The son of Portuguese immigrants in Venezuela, Manuel Pita, also known as “Sejkko,” is a scientist and photographer who expresses his creativity on Instagram. In his latest series, “Lonely Houses,” Sejkko’s surreal photos capture the traditional houses of Portugal, edited to “bring them as close as possible to the way my eyes see them,” he explains.
Architects: Victor Neves Arquitectura e Urbanismo
Location: Avenida Engenheiro Eduardo Arantes e Oliveira, 4740 Esposende, Portugal
Project Architect: Prof. Dr. Arqt.º Victor Neves
Collaborators: Arqt.º David Correia, Arqt.ª Carla Anastácio
Project Area: 25500.0 m2
Project Year: 2007
Photographs: Fernando Guerra | FG+SG
180 Creative Camp is back! The 5th edition of the event will take place from July 5-12 in the Portuguese city of Abrantes. One of the leading creative gatherings worldwide, 180 Creative Camp unites some of the world’s most inspiring creators from different areas of artistic expression for a week of creative intersections. Developed by Canal180, the camp combines video, music, photography, design, architecture and urban art. For a second consecutive year, and in partnership with the Municipality of Abrantes, 180 Creative Camp is seeking proposals for an Urban Intervention Project to be displayed in Abrantes’ historic center, as well as 15 “Stores Art Attack” project interventions. Proposals need to be submitted by May 31. Learn more after the break.
Monocle, a briefing on global affairs, business, culture and design, was founded by in 2007 by Tyler Brûlé, the former Editor-in-Chief of Wallpaper*. With over thirty correspondents working around the world, the magazine also has local bureaux in Tokyo, New York City, Hong Kong, Zürich, Toronto, Istanbul and Singapore. This month saw the publication host their inaugural international conference, centering on the enduring theme that has preoccupied the magazine since launch: Quality of Life.
Set against the backdrop of Portugal’s capital, Lisbon, the event was hosted by Brûlé alongside editors Andrew Tuck, Robert Bound, Sophie Grove and Steve Bloomfield. The opinions of twenty-three internationally renowned speakers―including Martin Roth (Director of London’s Victoria & Albert Museum), Taco Dibbits (of Amsterdam’s Rijksmuseum) and Brazilian architect Isay Weinfeld, alongside the Mayors of Oslo and Porto―were keenly listened to by 160 delegates who had traveled from across the world. The points for discussion allowed for a breadth of discourse that spanned housing and urbanism, to explorations of the ‘high street’ and the significance of the museum in the contemporary city. The thematic scope of these conversations made them accessible, inspirational and, more importantly, both relevant and widely applicable.
With Lisbon now bouncing back from the 2008 recession, its estimated 12,000 buildings in decay offer plenty of opportunities to bring the city’s buildings more in line with its new economic structure. In this article, originally published by Curbed as “What Could Be Next for a Noted Lisbon Modernist Relic?” Lisbon’s Subvert Studio presents a speculative proposal for one of the city’s most notable – and visible – modernist ruins.
Views from the balcony of what was once the Panoramic Restaurant of Monsanto show a band of green treetops, a stretch of white cityscape that spans Lisbon‘s old and new quarters, and a glimmering slice of the Tagus river beyond, mouthing toward the Atlantic. Bracketing the view is blue: a blue sky above, and below, a blue smash of broken glass, reflecting and refracting the sky’s color. Wherever there is a vista at the Panoramic Restaurant of Monsanto, wherever there are windows—and the view is the focal point of the space—there is broken glass.
Last used as a club at the top of a 2,400-acre city park, the modernist structure has slipped ever further into riotous abandon since the mid-1990s. Windows have collapsed, graffiti long ago joined the reliefs by Portuguese ceramic muralist Querubim Lapa on the walls and the stained glass sculpture at the entry, chunks of ceiling have tumbled to the ground. And in recent months, a discussion has emerged: what to do with this city-owned modernist relic, which some estimate will require 20 million Euros to fix?