might change design and practice as we now know it—and if so, would that be such a bad thing?

This article was originally published as "Doom or Bloom: What Will Artificial Intelligence Mean for Architecture?" on CommonEdge. It has been slightly abridged for publication on this platform; the full interview can be read on CommonEdge here.

Re-imagining the Empire State Building in 9 Different Architectural Styles

The iconic Empire State Building, the first construction to have more than 100 floors, went on to define the modern concept of the skyscraper. These images—originally published by HomeAdvisor—allow us to indulge in the brief folly of what the Empire State Building might have looked had it been conceived under a variety of easily recognizable architectural styles.

Winner of ‘Home: What is the Future?’ Competition Announced

Architectural research initiative ‘arch out loud’ has announced the winners of the HOME competition. Entrants were asked to answer the question: ‘What is the future of HOME?’ A winner was identified for each category: Overall, Innovation, Adaptability, and Pragmatism.

As changes in global circumstances give rise to new design and living trends, the traditional definition of the home as a private place of permanence and stability has altered to accommodate these transitions. The competitors were asked to consider these changes, such as the impact of population shifts, the unpredictability of our changing ecosystem, contemporary forms of community housing and community relations, and newly engineered materials.

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The Øm Museum Juxtaposes Archaeological Ruins With A Modern Interpretation of Medieval Monastic Architecture

Denmark’s natural landscape along the shoreline of Mossø lake was once home to a vibrant monastic community. All that remains are ruins and unearthed artifacts - the reminisce of an active, self-sustaining monastic compound.

Galmstrup, a London-based architecture firm that specializes in community and cultural projects, has designed a gallery building to house the excavated archaeological objects and remains on site – maintaining the strong connection between the ruins and the growing collection of artifacts.

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This Week in Architecture: What Makes a Place?

It’s well understood that a sense of place is an essential value for people, architecture, and cities. Everyone from designers to planners to city governments speak breathlessly of the power of places to transform cities for the better - but it’s not clear what placemaking really means.

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