Located a few meters from the terminal of Naoshima, the Japanese island better known as the "Art Island", Sou Fujimoto's Pavilion appears as a translucent and lightweight diamond perched on the coastal edge of Kagawa, visible from SANAA's ferry terminal welcoming the visitors to the island.
The Naoshima Pavilion was part of the 2016 Setouchi Triennial. Fujimoto has created its structure with a white painted stainless steel framework, acting as a mesh that gives the polyhedron it's irregular shape and light appearance as if it was levitating from the ground.
You’re a chipper young first-year student, still soft and tender in the early stages of your induction into the cult of architecture. Apart from fiddling with drafting triangles and furiously scribbling down the newfound jargon that is going to forever change how you communicate, you often find yourself planted in a seat, eyes transfixed to a projector screen as your professor-slash-cult-leader flashes images of the architecture world's masterpieces, patron saints, and divine structures.
Soon, you develop a Pavlovian response: you instinctively recognize these buildings, can name them at once and recite a number of soundbites about their design that have lodged themselves in your brain. Your professor looks on in approval. Since we here at ArchDaily have also partaken in this rite of passage, here are 15 buildings that we all recognize from the rituals of architecture school.
Detailed visions of the concept designs from the seven shortlisted teams in the running for the new Ross Pavilion (named for William Henry Ross, the former chairman of the Distillers Company) have been released. Following the announcement of the competition earlier this year—in which the likes of Adjaye Associates, Bjarke Ingels Group, Sou Fujimoto Architects and Reiulf Ramstad Arkitekter were placed in the running alongside local practices, such as Page\Park—the sensitivity and level of restraint behind the majority of the proposals demonstrates the public and national significance of the site, which sits at the heart of the Scottish capital of Edinburgh.
With Design Miami/ Basel 2017 well underway (from June 13-18), ArchDaily has compiled a list of the best architect-designed furniture pieces on display at the event. This year, notable items include works by MAD Architects, Christ & Gantenbien, Trix & Robert Haussman, John Lautner, Jonathen Muecke, Jean Prouvé and Sou Fujimoto.
In this video, French architect and filmmaker Vincent Hecht takes us inside “Rental Space Tower,” Sou Fujimoto’s pavilion at HOUSE VISION Tokyo 2016. Designed in partnership with residential leasing and management company Daito Trust Construction, the structure aims to challenge the conventional typologies of rental housing, maximizing the amount of shared space within the complex.
Check out the video for a look inside the structure, and continue reading for more on the concept behind the design.
From architectural lectures to coverage of local projects and events, The Architectural League of New York presents a wide range of topics through its video series to further its goal of advancing the art of architecture. Through this presentation of some of the world’s most interesting and influential architects, designers, and works, The Architectural League draws international audiences to help shape the future of the build environment by stimulating discussion and provoking design-based thinking.
New images from HOUSE VISION Tokyo 2016 have been released as the event opened to the public this past weekend. This year’s theme, “Co-Dividual: Split and Connect / Separate and Come Together,” explores how architecture can create new connections between individuals, and the ways Japanese housing can adapt to cultural shifts through the implementation of technology.
Lasting for close to two decades now, the annual Serpentine Gallery Pavilion Exhibition has become one of the most anticipated architectural events in London and for the global architecture community. With this year’s edition featuring not just one pavilion but four additional “summer houses,” the program shows no sign of slowing down. Each of the previous sixteen pavilions have been thought-provoking, leaving an indelible mark and strong message to the architectural community. And even though each of the past pavilions are removed from the site after their short summer stints to occupy far-flung private estates, they continue to be shared through photographs, and in architectural lectures. With the launch of the 16th Pavilion this month, we take a look back at all the previous pavilions and their significance to the architecturally-minded public.
In this article, written by Christian Dimmer and illustrated with photographs by Max Creasy, the post-earthquake and tsunami coastal architectural landscape of the Japanese Prefectures of Aomori, Iwate and Miyagi are presented and studied.
