YACademy launches the second edition of Architecture for Wellness, a high-level training course offering 8 scholarships and internships in internationally-renowned architectural firms.
115 hours of lessons, a 30-hour workshop, lectures and placement opportunities in internationally-renowned architectural firms like SIMONE MICHELI ARCHITECTURAL HERO - PARTISANS - TNE ARCHITECTS - CARLOS MARTINEZ ARCHITEKTEN - ANDREA MAFFEI ARCHITECTS - ALBERTO APOSTOLI
Skidmore, Owings & Merrill have been selected along with Tom Leader Studio to design the urban core for the Xiong’an New Area, China’s model city of the future. The winning scheme was selected from 12 finalists representing 10 countries, resulting from an international competition of 200 entries. The SOM and TLS scheme ultimately prevailed for its “global vision, world-class standards, sensitivity to Chinese heritage and culture, and innovative approach to urban design.”
https://www.archdaily.com/919230/som-and-tls-design-chinas-model-city-of-the-futureNiall Patrick Walsh
NASA has created an online library of 140,000 high-resolution photos, videos, and sound clips, all free and available for download. Here is a selection of images for your dose of interstellar inspiration.
Studio Gang has broken ground on the American Museum of Natural History Expansion in New York. Called the Richard Gilder Center, the project held its groundbreaking ceremony on June 12 to kick off construction. Designed by Jeanne Gang, the $383 million Center was first proposed seven years ago. The project was made to link a range of museum buildings for better circulation throughout the campus.
My commitment to pavilions—to the idea of making constructional follies—is connected with needing to develop prototypes and carry out constructional research away from the normal practice of architecture. Without being subject to a client’s brief, the pavilions give me an opportunity to develop and test different methodologies, which is something that has always interested me about teaching. They are investigations into various kinds of context, dealing with urban scenarios and landscapes—they are about making something in space for its own sake, when the guiding idea comes from a reading of place. The pavilions fine tune my engagement with a specific situation, allowing me to see what is essential in terms of an action or construction. I did not set out with the idea of working in series, but as different opportunities came up, the process of designing them became more organic, the language seemed to make sense, and as one thing reinforced another, they took on a life of their own.