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Pezo von Ellrichshausen's Model of 100 Circles Explores the Diversity of Repetition

Chilean art and architecture studio Pezo von Ellrichshausen’s “Finite Format” exhibition is currently on display at one of the most important cultural sites in the Czech Republic: The House of Art of Ceske Budějovice. Composed of more than 480 paintings (Finite Format) and six ink drawings (Infinite Motive), the installation aims to demonstrate the firm’s “underlying method to understand not only the artistic qualities in a work of architecture but also the architectonic attributes of a work of art,” according to the architects. 

In parallel, Pezo von Ellrichshausen also carried out a workshop with 14 architecture students from the Technical University of Liberec to conceptualize and construct a twelve-square-meter scale model for the "Infinite Motive" installation. Using the circle as the basic element, the architects reflect on how “architectonic intentions may be diluted by means of the repetition of a single figure with a diverse range of dimensions.”

Sign Up Now for Porto Academy 2015

Now for its third year, 's famed Faculty of Architecture of the University of Porto (FAUP) will host "Porto Academy" - a week-long summer session of lectures, workshop studios and trips open to students internationally that provides the opportunity to work with the profession's finest. Planned to take place from July 20th through the 27th, this year's class will have the chance to work closely with the architects of Pezo von EllrichshausenMenos é Mais and many others. See a complete list of participating architects and find more details, after the break. 

Spatial Relations Take Centre Stage in MoMA's Newest Architectural Exhibition

What influence do art and space have on the contemporary architectural design process? MoMA's most recent exhibition on architecture and design Conceptions of Space strives to answer this question. Themed under the umbrella of spatial relations, Curator Pedro Gadanho ruminates on the subject in a broad and philosophical sense. The exhibition delves into the topic using an interdisciplinary approach, incorporating research from French philosopher Michel Foucault on the subject of the expanded field. The exhibition aims to explore the relationship between the development of space and its deep-seated roots in the creative arts. 

Pezo Von Ellrichshausen's Poli House Wins Inaugural MCHAP for Emerging Architecture

Yesterday at the Illinois Institute of Technology's (IIT), Pezo Von Ellrichshausen was awarded the prestigious Mies Crown Hall Americas Prize (MCHAP) for Emerging Architecture. Selected for their finely crafted, concrete Poli House, which serves as both a summer residence and cultural center on the Coliumo Peninsula, the Chilean firm was the first practice ever to receive the prize. 

Siza, Souto de Moura, Kuma Reflect on Their 'Sensing Spaces' Exhibitions

As an accompaniment to their ongoing Sensing Spaces Exhibition in London, the Royal Academy of Arts has produced six wonderful films interviewing the architects involved in the exhibition, unearthing what motivates and inspires them as architects, and what the primary themes of their exhibition projects are.

The above video features both Álvaro Siza and Eduardo Souto de Moura, who both designed their Sensing Spaces exhibits with the other in mind. Siza explains his preoccupation with the joints between the natural and the man-made through his Leça Swimming Pool complex, and the way the rock formations informed his interventions. He also introduces his one-time protégé Souto de Moura's Braga stadium as expressing the same understanding of the natural and man-made.

See videos from the 5 other Sensing Spaces participants after the break

Installation (Blue Pavilion) by Pezo von Ellrichshausen. Image © Royal Academy of Arts, London, 2014. Photography: James Harris Installation by Diebedo Francis Kere. Image © Royal Academy of Arts, London, 2014. Photography: James Harris Installation by Kengo Kuma. Image © Royal Academy of Arts, London, 2014. Photography: James Harris Installation by Li Xiaodong. Image © Royal Academy of Arts, London, 2014. Photography: Benedict Johnson

Seven Architects Transform London’s RA into Multi-Sensory Experience

This past week London’s Royal Academy of Arts (RA) celebrated the opening of, what many claim to be, one of the most “epic” and “enchanting” exhibitions of 2014: Sensing Space: Architecture Reimagined. With a series of large scale installations by some of profession’s most acclaimed architects, such as Eduardo Souto de Moura, and Kengo Kuma, the immersive exhibition creates an atmosphere that encourages visitors to become part of the experience and open their minds to the sensory realm of architecture. 

"Architecture is so often the background to our lives," stated curator Kate Goodwin. "We often don't think about it - it's practical and functional, but when does it do something more?"

A preview of the installations, after the break.

Solo Houses: When Architects Are Given Carte Blanche

French developer Christian Bourdais has enlisted eight architects to develop vacation homes on a 50-hectare nature reserve about two hours south of Barcelona. So far, so normal. However, each participant in the "Solo Houses" experiment was given what every architect dreams of (and hardly ever receives): carte blanche. The results, from the likes of Sou Fujimoto, Pezo von Ellrichshausen, and more, are stunning. See them all after the break... 

