The State of Qatar announced on December 4, 2025, the selection of Frida Escobedo Studio, in collaboration with Buro Happold engineers and Studio Zewde landscape designers, to design the new headquarters for the Ministry of Foreign Affairs. Intended to establish a more visible civic presence for the Qatari diplomatic service and provide public access to the Ministry complex, the project is planned for a prominent site along Doha's waterfront, transforming a significant section of the city's Corniche. Situated beside Doha Bay, the 70,000-square-meter (750,000-square-foot) project is conceived as a combination of new construction and the adaptive reuse of the historic modernist General Post Office currently on the site.
Courtesy of The Royal Commission for AlUla | Rana Haddad + Pascal Hachem Reveries, Desert X AlUla 2024
Architecture and design enter 2026 in a moment of renewed experimentation, urgent environmental reflection, and an expanded global dialogue on the built environment. As cities confront the pressures of climate adaptation, demographic shifts, and technological transformation, this year's international calendar offers a lens into how the discipline is responding, creatively, critically, and collectively. From long-standing biennials to newly established platforms, the events of 2026 spotlight architecture's evolving role as both a record of our changing world and a driver of more equitable, sustainable futures.
All architecture is grounded in the earth. This pliant, resilient raw material is the origin of extruded ceramic tiles—clay transformed from its natural state into an architectural solution without relinquishing any of its authenticity. Exagres' work is rooted in this natural material, carefully transforming the clay with skillful precision and guiding it on this journey rather than forcing it.
The fragility—and temporal beauty—of neon has captivated audiences since the early 1900s. First shown commercially by French engineer Georges Claude at the 1910 Paris Motor Show, neon spread rapidly, achieving broad popularity in the United States from the 1920s through the 1950s. Mid-century America saw it everywhere: from the casinos of the Las Vegas Strip to roadside motor inns along Route 66 and the spectacle of Times Square. By the latter half of the century, however, many signs were scrapped or left to decay, and numerous municipalities restricted neon as visually garish or power-hungry—despite the technology's comparatively modest energy use. In the U.S., renewed interest in neon arguably didn't meaningfully return until the early 2000s.
In Hong Kong, by contrast, neon was embraced with unusual enthusiasm at a time when it began to lose popularity elsewhere. Even as installation slowed in recent decades—largely due to updated ordinances requiring removal of overhanging signs whose support structures failed to meet safety standards—the city's affinity for neon never fully disappeared.
Finding the right tools to represent a project idea or carry out a construction job remains an ongoing challenge for architecture and design professionals. While software for drafting, 3D modeling, and calculations has increased precision and efficiency, many architects continue using legacy tools learned in academia or practice—tools that feel familiar, but don't necessarily offer the best design experience. From overloaded interfaces and clunky workflows to endless plug-ins and constant back-and-forth between disconnected software, traditional design tools often reveal their complexity and fragmentation.
Zhu Pei is a Chinese architect born in 1962 in Beijing. He studied at Tsinghua University and UC Berkeley, and founded Studio Zhu Pei in 2005. The studio's experimental work and research focus on contemporary architecture, art, and cultural projects. With an artistic and exploratory approach, it investigates the relationship between the roots that anchor architecture in specific natural and cultural contexts and the innovation that drives architecture as a form of artistic revolution. In his interview with Louisiana Channel, Zhu Pei describes architecture as an artistic discipline that, like poetry, relies on openness, imagination, and the creation of new experiences. He argues that great architecture goes beyond functional problem-solving by generating a sense of wonder through its ability to "invent" and "create some new thing, new experience," positioning architectural practice as cultural and sensory exploration rather than purely technical production.
Athens stands as a city where the legacy of Antiquity is woven into its modern and vibrant urban landscape. World-renowned landmarks of Ancient Greece like the Acropolis and the Parthenon stand as enduring symbols of classical architecture and the city's storied past. These structures reflect the foundational principles of symmetry and balance that have influenced generations of architects and continue to attract scholars from around the world. Yet, Athens is also a thriving metropolis where contemporary architecture coexists with its historical counterparts. Recent developments, led by international firms and local architects, focus on sustainability and innovation while respecting Athens' rich cultural heritage. This duality—preserving the old while embracing the new—reflects Greece's broader urban aspirations, making Athens a focal point in global architectural discourse. The city's architectural evolution also extends to its contemporary architecture and interior design scene, which is gaining international recognition.
To celebrate this architectural evolution, this city guide features Athens's historical landmarks alongside ArchDaily's selection of projects focusing on contemporary architecture, and Designboom's curation of innovative interior designs. Together, they highlight Athens' role as a hub of design innovation.