Few disasters were as complex and their implications as hard to grasp as the compound calamity of earthquake, tsunami, nuclear meltdown that hit the North-East of Japan on March 11, 2011. While over 500 kilometers of coastline were devastated, the disaster unfolded in each of the hundreds of towns affected differently depending on local topographies, urban morphologies, existing landscape formations, collective memory of past disasters and preparedness, and the social ties within the communities.
Following the success of the inaugural HOUSE VISION Tokyo in 2013, the exhibition is set to return again this summer under the theme of “Co-Dividual: Split and Connect / Separate and Come Together.” Once again curated by Kenya Hara, designer and creative director for minimalist housewares retailer Muji, the month-long event will tackle the objective of “thinking about how to create new connections between individuals,” as well as build upon the topics explored by its previous edition, namely the ways in which Japanese housing can adapt to recent demographic, technological and cultural shifts, and the vision of the house as the intersection between industries.
This year’s exhibition will feature house designs by top Japanese architects such as Sou Fujimoto, Kengo Kuma, Shigeru Ban and Atelier Bow-Wow, each paired with a leading company to envision and implement new strategies in housing design. The houses will be constructed at full-scale, allowing event-goers to fully experience and reflect upon each design.
With the 2016 Salone del Mobile now behind us, Romanian photographer Laurian Ghinitoiu has shared his photos from Milan Design Week, along with his ranking of the top five architectural installations. Read on to see his exceptional collection of images accompanied by short descriptions of each project.
"In this installation for COS, I envisage to make a forest of light," said Fujimoto. "A forest which consists of countless light cones made from spotlights above. These lights pulsate and constantly undergo transience of state and flow. People meander through this forest, as if lured by the charm of the light. Light and people interact with one another, its existence defining the transition of the other."
Columbia University Graduate School of Architecture, Planning and Preservation (GSAPP) hosts a conversation among five of the most influential contemporary Japanese architects: Toyo Ito, Kazuyo Sejima, Sou Fujimoto, Akihisa Hirata and Junya Ishigami. Moderated by Columbia GSAPP professors Jeffrey Inaba and Kenneth Frampton, the conversation aims to explore the relationships and creative exchanges among this prominent group of architects and designers.
Réinventer.paris has announced the 23 winners chosen to develop architectural projects in Paris, including designs by Sou Fujimoto, David Chipperfield, and DGT Architects. Réinventer.paris is an urban initiative launched to give designers the power to rethink and reshape the way that Parisians live, work, and play. Located on various sites chosen by Mayor Anne Hidalgo, each project successfully creates a sense of liveliness and embodies what the future of Paris might be. The call for submissions was answered with ideas about innovation, cutting edge-solutions to environmental problems, and intelligent design.
With recent advancements in building technology, Revolution Pre-Crafted hopes to democratize the design of pre-fab structures, offering a line of products that incorporate the distinct spatial and social brands of the designers. See a selection of the Revolution Precraft line after the break.
Sou Fujimoto Architects' "Architecture is Everywhere" was among the ArchDaily editors' favorite exhibitions in the Chicago Architecture Biennial. The thought-provoking, entertaining collection of mundane objects truly embraced the idea that the public—not solely architects—should be included in the Biennial's celebration of architecture.
Before the fruits of architectural labor are realized, we rarely revel in the seeds cultivated in the minds of architects. It's hard to capture these formative ideas, much less present them in a way that seizes the satisfying moment in which architecture is "found."
The deceiving simplicity of displaying "found architecture" actually imparts a deeper, thoughtful lesson, which Fujimoto has inscribed on an accompanying placard "Architecture could come into being from anywhere. I believe fostering that architecture-to-be into real architecture itself is also architecture."
Akris’ creative director, Albert Kriemler, was introduced to Fujimoto by photographer Iwan Baan while working on the Université Paris-Saclay. From a stance of admiration, Kriemler was thus influenced by Fujimoto’s work: "We share a vision to create an effortless relation between the body and the environment with utmost simplicity. Sou Fujimoto is an architect who understands that we have more senses than just the eye," said Kriemler.