Casa Faustino / Didier Faustino. Image ©, via Solo Houses Casa Johnston Marklee / Johnston Marklee. Image ©, via Solo Houses Casa Office KGDVS / Office KGDVS. Image ©, via Solo Houses Casa Pezo / Pezo von Ellrichshausen. Image © Cristobal Palma

Biennial of the Americas 2013: Draft Urbanism

© Cristobal Palma
© Cristobal Palma

Colorado’s Biennial of the Americas has invited artists and architects from across the Americas to participate in the second edition of Draft Urbanism: a citywide exhibition that examines the evolving relationship we have with our cities. This year, four architects - plan:b arquitectos (Colombia), Pezo von Ellrichshausen (Chile), June14 Meyer-Grohbrügge&Chermayeff (New York/Berlin), and Alex Schweder (New York) - were commissioned to each design and build a large-scale installation that address site-specific urban challenges and key planning issues presently facing downtown Denver. 

With urban challenges ranging from Denver’s over abundance of surface parking lots to the effects of an 8-lane thoroughfare that splits the downtown core, these four installations aim to portray a deep understanding of the city’s history while proposing innovative ways in which art can address our urban future. 

Read on to learn about the installations and view a short film for each by Cristobal Palma

Seven Architects, Seven Multi-Sensory Installations Planned for London’s RA

The Royal Academy of Arts’ (RA) in London will soon be transformed into a multi-sensory “architectural maze” with the construction of seven installations by seven world-famous architects for the exhibit, Sensing Space: Architecture Reimagined. Participants, handpicked by curators Kate Goodwin and Drue Heinz, include Alvaro Siza, Eduardo Souto de Moura, Pezo von Ellrichshausen and Kengo Kuma

Spotlight Award: Pezo Von Ellrichshausen Architects

Poli House / Pezo von Ellrichshausen © Cristobal Palma
Poli House / Pezo von Ellrichshausen © Cristobal Palma

The bold, yet seemingly simplistic geometric structures designed by architects Mauricio Pezo and Sofia von Ellrichshausen of Pezo von Ellrichshausen are turning heads internationally, as the Chilean firm has been announced as the recipient of the fourth annual Spotlight Award. Presented by the Houston-based non-profit Rice Design Alliance (RDA), the international award spotlights “exceptionally gifted” architects during the early phase of their professional careers.

2G / Pezo von Ellrichshausen

The monograph 2G presents a new way of approaching Chilean architecture. In the wake of the interesting publications of Mathias Klotz (2G 26, 2003), Smiljan Radic (2G 44, 2007) and Cecilia Puga (2G 53, 2010), now comes that of  Pezo von Ellrichshausen, a firm that has proven itself around the world for its consistently outstanding, contemporary works (you can see some examples here).

Fosc House / Pezo von Ellrichshausen

  • Architects: Pezo von Ellrichshausen
  • Location: Camino El Venado 1130, San Pedro, San Pedro de La Paz, Región del Bío-Bío, Chile
  • Architects in Charge: Mauricio Pezo, Sofia von Ellrichshausen
  • Area: 597.0 sqm
  • Project Year: 2009
  • Photographs: Cristobal Palma / Estudio Palma

© Cristobal Palma / Estudio Palma © Cristobal Palma / Estudio Palma © Cristobal Palma / Estudio Palma © Cristobal Palma / Estudio Palma

Field / Pezo von Ellrichshausen

Photo by Mauricio Pezo
Photo by Mauricio Pezo

Project: Field Location: Arts Quad, Cornell University, Ithaca, New York, USA Client: AAP, Escuela de Arquitectura, Cornell University Architects: Mauricio Pezo, Sofia von Ellrichshausen, Yehre Suh Collaborators: Sae-Jun Ahn, Laura Amaya, Jesica Bello, John Best, Irina Chernyakova, Constanza Cortes, Karen Drummund, Monica Alexandra Freundt, Thea von Geldern, Lisa Hollywood, Amanda Lee Huang, Soyoung Jung, Kyle Keene, Jina Kim, Viola Diane Kosseda, Weonyoung Joy Lee, Chris Leonberg, Timothy Liddell, Jacqueline Liu, Hana Ovcina, Mia Ovcina, Mansi Ajit Pandey, Anna Pelavin, Hilary Pinnington, Mitchell W. Pride, Lorena Quintana, Ashley Reed, Samuel J. Reilly, Landon Gary Robinson, Hira Sabuhi, Johann Schweig, Courtney Song, Jerome Soustra, Rachel Tan, Margarita Urquiza, Mauricio Vieto, Zhiqiang Wang, Christopher Werner, Sonny Meng Qi Xu, Soo Jung Yoo, Milena Zindovic Photography: Karen Brummund, Mauricio Pezo, Irina Chernyakova, Jesica Bello Project year: 2009 Construction Year: 2009 Surface: 30.000 m2 Budget: 3000 USD

This installation establishes an optical exercise extended into a landscape format. Field is a continuous and homogenous installation of 2800 red sacks filled with straw (21” wide x 32” high) that covered the entire Arts Quad of the Cornell University Campus, in Ithaca (NY). The sacks were distributed in a 10 feet by 10 feet regular grid that followed the natural slope of the ground surface.