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Pezo von Ellrichshausen: The Latest Architecture and News

Seven Architects Transform London’s RA into Multi-Sensory Experience

This past week London’s Royal Academy of Arts (RA) celebrated the opening of, what many claim to be, one of the most “epic” and “enchanting” exhibitions of 2014: Sensing Space: Architecture Reimagined. With a series of large scale installations by some of profession’s most acclaimed architects, such as Eduardo Souto de Moura, and Kengo Kuma, the immersive exhibition creates an atmosphere that encourages visitors to become part of the experience and open their minds to the sensory realm of architecture.

"Architecture is so often the background to our lives," stated curator Kate Goodwin. "We often don't think about it - it's practical and functional, but when does it do something more?"

A preview of the installations, after the break.

Solo Houses: When Architects Are Given Carte Blanche

French developer Christian Bourdais has enlisted eight architects to develop vacation homes on a 50-hectare nature reserve about two hours south of Barcelona. So far, so normal. However, each participant in the "Solo Houses" experiment was given what every architect dreams of (and hardly ever receives): carte blanche. The results, from the likes of Sou Fujimoto, Pezo von Ellrichshausen, and more, are stunning. See them all after the break...

Solo Houses: When Architects Are Given Carte Blanche  - Image 1 of 4Solo Houses: When Architects Are Given Carte Blanche  - Image 2 of 4Solo Houses: When Architects Are Given Carte Blanche  - Image 3 of 4Solo Houses: When Architects Are Given Carte Blanche  - Image 4 of 4Solo Houses: When Architects Are Given Carte Blanche  - More Images+ 18

Biennial of the Americas 2013: Draft Urbanism

Biennial of the Americas 2013: Draft Urbanism - Cultural Architecture
© Cristobal Palma

Colorado’s Biennial of the Americas has invited artists and architects from across the Americas to participate in the second edition of Draft Urbanism: a citywide exhibition that examines the evolving relationship we have with our cities. This year, four architects - plan:b arquitectos (Colombia), Pezo von Ellrichshausen (Chile), June14 Meyer-Grohbrügge&Chermayeff (New York/Berlin), and Alex Schweder (New York) - were commissioned to each design and build a large-scale installation that address site-specific urban challenges and key planning issues presently facing downtown Denver.

With urban challenges ranging from Denver’s over abundance of surface parking lots to the effects of an 8-lane thoroughfare that splits the downtown core, these four installations aim to portray a deep understanding of the city’s history while proposing innovative ways in which art can address our urban future.

Read on to learn about the installations and view a short film for each by Cristobal Palma.

Seven Architects, Seven Multi-Sensory Installations Planned for London’s RA

The Royal Academy of Arts’ (RA) in London will soon be transformed into a multi-sensory “architectural maze” with the construction of seven installations by seven world-famous architects for the exhibit, Sensing Space: Architecture Reimagined. Participants, handpicked by curators Kate Goodwin and Drue Heinz, include Alvaro Siza, Eduardo Souto de Moura, Pezo von Ellrichshausen and Kengo Kuma.

Spotlight Award: Pezo Von Ellrichshausen Architects

Spotlight Award: Pezo Von Ellrichshausen Architects - Featured Image
Poli House / Pezo von Ellrichshausen © Cristobal Palma

The bold, yet seemingly simplistic geometric structures designed by architects Mauricio Pezo and Sofia von Ellrichshausen of Pezo von Ellrichshausen are turning heads internationally, as the Chilean firm has been announced as the recipient of the fourth annual Spotlight Award. Presented by the Houston-based non-profit Rice Design Alliance (RDA), the international award spotlights “exceptionally gifted” architects during the early phase of their professional careers.

2G / Pezo von Ellrichshausen

2G / Pezo von Ellrichshausen - Image 11 of 4

The monograph 2G presents a new way of approaching Chilean architecture. In the wake of the interesting publications of Mathias Klotz (2G 26, 2003), Smiljan Radic (2G 44, 2007) and Cecilia Puga (2G 53, 2010), now comes that of Pezo von Ellrichshausen, a firm that has proven itself around the world for its consistently outstanding, contemporary works (you can see some examples here).

Fosc House / Pezo von Ellrichshausen

Fosc House / Pezo von Ellrichshausen - Houses, Facade, BeamFosc House / Pezo von Ellrichshausen - Houses, Door, FacadeFosc House / Pezo von Ellrichshausen - Houses, Bedroom, Beam, BedFosc House / Pezo von Ellrichshausen - Houses, Garden, FenceFosc House / Pezo von Ellrichshausen - More Images+ 20

San Pedro de La Paz, Chile

Field / Pezo von Ellrichshausen

Field / Pezo von Ellrichshausen - Image 5 of 4
Photo by Mauricio Pezo

Project: Field Location: Arts Quad, Cornell University, Ithaca, New York, USA Client: AAP, Escuela de Arquitectura, Cornell University Architects: Mauricio Pezo, Sofia von Ellrichshausen, Yehre Suh Collaborators: Sae-Jun Ahn, Laura Amaya, Jesica Bello, John Best, Irina Chernyakova, Constanza Cortes, Karen Drummund, Monica Alexandra Freundt, Thea von Geldern, Lisa Hollywood, Amanda Lee Huang, Soyoung Jung, Kyle Keene, Jina Kim, Viola Diane Kosseda, Weonyoung Joy Lee, Chris Leonberg, Timothy Liddell, Jacqueline Liu, Hana Ovcina, Mia Ovcina, Mansi Ajit Pandey, Anna Pelavin, Hilary Pinnington, Mitchell W. Pride, Lorena Quintana, Ashley Reed, Samuel J. Reilly, Landon Gary Robinson, Hira Sabuhi, Johann Schweig, Courtney Song, Jerome Soustra, Rachel Tan, Margarita Urquiza, Mauricio Vieto, Zhiqiang Wang, Christopher Werner, Sonny Meng Qi Xu, Soo Jung Yoo, Milena Zindovic Photography: Karen Brummund, Mauricio Pezo, Irina Chernyakova, Jesica Bello Project year: 2009 Construction Year: 2009 Surface: 30.000 m2 Budget: 3000 USD

This installation establishes an optical exercise extended into a landscape format. Field is a continuous and homogenous installation of 2800 red sacks filled with straw (21” wide x 32” high) that covered the entire Arts Quad of the Cornell University Campus, in Ithaca (NY). The sacks were distributed in a 10 feet by 10 feet regular grid that followed the natural slope of the ground surface.